• Tous les prix incluent la TVA.
Livraison gratuite dès EUR 25 d'achats. Détails
Il ne reste plus que 3 exemplaire(s) en stock (d'autres exemplaires sont en cours d'acheminement).
Expédié et vendu par Amazon. Emballage cadeau disponible.
Quantité :1
Brahms - Concerto pour vi... a été ajouté à votre Panier
+ EUR 2,49 (livraison)
D'occasion: Bon | Détails
Vendu par Japan-Select
État: D'occasion: Bon
Commentaire: Expe'die' depuis Japon. Rapide: 3-4 semaines.
Vous l'avez déjà ? Vendez sur Amazon
Egalement disponible en MP3
Album MP3 à EUR 8,09

Brahms - Concerto pour violon / Double Concerto

5.0 étoiles sur 5 1 commentaire client

Note: Cet article est éligible à la livraison en points de collecte. Détails
Récupérer votre colis où vous voulez quand vous voulez.
  • Choisissez parmi 17 000 points de collecte en France
  • Les membres du programme Amazon Premium bénéficient de livraison gratuites illimitées
Comment commander vers un point de collecte ?
  1. Trouvez votre point de collecte et ajoutez-le à votre carnet d’adresses
  2. Sélectionnez cette adresse lors de votre commande
Plus d’informations
23 neufs à partir de EUR 7,75 8 d'occasion à partir de EUR 6,57
inclut GRATUITEMENT la version MP3 de cet album.
Uniquement pour les albums vendus par Amazon EU Sarl, hors cadeaux. Voir Conditions pour plus d'informations, notamment sur les coûts de la version MP3 en cas d'annulation de commande.
Passez cette commande pour sauvegarder la version numérique de cet album dans votre bibliothèque Amazon Music. Vendu par Amazon EU S.à r.l.
Promotions et bons plans musique CD Vinyle Promotions et bons plans musique CD Vinyle


Offres spéciales et liens associés


Page Artiste Jian Wang


Détails sur le produit

  • Chef d'orchestre: Claudio Abbado
  • CD (28 juin 2003)
  • Nombre de disques: 1
  • Label: Deutsche Grammophon
  • ASIN : B0000646IJ
  • Moyenne des commentaires client : 5.0 étoiles sur 5 1 commentaire client
  • Classement des meilleures ventes d'Amazon: 48.563 en Musique (Voir les 100 premiers en Musique)
  •  Voulez-vous mettre à jour des informations sur le produit, faire un commentaire sur des images ou nous signaler un prix inférieur?

  • Ecouter les extraits - (Extrait)
1
30
21:01
Album uniquement
2
30
8:33
Ecouter le titre Acheter : EUR 0,99
 
3
30
7:33
Ecouter le titre Acheter : EUR 0,99
 
4
30
17:09
Album uniquement
5
30
8:02
Ecouter le titre Acheter : EUR 0,99
 
6
30
8:51
Ecouter le titre Acheter : EUR 0,99
 

Descriptions du produit

Description du produit

"Gil Shaham y Jian Wang interpretan el Concierto para Violín y el Doble Concierto de Brahms, respectivamente, con la Berliner Philharmoniker bajo la dirección de Claudio Abbado. El maestro Abbado ha dirigido este concierto de modo diferente, cercano a la música de cámara, prestando gran atención a los detalles, en un peculiar estilo al que últimamente nos tiene acostumbrados. Al mismo tiempo, se puede apreciar la virtuosidad esperada de los solistas, que ya habían actuado juntos en varias ocasiones."

Amazon.fr

Il faut une certaine audace à Gil Shaham et à son éditeur pour oser proposer aux discophiles une énième version du Concerto pour violon de Brahms, qui compte au nombre des œuvres pour violon les plus enregistrées. Qu'apporte donc le violoniste américain ? Un vent de fraîcheur, une élégance, une virtuosité maîtrisée : des arguments d'autant plus saillants que ce disque est le fruit d'un concert, sans les possibilités de "retouches" qu'offre le studio. À noter également la présence sur ce disque d'une très belle version du Double Concerto pour violon et violoncelle de Brahms, dans laquelle Shaham croise l'archet avec Jian Wang, non sans une certaine jubilation. --Pierre Guillaume


Quels sont les autres articles que les clients achètent après avoir regardé cet article?

Commentaires en ligne

5.0 étoiles sur 5
5 étoiles
1
4 étoiles
0
3 étoiles
0
2 étoiles
0
1 étoile
0
Voir le commentaire client
Partagez votre opinion avec les autres clients

Meilleurs commentaires des clients

Par Denis Urval COMMENTATEUR DU HALL D'HONNEURTOP 50 COMMENTATEURS le 16 mars 2008
Format: CD
Si on regarde les enregistrements récents du concerto pour violon de Brahms, il n'y a certes pas pénurie de valeureux solistes dignes de leurs aînés, mais ils sont souvent accompagnés sans grand enthousiasme dans une œuvre qui exige un chef (comme Furtwängler avec Menuhin, Klemperer avec Oistrakh, ou Reiner avec Heifetz).

C'est pour une part ce qui fait le prix de cet enregistrement de concert (2000) qui associe Claudio Abbado et la Philharmonie de Berlin, excellents, à Gil Shaham. Celui-ci, qui paraît d''abord assez menu de son, déploie progressivement un jeu aérien et splendide, d'une grâce quasi-féminine, auquel on résistera difficilement. Avec cette interprétation euphorique et hédoniste, Shaham rappelle qu'il est un des meilleurs solistes en activité. Ma seule réserve sur cet enregistrement porterait sur l'introduction du second mouvement et le hautbois d'Albrecht Mayer, assez neutres. On retrouve les mêmes qualités dans un Double Concerto de toute beauté (2001), où Shaham trouve en Jian Wang un partenaire bien plus qu''un rival, quelqu'un qui déploie comme lui une magnifique palette de couleurs et partage avec lui le souci de la belle ligne et le refus de l'effet gratuit.

Les admirateurs de Shaham et d'Abbado peuvent ausi chercher ceciEuropa Koncert 2002,Brahms: Concerto Pour Violon - Dvorák: Symphonie N° 9 [Blu-ray].
Lire la suite ›
Remarque sur ce commentaire 16 personnes ont trouvé cela utile. Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
Merci pour votre commentaire.
Désolé, nous n'avons pas réussi à enregistrer votre vote. Veuillez réessayer
Signaler un abus

Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x8fc09204) étoiles sur 5 16 commentaires
31 internautes sur 37 ont trouvé ce commentaire utile 
HASH(0x8fa99c48) étoiles sur 5 Spontaneous and inevitable 19 décembre 2002
Par Eric J. Matluck - Publié sur Amazon.com
Format: CD
I ordered this disc from Amazon in the United Kingdom, a couple of months before it became available in the United States. I gave it a rave review on that Web site and feel compelled to repeat that review here:
Thank God for the Internet! If not for it, Americans like me would hardly be able to lay hands on this extraordinary disc. And extraordinary it is, boasting superlative performances of two of Brahms' most important works in rich, velvety, and ideally balanced sound.
The Double Concerto, long my favorite of Brahms' four concerti, here gets the performance of its life. Praise, first, to the two solists, who play as one; more than once during the first movement, where the violin begins a downward passage only to be taken up by the 'cello, or the 'cello begins an upward passage to be continued by the violin, I couldn't tell where one soloist left off and the other began. Such synergy is woefully rare in performances of this piece and here bespeaks (finally!) the matching of two musicians of caliber. Too often, we are forced to listen to a great violinist and a so-so 'cellist make this work into a violin concerto with 'cello obligato (I'm thinking of the unfortunate Mutter/Meneses/Karajan recording) or a great violinist and great 'cellist contort the piece out of all recognizable shape at the service of virtuosity (I won't even mention which recording I'm talking about here, because I know it has its legions of admirers). Instead, Shaham, Wang, and Abbado give a performance that is virile, yet touched by melancholy (the closing bars of the slow movement are breathtaking, as is much of the hushed development section of the first movement), and, by opening themselves up to a wider range of emotions than I've ever heard in this work, give it a fitting grandeur, appropriate to Brahms' valedictory orchestral statement.
The performance of the Violin Concerto took me longer to get a handle on; it is emotionally complex (both the work and the artists' interpretation of it) and can't really be summed up in a few words. That said, the word that first came to mind was "sensuous," although there is no lack of heft in the reading here; then words like "spontaneous" and "effortless" came to mind. For a while there, truth to tell, I wondered if perhaps Shaham and Abbado didn't make the piece sound too "easy," not projecting enough sense of struggle, but then I realized that Brahms had conceived this piece as (what was for him) "idyllic." It shares the world of the Second Symphony and First Violin Sonata. After several more listenings I finally hit on the word "inevitable." Listening to the way the work is performed here, I can't imagine it being performed any other way. Yet there is nothing overtly radical about the interpretation. The first movement is alternately tough and tender, at a tempo a bit faster than the norm, but never (!) sounding rushed; the second movement has a wonderful whimsy (with a superbly individual delivery [lots of rubato!] of the famous oboe solo); and the finale goes like lightning without ever sounding like cheap display. Overriding it all is the superb partnership (and balancing) between solist and conductor, making this a true "symphonic concerto."
In sum, a refreshing, thought-provoking, and altogether beautiful set of performances of two life-enhancing works, to engage mind and heart. I wouldn't be surprised if this one were destined for greatness.
6 internautes sur 6 ont trouvé ce commentaire utile 
HASH(0x8fa99c9c) étoiles sur 5 A fine violin concerto, but it's the Double Concerto that you'll really want to hear 8 février 2012
Par Andrew R. Barnard - Publié sur Amazon.com
Format: CD Achat vérifié
Abbado has been guilty of giving us dull Brahms in the past; what I've heard of his set of the symphonies with Berlin has little that's memorable. Abbado has a great gift of sensitivity, but this gift can backfire on him, causing him to turn out music that just rides along. All the same, when inspiration hits him, which happens more often than not, you couldn't ask for a better, more interesting musician. Thankfully this disc, recorded shortly before Rattle took over the Berliners, is highly convincing. Abbado proves to be a phenomenal conductor and the Berliners play like what they are--the greatest Brahms orchestra in the world.

Gil Shaham is the soloist in the Violin Concerto. From the start it's a given that he will play with confidence, but he goes further. He instills sweetness in his tone, making a delightful world of warmth. Since this is Berlin, we're assured a wonderful big sound, but Abbado isn't going for excitement. He creates a pastoral atmosphere, pulling soaring sounds from his orchestra, particularly in the 1st movement. For me it was in the 1st movement that Shaham and Abbado were the most convincing, as they have a fast tempo but never sound at all rushed, only spontaneous. Albrecht Mayer opens the 2nd movement with a touching oboe solo and the whole piece is gentle and soothing in Abbado's hands. The orchestra doesn't have the darkness of tone that was present under Karajan and brought back by Rattle but that didn't bother me. The finale could have been done with more robustness, but it put a smile on my face all the same. Looking back over the whole performance, I'm pleased, although it wouldn't have hurt to let more excitement on the scene.

But it was the tantalizing performance of the Double Concerto that won me over to this album. Shaham is joined by Jian Wang on the cello and they both play with agility and a high level of personality. Yet I'm inclined to believe that this is really Abbado's game. He conducts the Berliners with an enthusiasm that is infectious. From the opening bars I can sense that he loves his music and is determined to make that clear. Abbado is never pretentious and he sounds wholly sincere. If I say that Abbado makes the most of the smallest details, I'm stating the obvious. There's a wonder to it all that isn't easy to describe, but I'll just say that there's a strong sense of direction and power that few conductors know how to achieve. Every pizzicato, every ordinary chord suddenly has purpose yet the music never sounds overworked. All the life is still there, thriving in an environment of super virtuoso playing. Going back to the Perlman/Ma/Barenboim account of this work that I listened to in my younger years, it sounds tame and nearly dull. There's no point comparing Abbado to Barenboim as Abbado is the greater conductor to begin with but comparing Shaham/Wang to the more famous (and better, we're told) team of Perlman/Ma , the former duo is simply more expressive and less restrained. So while I think Abbado is the biggest winner, it's only fair to acknowledge that Shaham and Wang are on a very high level themselves.

This is a very fine disc, especially because of the superb Double Concerto. It's a joy to hear Abbado at his most inspired.
16 internautes sur 20 ont trouvé ce commentaire utile 
HASH(0x8fa99f78) étoiles sur 5 good - and different modern recording 8 octobre 2002
Par Musicy - Publié sur Amazon.com
Format: CD
This is the latest big name Brahms violin concerto recording- Hahn and Chung have both released recordings recently as well. I have reviewed the Hahn on amazon. This new recording from Shaham is a rather unusual modern recording for a couple of reasons.
- It's quite fast, first of all. Heifetz fans should be pleased. The average first mvt these days goes around.. 22-24 minutes, but Shaham and Abbado take it in 20'50. Not 18'50, but the dramatic sections seem to speed up appropriately; the orchestral introduction is nearly exactly Heifetz/Reiner tempo. The second mvt is 8'30, the last a very sprightly 7'30. (compare to Heifetz 7'20 or... Chung 8'30).
-It's a live recording; the balance is NOT forward on Shaham. This is not a problem in that you can hear very well the orchestra (one of my complaints about Hahn's recording was the forward balance), but Shaham's tone seems a bit more streamlined than it does in say, his Barber/Korngold recording, and sometimes it's hard to hear him.
-The BPO is in top form(not that this is unusual for them, but it's so much more refreshing than some other orchestras, ie Academy of St Martin in the Fields), and Abbado is attentive to detail. All the lines are brought out and in general everything works together very well.
As for Shaham's performance, perhaps because of the balance, it seems less colorful than you might expect. It also seems to be a relatively conservative reading in terms of emotional outpouring, etc. It's very clear, streamlined, technically perfect, refreshing - no whining in the upper registers - the giocoso is quick, the flourishes actually flourish, and there is humour as well. Is it beautiful?? Maybe, but those who prefer a Mutter approach (who probably aren't even considering this CD) will say no. I think it could do with a little more Heifetzian intensity myself. But in terms of sound quality and overall performance, I think it's a very good modern Brahms. (Gramophone gave it 5 stars in their August issue.)
The double concerto I would not give 5 stars (but 4). Probably because there are less blah modern recordings of it than the violin concerto, so there's less out there to make it seem refreshing. There is nothing upsetting about the tempos (17'10, 8'00, 8'50), although for a minor point, the orchestral entrance in the first mvt (after the soloists present themselves) seems a little asleep. Abbado wakes up soon enough, though- I think it's the soloists who make or break this recording. Shaham and Wang are both very good, of course, but they lack that edge-of-your-seat intensity that Oistrakh/Rostropovich bring. They do not dig into the double stops as much as they could; it's almost like the easy listening Brahms double concerto. Maybe it'd work best for a younger fan who is still scared of nitty-gritty solo string playing? If I had to generalize nicely, I'd say it's a cooler, 'intellectual' reading. STILL, I have to recommend Oistrakh/Rostropovich/Szell as top choice for this concerto.
6 internautes sur 7 ont trouvé ce commentaire utile 
HASH(0x8fa9e4bc) étoiles sur 5 In praise of a must-have Double Concerto 12 janvier 2006
Par Santa Fe Listener - Publié sur Amazon.com
Format: CD
This CD features a live performance of the Brahms Violin Concerto from 2000, followed a year later by a studio recording of the Double Concerto. Many here have praised Shaham's solo work, and I'd also rank his Brahms D major with the best modern recordings. I think Abbado's earlier 1992 reading on Philips with Viktoria Mullova, also live, finds both in stunning form, but this DG version, though not as brilliant sonically, is certainly fine. The first movement is now quite fast at 20 min.--only Heifetz and Reiner, in my experience, go faster. Shaham takes a delicate, inward view of this movement, playing with nuance for the microphone. The Adagio and finale are more standard but nevertheless quite sweet-toned and convincing.

But it's the Double Concerto, I think, that's the marvel. This late work reflects one of Brahms's unique emotions: melancholy fervor. Performances need to be spirited and fleet not to sound lugubrious. Here Shaham and cellist Jian Wang go further--they play with one voice, in a synchronized duet of amazing spontaneity and inner life. One marvels at how joyful this work can be made to sound, and Abbado is with them every step of the way. I've never heard the like. Five stars plus.
HASH(0x8fa9e4d4) étoiles sur 5 An exciting, energetic performance of the violin concerto 4 novembre 2014
Par Michael - Publié sur Amazon.com
Format: CD Achat vérifié
I absolutely love the urgency and excitement of Gil Shaham's performance of the violin concerto. I grew up listing to the Heifetz/Reiner recording of this concerto, which as other reviewers have noted, is uses much faster tempos than typical contemporary performances. I've been waiting many years to hear a modern recording that captures the sense of excitement, energy, and sense of relentless forward movement I felt in the Heifetz recording, and here Gil Shaham has finally given us such a recording. I'm not a fan of most of Heifetz' fast tempo recordings, but for the Brahms concerto I really think it adds a special spirit to this piece. The violin's entrance in the first movement becomes just an explosion, and the last movement is a romp to the end.

I also enjoyed the double concerto on this disc. The violin and cello blended together as though playing chamber music.
Ces commentaires ont-ils été utiles ? Dites-le-nous


Discussions entre clients



Commentaires

Souhaitez-vous compléter ou améliorer les informations sur ce produit ? Ou faire modifier les images?