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The Complete Bruckner Symphonies CD

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Détails sur le produit

  • Compositeur: Anton Bruckner
  • CD (23 janvier 2014)
  • Nombre de disques: 12
  • Format : CD
  • Label: Naxos
  • ASIN : B00005A8AL
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  • Classement des meilleures ventes d'Amazon: 134.905 en Musique (Voir les 100 premiers en Musique)
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Liste des titres

Disque : 1

  1. 1. Allegro
  2. 2. Adagio
  3. 3. Scherzo: Schnell
  4. 4. Finale: Bewegt, Feurig
  5. 2. Adagio: Bewegt, Quasi Andante - Feierlich

Disque : 2

  1. 1. Ziemlich Schnell
  2. 2. Scherzo: Schnell
  3. 3. Andante: Feierlich, Etwas Bewegt
  4. 4. Finale: Schneller

Disque : 3

  1. 1. Gemässigt, Misterioso
  2. 2. Adagio: Feierlich
  3. 3. Scherzo: Ziemlich Schnell
  4. 4. Finale: Allegro

Disque : 4

  1. 1. Bewegt, Nicht Zu Schnell
  2. 2. Andante, Quasi Allegretto
  3. 3. Scherzo: Bewegt
  4. 4. Finale: Bewegt, Doch Nicht Zu Schnell

Disque : 5

  1. 1. Adagio - Allegro
  2. 2. Adagio
  3. 3. Scherzo: Molto Vivace
  4. 4. Finale: Adagio - Allegro Moderato

Disque : 6

  1. 1. Maestoso
  2. 2. Adagio: Sehr Feierlich
  3. 3. Scherzo: Nicht Schnell - Trio: Langsam
  4. 4. Finale: Bewegt, Doch Nicht Zu Schnell

Disque : 7

  1. 1. Allegro Moderato
  2. 2. Andante: Sehr Feierlich Und Sehr Langsam
  3. 3. Scherzo: Sehr Schnell - Trio: Etwas Langsamer
  4. 4. Finale: Bewegt, Doch Nicht Zu Schnell

Disque : 8

  1. 1. Allegro Moderato
  2. 2. Scherzo: Allegro Moderato - Trio: Allegro Moderato
  3. 3. Adagio: Feierlich Langsam, Doch Nicht Schleppend

Disque : 9

  1. 4. Finale: Feierlich, Nicht Schnell
  2. 1. Allegro
  3. 2. Andante
  4. 3. Scherzo: Presto - Trio: Langsamer Und Ruhiger
  5. 4. A Finale: Moderato

Disque : 10

  1. 1. Feierlich, Misterioso
  2. 2. Scherzo: Bewegt, Lebhaft
  3. 3. Adagio: Langsam, Feierlich

Disque : 11

  1. 1. Allegro Molto Vivace
  2. 2. Andante Molto
  3. 3. Scherzo: Schnell
  4. 4. Finale: Allegro
  5. 4. Finale: Volksfest

Disque : 12

  1. Ladies And Gentlemen, The Little Of My Talk Thought Is "Bruckner And I"
  2. So I Mention That Because This Was Completely New Territory, Especially In New Zealand
  3. And Now, The Composer Himself
  4. So, Suddenly He Who Had Written Four Rather Ordinary Masses Before
  5. And Now We Come To The Word Cosmos
  6. Now, Ladies And Gentlemen, I Shall, If You Can Still Bear It, Play To You A Few Examples

Descriptions du produit

Ernest John Moeran's Rhapsodies occupy a significant place among his orchestral compositions. Each is marked by melodic exuberance, inventive scoring and formal mastery. Moeran's gift for imbuing his music with folkloric tunes that are actually his own is especially evident in the First Rhapsody and in his first orchestral work, In the Mountain Country. First performed in 1943, the Rhapsody in F sharp major for piano and orchestra is unashamedly popular in style, with an appealing tunefulness. JoAnn Falletta serves as Music Director of the Buffalo Philharmonic and Virginia Symphony in the United States and Principal Conductor of the Ulster Orchestra in Northern Ireland.

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3 internautes sur 3 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 This is an excellent box set compilation of recordings conductor Georg Tintner made ... 23 avril 2016
Par Andreas Scherrer - Publié sur
Achat vérifié
This is an excellent box set compilation of recordings conductor Georg Tintner made of the Bruckner Symphonies (including 0 Symphony and the Study Symphony). Also included is CD 12 which is a recording of a lecture of Bruckner's music by Tintner. Wonderfully packaged and with liner notes. Georg Tintner did specialize on the original versions of the symphonies. So if that's what you are interested in (to compare with the box sets of other conductors) don't miss out on this one.
20 internautes sur 20 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Same only better 19 février 2014
Par Thomas C. Benson - Publié sur
This boxed set is an expanded release of ASIN B00005QISB as listed on Amazon. This set also includes ALL of Bruckner's symphonies under the direction of Georg Tintner, with the addition of a 12th CD on which Tintner talks about Bruckner for more than 1 hour. This is the most complete set of Bruckner's symphonies and is highly praised. Here is the original description of the original boxed set of the 11 CDs:

George Tintner's sudden, untimely death in the fall of 1999 coincided with the completion of his Naxos cycle devoted to Bruckner's complete symphonies. In nearly every case where more than one Bruckner version exists, Tintner favors the composer's first thoughts. Thus we have the first recording of Symphony No. 1 in its unrevised 1866 version, the original 1872 Second, plus the seldom heard 1873 Third and 1887 Eighth. By contrast, Tintner preferred Bruckner's revised Fourth of 1878/80, with its new and beloved "hunting" Scherzo. He also makes eloquent cases for the early "Study Symphony" No. 00 and "Die Nullte" (Symphony No. 0). The performances are beautifully sculpted, spaciously paced, and never dragging. Soft passages are full-bodied and vocally informed, while the magisterial climaxes congeal without losing textural differentiation between orchestral sections. The orchestras may not boast the tonal refulgence and lungpower you find in Jochum's Dresden Staatskapelle Bruckner recordings, or the best of Günter Wand's live accounts. Yet you can tell that Tintner's musicians constantly give their all. Certainly, you won't find as interesting or as moving a Bruckner cycle at Naxos's super-bargain price. Tintner's scholarly, heartfelt, and pedantry-free annotations, moreover, prove as articulate and caring as his music making. --Jed Distler
4 internautes sur 5 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 Just Get the Individual Discs Worth Keeping 28 mars 2014
Par J. R. Trtek - Publié sur
This set collects all of Georg Tintner's Bruckner symphony cycle and tosses in a disc of the conductor discussing the composer. My general opinion coincides with that of the reviewer of 03/09/14: Two or three of these renditions are very worthwhile, while the others are perhaps iffy. I prefer Tintner in the earlier members of this cycle -- the Nos. 2 and 3 in particular. On a rung below that I would place the Nos. 1 plus the earlier Nos. 0 and 00. Once we get past the Third Symphony, I think Tintner's recordings are simply outdone by either single recordings, such as the No. 4 by either Klemperer or Jochum, or quite simply by the rest of Karajan's cycle -- with Celibidache's partial set going into another dimension altogether (and in a good way, in my view). Of course, one consideration is that in most instances Tintner recorded the original versions of these symphonies, and I suppose the novelty factor can't be discounted. Still, I don't recommend getting this entire set unless hearing all the versions of all the Bruckner symphonies is on your bucket list.
11 internautes sur 15 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 Better to purchase individual releases rather than the whole set 9 mars 2014
Par Mogulmeister - Publié sur
Some of Tintner's Bruckner is worth hearing and even owning, but if one is to grade this set as a whole, it's far from essential, especially as it consists of the "original versions" of the symphonies rather than their later revisions (some of which work, and some of which don't). I sometimes wonder if the Tintner "back story" has anything to do with the overdone praise that has been heaped on this set--namely that he was a Jewish refugee from Nazi Germany who labored unappreciated in musical backwaters for much of his life even while possessing uncompromising "world-class talent" that went unrecognized until near the end of his life. I haven't heard anything else he's conducted besides Bruckner (and much of his non-Bruckner recordings, judging by reviews on Amazon, don't suggest that the hype matches the reality), and I can only go by what's here. I don't hear a great Brucknerian, but rather someone who loves Bruckner's music and at his best has meaningful things to say. But many of these performances fall far short of greatness and suggest a minor talent who excelled at times with one composer in particular, and not consistently.

There are two "must-haves" in this set: 3 and 8. 3 is truly a great performance, a revelation actually. Tintner performs the original 1873 version, and his insights are astonishing. Unfortunately he's let down by the orchestra, who plays out of tune extensively and sounds fifth-rate (and yet the same orchestra, in #1, sounds world-class; go figure). I always hold the conductor responsible if his orchestra plays out of tune--it's unforgiveable. But even worse than that, there's just a lot of sloppy playing by the orchestra with blown entrances, loose ensemble, and just a lot of technical things that should have never happened. But Tintner's interpretation of the symphony is astonishing and I've learned so much from it. I still feel that #3 is the one failed symphony in Bruckner's entire canon, where the whole does not exceed the sum of the parts, but this is the best performed version of this noble failure.

8 is also a welcome performance that, if not as revelatory as 3, is still an important performance of the original version of the 8th symphony. There is a world of difference between the original version of 8, and the subsequent revision, whether as represented in the Haas or Nowak editions. I would argue that they are two different symphonies entirely, with the second revision being a much darker work than the original. Both are worth hearing and knowing, although at the end of the day, I'll take Karajan's performances (particularly the 1975 DG/BPO and the 1988 DG/VPO performances) over any of the rest of them.

Much of the rest of the cycle is unexceptional. While many marvel at the text of 1, I find the performance to be severely underpowered, and no one can argue that the original version is superior to the "Linz" revision that most of us have previously known as the "original" version of this symphony. The revisions that comprise the "Linz" version are across the board improvements, not least of which come in the finale, which in this original first version does not achieve transcendence as Bruckner does in the "Linz" version. And Tintner's performance is stodgy and lacking in energy.

7 is fine enough, but with so many wonderful 7ths out there, it's not a first-drawer recommendation. 5 and 6 are relative failures; I use the word "failure" not because they are embarrassments, but because these performances seem like run-throughs that fail to illuminate the greatness of the music. No one who hears these performances before any others would ever think they are great symphonies or that there's a great composer who wrote them.

The only symphony in this cycle I haven't heard is 9.

So, the bottom line is this: Purchase the individual recordings of 3 and 8, because they're worth hearing and returning to. Not so much for the rest of them, beyond curiousity value (which is good for one listen). I'm grateful that we have this set. But the substance of it diverges rather significantly from the hype.

Far better choices for complete cycles of the numbered Bruckner symphonies (i.e. excluding "0" and "00") are Karajan's magnificent cycle (Bruckner: 9 Symphonies [Box Set]) and Jochum's first cycle with the Berlin Philharmonic and Bavarian Radio Sympony Orchestra (Bruckner: Symphonies Nos. 1 - 9). I've reviewed both of these sets elsewhere so I won't repeat those reviews here but hope you will check them out. Karajan's is an unambiguous first choice--astonishing in every way, and without a doubt one of the greatest recorded legacies, if not the very greatest, in all of classical music. Jochum's is a wonderful set also. Given that the prices of these sets have come down so far (I purchased the Karajan set for $90 back in its day--on sale no less!--and Jochum's cost me $60), the best choice of all is to purchase both, because both are mandatory listening if you are a Bruckner-lover. Karajan's set is the better of the two, with the finest possible interpretations and other-worldly orchestral playing (so exceptional that it's almost hard to believe possible). Jochum's is not in the same overall exalted level as Karajan's, but that's not diminishing it in any way because Jochum's set is outstanding by every standard, especially his exceptional performance of #1, and outstanding performances of 3 and 5-8. The only "miss" in Karajan's set is #1, with exceptional performances of all the rest.
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