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Glengarry Glen Ross [Import anglais]

3.0 étoiles sur 5 1 commentaire client

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Détails sur le produit

  • Acteurs : Al Pacino, Jack Lemmon, Ed Harris, Alec Baldwin
  • Réalisateurs : James Foley
  • Format : PAL, Import
  • Audio : Anglais
  • Sous-titres pour sourds et malentendants : Anglais
  • Région : Région 2 (Ce DVD ne pourra probablement pas être visualisé en dehors de l'Europe. Plus d'informations sur les formats DVD/Blu-ray.).
  • Rapport de forme : 1.33:1
  • Nombre de disques : 1
  • Studio : ITV Studios Home Entertainment
  • Date de sortie du DVD : 14 avril 2003
  • Durée : 100 minutes
  • Moyenne des commentaires client : 3.0 étoiles sur 5 1 commentaire client
  • ASIN: B00004S8J4
  • Classement des meilleures ventes d'Amazon: 55.059 en DVD & Blu-ray (Voir les 100 premiers en DVD & Blu-ray)
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Descriptions du produit

Description du produit

In 'The Stepfather' a congenial family man and his engaging smile insidiously mask a deep-seated dementia. 'Glengarry Glen Ross' looks at the wheelings and dealings of a small Chicago real estate office where the name of the game is to close the deal and stay on top...

Synopsis

Tempi duri per una piccola agenzia immobiliare di Chicago. La direzione ha un'idea: l'agente che realizzerà il maggiore numero di vendite alla fine del mese vincerà una Cadillac Eldorado. Per il secondo classificato, un servizio di coltelli da cucina. Terzo premio a pari merito per tutti gli altri: il licenziamento. Fra gli agenti si scatena la caccia al cliente. E' un mondo di burocrati, funzionari scaldasedia, tutti con l'occhio sempre sull'orologio... Insomma, è un fottutissimo mondo. Una specie in via di estinzione. Eh già, apparteniamo a una razza in via di estinzione. Ecco perchè dobbiamo stare uniti. Ricky Roma può permettersi di parlare in questo modo perchè è l'agente più scaltro, e anche questa volta riesce ad accaparrarsi i clienti migliori. --Ce texte fait référence à l'édition Blu-ray.

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Par Benoit le 16 octobre 2011
Format: DVD Achat vérifié
Il serait utile de préciser très clairement sur la page produit que cet import Anglais ne contient pas de version Française ni de sous-titres en Français.Excellent pour réviser sa connaissance de la langue de Shakespeare ,mais bon à savoir malgré tout.
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x9098cf6c) étoiles sur 5 1.011 commentaires
121 internautes sur 129 ont trouvé ce commentaire utile 
HASH(0x907517a4) étoiles sur 5 Real Human Drama 14 novembre 1999
Par Un client - Publié sur Amazon.com
Format: Cassette vidéo
This is perhaps the most well written movie of our time.If you are looking for explosions and car chases,please move on.The dialogue(David Mamet)is scintillating,the interaction of the characters is intriguing.The editing is quick,the cinemetography superb.The cast is phenomanal.Al Pacino(Ricky Roma):the quintessential swarthy,bottom feeding salesman...Jack Lemmon(Shelly Levine):The has been,looking for any angle to snap out of his sales malaise;the pathos conveyed by Lemmon is gutwrenching...Ed Harris(Dave Moss):The scheming,conniving loser;he will go to any lengths to move ahead...Alan Arkin(George Aranov)The mousy under achiever;easily swayed.His understated lack of direction is carried off with deft subtlety by Arkin.Kevin Spacey(John Williamson)The clueless office manager,and whipping boy.Spacey manages to give this role a sinister undercurrent.He ends up as quite the paradox...Alec Baldwin turns up for ten of the most memorable minutes ever filmed.This role is the highlight of his underwhelming career.Arrogance oozes from his every word;contempt permeates his every sentence.Expertly directed by James Foley,this is 36 hrs.in the lives of men desperate;on the edge.The world of real estate sales will never be the same after you see this classic.An extremely cerebral flick,not meant for those with short attention spans.A gauranteed can't miss movie experience.
95 internautes sur 106 ont trouvé ce commentaire utile 
HASH(0x90789a2c) étoiles sur 5 This Film is for Closers Only 19 décembre 2002
Par Michael Crane - Publié sur Amazon.com
Format: DVD
Welcome to the world of real estate, where the golden rule always is "A.B.C." Always Be Closing. This means, lie, cheat, steal, whatever. As long as you get a signature on the dotted line, nothing else matters. And times aren't the greatest for the salesmen at Premiere Properties. None of them are getting the good leads that they need in order to close. And if they don't start closing soon, they're going to find themselves out of the job. There are the "Glengarry" leads, but they're reserved for closers only. And this heated-up and emotional drama gets even more deeper when it turns out that the next day the office was broken into and the Glengarry leads were stolen. In a business where lying, cheating, and stealing all are in a day's work, everyone is suspect.
I cannot believe I had never heard of "Glengarry Glen Ross" until recently. As soon as I popped the DVD in, I fell in love with it immediately. It is so well written and well acted that you can't do nothing but watch in awe. And then, you want to watch it again and again. I have just purchased this movie a couple of weeks ago, and I know my viewings of the film are already in the double digits. This is a movie you can really watch whenever you want. You don't need to be in a certain mood to enjoy it.
The cast is sensational. You've got Al Pacino, Jack Lemmon, Ed Harris, Alan Arkin, Kevin Spacey, and Alec Baldwin. Pacino is great as always and really steals the show during the second act of the film. Your eyes never leave him for a second. Jack Lemmon was also so terrific in it, and it's heartbreaking that he didn't win an Oscar. Everybody else did great in their roles as well.
What I liked about this movie most was the realistic dialogue. People may think that there's a lot of profanities in this film, but this is the real world. People talk like this, especially in the business world. David Mamet did a spectacular job in writing it. I look forward to reading the play. I love it when the story mainly focuses on the characters than on plot.
The DVD is also very good, but not special. But alas, isn't that what it says on the cover? "Special Edition." While there are quite a few extras, it's still nowhere near "special." "Requiem for a Dream" had more extras, and it wasn't even a Special Edition DVD. I know people were let down by this and I can see why. Personally, I didn't have a real problem since I hadn't seen the movie before buying the DVD. I was satisfied, but I clearly understand how others were not.You get the choice of either watching a widescreen version or a full screen version. You also get the choice of watching it in DTS, which is always a nice thing. The picture and sound quality is really great. Some of the extras are a documentary, a tribute to Jack Lemmon, new interviews, commentary, production notes, and cast and crew biographies. Aren't those a couple of features? Yes, but nothing I'd consider "special." For a two disk set, I was expecting more. However, I'm not that let down.
"Glengarry Glen Ross" is a fabulous film that had me hooked from the very beginning. It is now one of my favorites. If you love a good drama where the main focus is on the characters themselves, then this is the movie for you. The only flaw is the lack of special features, but that's no fault of the film itself. Welcome to Real World 101. It's a jungle out there. You think you've got what it takes to close the deal? "You call yourself a salesman, you son-of-a-(bleep)?" Maybe you are... and maybe you're not.
21 internautes sur 21 ont trouvé ce commentaire utile 
HASH(0x906bb5f4) étoiles sur 5 Excellent acting and script, cussing is poetry 17 mai 2005
Par Amazon Customer - Publié sur Amazon.com
Format: DVD
The other day I was discussing salespeople with a friend and we determined that nobody likes being sold anything. Coincidental, then, that I saw Glengarry Glen Ross that night, as the film seems to support our hypothesis, but it adds another dimension to it: the salespeople themselves may not necessarily even like selling anything. In fact, the men in this movie are selling for survival; if they don't sell, they don't eat.

Near the beginning of the film, a man from the downtown office (Alec Baldwin) offers encouragement to three salesmen who aren't meeting their quotas by way of verbal abuse. First prize is a brand new Cadillac, second prize is a set of steak knives, and third prize is the door: you're fired. The men are selling real estate, using the weak leads handed down to them from above. There is Shelley Levene (Jack Lemmon), nicknamed The Machine for his past sales record, who has hit a wall in his career and can't seem to close any more sales. He desperately needs to keep his job to pay medical bills for his wife. Dave Moss (Ed Harris) is fed up with all of the bureaucracy, and doesn't feel people should be treated this way--and they shouldn't. George Aaronow (Alan Arkin) isn't the sharpest tool in the drawer, and tends to be swayed by his colleagues.

All three of these men are jealous of the only guy making any sales lately, Ricky Roma (Al Pacino). Dave is convinced that the rest of them would be doing just as well if they were getting the good leads that he is, but according to their by-the-book company-pleasing manager John Williamson (Kevin Spacey), only closers are worthy of the good leads--the Glengarry leads. Dave comes up with a plan to break into the office, steal the leads, and sell them to the competitor across the street, and tries to convince George to do the dirty work, and as a reward, he can take a cut of the pay and have a job with the competitor. We don't see the actual robbery, though--only the aftermath--and it's not clear who exactly did what. Everyone's got their motives, but who had the guts to do it?

Glengarry Glen Ross was written by David Mamet based on his stage play of the same name, and it must have been an actor's paradise. There are no special effects, hardly any sets at all, and some fantastic dialogue, which flows with the cadence that only Mamet can produce. Nobody else can write profanity with such poetry. Director James Foley doesn't intrude on his actors, which is the perfect way to deal with this talk-heavy picture. The acting is excellent all around, especially by screen legend Jack Lemmon, though nobody is overshadowed by anybody else.

The only fault I found with the film was the abrupt ending, but to go into any more detail would be a crime against anybody who hasn't seen the film. The subject matter is fascinating, as most of us have only seen salesmen when they're being phonies. Here they are given personalities, and are struggling with not only their jobs, but with their lives, and they live in such a sheltered world that they can't even see the opportunities that might be available outside of this bubble. It's a really foolish idea to steal from the place you have to go to every day, but if you don't know any better, it makes perfect sense.
115 internautes sur 136 ont trouvé ce commentaire utile 
HASH(0x90996570) étoiles sur 5 You call yourself a Special Edition DVD you son of a.......? 11 novembre 2002
Par Un client - Publié sur Amazon.com
Format: DVD
I have been waiting for Glengarry Glen Ross since I first purchased my DVD player several years ago. This film is easily in my all time top 10. When I heard it was going to be a 2 disc special edition, I figured it would be worth the wait. I managed to get my hands on a copy early and to be honest it is a let down. The widescreen transfer is beautiful but this has to be one of the most empty 2-disc SE's around. The most disappointing missing feature is the commentary that Jack Lemmon did for the SE laserdisc. What better way to preserve his legacy than to include his comments about arguably his finest film performance? Instead, you get a Jack Lemmon "tribute" feature with interviews from his son, Peter Gallagher, and other folks who are mildly ammusing. Another feature is "New Cast Interviews" which is simply Alan Arkin and Alec Baldwin (separately) doing commentary over scenes from the movie. No Pacino, no Ed Harris, no Spacey. They have included a nice Charlie Rose show clip with Lemmon and a very short Spacey clip from "Inside the Actor's Studio". Then you get a non-Glengarry related feature on salesman. Why? You do get a new commentary from the director which is nice, but this was an actor's movie first and foremost. Why Artisan took several years to finally release this on DVD is quite frankly hard to understand with what has been delivered. Mitch and Murray would be very upset with Aristan's effort here. Long live the Machine!
14 internautes sur 14 ont trouvé ce commentaire utile 
HASH(0x9074b408) étoiles sur 5 Gutwrenching Masterpiece, 10 Stars 21 septembre 2005
Par Pass the popcorn - Publié sur Amazon.com
Format: DVD
Probably in my all-time Top 10...the only other ensemble film I can think of in the same league is 12 Angry Men. There are lots of similarities: a group of men caught in the same situation, whose starkly distinct personalities expose a cross-section of humanity that is terrifying in its realism. GGR of course has no Henry Fonda as a pillar of justice and reason, nor a Robert Webber/Jack Warden character to ease the tension. It is not a feel-good movie, and if you're looking for some sort of plot-driven pay-off, you'll be disappointed. The "plot" is inconsequential to the film - the thing could have taken place any day of the week in this office...which gives a viewer with any imagination even more reason to sweat bullets. True, people either love it or hate it.

Jack Lemmon: Bold words to ascribe to a man of his stature and legend, but I think this could be his finest performance. The character is pathetic and reprehensible at the same time...and it appears Lemmon was able to tap into a part of his soul that recognized had his life not gone the way it did, he might very well find himself in this horrific situation. The desperation is, as another reviewer said, very difficult and painful to watch. You see him slipping a few notches in each succeeding scene...a man literally crumbling before your eyes...made worse by the all-too-obvious self-illusion and fantasy that he is operating under: The Machine is on the comeback trail. What makes this performance bearable and wondrous is Lemmon's mastery in making you want to believe in the legend: unfortunately, the dying embers of his former smalltime glory do little to shelter one from the relentless rain that pours down on this movie and on this sad character.

Al Pacino: I have to believe that this is withtout a doubt his greatest role. He was born to play Ricky Roma...it's pure poetry, astounding. His scenes in the restaurant selling the dupe are as good as anything I've ever seen in cinema. Interesting (for me at least) that for all of the huffing and puffing Pacino is known for, it's the sly, whispered, understated dialogue here that leaps off the screen with a deftness of touch that is awe-inspiring. The scene with Lemmon at the office in front of the reluctant client is a delightful master class in portraying deceit (probably the only moment that offers some temporary relief)...and it's so convincing, you want him to prevail. The relationship between he and Lemmon that reveals itself in the last part of the film is heart-wrenching; Lemmon sees what he once was, and what he mistakenly believes he can be again; Pacino demonstrates a half-hearted deference for Old School, and sees what he wants to believe he won't end up as.

Kevin Spacey: Cold and ruthless as they come...as another reviewer pointed out, he only tolerates Pacino's character because he's currently the producer in the office. We all know that situation has to - and will - change. Spacey's skillfully-nuanced relationship with the others immediately establishes the graduated office hierarchy - from Blake and the boys downtown, to the office doormat (Arkin). Spacey's scenes with Lemmon are the most difficult of all to watch, it almost makes me wonder how they did it.

Ed Harris: Dripping with venom, and bringing new meaning to the word "bitter." The kind of guy you feel for on one level, but nontheless despise - until you see him confronted by the likes of Alec Baldwin. This character is the ticking time bomb in the movie, and you cringe to see the influence he's having over Arkin. Their scenes together are fascinating, as you realize neither of them is going to make it. The dialogue between them is brilliant, and the editing enhances the urgency of their predicament.

Alan Arkin: I was so glad to hear his commentary in the Special Features, because his description of the background he invented for his character matched precisely my ideas about the guy. Mealy-mouthed, weak-kneed, and swimming amongst sharks, he'd be the first to die if this were an action flick. Part of what makes his character so compelling is that he reminds us scruples and morality have no place in the seedy business of third-class sales.... It's tough to see someone doing a job that you can tell from a mile away they don't have a prayer at.

Alec Baldwin: Every actor should be so lucky to get 10 minutes like that....an extraordinary opportunity for an extraordinary role amongst the top people in the profession. He was perfectly cast, I can't imagine another actor in this part. This SOB could make ANYONE feel like a complete failure. There is a strong underlying sexuality to the character, and a hypnotic appeal that makes you hate and fear him (of course), but there's more.... he brings out in the viewer a dark side that admires this kind of power and determination - an almost giddy, willing subservience. Part of you actually starts thinking his way: "Yeah, geez, you guys are losers."

Jonathon Pryce: It's a strange sensation rooting against a victim! This guy was a tremendous launching pad for Pacino's character. A brow-beaten, hen-pecked, shadow of a man who has difficulty standing up for himself even when he's right. Lulled and reeled in by the vituoso Roma over drinks, you end up resenting him for spoiling the dream and tarnishing Roma's golden touch. A great and understated performance.

Again, the storyline is almost superfluous IMO. As for the language - it would be odd if the film were not steeped in crude invective, that's how this class of businessman talks; it's absolutely essential to the film.

I really like another reviewer's remarks about the deadly atmosphere generated by characters we never actually see: Mitch and Murray, Jerry Graff, Shelley's daughter in the hospital, Mrs. Lingk, the Nyborgs, etc. They weigh gloomily over the characters, and create a genuine sense of un-ease within the viewer. I've never seen this device used so effectively.

This film is far more disturbing than any conventional violence or horror, because this is the kind of horror that touches many more lives than guns and ghouls. It happens everywhere - grown men grovelling to eke out a meager existence under the thumb of inhuman bosses, and brown-nosed middle-management. As awful as it is to witness, the performances of this stellar cast are so far out of the ballpark, I find myself inexorably riveted to every single word, line, gesture, and facial expression.

This is a monument of horrible beauty, epic in its dissection of a brutal world, and the men that are consumed by it. I'll watch this film for a long time to come. Thank you David Mamet, James Foley, and the aforementioned actors for making this masterpiece.
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