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The Good Life Import

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4,7 étoiles sur 5 10 commentaires provenant des USA

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Détails sur le produit

  • CD (13 juillet 2004)
  • Nombre de disques: 1
  • Format : Import
  • Label: Mis
  • ASIN : B0002IQA5O
  • Autres versions : CD
  • Moyenne des commentaires client : Soyez la première personne à écrire un commentaire sur cet article
  • Classement des meilleures ventes d'Amazon: 974.725 en Musique (Voir les 100 premiers en Musique)
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Liste des titres

Disque : 1

  1. Big Sur
  2. Kal-E-Fornia
  3. The Good Life
  4. Sorry Charlie
  5. Mood Swing
  6. Mystical
  7. It's The Way That I Feel
  8. Not A Moment Too Soon
  9. Fool's Magic
  10. A Song For Helen

Commentaires en ligne

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Commentaires client les plus utiles sur Amazon.com (beta) (Peut contenir des commentaires issus du programme Early Reviewer Rewards)

Amazon.com: 4.7 étoiles sur 5 10 commentaires
5.0 étoiles sur 5 Great 10 janvier 2015
Par melvin Coplin - Publié sur Amazon.com
Format: CD Achat vérifié
Good life more like great album
5.0 étoiles sur 5 funky and light and jazzy 4 janvier 2011
Par Bridgerish - Publié sur Amazon.com
Format: CD Achat vérifié
I lost my first copy of this CD so I went out and bought another one! I love it. The only cut I am ambivalent about is the Snooopy cut. The rest are great. Nice jazzy piano that makes me feel happy.
4.0 étoiles sur 5 David Lanz - CD 26 mai 2007
Par r starr - Publié sur Amazon.com
Format: CD Achat vérifié
Bought it for one track that I heard on the radio.......great CD.
4.0 étoiles sur 5 From Mainly Piano 12 mai 2012
Par Michael Debbage - Publié sur Amazon.com
Format: CD
I have been a huge fan of David Lanz since his sophomore release of the magical and romantic Nightfall in 1985. Many of Lanz's past album covers were either sophisticated photo shoots of the artist or a natural landscape at its best. The animated logo of this front cover was a significant transition to the past and it clearly extends to the musical content. "The Good Life" continues the metaphoric musical movement of its predecessor, "Finding Paradise," and has more in common with the marvelous David Benoit than the roots of David Lanz. And if you are prepared for such a presentation this album is as enjoyable as many of David's past records but be prepared for a digression.

I will be the first to admit that this album was a shocker when I first heard it, however I entered my listening experience with warning and trepidation. Being a fanatic of not only Lanz but also a love of the pure New Age acoustic genre, I even found the smooth jazz format of "Finding Paradise" a difficult transition. But once I had modified my external ears I found paradise in "Finding Paradise" and without any hesitation would now recommend it as one of 2001's better releases.

So where does that leave us with "The Good Life"? When viewed in the context of what [it] is - a fun-loving pure jazz experience that will leave your toes tapping and your fingers snapping - Lanz certainly achieved his goal of making an album that is casual and carefree. However, if you were those who could not enjoy the subtle smooth jazz of "Finding Paradise" you may want to simply await David's next project, as this might not be your cup of tea. Those of you that are still with me, read on.

Lanz continues to receive support from Gregg Karukas who was also involved in the production of "Finding Paradise." He is ably assisted by other jazz names such as Jeff Lorber, Eric Marienthal and Robbie Nevil to name a few. The less obvious credit would be Jerry Hey whose horn arrangements appear on 4 of the 10 tracks. Those of you not familiar with the name should be aware that Hey became famous for his intricate horn arrangements with the flamboyant R & B group Earth Wind & Fire at the height of their success. Though subdued in relation to the EWF arrangements, Hey certainly adds a wonderful panache to the tracks he is associated with. The most obvious one would be the opening track "Big Sur", with its almost calypso influences. For that matter, check out the almost funky follow up "Kal-e-fornia". The Hey influence is also felt on "Mood Swing" and "Not A Moment Too Soon" that is reminiscent of Herb Alpert's hit "Rise". Yet, Lanz's more refrained piano work sounds utterly at home with the contrasting dirty bass line from Nelson Jackson.

Speaking of funky, "Not A Moment Too Soon" pales in comparison to the title track that has Lanz just grooving right along feeling comfortable and very at home. Yes, I did say grooving and that was not a typo. Jeff Lorber's bass work certainly adds to the rhythm and in order to truly appreciate this track turn this one up loud.

Less original, but equally as enjoyable, is the homage to the Vince Guaraldi composition "Linus And Lucy" courtesy of the track "Sorry Charlie". Or for that matter the heavily David Benoit influenced "Fool's Magic", featuring the soulful saxophone of Eric Marienthal. Wisely, Lanz closes the album with the very romantic piano-based "A Song For Helen" backed by a minimal string arrangement by Gregg Karukas. Harkening back to his romantic style and dedicated to his mother Helen, this one track will not be enough to appease the purists of Lanz fans.

Keep in mind that David Lanz has never been a musician to stand still. Bouncing from the ambient collaborations with Paul Speer, to the fully orchestrated "Skyline Firedance" and even the cover album of "Songs From An English Garden," "The Good Life" only adds credence to this diversified pianist. So those of you who can appreciate jazz and the positive attributes that it brings to the table will not only enjoy "The Good Life" but will find it an utterly uplifting experience.
10 internautes sur 10 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 from MainlyPiano.com 7 août 2004
Par Kathy Parsons - Publié sur Amazon.com
Format: CD
The first thing I have to say about "The Good Life" is that it is not a "typical" David Lanz album. Lanz's releases of the past several years have contained some smooth jazz tracks along with his soulful, inward-looking piano pieces, but "The Good Life" is a collection of fun, jazzy collaborations with other artists. I have been a fan of Lanz's music since the beginning of his recording career, and teach his music to my students more than that of any other composer,but if I hadn't known in advance that "The Good Life" was a major change of direction in Lanz's music, I think I would have thought someone had sent me the wrong CD. That said, I find this recording to be very enjoyable, and a spirited sense of fun prevails throughout the album. A few years ago, I had the amazing experience of watching David Lanz and Kevin Kern (another artist not often associated with jazz!) improvise a couple of piano duets on the spot, blowing everyone present away. So, why not? Lanz suggests that this CD is a perfect antidote to our troubled world, and he could be right. Probably Lanz's most commercial recording to date, the music is catchy, light, and dances around with a big grin on its face. Lanz is joined by Jeff Lorber and Greg Karukas on keyboards, Eric Marienthal and Michael Paulo on sax, and a full band of bass, drums, horns, guitar, and percussion. Six of the ten tracks were composed by David Lanz, and the other four are collaborations.

The concept for "The Good Life" came about as Lanz was "musing" at the piano on one of his musical heroes, jazz pianist Vince Guaraldi. "Sorry Charlie," a lighthearted toe-tapper, was the first track composed. Lanz had so much fun doing this and hearing the results played back that he decided to continue in this vein. I like "Kal-E-Fornia" a lot, with its easy piano groove, funky horns and guitar, and free spirit. "Fool's Magic" is another favorite, with its contrasting styles that alternate a smooth and rhythmic melody and a power-driven chorus. The closing track, "A Song For Helen," is more "classic" Lanz than the rest of the album, and is a song written in honor of his mom, full of warmth and love.

David Lanz has a very long history of releasing spiritual, romantic music, and I think he has wanted to do an album like this for a long time. Some folks will be demanding to know where the aliens took their favorite Sensitive New Age Guy, but I think Lanz will reach a whole new audience with "The Good Life," and will probably get a lot more radio play with it. Taking the music as it is intended, it would be a great party album (with or without other people!), so kick off your shoes, pour yourself a cool one, and enjoy!
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