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The Bothersome Man [Import anglais]
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Commentaires client les plus utiles sur Amazon.com (beta)
This movie seems sort of to be giving you a reverse situation. It is as if it asks - what happens to a person when he finds himself in a world populated by Meursaults? And that is just what happens. Andreas apparently winds up at a bus stop in a desert-like place and from there is taken to a very modern spic and span city. Here he is given perhaps everything that anyone could want in life - a job, friends, a girlfriend, nice apartment, etc. - What more could you ask for in life??? - Yet in spite of it all something is missing. The city, which he reached by way of the desert is itself a desert of sorts. The city (and its people) lacks color, emotion, feeling, etc. It is nothing but flesh, bone and nerve amidst concrete, gravel and steel. It is a hollow place. Andreas' sense that there something not right with the place increases as he finds the place to be more and more alienating. Ok - I'll stop here and not say anymore about the story -
The movie seems to be some kind of existential commentary on modern societies, where on the surface, you seem to have everything, but deep within have nothing, and the lives lived are those of Thoreau's quiet desperation.
- Very good and intelligent movie.
But that seems to be the problem with everything. There are no highs or lows. There are no children around and everyone he sees or works with is about his age. No one is too fat or too skinny. No one is too tall or too short. All the colors are muted and all the furniture is minimalist. The food is bland and he can drink liquor till the cows come home and he isn't going to get drunk. Even the act of sex seems to be bland and unfulfilling.
There is much more to this but I don't wish to spoil.
This is a quirky idea. I'm not sure he's in Hell, (a point which is underlined by the final scene) but he's in no place I'd like to be. This is a film from the Icelandic Film Company but I believe it's really Swedish or Norwegian. I'm also wondering if they aren't making a statement about their society. That they are a totally even-keeled society that has lost all sense of adventure and passion. The opening scene shows Andreas in an underground train station. The only other people there are a youngish couple doing some heavy mouth to mouth. But their eyes are open and there seems to be no real passion. Just a going through the motions sort of thing. That's when he does himself in.
The concept is so good I wouldn't be surprised if the script wrote itself. This is a very well realized movie. The set, costumes, color schemes must have been easy to put together. It's shot well, acted well and has a very good musical score. If there is a reason I'm not giving this 5 stars is because it makes so much sense so quickly. You pretty much get what is going on early in the movie, so each new scene does little more than underscore what you already know. The reason you keep watching is to see how things will resolve themselves. I'm very curious as to how viewers will read the final scene.
Being a foreign, subtitled film, it certainly won't be for everyone. But for any viewer predisposed toward this sort of thing it's well worth the time to view it.
While most of the city's citizens -- or consuming units, really -- seem perfectly happy with this situation, newcomer Andreas doesn't quite fit in, no matter how much he tries at first. And when he becomes aware of a crack in a basement wall, where he can smell freshly baked bread & hear lovely music & glimpse golden sunlight ... well, that's it for him. He's desperate to escape his sterile surroundings for something genuine & authentic. But will that be allowed by the rest of the city?
I won't spoil what happens next. Suffice it to say that Kafka, among others, would recognize this territory, which is the glossy & empty facade of the consumer life, where all is surface & there's no substance. Yet so many people are vaguely content with this pale approximation of an inwardly rich & real life -- and those who can't accept the sugary lie are often ostracized for it. After all, if you've sold your soul for a hollow fantasy, who wants a bothersome man around to remind you of it?
Previous reviewers have done a nice job.
One thought to contribute:
It would be wonderful to find a list of films which, without regard for genre, geography, etc, invoke a similar feeling. If there is one, please someone send a link.
I'd expect to find-- Local Hero, Groundhog Day, Lost in Translation...
Good bets if you liked this one.