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Brand New Day Import

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Détails sur le produit

  • CD (28 septembre 1999)
  • Nombre de disques: 1
  • Format : Import
  • Label: Mis
  • ASIN : B00001QGQI
  • Autres éditions : CD  |  Cassette  |  Téléchargement MP3
  • Moyenne des commentaires client : 4.5 étoiles sur 5 2 commentaires client
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Format: CD Achat vérifié
Merveilleux album, mais ils le sont tous quand on est sensible à l'oeuvre de Sting.
On y trouve comme dans chaque album des influences musicales variées, c'est du pur enchantement à chaque fois.
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Format: CD Achat vérifié
Comme dans "Ten Summoner's Tales" et "Nothing Like the Sun" Sting varie les genres pour mon plus grand plaisir et ma plus grande surprise (me faire apprécier du rap et du country n'est pas donné à tout le monde). Les mélodies sont belles, les paroles aussi. Et puis j'aime l'humour de certains textes.

Desert Rose est envoutante et Tomorrow we'll See est poignante.
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x8eed0708) étoiles sur 5 627 commentaires
50 internautes sur 52 ont trouvé ce commentaire utile 
HASH(0x8eedd258) étoiles sur 5 Leave Your Expectations at the Door 29 septembre 1999
Par Un client - Publié sur Amazon.com
Format: CD
I'm a huge Sting fan; I own a large collection of funky Sting B-sides, imports, and foreign language CDs in addition to the regular stuff. So when the new 'Brand New Day' album came out, I was one of the first in line to snag it! Here's my take: if you're a Sting fan, you're in for a ride. If you're not . . . well, give this album another chance. Sting fans, the good news is that this album is REALLY different. Musically, Sting is at his most creative; he's having a blast moving from genre to genre (and hey, why limit it from song to song- - he now mixes country, gospel, and jazz in one track - - eeek!). Lyrically, there are moments of brilliance (I'm particularly fond of the title track and 'Big Lie, Small World'), but there's nothing as consistently incisive as his first two solo efforts. Where do I net out? I'm wild about four tracks, convinced that I'll eventually like three more, and can't stand two of them. If you're not a die-hard Sting fan this album may not be for you at first listen . . . but with time, you may find that your musical horizons stretching. Enjoy!
106 internautes sur 120 ont trouvé ce commentaire utile 
HASH(0x8eedd6c0) étoiles sur 5 Sting travels a wide musical map 22 janvier 2000
Par Jon Warshawsky - Publié sur Amazon.com
Format: CD
Brand New Day delivers some of Sting's strongest and weakest material in a solo career that is passing its fifteenth year (!). Sting has never been content to do the same thing for long, something that irks fans who want another 'Roxanne' or 'Don't Stand So Close to Me'. Brand New Day is much more complicated.
To start, the recording and performers on the album are all first rate. Branford Marsalis and drummer Manu Katche (from Dream of the Blue Turtles in 1985) return as part of staggering array of talented performers. Where the album isn't a perfect success is in the material.
The opener, a soft, minor number, is fine for what it is, but the excellent lyrics (Sting really shines as a songwriter, here and elsewhere) are sometimes lost in the musical murk. When you pay attention, you recognise that this is a worthwhile song, just nothing exciting. 'Desert Rose' is one of Sting's most satisfying solo numbers, with plenty of exotic instrumentation, great backing vocals and the soaring kind of lead vocals -- and plenty of violins! -- that make it a standout. Listen to the music and you can tell this is a serious production by someone who knows more than rock.
'Big Lie, Small Word,' a rhythmic guitar tune, works well enough, leading to 'After the Rain has Fallen', with fairy tale lyrics that show off Sting's distinctive straining vocals and some nice harmonies. 'Perfect Love...' is okay, with a forgettable French rap that shows how bad rap is no matter what language it's in. 'Tomorrow We'll See' delivers more thoughtful lyrics, but here Sting tries his hand at a gentle rap. After an instrumental interlude, Sting casts off his musical taste and plunges into a twangy country romp, complete with dumb lyrics about no job and no money (did he spend it all?) This song makes me wish I could erase selected tracks from commercial CDs. This is Jimmy Buffett material. I don't want to hear Sting do this kind of stuff.
More successful, 'Ghost Story' is a slow, guitar-accompanied recitative piece that could have come from the 'The Soul Cages' album -- soft and reflective, but wholly effective, really a beautiful song, with a hint of folk near the end. 'Brand New Day', the title track, is an infectious tune that Sting infuses with more soul than any white British guy should ever be able to. It really works.
This is a very ambitious album, and the good moments are very good, but the experimentation is more gimmick than anything. The good news is that Sting remains an intellectual songwriter who puts a lot of thought into his music and obviously enjoys writing and performing. Jazz and reggae brought Sting a lot of fans -- he could leave rap and country behind without losing anyone.
Recommended, even with its imperfections. I grew up to Sting's music, and I would rather have an A- Sting album than most of what fills the shelves today.
20 internautes sur 20 ont trouvé ce commentaire utile 
HASH(0x8eedd6e4) étoiles sur 5 New, different, mature, brilliant 4 janvier 2000
Par Dave Stalker - Publié sur Amazon.com
Format: CD
I don't understand why this album is getting so much flack. It is undoubtedly different from Sting's Nothing Like the Sun days, but who would want it to be the same? Hell, Sting is sounding quite different these days than he did with the release of Roxanne and if he didn't, he would be extremely stale by now. It's called growth. We all do it. Midlife crisis? I disagree. No sense of humor? Just listen to the tracks "Big Lie Small World" and "Perfect Love Gone Wrong" to see that Sting's wit is still intact. In my opinion this is Sting's most laid back and mood-setting album to date - some people might equate this with boredom, but I disagree. Its subtleties might demand a little more of the listener's attention than do Sting's earlier and more upbeat days and what's wrong with that? In my opinion this is as good as any of Sting's previous efforts, although no doubt very different as well (not to mention, quite eclectic too). There are many opinions here but cast all fears aside, at the very least this album deserves a few listens - and I think if you give it a chance, you'll agree with me that this is an excellent listen.
18 internautes sur 18 ont trouvé ce commentaire utile 
HASH(0x8eedda08) étoiles sur 5 Variety is the spice of Sting 8 mars 2000
Par Steve Ogden - Publié sur Amazon.com
Format: CD
At midlife, Sting's attention turns to his obsessions, as demonstrated on his latest CD, Brand New Day. Luckily, his obsessions are worthwhile...a variety of good music and powerful hooks.
OK, granted I'm a huge Sting fan anyway, but I've been disappointed off and on with his past few albums. Rest assured, this is one of his best efforts.
So, admittedly the music on Brand New Day is all over the map (I've had a joke for several years that Sting is obsessed with country music, but just can't make up his mind which country...) but I think that's what has kept me listening to it long after its novelty wore off. Sting has packed so much refreshing variety into one album, it's hard to resist.
Case in point: 'Fill Her Up'. This is a good ol' country music tune about a poor mechanic goin' ta Las Vegas with a stolen box o' his boss's money. After two minutes of sheer painful goofiness starring Sting and James Taylor in a good ol' cameo, the song pauses for a moment, and when it gets going again, it's a full out gospel romp. It's glorious. I'm sad to say that more than a few people won't get the payoff from that song, because they'll pop to the next track early in those first two minutes.
But I wonder if Sting's intention wasn't to explore that contrast a little, the contrast between the goofy front of that song, and the glorious finish. I can tell you that song was my least favorite thing on the album on my first listen, but in the end, it's become one of my favorites.
It's nice to see Sting continuing to stretch his musical muscles and, to a degree, his audience's patience. Yes, it takes patience to get hooked on this album, maybe even a little maturity, but it's well worth it.
So, stretch a little. Sting will meet you halfway. But, if you just want his Same Old Thing, you'll hate this album. If you can't meet him halfway, go listen to some old Police or Sting because and he's not doing the Same Old Thing any more.
Thank God. Because as an artist, Sting had to grow. As a member of his audience, I appreciate the chance to grow as well.
27 internautes sur 29 ont trouvé ce commentaire utile 
HASH(0x8eeddb34) étoiles sur 5 Brand New Sting 29 novembre 1999
Par Patrick Murzyn - Publié sur Amazon.com
Format: CD
I wasn't really blown away by this album the first time I listened to it. But the albums you usually appreciate the most are the ones you grow into. "Brand New Day" is such an album. Sound quality and musicianship are top-notch. This album once again reminds me of the lyrical mastery Sting showed us he was capable of with "The Soul Cages." From the moody and deep "A Thousand Years" and "Ghost Story," to the haunting and evocative "Desert Rose," to the playful and witty "Big Lie, Small World" and "Fill Her Up," to the catchy-pop of "After the Rain Has Fallen," I think Sting displays convincing evidence for his musical evolution. Listen to "The Soul Cages" for the musician's deep, somber introspective journey, and listen to "Brand New Day" to see what type of artist emerges from that darkness. Highly recommended for all music fans, not just those who are familiar with Sting.
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