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Eiffel's Tower: The Thrilling Story Behind Paris's Beloved Monument and the Extraordinary World's Fair That Introduced It (Anglais) Broché – 27 avril 2010

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Descriptions du produit

Revue de presse

Praise for Eiffel’s Tower

“Ms. Jonnes does a fine job of walking us through the fair, where visitors were immersed in a typical late-nineteenth-century stew of high-minded educational exhibits and cheap thrills.”
—Richard B. Woodward, The New York Times

“In splendid detail, Jonnes examines the importance of the tower in its own historical moment.”
—Caroline Weber, The New York Times Book Review (Editors’ Choice)

“This panorama of life near the end of the nineteenth century is vivid, detailed and engrossing. . . . A well-researched read that will transport them back to a time as complex and crazy as our own.”
—Minneapolis Star-Tribune

“Exploiting the almost magnetic attraction of the great tower, Jonnes cleverly pulls into her narrative a wide range of characters, from ‘Little Sure Shot’ Annie Oakley to ‘art warrior’ Paul Gauguin. . . . She does [a] . . . fine job of demonstrating what M. Eiffel insisted all along: that his tower was much more than just an ‘object of barren wonder.’”
—Robert Cremins, Houston Chronicle

“Jonnes’ rollicking account of the Eiffel Tower’s rowdy debut is an occasion for celebration itself. . . . With flair and marvelously descriptive, ‘you-are-there’ prose, Jonnes gives Eiffel’s Tower the immediacy that only a talented writer can bestow on history. Adding to the book's impact are the numerous photos of the tower, the fair and the people who came to see them. . . . Jonnes weaves these crazy fragments into a beautiful quilt. . . . As elegant and eccentric as its subject, Eiffel’s Tower sparkles with the power of conviction and the passion of creation.”
—Jay Strafford, Richmond Times-Dispatch

“A colorful cast of characters descended on Paris for the 1889 World’s Fair, and Jonnes (Conquering Gotham) offers an atmospheric overview of the celebrities who made Belle Epoque Paris their stage during the memorable event.”
—Publishers Weekly

“Jonnes’ book is more than just a recap of perhaps the most interesting international exposition ever staged. With the gift of hindsight, Jonnes illuminates the roots of Belle Epoque Paris and Belle Epoque Europe, a period of peace and progress marked by technological progress and cultural advances that lasted from the 1880s to the 1914 start of World War I. . . . Big dreams and world’s fairs benefit mankind and make history, and Jonnes’ book proves.”
—David Hendricks, San Antonio Express-News

“This entertaining new work chronicles the tower’s storied beginnings. . . . This carefully researched book, which combines technological and social history (and offers a lively account of the World’s Fair), paints a compelling portrait of Belle Epoque France.”
—France Magazine

“In Eiffel’s Tower, Jill Jonnes (Empires of Light, Conquering Gotham) presents an engaging story of a great engineer, one with an ‘attractive boldness, impetuosity, and natural courage.’”
—James, Summerville, BookPage

“In Eiffel’s Tower, historian Jill Jonnes helps us travel back in time to the Exposition Universelle of 1889 in Paris . . . and tells the story of Gustave Eiffel’s Tour en Fer de Trois Cents Mètres. Jonnes immerses us so thoroughly in the Exposition that when we get to her description of the Fair’s final day, we’re almost sad to leave.”
—Book-of-the-Month Club

“This is a thoroughly delightful book, built around Gustave Eiffel’s Tour en Fer (iron tower), but really describing in rich detail Paris and its Exposition Universelle in 1889, coincidentally the centennial of the French Revolution. Author Jill Jonnes re-creates deliciously the Belle Epoque.”
—Jules Wagman, Milwaukee Journal Sentinel

Présentation de l'éditeur

The story of the world-famous monument and the extraordinary world's fair that introduced it

In this first general history of the Eiffel Tower in English, Jill Jonnes-acclaimed author of Conquering Gotham-offers an eye- opening look not only at the construction of one of the modern world's most iconic structures, but also the epochal event that surrounded its arrival as a wonder of the world. In this marvelously entertaining portrait of Belle Époque France, fear and loathing over Eiffel's brash design share the spotlight with the celebrities that made the 1889 Exposition Universelle an event to remember-including Buffalo Bill and his sharpshooter Annie Oakley, Thomas Edison, and artists Whistler, Gauguin, and van Gogh. Eiffel's Tower is a richly textured portrait of an era at the dawn of modernity, reveling in the limitless promise of the future.

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Amazon.com: HASH(0x934ffcb4) étoiles sur 5 79 commentaires
53 internautes sur 53 ont trouvé ce commentaire utile 
HASH(0x932919f0) étoiles sur 5 "Eiffel's Tower:" History that reads as well as fiction . . . 16 juin 2009
Par Classical Curiosities - Publié sur Amazon.com
Format: Relié Achat vérifié
During the restoration of the Statue of Liberty some years ago, I supervised several museum projects relating to its history and construction, which attracted me to the life and work of the famous French engineer, Gustave Eiffel. Everyone knows that his company designed and built the Eiffel Tower, but few know that they were also responsible for the internal support structure of America's most famous symbol. The builder of a number of remarkable railroad viaducts including the magnificent Garabit bridge, Eiffel immortalized himself with the unprecedented construction of the 300 meter tower, known to all the world as the Effel Tower.

So, when any books appear on the market relating to Eiffel, I feel compelled to have it. Such was true when I came across Jill Jonnes' newest publication, "Eiffel's Tower," I bought it. And from the day it arrived as I perused the first few pages, I found it utterly irresistible. Confronted with the life of a very complex personality and a long list of masterful achievements as is the case with Eiffel, Jonnes sensibly keeps her focus on the building of the tower as the centerpiece of the 1889 Paris Exposition, but sets it in the context of the many other fascinating individuals whose lives and activities--at least for a time--revolved around the tower. As the tower gradually rises to the heavens in the face of mounting controversy and public criticism, it serves as a backdrop to a veritable who's who of characters, including Buffalo Bill, Annie Oakley, Thomas Alva Edison, Rosa Bonheur, Paul Gauguin, Vincent van Gogh, and James McNeill Whistler, whose various adventures are played out in its ever-extending shadow.

Jonnes' well-researched account does not ignore the engineering aspects of the Tower's construction, such as the frustrating problems with the installation of the elevator system, but she knows the right moment to pull away and pick up on any one of the several story-lines that gradually evolve throughout the book. As history, it has the taste and feel of really good fiction. But don't expect a dry historical kind of ending, which in so many cases, merely . . . .ends. "Eiffel's Tower" concludes in triumph and tragedy with the completion of the tower to world-wide praise and recognition on all sides (well, almost), followed by the Panama Canal disaster which fell heavily on the shoulders of Eiffel. Highly recommended.
20 internautes sur 20 ont trouvé ce commentaire utile 
HASH(0x93291c3c) étoiles sur 5 All the Fun of the Fair 26 août 2009
Par Rob Hardy - Publié sur Amazon.com
Format: Relié
When Gustave Eiffel built his famous tower in Paris for the 1889 Exposition Universelle, he fully expected it to be a temporary monument. It was to outlast the exhibition, but for only twenty years, whereupon it would be demolished. In _Eiffel's Tower: And the World's Fair Where Buffalo Bill Beguiled Paris, the Artists Quarreled, and Thomas Edison Became a Count_ (Viking), historian Jill Jonnes shows that part of the reason the tower was to be temporary was that it was not universally appreciated. It was an ugly eyesore, the critics claimed, "an inartistic ... scaffolding of crossbars and angled iron." As the foundation was being dug, artists and intellectuals (like composer Charles Gounod and author Guy de Maupassant) signed their names to an angry protest letter which called the structure a "dizzily ridiculous tower dominating Paris like a black and gigantic factory chimney, crushing [all] beneath its barbarous mass." It was a tower "which even commercial America will not have." The tower proved popular, however, and when the twenty year mark rolled around, Eiffel was glad to be using it as a scientific station, and to be able to claim that it was still needed in that role. He had convinced the French military to use it as a radio antenna in 1903 (but had had to pay for the telegraphy unit himself). When World War One came, any controversy about its permanence was over, since it was essential as a viewing tower and communications post. Jonnes's lively and funny book has a history of the building of the tower and its troubled reputation and construction, but is also about the fair for which it was built, an epochal gathering of notables that Jonnes profiles here. It is hard to imagine Paris without its tower, but the other buildings of the exhibition are long gone, as are the exhibitors, and this book is a welcome recreation of the event.

Eiffel had entered the new field of railroad engineering, and was adept at building complicated bridges and aqueducts. His tower (_Tour en Fer de Trois Cents Mètres_) beat out entries including the gigantic replica of a guillotine (the exposition was to celebrate the centennial of the Revolution). The tower was finished on time for the opening of the exposition, but the elevators were not, and for the first three weeks, if you wanted to get to the top, you took the stairs. You could go to the viewing platform, and if you were famous, you could get invited to Eiffel's own aerie apartment, a suite of rooms with settees and a piano (on which the composer Gounod, who had campaigned against the tower, was graciously invited to play). The tower was the anchor for the Paris Exposition, and it is the anchor for Jonnes's book as well. Jonnes has wonderful stories of those who exhibited, performed, or visited the tower and the fair. Among the most famous of the personalities here was Buffalo Bill Cody (or _Guillaume Buffalo_), who started an extremely successful European tour in Paris. He brought real Indians with him, and Frenchmen enjoyed the spectacle of re-enactions of the stagecoach battles that tamed the West, but the Indians enjoyed the spectacles of Paris. When they were taken to the Cirque d'Éte, they were delighted with French clowns parodying their riding and their Indian wars, and laughed so hard at the clown version of their war dance that they shed tears. With Buffalo Bill was his sharpshooter Annie Oakley, who was a sensation with her ability to shoot down glass bubbles tossed into the air or to split a playing card shot edgewise. Also featured here is Thomas Alva Edison, who was there to show off (and to market) his phonograph; Parisian celebrities were delighted with the machine's capacity to capture their voices. He was feted everywhere, and was dismayed by the richness of the eight or eighteen course dinners. The bad boy of publishing, James Gordon Bennett is here, running the _New York Herald_ from a distance and also founding a Paris edition which touted the exposition; it survives as _The International Herald-Tribune_. Vincent Van Gogh and Paul Gauguin are on the fringes as impoverished artists hoping for their big break, a break that the exposition did not provide.

Jonnes takes us on a tour of the fair, where visitors could see Arab orchestras, gigantic engines, and Javanese dancing girls, and could tour the grounds by miniature railroad or by authentic rickshaws. They could view the world's largest oaken wine cask (200,000 bottles worth), or a shepherd using the stilts traditional to his region for getting quickly to far-flung herds. They might fantasize about buying the Eiffel Tower model on display encrusted with 40,000 diamonds. For souvenirs, they did buy lamps, umbrellas, chocolate, and handkerchiefs depicting the tower, just as tourists still do. Jonnes's book swings nicely between engineering, celebrity portraits, and social history, and is a fine resource for all of us who could not make it to the Exposition Universelle ourselves.
16 internautes sur 17 ont trouvé ce commentaire utile 
HASH(0x93291e7c) étoiles sur 5 Well-researched, enjoyable read 23 juin 2009
Par Debbie - Publié sur Amazon.com
Format: Relié
This lively and entertaining book is obviously extensively researched. Using newspaper articles, interviews, letters, and so forth, the author lets the reader see events unfold as those who lived at the time saw them.

The book covers the details of the building of the Eiffel Tower as well as the doings of famous people who attended the 1889 Paris World's Fair. The book has nice photos illustrating the building of the tower, showing famous people who attended the world's fair, and scenes from the fair.

Some untranslated French is used in the book, but I got the point even though I don't know French.

Two of my family members were also interested in this book, so we read it aloud. Reviewer Two thought the start of the book was a bit slow (while we were being introduced to so many people). However, once we got to know the characters, he thought the book was one of the most interesting books he'd read in a long time.

Reviewer Three enjoyed the whole book except the epilogue where we're told what happened to these people after the Fair. She was sad to hear what happened to most of them after their high point at the fair since many didn't have happy endings.

I'd recommend this book to anyone interested in the building of the Eiffel Tower or in what happened at the 1889 Paris World's Fair. Also, history buffs interested in technology would probably enjoy this book.

Review also posted at Different Time, Different Place Book Reviews
6 internautes sur 6 ont trouvé ce commentaire utile 
HASH(0x932cd1f8) étoiles sur 5 A Towerful Delight 12 février 2010
Par Erin Johnson - Publié sur Amazon.com
This is my most recent foray into non-fiction. It was recommended by a colleague who thought I'd like it (same colleague who lent me Devil in a White City, so he definitely knows what I like in my non-fiction!).

Jonnes takes us on a trip to Paris in 1889. The story of the tower begins with Gustave Eiffel and his dream of making his tower the attraction of the 1889 Exposition Universelle in Paris. Let me tell you, there is always drama surrounding a piece of art that has beat out competitors, inspired some bad blood, and whose construction is at the mercy of politics. Ouch. Eiffel obviously persevered in the construction of this magnificent piece of architecture as its still there (and still causing controversy, although recently it's been more about the light show at night than its actual presence).

Though the title really focuses on the tower, there was a lot going on in Paris (and America) at this time. The point of the Eiffel Tower was to be the piece de resistance for the 1889 Exposition Universelle. Paris wanted the world to see its crowning achievement (as the tower was the tallest thing in existence for quite a few years), but it also wanted to showcase its art, inventions and achievements. There were displays from numerous countries, although it seems that the Javanese dancers really won the crowd over.

Some of my favorite parts dealt with Buffalo Bill and his Wild West show, Annie Oakley and her reception in Paris, Thomas Edison and his issues with partners as well as his Parisian reception when he showed up to the fair, and the squabbles amongst the artists.

Honestly, if you pick this one up expecting the entire book to be about the Eiffel Tower, you will be sorely disappointed. However, you will also learn a lot about the world, Paris, America and the people in this book at the time it is set.

The story is broken up into sections, so there is never too much of one particular subject in a row throughout the story. If you find one particular aspect boring, you can easily skip that section and move right along. I wouldn't recommend it, as you are sure to miss something fabulous and fascinating.

And on a personal note, as someone who has visited the tower and ridden in those elevators, it was really fabulous to read about how the tower came to be (because honestly, it may not have been or it could have failed miserably!) It was only supposed to be up for 20 years, and I am so glad that it is still there, as it truly is a marvel of architecture from the turn of the century. No, you don't have to know the history to appreciate it, but I find that I really want to go back now and pick out the spots where the restaurants were (are?) and find out if Eiffel's suite is still there. How bad is it that I can't remember that detail from 2003?

Notes on the Cover:
I love the combination of the black, gold and white. I love the way the tower is illuminated and how you see the rest of the Exposition around its base. I did wonder if the tower had ever been lit the way its depicted on the cover, so I looked it up and it is apparently a real photograph from the fair in 1900 by William H. Rau. Lovely!
4 internautes sur 4 ont trouvé ce commentaire utile 
HASH(0x93291ef4) étoiles sur 5 A Lofty Achievement 15 décembre 2009
Par Jeannie Mancini - Publié sur Amazon.com
Achat vérifié
Jill Jonnes new book Eiffel's Tower is not just a biography of Gustave Eiffel, or the incredible tale of the building of one of the world's most magnificent architectural wonders, it is so much more. The setting is 1899 Paris, it is the time for creating the magic for the new World's Fair.

Jonnes begins her story in 1897 by informing the reader of Eiffel's dream and plan, to use the tower as the centerpiece of the upcoming fair two years hence. This is an absorbing story of how one man fought against many people who were opposed to the building of the tower, and how he persevered to win the prestigious slot to use his dream tower to be the showcase of the future Paris World's Fair. Revealing to us the engineering feat of what it took to design and pull off this ingenious iron marvel, the book is simply fascinating. I learned a lot of how the Eiffel Tower was constructed and of the many talents and physical demands of the men who strived to make Eiffel's dream come true. Interesting too, are the little biographical tidbits that the author intersperses around the long lived years of Gustave's life, and of his many other astounding achievements. Eiffel had his hand in other major engineering projects around the world that readers will certainly recognize, never realizing he had been involved with their development.

As the Eiffel tower slowly soars skyward, the author begins to pull together various stories of the menagerie of famous and prominent people, that will be exhibiting and entertaining the many millions of tourists who will flood Paris with their enthusiasm to see the newest wonders of the world. Alternating between Eiffel's daily setbacks and conquests involving the erection of the tower, are delightful snippets of enchanting characters such as Buffalo Bill Cody, Annie Oakley, Thomas Edison, Charles Otis of Otis Elevator fame, struggling French Impressionist painters such as Vincent Van Gogh, Paul Gauguin and American artist James Whistler. Jonnes paints an evocative panoramic picture of what it was like to bring the World Fair's exhibits to fruition.

The Biographical sketches of Annie Oakley and Thomas Edison were to me very captivating as we learn many more interesting facts about each of their lives and talents that I doubt most people are aware of. I thought the author did a sensational job of developing the story of Paris' Victorian year of extravagance, giving the reader a fun and informative book of mechanical marvels, innovative scientists, inventors and engineers, and outlandish artists and prominent celebrities that at the time, dazzled every household around the globe. Eiffel's Tower was an engaging and delightful read that will be enjoyed by all lovers of history, Victorian era fans, World's fair enthusiasts and especially by all engineers and inventors. To view Paul Gauguin's Tahiti Paintings, to see Edison's new phonograph, to listen the blood curdling hoop and holler of the American red Indians of Buffalo Bill's Wild West Show, and to hear the daily newsboys hawking "Read All About It", as news of the fair and tower progress, had me feeling I was right there in Paris taking it all in. I Walked the faux streets of Cairo, boarded the trolley train, swayed to the music as Javanese dancers mesmerized the crowds, then ended the day by boarding an elevator 1000 feet up in the air to the top of Gustave Eiffel's electric lit crowing glory. Reading this book was a memorable experience that allowed me to feel I had stepped back in time.
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