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A Field Guide To Getting Lost par [Solnit, Rebecca]
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A Field Guide To Getting Lost Format Kindle

4.0 étoiles sur 5 1 commentaire client

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Longueur : 236 pages Word Wise: Activé Composition améliorée: Activé
Page Flip: Activé Langue : Anglais

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Descriptions du produit

From Publishers Weekly

The virtues of being open to new and transformative experiences are rhapsodized but not really illuminated in this discursive and somewhat gauzy set of linked essays. Cultural historian Solnit, an NBCC award winner for River of Shadows: Eadweard Muybridge and the Technological Wild West, allows the subject of getting lost to lead her where it will, from early American captivity narratives to the avant-garde artist Yves Klein. She interlaces personal and familial histories of disorientation and reinvention, writing of her Russian Jewish forebears' arrival in the New World, her experiences driving around the American west and listening to country music, and her youthful immersion in the punk rock demimonde. Unfortunately, the conceit of embracing the unknown is not enough to impart thematic unity to these essays; one piece ties together the author's love affair with a reclusive man, desert fauna, Hitchcock's Vertigo and the blind seer Tiresias in ways that will indeed leave readers feeling lost. Solnit's writing is as abstract and intangible as her subject, veering between oceanic lyricism ("Blue is the color of longing for the distance you never arrive in") and pensées about the limitations of human understanding ("Between words is silence, around ink whiteness, behind every map's information is what's left out, the unmapped and unmappable") that seem profound but are actually banal once you think about them.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker

This meditation on the pleasures and terrors of getting lost is-as befits its subject-less a coherent argument than a series of peregrinations, leading the reader to unexpected vistas. The word "lost," Solnit informs us, derives from the Old Norse for disbanding an army, and she extrapolates from this the idea of striking "a truce with the wide world." It's the wideness of the world that entices: a map of this deceptively slender volume would include hermit crabs, who live in scavenged shells; marauding conquistadors; an immigrant grandmother committed to an asylum; white frontier children kidnapped by Indians; and Hitchcock's "Vertigo." Solnit imagines a long-distance runner accumulating moments when neither foot is on the ground, "tiny fragments of levitation," and argues, by analogy, that in relinquishing certainty we approach, if only fleetingly, the divine.
Copyright © 2005 The New Yorker

Détails sur le produit

  • Format : Format Kindle
  • Taille du fichier : 1399 KB
  • Nombre de pages de l'édition imprimée : 236 pages
  • Editeur : Canongate Books; Édition : Main - Re-issue (new cover) (31 août 2010)
  • Vendu par : Amazon Media EU S.à r.l.
  • Langue : Anglais
  • ASIN: B002VM7FYO
  • Synthèse vocale : Activée
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  • Word Wise: Activé
  • Composition améliorée: Activé
  • Moyenne des commentaires client : 4.0 étoiles sur 5 1 commentaire client
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Format: Broché Achat vérifié
Solnit is a poetic writer and evokes her native Western culture and landscape very beautifully. However, her reputation as a big walker is perhaps less deserved than her reputation as a big driver. I guess you can't avoid this in the US, but hey, we expect better from our so-called anarchists in these parts.
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Commentaires client les plus utiles sur (beta) HASH(0x9453e8f4) étoiles sur 5 64 commentaires
99 internautes sur 105 ont trouvé ce commentaire utile 
HASH(0x93f416fc) étoiles sur 5 Rationality and Mystery 12 juin 2007
Par Anna Mills - Publié sur
Format: Broché
The first question is, what is a field guide to getting lost? Field guides help us with finding, not losing or getting lost. We use them to classify the unfamiliar and figure out what surrounds us. They reassure us that the bewildering array of natural phenomena has an underlying order. Solnit's title suggests we might also want our schemas to break down. Can we catalogue the various ways of getting lost as we might catalogue songbirds? The paradox feels whimsical, mocking, alluring. Like the title, the tone of the book will hover between the urge to know and the urge not to know, between rationality and mystery.

In the middle of the first chapter, Solnit gives us a manifesto: "Never to get lost is not to live, not to know how to get lost brings you to destruction." "Lost," for her, means we lack a narrative for what we are experiencing. Getting lost is a kind of Zen rebirth because "to be lost is to be fully present, and to be fully present is to be capable of being in uncertainty." Getting lost also has connotations of spiritual longing. Solnit titles every other chapter "The Blue of Distance." Blue "represents the spirit, the sky, and water, the immaterial and the remote, so that however tactile ansd close-up it is, it is always about distance and disembodiment." Voila the tone of the book--grand, abstract, sensual, yearning and inexorably aloof.

With a topic like the beauty of longing and loss, it is surprising how rarely Solnit lapses into cliché. Her prose is as smooth and bare as polished stone. It creates the feeling of waking from a dream and encountering the world, dazed and receptive. If Thoreau is the most cerebral of the philosopher-poets and Whitman the most sensual, Rebecca Solnit belongs at the midpoint. She does not allow herself academic verbal tics, or excess verbiage, but neither does she shy away from the syntactical complexity of acadmic writing. She integrates lyric sensuality and philosophizing as if these modes belong together, as if western civilization had never tried to separate mind and body. I admire her poise and authority a little as I admire Susan Sontag's. Solnit's is a supremely self-possessed voice, which may be the same thing as a voice that has abandoned the antic whining of the self. She draws deeply on experience, yet she resists the confessional mode.

You might say that Solnit offers an optimistic way to confront the globalized, alienated world of the twenty-first century, a sort of "If God gives you lemons, make lemonade," or "If God gets you lost, revel in it." You could argue that she offers a sophisticated alternative to the self-help genre, though I imagine Solnit would look down on self-help. She likes slipperiness and paradox too much. Still, she is interested in finding a way forward for the soul, and I, for one, am glad because my little soul is often bewildered.

I think Solnit dances between lostness and foundness. She notes that "nomads have fixed circuits and stable relationships to places," and her own wandering through the west is ritualized, repetitive. She doesn't need to go to Antarctica; she gets lost in America. Her home territory is simply vast and ambitious, her spirals broad. Still, in order to lose herself time after time, she has to find herself in between.
91 internautes sur 99 ont trouvé ce commentaire utile 
HASH(0x93f41750) étoiles sur 5 Gem of 2005 9 juillet 2005
Par Grant Barber - Publié sur
Format: Relié
Solnit's book is as the title suggests--a discursive reflectoin on the many nuances of the idea of 'getting lost.' You find out that 'lost' is from the Norse meaning 'the dispersal of armies,' and that early Renaissance painters use blue to designate distance, that children are better (i.e., less likely to die) at getting lost because they don't rationalize the way adults do--all in just a few pages where the insight garnered is both spun out by the author, but left to the reader to stop and pursue in his/her own reflections. Of the twenty or so books of all genres which I've read in the last few weeks--and of those I will read in the next several I suspect--this book incarnates why I read: erudite, entertaining, entrancing. Solnit's book reaches out toward Wordsworth, Dillard, Thoreau--and the Clash, Plato, Robert Hass. The voice and perspective, though, are her own. The essays here can not be read in great, long gulps; switching metaphors, there is hearty sustenance here--you take in only so much, and you are sated with good things which you must digest before moving on. Side note: whoever edited the book did a disservice--occasional glaring errors, such as 'form' being spelled out 'from' and 'good' repeated a second time in a context where the repetition makes no sense (and when you know the author would have easily used another expression to capture the nuance intended over against using something as clunky as redundancy of such a limited word).
32 internautes sur 32 ont trouvé ce commentaire utile 
HASH(0x93f41b88) étoiles sur 5 Reigning Queen of the Essay. 10 mai 2008
Par Constant Reader - Publié sur
With a prodigious breadth and fearless depth, she takes the segue to a high art. Anything can be the occasion for connection. Any sentence can break your mind or heart wide open. Her most personal, and my personal favorite. Reading this book makes me feel alive.
14 internautes sur 15 ont trouvé ce commentaire utile 
HASH(0x93f41b04) étoiles sur 5 Solnit is insightful 13 septembre 2008
Par Kenneth James Wylie - Publié sur
Rebecca Solnit has created what is in my mind what we all seek. Peace. In the notion of accepting that we are all "Lost", and that is where we are meant to be she has captured what the human condition is. Her prose is exceptional and thick. Her attachment to the natural world is a beacon of light in a society that is truly hopelessly lost. Lost from what is real. Brilliant work

Ken Wylie

Calgary Canada
8 internautes sur 8 ont trouvé ce commentaire utile 
HASH(0x93f41f0c) étoiles sur 5 Beautiful, stunning book 10 septembre 2010
Par Amazon Customer - Publié sur
Format: Relié
"Leave the door open for the unknown, the door into the dark. That's where the most important things come from, where you yourself came from, and where you will go."

Been meaning to read this since I heard her on NPR in SF one day several years ago. If one cares for good essays -- really good essays -- this book provides.
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