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Digital Cinematography: Fundamentals, Tools, Techniques, and Workflows par [Stump, David]
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Digital Cinematography: Fundamentals, Tools, Techniques, and Workflows 1 , Format Kindle

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Longueur : 494 pages Word Wise: Activé Composition améliorée: Activé
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Description du produit

Présentation de l'éditeur

First published in 2014. Routledge is an imprint of Taylor & Francis, an informa company.

Biographie de l'auteur

David Stump, ASC has worked on numerous motion pictures and television productions as Director of Photography, as Visual Effects Director of Photography, and as a Visual Effects Supervisor, garnering Emmy nominations and an Academy Award for Scientific and Technical Achievement. A member of the Producer's Guild of America (PGA), the Visual Effects Society (VES), the Society of Motion Picture & Television Engineers (SMPTE), the Academy of Television Arts & Sciences (ATAS), and the Academy of Motion Picture Arts and Sciences (AMPAS), Stump has worked in Digital Visual Effects for over 25 years, since the advent of Computer Generated Images for film. In 2001 he was accepted for full membership into the American Society of Cinematographers, where he is currently chairman of the Camera and Metadata Subcommittees of the ASC Technical Committee.

Détails sur le produit

  • Format : Format Kindle
  • Taille du fichier : 33929 KB
  • Nombre de pages de l'édition imprimée : 494 pages
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  • Editeur : Focal Press; Édition : 1 (21 mars 2014)
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  • Langue : Anglais
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Commentaires client les plus utiles sur (beta) (Peut contenir des commentaires issus du programme Early Reviewer Rewards) 4.7 étoiles sur 5 21 commentaires
3 internautes sur 3 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 Lots Of Info, But A Little Over-The-Top 4 juillet 2016
Par GameMaker - Publié sur
Format: Broché Achat vérifié
I'm very impressed by what the book covers. It extensively covers the technologies that digital cameras use. Everything from the sensor to the lens, and then discusses things like color spaces, sampling rates, aspect ratios etc. The the last half of the book is devoted to camera setup, workflows, and displays (monitors) and recorders. There's also mini sections on specific info about many of the pro/prosumer cameras (as of ~2013).

There's certainly some good (even great) info in this book. I especially enjoyed the section on lenses and camera setup/operation. What I really didn't like was the first half of the book, for me it was painful to slog through that info because of how it was presented, and that was information that I was actually very interested in. For me though, and let me preface this by saying that I have an engineering degree and have had lots of college level math and physics, I would have much preferred much fewer equations and graphs and charts and theorems, and history., and much more qualitative discussion about achieving various results, anecdotes about in-the-field situations etc. But judging by the other reviews, I may be in the minority with that opinion, which is fine.
2 internautes sur 2 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Comprehensive, easy to read; a valuable reference for everyone in digital image production. 13 octobre 2016
Par Kinemechanica - Publié sur
Format: Broché Achat vérifié
Much like Alexis Van Hurkman's book, Color Correction Handbook: Professional Techniques for Video and Cinema (2nd Edition) (Digital Video & Audio Editing Courses) has become the defacto standard in reference for digital color grading, I predict this book will become the defacto standard for Cinematographers seeking in-depth information on the fundamentals behind digital cinema image capture. David Stump takes great pains to delve into all aspects of how digital sensors work, the math behind image capture, the complexities of various imaging color spaces, current digital camera systems and a plethora of other issues germane to the subject, but conveys it in a easy-going, informative manner. I especially appreciate how he reaches back into the History of Cinema Production to tie the current technology to the past; showing that while there are revolutionary aspects to digital production, it in the end is a continuation of the process of moving image production evolution, and is yet another tool in the arsenal for moving image production, rather an an island onto itself. While targeted specifically at cinematographers, this book should not be overlooked by any member of the image production chain. The comprehensive information contained within is valuable to anyone who wishes to understand digital image production from start to finish and should be on the shelf of any DIT, Editor, Colorist or person with a need to understand the underlying mechanisms that are used to create a digital moving image. Highly recommended.
4.0 étoiles sur 5 Very good to have in a technical library 15 décembre 2016
Par Jnruff - Publié sur
Format: Broché Achat vérifié
Lot's of detailed reference material. Very good to have in a technical library.
1 internautes sur 2 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Thank You Very Much 7 juin 2014
Par Fm Koiwai - Publié sur
Format: Format Kindle Achat vérifié
Every digi shooters guide to really understanding this media! You can't fully exploit without knowledge. Thank you David Stump !!!
4 internautes sur 5 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 The best book on Digital Cinematography available! 2 juin 2014
Par Christopher Brown - Publié sur
Format: Broché Achat vérifié
A completely thorough investigation of digital cinema filled with information about every format and methodology. I highly recommend this book.
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