• Tous les prix incluent la TVA.
Livraison gratuite dès EUR 25 d'achats. Détails
Il ne reste plus que 6 exemplaire(s) en stock (d'autres exemplaires sont en cours d'acheminement).
Expédié et vendu par Amazon. Emballage cadeau disponible.
Quantité :1
Les Cinq concertos pour p... a été ajouté à votre Panier
+ EUR 2,49 (livraison)
D'occasion: Bon | Détails
Vendu par ZOverstocksFR
État: D'occasion: Bon
Commentaire: Entièrement garanti. Expédié à partir du Royaume-Uni, veuillez noter que les délais de livraison peuvent atteindre 18 jours.
Vous l'avez déjà ? Vendez sur Amazon
Egalement disponible en MP3
Album MP3 à EUR 15,98

Les Cinq concertos pour piano

5.0 étoiles sur 5 1 commentaire client

Note: Cet article est éligible à la livraison en points de collecte. Détails
Récupérer votre colis où vous voulez quand vous voulez.
  • Choisissez parmi 17 000 points de collecte en France
  • Les membres du programme Amazon Premium bénéficient de livraison gratuites illimitées
Comment commander vers un point de collecte ?
  1. Trouvez votre point de collecte et ajoutez-le à votre carnet d’adresses
  2. Sélectionnez cette adresse lors de votre commande
Plus d’informations
17 neufs à partir de EUR 11,58 5 d'occasion à partir de EUR 10,17 1 de collection à partir de EUR 30,00
inclut GRATUITEMENT la version MP3 de cet album.
Uniquement pour les albums vendus par Amazon EU Sarl, hors cadeaux. Voir Conditions pour plus d'informations, notamment sur les coûts de la version MP3 en cas d'annulation de commande.
Passez cette commande pour sauvegarder la version numérique de cet album dans votre bibliothèque Amazon Music. Vendu par Amazon EU S.à r.l.
Promotions et bons plans musique CD Vinyle Promotions et bons plans musique CD Vinyle


Offres spéciales et liens associés


Détails sur le produit

  • Interprète: Piano - Philharmonie Tchèque, Dir. Jiri Belohlavek Emil Leichner
  • CD (1 janvier 1993)
  • Nombre de disques: 2
  • Label: Supra
  • ASIN : B0000262OH
  • Moyenne des commentaires client : 5.0 étoiles sur 5 1 commentaire client
  • Classement des meilleures ventes d'Amazon: 85.451 en Musique (Voir les 100 premiers en Musique)
  •  Voulez-vous mettre à jour des informations sur le produit, faire un commentaire sur des images ou nous signaler un prix inférieur?

  • Ecouter les extraits (Extrait)
1
30
10:44
Ecouter le titre Acheter : EUR 0,99
 
2
30
7:48
Ecouter le titre Acheter : EUR 0,99
 
3
30
10:54
Ecouter le titre Acheter : EUR 0,99
 
4
30
9:14
Ecouter le titre Acheter : EUR 0,99
 
5
30
7:56
Ecouter le titre Acheter : EUR 0,99
 
6
30
7:34
Ecouter le titre Acheter : EUR 0,99
 
7
30
6:30
Ecouter le titre Acheter : EUR 0,99
 
8
30
9:17
Ecouter le titre Acheter : EUR 0,99
 
9
30
6:12
Ecouter le titre Acheter : EUR 0,99
 
Disc 2
1
30
9:04
Ecouter le titre Acheter : EUR 0,99
 
2
30
10:56
Ecouter le titre Acheter : EUR 0,99
 
3
30
9:40
Ecouter le titre Acheter : EUR 0,99
 
4
30
9:50
Ecouter le titre Acheter : EUR 0,99
 
5
30
10:00
Ecouter le titre Acheter : EUR 0,99
 
6
30
7:49
Ecouter le titre Acheter : EUR 0,99
 
7
30
10:23
Ecouter le titre Acheter : EUR 0,99
 
8
30
6:44
Ecouter le titre Acheter : EUR 0,99
 

Descriptions du produit

Concertos pour piano n° 1, 2, 3, 4 & 5 / Emil Leichner, piano - Philharmonie Tchèque, dir. Jiri Belohlavek

Commentaires en ligne

5.0 étoiles sur 5
5 étoiles
1
4 étoiles
0
3 étoiles
0
2 étoiles
0
1 étoile
0
Voir le commentaire client
Partagez votre opinion avec les autres clients

Meilleurs commentaires des clients

Format: CD
Bohuslav Martinü est né en 1890 à Policka, en Bohême (Empire austro-hongrois). Jeune, il entre au Conservatoire de Prague, mais il est deux fois renvoyé. Il poursuit son chemin en autodidacte, est engagé à l'Orchestre philharmonique tchèque en tant que second violon. Sa rencontre avec le compositeur et violoniste Josef Suk (1874-1935) marquera à jamais sa vie. Après l'indépendance de l'État tchécoslovaque, Martinü partit à Paris où il devint le disciple d'Albert Roussel (1869-1937), rencontra Arthur Honegger (1892-1955), et appartint à « L'Ecole de Paris », au coté d'Alexandre Spitzmüller (1894-1962), d'Alexandre Tansman (1897-1986), de Tibor Harsányi (1898-1954), de Marcel Mihalovici (1898-1985), d'Alexandre Tcherepnine (1899-1977), de Conrad Beck (1901-1989) et d'Igor Markevitch (1912-1983). Suite à l'occupation allemande, il passa en zone libre en 1940, puis partit pour les États-Unis. À la fin de la guerre, il se basera en France et en Suisse. Il mourut en 1959 à Liestal (Suisse). Il a été inhumé en 1979 à Policka, Tchécoslovaquie (République tchèque).Lire la suite ›
Remarque sur ce commentaire Une personne a trouvé cela utile. Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
Merci pour votre commentaire.
Désolé, nous n'avons pas réussi à enregistrer votre vote. Veuillez réessayer
Signaler un abus

Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x87fe0a08) étoiles sur 5 4 commentaires
10 internautes sur 13 ont trouvé ce commentaire utile 
HASH(0x89deefec) étoiles sur 5 Excellent. Marvellous music in first-rate performances 9 mai 2010
Par Bert vanC Bailey - Publié sur Amazon.com
Format: CD
This 2-CD set -- with Jiri Belohlavek with the Czech Philharmonic Orchestra, Emil Leichner at the piano -- has first-rate interpretations of Martinu's 5 Piano Concertos and the 1938 Concertino. (For a good series-in-progress, see my comparative review of the Naxos CD with his Piano Concertos Nos 3 & 5, & the 1938 Concertino by the Bohuslav Martinu Philharmonic Orchestra under Arthur Fagen, Giorgio Koukl on piano.)

The closing Allegro of Martinu's 1938 Concertino is a fair representation of this entire set. Although only one of its nine movements, it will serve in this account as a microcosm or sample to consider various aspects of this music in contrast with the mentioned Naxos release.

The Czechs summon crescendos effectively in this movement, and can also develop contemplative passages of great subtlety. The rhythmic core of the music is also far better in hand than in the Naxos version, with much sharper execution. The sound spacing to suit the music's needs is also better considered in the Supraphon set: adjusting better in terms both of shifting instrumental groups into the back or foreground for emphasis, as well as in dynamics according to dramatic needs.

This results in a performance that is full of conviction: strident and razor-sharp as needed, yet well-nuanced where sensitivity is required. Belohlavek coaxes colour and ornamentation from the orchestra both to accent and add contour to the soloist's part, rather than acting in alternation with the pianist (Leichner) - who does not stand out as much in the fore as Koukl, on Naxos. So Belohlavek keeps the pianist more closely integrated with the orchestra (the same holds for the timpanist, incidentally, who also stands out much less than on the Naxos).

The Czech Phil's tighter ensemble delivers slow passages of great refinement while managing robust, hair-raising fortissimo execution when that's called for. This last is done with especially jazzy flair on the trumpets' climactic entry (at 5:10), where you can all but see the players rise and blast out their brief part with dizzy exuberance. Closer attention to the shape of what remains after this peak also brings out some more tightly-wound, eventful music -- just listen to those lovely, long lines of cellos and double basses plucking away, shaping the closing passages, leaving no sense of disappointment when the end arrives.

Do also consider Bohuslav Martinu: Piano Concertos Nos. 2, 3 & 4 with Rudolf Firkusny on piano and Libor Pesek conducting the Czech Philharmonic Orchestra.

Still, for a complete set of these concertos this 2-CD album with Belohlavek conducting and Leichner on piano is unsurpassed. If you're considering which set to get, this is the one!
4 internautes sur 5 ont trouvé ce commentaire utile 
HASH(0x87e41e78) étoiles sur 5 Discovering Martinu: Convivial Modernist 13 mai 2014
Par Johannes Climacus - Publié sur Amazon.com
Format: CD Achat vérifié
Though I am an adventurous listener, open to exploring virtually every corner of Western art music (and much non-Western music as well), until recently I have resisted the charms of Martinu. My infrequent encounters with his music hitherto had somehow given me the impression of an insubstantial, repetitive composer of no great consequence. Stravinsky lite, if you will (and I like my modernism full strength, thank you). Then I happened to chance upon a recording of his Piano Quartet in an anthology of pieces in this genre performed by the wonderful Ames Piano Quartet (a 5-CD set on Dorian, eminently recommendable). I obtained this set in order to hear the Ames ensemble in Brahms, Dvorák, and Fauré, and I was not disappointed. Eventually--at the tail end of my auditioning all of the recordings in this anthology--I came to the Martinu, and was quite captivated by it. I wondered, "Could I have been hasty in my impressions of this composer as an inconsequential note-spinner? Are there other works by Martinu as delightful as this Quartet?"

Those are the sorts of questions that get a discophile going. And his bank account diminishing! I resolved to upgrade my knowledge of Martinu by purchasing recordings that represented a cross-section of his prolific output. I decided to begin with this set of his complete Piano Concertos. I reckoned that this is a genre in which composers usually at their most accessible (during my college cays,I had come to appreciate Bartók and Prokofiev through their piano concertos). I also figured that these six works, which span Martinu's entire career, would give me a helpful overview of his stylistic development--from neo-baroque, through neo-classical, to the mellower, post-romantic nostalgia of his later works. In the event, I was not disappointed. Indeed, I was blown away by cumulative power of these works heard in succession over two evenings of listening. Here was a major figure whose utterly distinctive style and compositional craftsmanship put him in company with his greatest contemporaries (such as those mentioned above).

What, then of my erstwhile impressions of this composer? Any lingering doubts over lack of substance and repetitiveness? Perhaps what I took for "Stravinsky lite" is nothing other than the remarkable conviviality of Martinu's style; he knows how to engage, and to surprise, the listener at virtually every turn--yet without a hint of pandering. His ability to shape a phrase fetchingly but unconventionally, his sparkling orchestration and lively rhythmic invention, his poignant (often modally inflected) harmonies are consistently enchanting throughout these fine works for piano and orchestra. Perhaps also what I took for repetitiveness is nothing other than Martinu's instantly recognizable musical signature, which remains constant from the insouciance of his first, Roussel-inspired concerto, to the darker, and more conemplative, musings of his final two works in this genre. Of course, this virtue comes with a double edge: instantly recognizable musical styles can become all too predictable (as with Vaughan Williams), or predictable in its very unpredictability (as with Poulenc). On the other hand, no-one would accuse these idiosyncratic composers--or Martinu, for that matter--of mindless conformity to a stylistic paradigm. In short, then, Martinu is one of the most original voices in modern music. His style is recognizably modernist,basically tonal and euphonious (despite some polytonal and highly dissonant excursions); but beyond these very general parameters, Martinu's style resists classification. And though his Bohemian roots became increasingly evident as his career advanced, his music has little in common with his fellow-countryman, Leos Janacek. Perhaps my only remaining criticism is that Martinu's penchant for motoric (though ingeniously varied) rhythms can become tiresome with repeated listening; though that impression may be due in part to my intense encounter with these concertos over two evenings of listening.

In any case, having enthused sufficiently over Martinu's music, I owe the prospective purchaser a word or two about the performances and recording quality. Though at present I have no basis for comparison, pianist Lechner and conductor Belohlavék seem in one accord in their effort to provide idiomatic and often exhilarating accounts of the five Piano Concertos and smaller-scaled Concertino. Martinu is unsparing in his demands on the soloist's virtuosity, and Lechner comes through with flying colors in every work. His tone and articulation are bright and clear, and even the thorniest textures remain transparent. He rarely if ever resorts to banging, despite Martinu's reliance on sequences of gigantic block chords. In lesser hands, these episodes could indeed become overbearing and repetitive--but my ear was always intrigued and never assaulted by Lechner's judicious voicing. The Czech Philharmonic is a superb ensemble, and they do themselves proud here, under Belohlavék's expert direction. They play this music as to the manner born--with devotion and those piquant, distinctively "Czech" orchestral colors. The Supraphon recording is crystal clear and conveys plenty of impact where it needs to. The violins, as recorded, can sound a bit thin at times, but this is not a significant problem. Indeed, the musical message, as performed by these musicians is conveyed with such naturalness that the medium seems almost to disappear, and the composer's unique sound-world springs vividly to life.

I recommend this set as a splendid introduction--as it has been for me--to a composer who represents modernism at its most convivial.
1 internautes sur 1 ont trouvé ce commentaire utile 
HASH(0x87b8e60c) étoiles sur 5 A great set at a reasonable price, and great introduction to Martinu, ecstatically rendered by two Czech natives 13 novembre 2015
Par John K. Gayley - Publié sur Amazon.com
Format: CD Achat vérifié
Martinu has a very distinct sound world; no one else sounds exactly like him. he may or may not appeal to everyone, but he is certainly distinctive, (and to my ears, at least) a real delight. These concerti represent as valid an introduction to the composer as any. One of the other reviewers highlighted one particular movement on this set as "archtypical Martinu"; he's quite right in his selection, but (really) almost any of the works here would do as a mere appetizer. So too Martinu's first symphony.

Over the years, the Czech label Supraphon has done a very good job in highlighting Martinu's various orchestral and chamber works, and this set carries on the long and august tradition. For a very reasonable price, you get all 5 piano concerti as well as a concertino. Emil Leichner is the piano soloist, and a very able job he does indeed. He's accompanied by Jiri Belohlavek leading the Czech Philharmonic. I have a number of other Martinu CDs conducted by Belohlavek, including a very successful set of the complete symphonies on the Onyx label. This conductor has Martinu's number, and has captured his idiom as well, if not better, than almost any other in these works. I won't claim only Czech conductors and soloists can play this music effectively....but I gotta think it does help! Its a great delightful set from start to finish. I devoured it at one sitting. This is the real deal.

As an alternative, please note the Naxos label also has a very good series of the Martinu Piano concerti, with Giorgio Koukl on the piano and Arthur Fagen conducting the appropriately-named Bohuslav Martinu Philharmonic. Both the Naxos and the Supraphon sets are very, very good, although (after listening to both) I'd give the Laichner/Belohlavek set the top nod. You can't go wrong with either.

(As I mentioned) for those who want more, try Martinu's 6 symphonies: Belohlavec's aforementioned set on Onyx, Neeme Jarvi on BIS (and now at a budget price on Brilliant Classics), and Vaclav Neumann on Supraphon. Another Czech émigré master, Karel Ancerl, also briliantly recorded a number of Martinu works which appear in the "Ancerl Gold" series on Supraphon.

Lastly, the late Christopher Hogwood devoted a fair amount of time and energy before his untimely passing in a absolutely splendid set of Cds on Hyperion of the complete Martinu works for violin and orchestra. Well worth trying.
6 internautes sur 8 ont trouvé ce commentaire utile 
HASH(0x87978258) étoiles sur 5 Vintage Martinu 17 février 2010
Par jolly roger - Publié sur Amazon.com
Format: CD
I consider Martinu one of the greatest composer of the recent century.
That said, I think this CD is a great introduction to the composer,the music is delicious, ingenious and the performances could not be better. The works span a large part of his life.
This is one of my favorite CD's.
Ces commentaires ont-ils été utiles ? Dites-le-nous


Discussions entre clients



Commentaires

Souhaitez-vous compléter ou améliorer les informations sur ce produit ? Ou faire modifier les images?