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Enduring Love (Anglais) Broché – 26 mai 2016

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Description du produit

Extrait

One

The beginning is simple to mark. We were in sunlight under a turkey oak, partly protected from a strong, gusty wind. I was kneeling on the grass with a corkscrew in my hand, and Clarissa was passing me the bottle-a 1987 Daumas Gassac. This was the moment, this was the pinprick on the time map: I was stretching out my hand, and as the cool neck and the black foil touched my palm, we heard a man's shout. We turned to look across the field and saw the danger. Next thing, I was running toward it. The transformation was absolute: I don't recall dropping the corkscrew, or getting to my feet, or making a decision, or hearing the caution Clarissa called after me. What idiocy, to be racing into this story and its labyrinths, sprinting away from our happiness among the fresh spring grasses by the oak. There was the shout again, and a child's cry, enfeebled by the wind that roared in the tall trees along the hedgerows. I ran faster. And there, suddenly, from different points around the field, four other men were converging on the scene, running like me.

I see us from two hundred feet up, through the eyes of the buzzard we had watched earlier, soaring, circling, and dipping in the tumult of currents: five men running silently toward the center of a hundred-acre field. I approached from the southeast, with the wind at my back. About two hundred yards to my left two men ran side by side. They were farm laborers who had been repairing the fence along the field's southern edge where it skirts the road. The same distance beyond them was the motorist, John Logan, whose car was banked on the grass verge with its door, or doors, wide open. Knowing what I know now, it's odd to evoke the figure of Jed Parry directly ahead of me, emerging from a line of beeches on the far side of the field a quarter of a mile away, running into the wind. To the buzzard, Parry and I were tiny forms, our white shirts brilliant against the green, rushing toward each other like lovers, innocent of the grief this entanglement would bring. The encounter that would unhinge us was minutes away, its enormity disguised from us not only by the barrier of time but by the colossus in the center of the field, which drew us in with the power of a terrible ratio that set fabulous magnitude against the puny human distress at its base.

What was Clarissa doing? She said she walked quickly toward the center of the field. I don't know how she resisted the urge to run. By the time it happened, the event I am about to describe-the fall-she had almost caught us up and was well placed as an observer, unencumbered by participation, by the ropes and the shouting, and by our fatal lack of cooperation. What I describe is shaped by what Clarissa saw too, by what we told each other in the time of obsessive reexamination that followed: the aftermath, an appropriate term for what happened in a field waiting for its early summer mowing. The aftermath, the second crop, the growth promoted by that first cut in May.

I'm holding back, delaying the information. I'm lingering in the prior moment because it was a time when other outcomes were still possible; the convergence of six figures in a flat green space has a comforting geometry from the buzzard's perspective, the knowable, limited plane of the snooker table. The initial conditions, the force and the direction of the force, define all the consequent pathways, all the angles of collision and return, and the glow of the overhead light bathes the field, the baize and all its moving bodies, in reassuring clarity. I think that while we were still converging, before we made contact, we were in a state of mathematical grace. I linger on our dispositions, the relative distances and the compass point-because as far as these occurrences were concerned, this was the last time I understood anything clearly at all.

What were we running toward? I don't think any of us would ever know fully. But superficially the answer was a balloon. Not the nominal space that encloses a cartoon character's speech or thought, or, by analogy, the kind that's driven by mere hot air. It was an enormous balloon filled with helium, that elemental gas forged from hydrogen in the nuclear furnace of the stars, first step along the way in the generation of multiplicity and variety of matter in the universe, including our selves and all our thoughts.

We were running toward a catastrophe, which itself was a kind of furnace in whose heat identities and fates would buckle into new shapes. At the base of the balloon was a basket in which there was a boy, and by the basket, clinging to a rope, was a man in need of help.


Even without the balloon the day would have been marked for memory, though in the most pleasurable of ways, for this was a reunion after a separation of six weeks, the longest Clarissa and I had spent apart in our seven years. On the way out to Heathrow I had made a detour into Covent Garden and found a semilegal place to park, near Carluccio's. I went in and put together a picnic whose centerpiece was a great ball of mozzarella, which the assistant fished out of an earthenware vat with a wooden claw. I also bought black olives, mixed salad, and focaccia. Then I hurried up Long Acre to Bertram Rota's to take delivery of Clarissa's birthday present. Apart from the flat and our car, it was the most expensive single item I had ever bought. The rarity of this little book seemed to give off a heat I could feel through the thick brown wrapping paper as I walked back up the street.

Forty minutes later I was scanning the screens for arrival information. The Boston flight had only just landed and I guessed I had a half-hour wait. If one ever wanted proof of Darwin's contention that the many expressions of emotion in humans are universal, genetically inscribed, then a few minutes by the arrivals gate in Heathrow's Terminal Four should suffice. I saw the same joy, the same uncontrollable smile, in the faces of a Nigerian earth mama, a thin-lipped Scottish granny, and a pale, correct Japanese businessman as they wheeled their trolleys in and recognized a figure in the expectant crowd. Observing human variety can give pleasure, but so too can human sameness. I kept hearing the same sighing sound on a downward note, often breathed through a name as two people pressed forward to go into their embrace. Was it a major second or a minor third, or somewhere in between? Pa-pa! Yolan-ta! Ho-bi! Nz-e! There was also a rising note, crooned into the solemn, wary faces of babies by long-absent fathers or grandparents, cajoling, beseeching an immediate return of love. Han-nah? Tom-ee? Let me in!

The variety was in the private dramas: a father and a teenage son, Turkish perhaps, stood in a long silent clinch, forgiving each other, or mourning a loss, oblivious to the baggage trolleys jamming around them; identical twins, women in their fifties, greeted each other with clear distaste, just touching hands and kissing without making contact; a small American boy, hoisted onto the shoulders of a father he did not recognize, screamed to be put down, provoking a fit of temper in his tired mother.

But mostly it was smiles and hugs, and in thirty-five minutes I experienced more than fifty theatrical happy endings, each one with the appearance of being slightly less well acted than the one before, until I began to feel emotionally exhausted and suspected that even the children were being insincere. I was just wondering how convincing I myself could be now in greeting Clarissa when she tapped me on the shoulder, having missed me in the crowd and circled round. Immediately my detachment vanished, and I called out her name, in tune with all the rest.

Less than an hour later we were parked by a track that ran through beech woods in the Chiltern Hills, near Christmas Common. While Clarissa changed her shoes I loaded a backpack with our picnic. We set off down our path arm in arm, still elated by our reunion; what was familiar about her-the size and feel of her hand, the warmth and tranquillity in her voice, the Celt's pale skin and green eyes-was also novel, gleaming in an alien light, reminding me of our very first meetings and the months we spent falling in love. Or, I imagined, I was another man, my own sexual competitor, come to steal her from me. When I told her, she laughed and said I was the world's most complicated simpleton, and it was while we stopped to kiss and wondered aloud whether we should not have driven straight home to bed that we glimpsed through the fresh foliage the helium balloon drifting dreamily across the wooded valley to our west. Neither the man nor the boy was visible to us. I remember thinking, but not saying, that it was a precarious form of transport when the wind rather than the pilot set the course. Then I thought that perhaps this was the very nature of its attraction. And instantly the idea went out of my mind.

We went through College Wood toward Pishill, stopping to admire the new greenery on the beeches. Each leaf seemed to glow with an internal light. We talked about the purity of this color, the beech leaf in spring, and how looking at it cleared the mind. As we walked into the wood the wind began to get up and the branches creaked like rusted machinery. We knew this route well. This was surely the finest landscape within an hour of central London. I loved the pitch and roll of the fields and their scatterings of chalk and flint, and the paths that dipped across them to sink into the darkness of the beech stands, certain neglected, badly drained valleys where thick iridescent mosses covered the rotting tree trunks and where you occasionally glimpsed a muntjak blundering through the undergrowth.

For much of the time as we walked westward we were talking about Clarissa's research-John Keats dying in Rome in the house at the foot of the Spanish Steps where he lodged with his friend, Joseph Severn. Was it possible there were still three or four unpublished letters of Keats's in existence? Might one of them be addressed to Fanny Brawne? Clarissa had reason to think so and had spent part of a sabbatical te... --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.

Revue de presse

"Utterly compelling" (Sunday Times)

"Hypnotically readable" (Sunday Telegraph)

"Taut with narrative excitement and suspense" (Sunday Times)

"A plot so engrossing that it seems reckless to pick the book up in the evening if you plan to get any sleep that night" (A. S. Byatt Daily Mail)

"He is the maestro at creating suspense" (New Statesman)

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Par D. Legare MEMBRE DU CLUB DES TESTEURS le 31 août 2011
Format: Broché
Joe and Clarissa are in love and their couple seems quietly uneventful, you could call that peaceful love. On the day Joe wants to celebrate Clarissa's birthday with a nice picnic in the countryside, a terrible accident occurs, followed by the death of a man. On that day, Joe briefly comes across Jed Parry, and from then on, his life and Clarissa's will be chaos. Jed Parry is a rare case of the de Clérambault syndrome, a delusional state that makes him fixate on Joe, and harass him, only him.

This is not a bad book because Ian McEwan is a talented writer, however it should have been a great book because the subject was captivating. I read it with both pleasure and a great interest, but I wasn't entirely convinced by the characters, especially Clarissa, who seems too detached from the whole thing, completely averse to facing problems and dealing with them. Her attitude is just highly unlikely, how can she deliberately ignore that her love and companion is being stalked. On the other hand, some unnecessary digressions about Joe's work weaken the plot and tend to lessen the reader's rising unease. In conclusion, Enduring Love is quite a good book but it is certainly not as good as Atonement.
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Par Titoisillon le 5 novembre 2013
Format: Broché Achat vérifié
Un histoire assez tordue, un peu sinueuse pour une rélévation assez inattendue !
Le style est assez moderne et très compréhensible.
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Commentaires client les plus utiles sur Amazon.com (beta) (Peut contenir des commentaires issus du programme Early Reviewer Rewards)

Amazon.com: 3.9 étoiles sur 5 252 commentaires
1 internautes sur 1 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 A story of love and trust put to the test 14 juin 2015
Par Cheryl L. Lettenmaier - Publié sur Amazon.com
Format: Format Kindle Achat vérifié
This is a character piece written as only Ian McEwan can. This is the story of Joe and Clarissa who are very much in love until a psychopathic obsessed man, Jed Parry, starts stalking Joe. Joe tells the story, so the reader knows everything Jed Parry is doing to Joe--following him, recording endless messages on his answering machine, writing long love-besotted letters. Or, at least, we think we do.... But Clarissa does not believe the stories Joe tells her. In fact, from her point of view, her husband has become suspicious, unreliable, a bit crazy and difficult. And, at some point, as the reader, I began to think that perhaps his wife was right. Perhaps Joe is delusional and conjured the whole thing up. At any rate, Joe's inability to convince Clarissa that he's not delusional, and Clarissa's disgust by Joe's slow unraveling in the face of Parry's relentless stalking, have a devastating effect on their relationship. It all comes to a climax which I will not divulge because I don't want to ruin the story for others who might want to read it. I loved this book. It is a bit slow at first. But, once I got into it, I felt as if I was inside Joe's head, understanding every paranoid thought, every loving and shattering moment.
2 internautes sur 2 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 Have a great start 8 décembre 2014
Par MP - Publié sur Amazon.com
Format: Format Kindle Achat vérifié
This book by Ian McEwan have a great star, a tragic incident happens that will shake the lives of the protagonists.
Like all McEwan books is very well wrote and a have a intriguing premise.
The problem is the rest of the book; the relation between the main character and his wife is supposed to be a loving and close one,but fall apart so fast and without really reasons that make sense.
The story like I said is very well wrote and somehow profoundly try to explored the nature of love between human beings and how fragile is it.
5.0 étoiles sur 5 Insightful, descriptive and novel story 14 décembre 2016
Par doug brown - Publié sur Amazon.com
Format: Format Kindle Achat vérifié
Though mis-titled, excellent touch and feel of a marriage relationship from both perspectives and how fragile the balance and illusions of love are or can be. Terrific descriptions of the characters' tipping points and how actions or non-actions, slight or great, can alter feelings or perceptions, slightly or greatly. Bit confused about the title, but the story will hopefully endure. When it comes to writing, Sir McEwan can pound a pint or two.
2.0 étoiles sur 5 Not my favorite 26 mars 2017
Par K. Rogers - Publié sur Amazon.com
Format: Format Kindle Achat vérifié
I thought this book dragged on... I liked it at first but then I found it slow and didn't keep my attention.
1 internautes sur 1 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 good book 29 novembre 2014
Par perry - Publié sur Amazon.com
Format: Format Kindle Achat vérifié
But 2 complaints: (1) the scene in which our protagonist buys the gun seemed too extended -- almost a boondoggle and unnecessarily distracting (though funny); (2) Clarissa's indifferent and unsupportive response to Parry's obsession with her long-term boyfriend-- although helpful to the storyline-- seemed at odds with her otherwise reasonable disposition and downright unbelievable. Written by anyone else, a story with shortcomings like these might have been a failure.
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