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Page Artiste Muhal Richard Abrams

Détails sur le produit

  • CD (17 avril 1998)
  • Nombre de disques: 1
  • Format : Import
  • Label: Black Saint
  • ASIN : B0000010YO
  • Autres versions : Téléchargement MP3
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  • Classement des meilleures ventes d'Amazon: 315.541 en Musique (Voir les 100 premiers en Musique)
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Commentaires client les plus utiles sur (beta) 4.7 étoiles sur 5 3 commentaires
7 internautes sur 7 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Vintage modern 12 décembre 2006
Par Amazon Customer - Publié sur
Format: CD
I'm only reveiwing this because I was surprised and disappointed to see that there aren't any reviews for any of the Abrams discs available on Amazon. About the artist: In the early 1960s, he formed the Experimental Band, which included Eddie Harris and Roscoe Mitchell amongst others. Eventually they morphed into the highly influential Association for the Advancement of Creative Music (AACM), which was to spawn the Art Ensemble of Chicago, Air (the jazz group, not the French moog-based pop group), and Anthony Braxton. Abrams, who began studying piano at the age of 17, has a style that encompasses the entire stratosphere of "black tradition," from ragtime, boogie-woogie, and stride to bebop, free jazz, and the most experimental sounds, and so does this recording. Blu Blu Blu, which came on the heels of Abrams materwork, The Hearinga Suite, was recorded in 1990, and features a 14-piece band. Like the big-band experiments of Charles Mingus, Duke Ellington, and Sun Ra before him, Abrams is adept at composing unusual swaths of sound uncommon to jazz. For example, the track Bloodline, features Joel Brandon whistling. The rest of the band includes four saxophonists, a five-piece rhythm section, a trumpet, a trombone, a French horn, and a tuba. The music is lively and spritely with a roots-to-modern inventive approach. For fans of progressive big band, this is a unique treat. Like fine wine, the music complex with a light finish. One of my favorites is the title track, which is a raunchy, rompy blues homage to Muddy Waters that would be at home at any Chicago blues speakeasy. That track is immediately followed by the tingling tympani crescendo that sounds like the beginning of a big screen fairy tale for adults. With Abrams, variety is the spice of life.
4 internautes sur 4 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Stunning muscial representation 26 août 2007
Par IntuitionDigression - Publié sur
Format: CD
If you think Holland's or Bley's are the only big bands that are worth listening to in our days, then you'd better pay attention to the music of this undervalued protean artist. You will take part to a stunning musical representation, melodically, rhythmically and harmonically multifarious, made of tradition, bebop, free, avant-garde, and something else not well-defined. All is wisely elaborated with rigorous compositional carefulness and recourse to wealthy instrumentation. In this regard, a very special mention deserves Joel Brandon, whose whistle is an unexpectedly phenomenal instrument: a sound between a piccolo and a recorder, and an array of inventive solos that leave open-mouthed (but the other musicians are no less than grade A). This album is a multifaceted and colourful one, with ample palette, representing a superlative achievement by a marvellous contemporary jazz big band.
1 internautes sur 1 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Chicago's Black Saint 4 juin 2008
Par Djembefellow - Publié sur
Format: CD
One of Muhal Abrams finest achievements on record, if you want a single disc of his music then this is it. Over 25 years after its creation this album contains some of the best contemporary big band writing and playing. Among the soloists is the extraordinary whistler Joel Brandon, sounding almost like an electronic theremin at times, amazing articulation and invention. Also the fine trumpeter Jack Walrath takes some brights solos and tenor sax player Eugene Ghee plays a lovely solo on "One for the Whistler" a great arrangement. Muhal's compositions shows his strong grounding in the jazz tradition and broad vision of African American and 20th Century music and of course the good old 12 bar Blues in the title track, honoring Muddy Waters with guitarist Dave Fiucyzinski playing some wailing slide guitar. Others highlights include the the classic big band piece "Bloodline" a glorious hard swinging track which is like a throwback and a fast forward through the music's history in 15 minutes. Highly recommended to fans and new listeners is the equally great follow up "Hearinga Suite" another large orchestra work. Muhal is a living giant and this music deserves the widest audience.
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