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Creative Chord Substitution for Jazz Guitar (Anglais) Partition – 1 mai 2004

5.0 étoiles sur 5 1 commentaire client

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Présentation de l'éditeur

For a jazz musician, being able to manipulate chords and progressions is an essential part of defining one's own personal musical style. This book is very effective in helping to develop this skill. Creative Chord Substitution for Jazz Guitar explains the technique of chord substitution as a tool to expand and vary existing harmonic progressions. The theories of advanced harmony discussed here will enable any guitarist to have, at his fingertips, seemingly endless possibilities of chordal color -- possibilities that will take him far beyond the written page, and unlock an unlimited world of creativity as a player, arranger, and composer.

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Format: Partition Achat vérifié
Cet ouvrage est vraiment touffu, surtout pour un guitariste sans base théorique comme moi. J'ai au début essayé de prendre "par le début". Frustrant. Je ne comprenais pas grand chose.
Ensuite je me suis mis à piocher des pages par-ci par-là, et à juste essayer de placer les combinaisons d'accords et de gammes. Et là c'est vraiment fun, je sorts des sons que je ne savais même pas possibles de ma guitare :)
Ah, bon, un petit bémol quand même (mais je pense pas qu'un autre puisse avoir ça) j'ai eu un défaut sur la couverture, le "plastique" qui est collé sur le carton devait être en fin de rouleau, ça me fait une bande bleue au milieu. Me suis tâté pour renvoyer, mais franchement c'était pas la peine !
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: 4.4 étoiles sur 5 11 commentaires
3 internautes sur 3 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 great book 17 juillet 2011
Par Logan - Publié sur Amazon.com
Format: Partition
Ed Arkin is a friend of mine. I bought this book by accident while on vacation because it looked so interesting and informative. When I got home I realized that it was Ed. I probably could have gotten it for free. Never the less, I found this book quite comprehensive, detailed, clear. It is a book that one could work on for some time. There is a wealth of information on chord substitution. I'll probably will go back to it from time to time. My only "problem" with it, and it is probably me, not Ed, is that I really didn't understand how to use quartal harmonies as substitutions in modern progressions. I wanted to take a few lessons from him to help me out. It is probably there, but I didn't get it the first time. But, he covers a huge amount of material.
6 internautes sur 8 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 Some Good Material, If A Bit Dated 7 août 2009
Par frankp93 - Publié sur Amazon.com
Format: Partition Achat vérifié
I had the original edition of this book from what must have been the late 70's or early 80's. From the look of the sample pages, it hasn't been revised.

Pre-tab, it uses plentiful "chord diagrams" along with some non-standard "Johnny Smith-style" notation - meaning the guitar is scored in two staves like a piano, reflecting its actual pitch rather than transposed to treble clef as it is traditionally. I recall feeling a bit hemmed in by that notation at the time; I guess I wasn't as fluent in bass clef back then; I can appreciate the approach more today.

It was the first book I had that explained quartal voicings for guitar, and some of the blues substitutions were pretty advanced - at least I couldn't hear them back then which made them advanced to me. I always regreted the book didn't come with a recording and unfortunately it still doesn't.

Still, one of the reasons I like picking up copies of older books I've worked with is for the "aha factor" of recognizing some sound or idea that you recall being way beyond you back then. It's one way of measuring progress, I guess.
2 internautes sur 2 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Awesome Book 12 octobre 2013
Par Casey - Publié sur Amazon.com
Format: Partition Achat vérifié
I bought this book to spice up my playing and further advance what little I had known about the complex study of chord substitution. I was familiar with diatonic substitution. But chromatic was the one I needed to expand my knowledge on. And this book does a great job of explaining how it works and why it works.i haven't finished reading this book but so far I have come across a few minor typos. Other than that, this book is a must have for any serious guitarist
2 internautes sur 2 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 jazz masters...cord substitution 7 juin 2011
Par PM fan...... - Publié sur Amazon.com
Format: Partition Achat vérifié
If your ready to start expanding your cord substitution knowledge then you have found a good book.
You may know most of this stuff, but its laid out well and a great review...The only thing that didn't work for me was most of the musical examples..I use an alternative tuning and I just don't use the bar
cords and open strings as much as some players...All and all a good book...
2.0 étoiles sur 5 Had I known, I would not have bought. 24 avril 2015
Par Phil - Publié sur Amazon.com
Format: Partition Achat vérifié
Disappointing. The publisher should show more of the book in the "Look Inside" part of this listing and it would likely not get this negative review, because I would not have bought this book. The book's text explaining the music theory appears to be quite good, but there are plenty of better, general music books that do this too. This book is probably over my head. But the biggest problem I have is the impractical chord charting. For example, I knew I would be in trouble when on page 14 the cmaj7 chord was charted on the G string with a C at fret 5, and spanned to the D string with a B on fret 9. Another example is on page 21 with a Dm7 chord spanning fret 8 to 12. Or how bout an Fmaj7 stretch from F on fret 1 to E fret 5 on the second string???? Did a guitarist write this book? I know the point of the book is to substitute chords with other embellished chords, but it would have been helpful if the author used his expertise to make the chords playable by mere mortals. If I use this book, I will probably have to substitute chord fingerings for the ones suggested by the author - a real pain.
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