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Choke Poche – 21 avril 2005
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Le lectorat trop délicat, fragile de l'estomac, sera dispensé de lecture. Ceux qui ont les viscères bien attachés seront peut-être ravis. Au contact de cette littérature américaine postmoderne, on vit une explosion créatrice qui jouit dans la surenchère du nihilisme et de la provocation. Immorale à souhait et parfaitement désespérée. À ce jeu-là, Choke remporte la palme. Punk radicalisé avec un soupçon de doute existentiel (merci Kierkegaard), Chuck Palahniuk, nouveau fer de lance du roman US avec Bret Easton Ellis et le regretté John Kennedy Toole, fait passer Henry Miller pour un boy-scout puritain. "Ce que nous vivons maintenant, c'est la Dés-Illumination", professe l'un des personnages. Brrrr, ça fait froid dans le dos. --Denis Gombert --Ce texte fait référence à l'édition CD.
This was before there were sexaholic talk therapy meetings.
This teenager, writing his fourth step must've been a whole barnyard tell-all.
I ask, "Any questions?"
The fourth-graders just look at me. A girl in the second row says, "What's buggering?"
I say, ask your teacher.
Every half hour, I'm supposed to teach another herd of fourth-graders some shit nobody wants to learn, like how to start a fire. How to carve an apple-head doll. How to make ink out of black walnuts. As if this is going to get any of them into a good college.
Besides deforming the poor chickens, these fourth-graders, they all walk in here carrying some germ. It's no mystery why Denny's always wiping his nose and coughing. Head lice, pinworms, chlamydia, ringworm?for serious, these field trip kids are the pint-sized horsemen of the apocalypse.
Instead of useful Pilgrim crap, I tell them how their playground game ring-around-a-rosy is based on the bubonic plague of 1665. The Black Death gave people hard, swollen, black spots they called "plague roses," or buboes, surrounded by a pale ring. Hence "bubonic." Infected people were locked inside their houses to die. In six months, a hundred thousand people were buried in the huge mass graves.
The "pocket full of posies" was what people of London carried so they wouldn't smell the corpses.
To build a fire, all you do is pile up some sticks and dry grass. You strike a spark with a flint. You work the bellows. Don't think for a second this fire-starting routine makes their little eyes sparkle. Nobody's impressed by a spark. Kids crouch in the front row, huddling over their little video games. Kids yawn right in your face. All of them giggle and pinch, rolling their eyes at me in my breeches and dirty shirt.
Instead, I tell them how in 1672, the Black Plague hit Naples, Italy, killing some four hundred thousand people.
In 1711, in the Holy Roman Empire, the Black Plague killed five hundred thousand people. In 1781, millions died worldwide from the flu. In 1792, another plague killed eight hundred thousand people in Egypt. In 1793, mosquitoes spread yellow fever to Philadelphia, where it killed thousands.
One kid in the back whispers, "This is worse than the spinning wheel."
Other kids open their box lunches and look inside their sandwiches.
Outside the window, Denny's bent over in the stocks. This time just out of habit. The town council has announced he'll be banished right after lunch. The stocks are just where he feels most safe from himself.
Nothing's locked or even closed, but he's bent over with his hands and neck where they've been for months.
On their way here from the weaver's, one kid was poking a stick in Denny's nose and then trying to poke the stick in his mouth. Other kids rub his shaved head for luck.
Starting the fire only kills about fifteen minutes, so after that I'm supposed to show each herd of kids the big cooking pots and twig brooms and bed warmers and shit.
Children always look bigger in a room with a six-foot ceiling. A kid in the back says, "They gave us fucking egg salad again."
Here in the eighteenth century, I'm sitting beside the hearth of the big open fireplace equipped with the regular torture chamber relics, the big iron pothooks, the pokers, andirons, branding irons. My big fire blazing. This is a perfect moment to take the iron pincers out of the coals and pretend to study their pitted white-hot points. All the kids step back.
And I ask them, hey kids, can anybody here tell me how people in the eighteenth century used to abuse naked little boys to death.
This always gets their attention.
No hands go up.
Still studying the pincers, I say, "Anybody?"
Still no hands.
"For real," I say and start working the hot pincers open and shut. "Your teacher must've told you about how they used to kill little boys back then."
Their teacher's outside, waiting. How it worked was, a couple hours ago, while her class was carding wool, this teacher and me wasted some sperm in the smokehouse, and for sure she thought it would turn into something romantic, but hey. Me being face deep in her wonderful rubbery butt, it's amazing what a woman will read into it if you by accident say, I love you.
Ten times out of ten, a guy means I love this.
You wear a foofy linen shirt, a cravat, and some breeches, and the whole world wants to sit on your face. The two of you sharing ends of your fat hot slider, you could be on the cover of some paperback bodice-ripper. I tell her, "Oh, baby, cleave thy flesh unto mine. Oh yeah, cleave for me, baby."
Eighteenth-century dirty talk.
Their teacher, her name's Amanda or Allison or Amy. Some name with a vowel in it.
Just keep asking yourself: "What would Jesus not do?"
Now in front of her class, with my hands good and black, I stick the pincers back into the fire, then wiggle two of my black fingers at the kids, international sign language for come closer.
The kids in the back push the ones in the front. The ones in the front look around, and one kid calls out, "Miss Lacey?"
A shadow in the window means Miss Lacey's watching, but the minute I look at her she ducks out of sight.
I motion to the kids, closer. The old rhyme about Georgie Porgie, I tell them, is really about England's King George the Fourth, who could just never get enough.
"Enough what?" a kid says.
And I say, "Ask your teacher."
Miss Lacey continues to lurk.
I say, "You like the fire I got here?" and nod at the flames. "Well, people need to clean the chimney all the time, only the chimneys are really small inside and they run all over the place, so people used to force little boys to climb up in them and scrape the insides."
And since this was such a tight place, I tell them, the boys would get stuck if they wore any clothes.
"So just like Santa Claus . . ." I say, "they climbed up the chimney . . ." I say, and lift a hot poker from the fire, "naked."
I spit on the red end of the poker and the spit sizzles, loud, in the quiet room.
"And you know how they died?" I say. "Anybody?"
No hands go up.
I say, "You know what a scrotum is?"
Nobody says yes or even nods, so I tell them, "Ask Miss Lacey."
Our special morning in the smokehouse, Miss Lacey was bobbing on my dog with a good mouthful of spit. Then we were sucking tongues, sweating hard and trading drool, and she pulled back for a good look at me. In the dim smoky light, those big fake plastic hams were hanging all around us. She's just swamped and riding my hand, hard, and breathing between each word. She wipes her mouth and asks me if I have any protection.
"It's cool," I tell her. "It's 1734, remember? Fifty percent of all children died at birth."
She puffs a limp strand of hair off her face and says, "That's not what I mean."
I lick her right up the middle of her chest, up her throat, and then stretch my mouth around her ear. Still jacking her with my swamped fingers, I say, "So, you have any evil afflictions I should know about?"
She's pulling me apart behind and wets a finger in her mouth, and says, "I believe in protecting myself."
And I go, "That's cool."
I say, "I could get canned for this," and roll a rubber down my dog.
She worms her wet finger up my pucker and slaps my ass with her other hand and says, "How do you think I feel?"
To keep from triggering, I'm thinking of dead rats and rotten cabbage and pit toilets, and I say, "What I mean is, latex won't be invented for another century."
With the poker, I point at the fourth-graders, and I say, "These little boys used to come out of the chimneys covered with the black soot. And the soot used to grind into their hands and knees and elbows and nobody had soap so they stayed black all the time."
This was their whole lives back then. Every day, somebody forced them up a chimney and they spent all day crawling along in the darkness with the soot getting in their mouths and noses and they never went to school and they didn't have television or video games or mango-papaya juice boxes, and they didn't have music or remote-controlled anything or shoes and every day was the same.
"These little boys," I say and wave the poker across the crowd of kids, "these were little boys just like you. They were exactly like you."
My eyes go from each kid to each kid, touching all their eyes for a moment.
"And one day, each little boy would wake up with a sore place on his private parts. And these sore places didn't heal. And then they metastasized and followed the seminal vesicles up into the abdomen of each little boy, and by then," I say, "it was too late."
Here's the flotsam and jetsam of my med school education.
And I tell how sometimes they tried to save the little boy by cutting off his scrotum, but this was before hospitals and drugs. In the eighteenth century, they still called these kind of tumors "soot warts."
"And those soot warts," I tell the kids, "were the first form of cancer ever invented."
Then I ask, does anybody know why they call it cancer?
I say, "Don't make me call on somebody."
Back in the smokehouse, Miss Lacey was running her fingers through the clumps of her damp hair, and said,
"So?" As if it's just an innocent question, she says, "You have a life outside of here?"
And wiping my armpits dry with my powdered wig, I say, "Let's not pretend, okay?"
She's bunching up her pantyhose the way women do so they can snake their legs inside, and says, "This kind of anonymous sex is a symptom of a sex addict."
I'd rather think of myself as a playboy, James Bond type of guy.
And Miss Lacey says, "Well, maybe James Bond was a sex addict."
Here, I'm supposed to tell her the truth. I admire addicts. In a world where everybody is waiting for some blind, random disaster or some sudden disease, the addict has the comfort of knowing what will most likely wait for him down the road. He's taken some control over his ultimate fate, and his addiction keeps the cause of his death from being a total surprise.
In a way, being an addict is very proactive.
A good addiction takes the guesswork out of death. There is such a thing as planning your getaway.
And for serious, it's such a chick thing to think that any human life should just go on and on.
See also: Dr. Paige Marshall.
See also: Ida Mancini.
The truth is, sex isn't sex unless you have a new partner every time. The first time is the only session when your head and body are both there. Even the second hour of that first time, your head can start to wander. You don't get the full anesthetic quality of good first-time anonymous sex.
What would Jesus NOT do?
But instead of all that, I just lied to Miss Lacey and said, "How can I reach you?"
I tell the fourth-graders that they call it cancer because when the cancer starts growing inside you, when it breaks through your skin, it looks like a big red crab. Then the crab breaks open and it's all bloody and white inside.
"Whatever the doctors tried," I tell the silent little kids, "every little boy would end up dirty and diseased and screaming in terrible pain. And who can tell me what happened next?"
No hands go up.
"For sure," I say, "he died, of course."
And I put the poker back into the fire.
"So," I say, "any questions?"
No hands go up, so I tell them about the fairly bogus studies where scientists shaved mice and smeared them with smegma from horses. This was supposed to prove foreskins caused cancer.
A dozen hands go up, and I tell them, "Ask your teacher."
What a frigging job that must've been, shaving those poor mice. Then finding a bunch of uncircumcised horses.
The clock on the mantel shows our half hour is almost over. Out through the window, Denny's still bent over in the stocks. He's only got until one o'clock. A stray village dog stops next to him and lifts its leg, and the stream of steaming yellow goes straight into Denny's wooden shoe.
"And what else," I say, "is George Washington kept slaves and didn't ever chop down a cherry tree, and he was really a woman."
As they push toward the door I tell them, "And don't mess with the dude in the stocks anymore." I shout, "And lay off shaking the damn chicken eggs."
Just to stir the turd, I tell them to ask the cheesemaker why his eyes are all red and dilated. Ask the blacksmith about the icky lines going up and down the insides of his arms. I call after the infectious little monsters, any moles or freckles they have, that's just cancer waiting to happen. I call after them, "Sunshine is your enemy. Stay off the sunny side of the street." --Ce texte fait référence à l'édition CD.
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Meilleurs commentaires des clients
Le roman met en scène les errances sentimentales d'un anti-sentimentalisme, un peu cinglé mais pas tant que ça... Sexoolique...
Celui-ci évolue dans un univers pas forcément sain, pas forcément rassurant, mais pas forcément illogique.
Fou parmi les fous, il s'interroge sur la réalité, la et les femmes, la société... et surtout : sa naissance. Aurait-il quelque âme ou antécédent religieux au fin fond de son cerveau dérangé ?
On met un peu de temps à entrer dans cet univers plus que déroutant et une fois qu'on est dans l'ambiance, on n'a pas forcément envie d'y rester... Forcément... Non pas que l'écriture de Palahnuik soit difficile ou insipide (bien au contraire !), mais cet univers d'addictifs et de dérangés est souvent dérangeant...
A déconseiller à ceux qui aiment l'eau de Rose, ceux qui aiment les histoires qui finissent bien (car elles vont rarement au bout du bout des choses...) et à ceux qui détestent être dérangés.
A conseiller à ceux qui ont adoré l'ambiance amère, incisive et pertinente de Fight Club !
Ceux qui aiment Chuck Palahniuk seront aux anges tant on est heureux de retrouver ce style dévastateur et cette bouffée d'air frais narrative.
Préparez-vous à entrer dans un univers hallucinant fait de sexooliques,de terroristes de pacotille,d'étouffements alimentaires volontaires, d'arnaqueurs masochistes...
Je n'avais jamais rien lu de Palahniuk avant ce "Choke", ce sera peut-être le dernier. Quelques trouvailles, un style pourtant bien affirmé, mais le tout est assez ennuyeux au final.
Ca reste du Palahniuk, ca reste donc très bon. Mais après avoir lu (et relu) Fight Club, et Peste, j'ai été déçu par la fin.
Choke est un bon roman, déstabilisant, secouant, on a hâte d'avancer dans l’intrigue. Néanmoins, la fin nous laisse sur notre faim (sans mauvais jeu de mot) et m'a semblé un peu parachutée. Le coté "sexolique" du personnage, décrit avec force détails est très amusant au début, mais devient lassant sur la fin (peut être volontairement ?)
Encore une fois, c'est un bon roman, mais je lui préfère Fight Club et Peste.
Pour ma part, cet esprit "tordu" et psycho (pathe et logique)me plait beaucoup...
Un roman drôle (si on aime rire de choses déroutantes), intéressant et marquant par son texte peu commun..
On parle du trash, de la société, des rapports entre les gens, avec un ton entre le grave et le cynique...
Weird est le mot qui me semble bien résumé ce titre, Il n'en reste pas moins qu'il est incontournable pour toute personne attachée à la culture générale dans son ensemble..
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Voir aussi: Dérangeant.
Voir aussi: Inhabituel.En lire plus
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