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Criterion Collection: Mouchette [Import USA Zone 1]
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Détails sur le produit
Emission "Sur le tournage de Mouchette de Robert Bresson" (26 janvier 1967 - 7')
Interview de Robert Bresson par la télévision belge (1966 - 7'30")
Descriptions du produit
Description du produit
Mouchette is one of Robert Bresson's greatest cinematic achievements, plumbing immense emotional depths in one of the most searing, heartbreaking portraits of human frailty ever committed to celluloid. Hemmed in by a dying mother, an alcoholic father and a baby brother in need of care, the adolescent Mouchette searches for sanctuary in nature and domestic chores. As the delicate intricacies of her life are played out a touching, tender and tragic portrait is painted, making her of one of cinema's most memorable tragic heroines. An essential piece of classic French filmmaking.
Zum Beispiel Bresson - An award winning documentary by Theodor Kotulla (31 mins)
Mouchette è un'adolescente di quattordici anni che vive col fratello ancora in fasce e i genitori intristiti dall'alcool e dagli stenti, in un paese agricolo della Provenza. Perennemente derisa e umiliata dagli adulti e dai coetanei, Mouchette reagisce come può con dispetti infantili. Un giorno, al ritorno da scuola, Mouchette viene sorpresa da un temporale mentre attraversa un bosco e viene soccorsa da Arsène, un bracconiere, che la conduce al riparo nella sua capanna. L'uomo confessa a Mouchette di aver ucciso il guardiacaccia. La ragazza accetta di aiutarlo a crearsi un alibi e lo cura amorevolmente quando ha una crisi di epilessia, ma poi, passata la crisi Arsène approfitta di lei. Mouchette torna a casa per confidarsi con la madre, ma gli eventi prendono una piega tragica: la madre muore e la ragazza resta vittima dei pettegolezzi delle donne del paese. --Ce texte fait référence à l'édition DVD.
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Pourtant, elle est l’incarnation de vertus chrétiennes comme la pauvreté et l’innocence. La pureté de ses sentiments est admirablement illustrée dans la séquence de la kermesse avec ses autos-tamponneuses.
Dans son récit ‘Cet Eté-là’, Marie Cardinal (qui joue la mère dans ce film) brosse un portrait de Bresson, qui est loin d'être hagiographique : un homme insupportable, inhumain et cafouilleux. Néanmoins, dans son style sobre, (apparemment) sans passion et loin des grands gestes théâtraux, Robert Bresson a créé un chef-d’œuvre saisissant. Il stigmatise d’une manière féroce la communauté humaine, qui bafoue et conspue sans la moindre pitié les démunis.
A voir absolument.
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More importantly the extras on this Criterion edition contain a brilliant commentary that explains Breason's links with surrealist and sexual sadist thinkers like George Bataille. I'd have enjoyed to hear more expounded on about this. I've always suspected it as Bresson was friends with Pierre Kosslowski his brother (the brilliant painter) Balthus and Pierre was an intellectual who's focus and primary interests were DeSade and other sexual sadists. Those two brothers were also friends with George Bataille. So I had always assumed there was some kind of link-in addition Pierre actually appeared as a priest in Au Hazard Balthazar (also the full first name of Balthus, the painter and brother of Pierre). All of which naturally made me presuppose. But I never heard or read anything supporting this.
Lastly, there are some excellent documentary supplements with Bresson working with his actors and technicians. Something that is extremely hard to come by.
For all these things along, it's worth the price of this disc.
The young girl, who as all Bresson characters are not professionals, does an amazing job just being who she is: an innocent young girl.
This movie is sad to the max, specially since the victim is this disprotected young person. We can identify with her all the time, with her isolation, her giving herself for the good of others. Her sacrifice. Her solitude. She's almost a Christlike figure. Bresson admitted during the shooting of this film that he certainly was a believer to the question of whether it was a religious film.
Let those who have ears hear.
Mouchette is the touching, sad story of a 14 year old girl who is truly and ‘outsider’. She is scorned at school, friendless, poor, struggling to cope with with a dying mother who demands mothering herself, a baby bother she has to do almost all the care-taking for, and angry drunkard of a father. Mouchette has understandably retreated within herself, attempting to cut off her emotions, although her tears sometimes come through (tears that I will admit distracted me by looking slightly phony, like a make up effect.)
Ultimately the girl walks away from it all for a night. She has a complex nighttime encounter with a drunk, epileptic and possibly dangerous poacher that changes her deeply. Suddenly she is more aware of the world around her, her own burgeoning sexuality, how people treat her, each other and the natural world. Her tears come more freely. All of this leads to an ending that is both moving, and just slightly mysterious in the way it is shot. '
I was never bored, always interested, and touched. But I wasn’t as deeply effected as most professional critics and film-writers seemed to be, nor did the underlying ideas feel that complex, or hard to decipher. That said, as with all Bresson's deceptively simple work, I could well see my reaction being even stronger on a 2nd viewing.