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With The Burt Bacharach Orchestra CD, Import


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Page Artiste Marlene Dietrich


Détails sur le produit

  • CD (30 mai 2007)
  • Date de sortie d'origine: 1 février 2007
  • Nombre de disques: 1
  • Format : CD, Import
  • Label: Bureau B
  • ASIN : B000OV14ZA
  • Moyenne des commentaires client : Soyez la première personne à écrire un commentaire sur cet article
  • Classement des meilleures ventes d'Amazon: 642.419 en Musique (Voir les 100 premiers en Musique)
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Liste des titres

Disque : 1

  1. Makin' Whoopee
  2. One For My Baby
  3. I Can't Give You Anything But Love
  4. Falling In Love Again
  5. You're The Cream In My Coffee
  6. Kisses Sweeter Than Wine
  7. I've Grown Accustomed To Her Face
  8. Cherche La Rose
  9. Das Ied Ist Aus
  10. Je Tire Ma Révérence
  11. I Wish You Love
  12. My Blue Heaven
  13. Look Me Over Closely
  14. The Laziest Gal In Town
  15. Honeysuckle Rose
  16. Déjeuner Du Matin
  17. Another Spring Another Love
  18. Go Way From My Window
  19. Marie, Marie
  20. Lili Marleen

Descriptions du produit

(2007/bureau b) 20 titres de 1957 à 1962 Digipac avec livret de 24 pages (Deutsch / English)

Medium 1
Makin' Whoopee
One For My Baby
I Can't Give You Anything But Love
Falling In Love Again
You're The Dream In My Coffee
Kisses Sweeter Than Wine
I've Grown Accustomed To Her Face
Cherche La Rose
Das Lied ist aus (frag nicht, warum ich gehe)
Je Tire Ma Reverence
I Wish You Love
My Blue Heaven
Look Me Over Closely
The Laziest Gal In Town
Honeysuckle Rose
Dejeuner Du Matin
Another Spring Another Love
Go 'Way From My Window
Marie, Marie
Lili Marleen

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Amazon.com: HASH(0x99fddfcc) étoiles sur 5 4 commentaires
1 internautes sur 2 ont trouvé ce commentaire utile 
HASH(0x99f371e0) étoiles sur 5 Marlene Dietrich With The Burt Bacharach Orchestra, 18 Songs, Incredible Run, Don't Ever Let The Flame Go Out! 16 mai 2011
Par Rob Stoneman - Publié sur Amazon.com
Format: CD Achat vérifié
Marlene Dietrich With The Burt Bacharach Orchestra This Compilation Published and Copyrighted 2007, bureau b, 1 CD, 18 Tracks, distributed by edel.

Everyone ought to see the Great Performances TV special devoted to Burt Bacharach.

One of the highlights features Miss Marlene Dietrich decked out in a lavish costume in between numbers on stage in a fancy Opera Hall introducing her Conductor.

"I would like you to meet a man I love and admire. He's my teacher, he's my critic, he's my accompanist, he's my arranger, he's my conductor and I wish I could say he's my composer. But that isn't true. He's everybody's composer. He has written so many hit tunes and you know them all. And his name is- Burt Bacharach".

Miss Marlene Dietrich and Burt Bacharach possess an underlying love for music which they managed to openly share with the world everynight on stage.

"She was an absolute perfectionist. I had to rehearse with the orchestra for days on end before each performance. I'm a perfectionist myself, but nothing compared to her. One false note could drive her wild. sometimes the musicians were so exhausted by showtime that they could hardly hold their instruments. The reviews would say it was a very intimate concert, full of atmosphere".

Testimony all the glitz and magic is hand made.

It's all in the liner notes of the wonderful compilation devoted to the pair.

A run which lasted well over 6 years.

Three essays, one by leading music journalist Konrad Heidkamp, another by Marlene Dietrich on Bacharach, and a final essay.

Taken from: Maria Riva: Marlene Dietrich by her Daughter.

Burt Bacharach began to mold, then hone Dietrich's talent to mesmerise a live audiance vocally. He rewrote all her orchestrations, trimmed her excessive use of violins, allowing them only when their lilt would be most effective, injected American rhythm into her old standards, then told her how to sing "swing". He coached her, directed her, treated her as a knowledgable musician whose ability needed only polishing to be recognised as a laudible talent. As her confidence grew, so did her ability too take command of a stage as a performer, not simply a Hollywood glamour queen come to warble her ditties. From time to time, as I found songs I knew were particularily suited to her philosphy of life and loving, I discusssed them with her, then sent the music to Burt to write his orchestration, that is, if he agreed and approved of my choice. No one was ever a better arranger for Dietrich's vocal capacity than Bacharach.

When you break open the shrink wrap and study the contents of this delightful compilation you will find a wonderful account.

Then there was a knock at the door. A good looking man stood there. I'd never seen him before.

"My name is Burt Bacharach" he said. "Peter Matz sent me".

I looked him up and down. He was very, very young and attractive, with the bluest eyes I've ever seen.

He headed staight for the piano, sat down and asked, "Which song would you like to sing first"?

I stumbled over a chair, reached for my notes- the song was Look Me Over Closely...

There are plenty of pictures in the liner notes of Burt Bacharach and Miss Marlene that exhibit they make a very handsome couple.

Most profound is the role music plays.

The liner notes first essay by Konrad Heidkamp speaks volumes.

Music was more important to her than anything else- her songs, which she transformed into short films of her own. For this she needed Burt Bacharach.

Burt Bacharach paints the sets for her new films, becoming the Josef Von Sternberg of her music. Her songs are now three minute films, the compostions her screenplays and the arrangements are lightning, costumes and choreography. The lyrics are a monologue- there is but one main performer and she needs only one foil- an audiance who love her.

Marlene Dietrich With The Burt Bacharach Orchestra is one of a series of compilations on the edel bureau b label which also include Caterina Volante, Gitte Haenning, Helmut Zacharias and Esther Ofarim.

All the artist in this series will attest music is the quickest way to bring a room full of people together.

I get very quiet and emotional when I watch my VHS Burt Bacharach One Amazing Night or DVD import An Evening To Remember.

Our Conductor is standing on stage smiling remembering his chanteuse, reciting in German the lyrical title for A Message To Michael.

He's a fan like you and me.

Marlene Dietrich With The Burt Bacharach Orchestra

18 Tracks, 34 Songwriters

A compilation customers have been looking forward to for a long time.

Handsome people, incredible arrangements, the perfect compliment.

Available at the click of a button.

Set aside a quiet moment to take in the music.

Light a candle, don't ever let the flame go out.

Here is a work devoted and dedicated to the ones we love that we can hold close to our heart, in word, song and spirit.

Thank you, Miss Marlene and Burt Bacharach.

Incredible run.

Good job!
1 internautes sur 2 ont trouvé ce commentaire utile 
HASH(0x9a080180) étoiles sur 5 Marlene & Burt 14 octobre 2008
Par Peter Buzz - Publié sur Amazon.com
Format: CD
The first and definitive song-collection of this outstanding musical collaboration featuring the original Columbia, Philips and RCA recordings!

When Marlene Dietrich met arranger and composer Burt Bacharach, born in Kansas City in 1927, her second career had already begun. Following Josef von Sternberg's magnificent 'The Blue Angel' in Berlin, a number of average Hollywood productions and her engagement on the side of the Allies in the Second World War, she had, at fifty, turned her attention to singing. Together with Burt Bacharach, she developed and refined a programme, in minute detail, which remained virtually unchanged for years and yet - or indeed because of such perfectionism - met with rapturuous applause time and again. Standing ovations from Paris to Rio de Janeiro, from Berlin to London, in Warsaw and Tel Aviv.

»Once I had decided to devote myself entirely to performing on stage, he was to become the most important man in my life. He did not just conduct the orchestra and take them through rehearsals, he was also a divine pianist, he practised with me, he taught me-his obedient student. He did all this at the same time. He was so patient, so incredibly talented, musically. He took me, a nightclub singer, and turned me into a star of the stage.«

The glamourous Hollywood vamp knew what a find this young, ambitious man was, and he paid her back in the sweetest-sounding currency imaginable.

»She was an absolute perfectionist. I had to rehearse with the orchestra for days on end before each performance. I'm a perfectionist myself, but nothing compared to her. One false note could drive her wild. Sometimes the musicians were so exhausted by showtime that they could barely hold their instruments. The reviews would say >it was a very intimate concert, full of atmosphere<.«
HASH(0x99e21c24) étoiles sur 5 singing better than ever 2 juillet 2015
Par Vernon E. Boardman - Publié sur Amazon.com
Format: CD Achat vérifié
This CD certainly made Marlene Dietrich relevant again. I love all the orchestral arrangements done by Burt Bachrach. Kisses sweeter than wine is my favorite song on the whole cd .
8 internautes sur 13 ont trouvé ce commentaire utile 
HASH(0x99e00ca8) étoiles sur 5 I CAN'T GIVE YOU ANYTHING BUT MONO, BABY 30 août 2009
Par BAILADORA FINA - Publié sur Amazon.com
Format: CD Achat vérifié
When I first saw this release on Amazon I jumped! My Lord, someone had the same idea I always had: to compile the Dietrich/Bacharach oeuvre! Was I ever disappointed! First off, as all Dietrich fans are well aware, there are no CD debuts here. Everything on this release has been available on CD before in dozens of compilations worldwide. As astute Dietrich fans are also aware, a lot of this material has never been issued in STEREO before. For some diabolical reason, the recordings that Marlene made for French, British, and German EMI in the sixties, have always made it to CD in their mono versions. It was my hope that this particular compilation would correct that problem. It has not. Two of my favorite songs, Cherche La Rose and Dejeuner Du Matin, the main reasons I purchased this CD, are the same tired mono tracks we have been handed since day one. Why? What is the point of issuing recordings in MONO when STEREO versions offer a fuller sonic spectrum? To make matters worse here, all 20 tracks on this release have less than desirable sound. It would seem to me that if a label is going to go to the trouble of licensing material from three separate companies (BMG, Universal, EMI), presumably to issue a for collectors-only-release, that label would take the same pains it obviously did in selecting the material to make sure that sonically they were giving their buyers the very best. This is not the case here. This is a great idea gone awry. The 20 tracks are all Dietrich classics, but the sound is shoddy and not up to modern standards. Why issue previously released material that is readily available elsewhere if you are not going to improve on it in any way? It's a waste of time, and most of all, a waste of money for the unsuspecting fan. As we stand, the STEREO versions of Dietrich's European EMI sixties recordings have yet to be released on CD. Perhaps one day some A&R man at some EMI office somewhere who was not previously a night manager at Burger King, and who actually knows a thing or two about the recording industry, will realize this fact, decide to remedy the situation, and give us beautiful stereo versions of Cherche La Rose, Dejeuner Du Matin, and countless others, plus all the different takes of Just a Gigolo. But I wouldn't hold my breath if I were you. And I wouldn't waste my money on this CD either, which, by the way, comes in no-frills, cardboard packaging. In the meantime, does anyone at EMI know that the bulk of the material The Andrews Sisters recorded for Capitol in the late fifties has never been on CD either? Does anyone at EMI actually care?
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