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The Clockwork Muse Format Kindle
|Longueur : 124 pages||Word Wise: Activé||Composition améliorée: Activé|
|Page Flip: Activé||Langue : Anglais|
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Criticisms? Sure. Humility is not the author's long suit--most of his examples come from his own work, his own life, and you keep wishing he'd incorporated more examples and strategies from other people's experiences (one assumes the guy must have colleagues, but you'd scarcely know it from this work). More of that would have broadened and strengthened his book greatly. There isn't just one right way, and not everything Zerubavel suggests will work for everyone, but that's easy to forget in the face of the magisterial self-assurance his words convey. Never mind; the stuff works, and you can work with it, or against it, so that something from it will work for you. I read the paperback, but I'm buying the hardcover for my permanent library, and I'm recommending it strongly to every daunted graduate student I know. Zerubavel's ego clearly doesn't need boosting, but I'm afraid I'm going to have to give The Clockwork Muse my highest recommendation anyway.
Things I like about the Clockwork Muse: it's very short. It gives very specific, pragmatic advice. It is light on molly-coddling psychobabble, unlike Joan Bolker's "Write Your Dissertation in Fifteen Minutes a Day." The latter is useful in its own way, but it didn't do anything for my work habits.
'Clockwork Muse' manages to do both of these pretty well. It is stronger on the first, the structure. It reminds us that the overall job of a major writing project is taken one sentence, one page, one chapter at a time. In just about 100 pages, this book provides a basic, workable structure that can be modified by most writers to suit their individual needs. As far as examples and anecdotes go--how actual writers fare under the proposed structure, the author mostly offers examples from his own experience. While this is certainly interesting, it is one-dimensional; it would have been nice to have a wide variety of examples of how different authors, grad students, or journalists cope with the day-to-day prospect of writing a book or dissertation or long article. (And really, how helpful--or bizarre--is it to know that the author of `Clockwork Muse,' Evitar Zerubavel, sits in different chairs to write different drafts of a paragraph? To each his own....)
Not all of the suggestions offered here will work for all authors. For examples, some of us do write multiple drafts of a book straight through from start to finish. Others of us write more haphazardly, bouncing around from section to section and chapter to chapter, but still producing a solid, finished product. Zerubavel himself prefers one method over another, but in the end, his practical advice on structuring a writing project is this book's real strength. It offers sound practical help, regardless of one's writing style, and makes a good quick reference to lean upon for some comfort during those late-night moments of doubt when chapter four just isn't coming together.
1] Temporal organization of the work such as manuscript, book or thesis is important and it needs to be LINEAR. Use a time-table for the work. This is called time-table like in a school.
2] Your time "schedule" is different from time "table". This is when you sit down to write. This needs to be CIRCULAR i.e. repeats itself at high frequency. Block all necessary event and what remains is your writing time.
3] Start with an outline and estimate the length of each section in terms of pages. At this stage, be crude but realistic.
4] Next estimate the pace. Overestimate the number of pages (column 2) and underestimate your pace (column 3). Remember the pace and length of each section differs a lot depending on the many factor such as: previous preparation, comfort and confidence, complexity of the section.
5] Convert it into days again rounding off to the bigger number.
6] Then fix a date by which that should be done.
7] An important point I learned in this book is the following: Write multiple drafts. i.e. quick finish the "dirty" first draft of the whole project before launching a second outline, time-table and then go for second draft revision. This is like spreading evenly the butter over the bread rather than polishing only a small region. The author actually says that once you finish the first draft you are guaranteed to finish the book/dissertation. Good point. Also, every time we write/revise the draft the creative "ups/downs" also spread evenly. Even when writing the conclusion you can think about modifying the introduction on the next round by inserting flags rather than being constrained because you have "fixed" the introduction. Also, it a significant boost to confidence. I have to agree to this.
4] Think about the project as climbing a mountain with stairs - height of each stair and pace at which your plan to clear the stairs is the crux of this book. Learn to think in terms of chapters and sections.
5] Write introduction in draft two.
6] A time (quality/quiet time) for writing B time (next best time) for revising and preparing for A time. Computer is not a writing tool but an editing tool...writing is nothing but revision.
7] Mange writing. Conclusion: Very good book. Last chapter was not great.
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