Revue de presse
'Astonishing ... Reviewers will be quick to proclaim that Richard Ford has written a great American novel, another masterpiece, and he most emphatically has. Canada is his finest work to date ... A powerfully human and profound novel that makes one sigh, shudder and weep. Here is greatness. No doubt about it' -- Eileen Battersby, Irish Times
'Ford is possessed of a writer's greatest gifts ... Pure vocal grace, quiet humor, precise and calm observation ... Ford's language is of the cracked, open spaces and their corresponding places within' -- Lorrie Moore, New Yorker
'One of the wonderful things about Richard Ford is that he can make people who do outlandish things, such as rob banks, seem almost normal ... Ford is superb at suspense ... This is a book about dysfunctional lives in a North America that existed half a century ago - it sometimes has the feel of Truman Capote's In Cold Blood. What a backdrop - you feel as if anything might happen here ... This is a story about adolescence, about crime, about broken families, and about trying to escape. It's very engaging, and in the end, quite sad' -- William Leith, Evening Standard
'His most elegiac and profound book yet ... Marilynne Robinson (without the theology) and Cormac McCarthy (without the gore)' -- Washington Post
'A real king returns ... a story, and a vision, as sweeping as its landscapes' --Boyd Tonkin, Independent
'A rather brilliant realisation of our particular voice ... a brilliant piece of work' -- Pat Kane on BBC Radio 4 Saturday Review
'His books will save you' -- GQ
'A scrupulously rendered coming-of-age story' -- Anthony Cummins, Sunday Telegraph
'The strength of the book is Ford's examination of flawed fatherhood, of the failures that push Dell into an uneasy maturity, one that allows him to achieve what remains the modest but profound goal of Ford's fiction: simply, to make a life ... his coda is as precise and measured as anything he has conjured before. The end, like a piece of origami, could fold right into the beginning of Ford's greatest novel, The Sportswriter. The sombre and gorgeous final two thirds of Canada rest next to Ford's best fiction' -- Craig Taylor, The Times
'A true master of the modern American novel' --Independent
'Richard Ford's arresting new novel is - on one level - an intriguing variation on this American Childhood Gets Derailed theme ... as this highly original voice begins to take hold, you find yourself drawn into Ford's uneasy, ever-skewed, narrative world. It's a world which speaks volumes about the reclusiveness and violence at the heart of the American experience - which, like the solitary terrain, engulfs those who try to find a sense of self or meaning amid its hard-scrabble vacuity. Audacious in its narrative technique (observes Ford's frequent use of short chapters, his varied pacing, the way he never rushes any plot points, and allows the story to unfold in its own enigmatic way), Canada both grips and haunts' -- Douglas Kennedy, Independent
'As opening lines go, they're corkers. The rest of the novel is quieter than you'd imagine but it amply fulfils their promise ... The result is prose so sonorous in its melancholy insightfulness that you'll want to linger over each sentence. Meanwhile, the story itself - a tale of what happens when uncrossable lines are crossed - will have you turning its pages ever faster' -- Daily Mail
'Although its subjects are disarray and bewilderment, there is barely a dishevelled sentence in this awesomely calm book ... Canada is soaked in a subtle sadness, then, born of the foreknowledge of error and loss, and reading it isn't always easy. But we persist despite ourselves, because of the beckoning fluency of Ford's prose and the painful sharpness of his insights ... Ford has always been a clarifier, slowly making lucid the lines of the everyday. Canada is perhaps his most transparent novel yet: shorn of tricks, sparse and expansive as the plains on which it is set ... By looking "straight at things", Ford has written another novel about the fine lines that separate the humdrum and the calamitous, and about those schisms of existence that can be anticipated only in retrospect' -- Sunday Times
'***** A superb stand-alone novel from Richard Ford' -- Metro
'Ford really excels in his virtuoso command of narrative suspense ... each part of Canada is superb in its own way ... [Ford is] a serious artist' --New York Review of Books
Présentation de l'éditeur
In 1956, Dell Parsons' family came to a stop in Great Falls, Montana, the way many military families did following the war. His father, Bev, was a talkative, plank-shouldered man, an airman from Alabama with an optimistic and easy-scheming nature. Dell and his twin sister, Berner, could easily see why their mother might have been attracted to him. But their mother Neeva - from an educated, immigrant, Jewish family - was shy, artistic and alienated from their father's small-town world of money scrapes and living on-the-fly. It was more bad instincts and bad luck that Dell's parents decided to rob the bank. They weren't reckless people.
In the days following the arrest, Dell is saved by a family friend before the authorities think to arrive. Driving across the Montana border into Saskatchewan his life hurtles towards the unknown, towards a hotel in a deserted town, towards the violent and enigmatic American Arthur Remlinger, and towards Canada itself - a landscape of rescue and abandonment. But as Dell discovers, in this new world of secrets and upheaval, he is not the only one whose own past lies on the other side of a border.
In Canada, Richard Ford has created a masterpiece. A visionary novel of vast landscapes, complex identities and fragile humanity. It questions the fine line between the normal and the extraordinary, and the moments that haunt our settled view of the world.