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Gounod - Roméo et Juliette Compilation

5.0 étoiles sur 5 1 commentaire client

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Détails sur le produit

  • CD (1 janvier 1970)
  • Nombre de disques: 3
  • Format : Compilation
  • Label: Parlophone
  • ASIN : B000006308
  • Autres éditions : Téléchargement MP3
  • Moyenne des commentaires client : 5.0 étoiles sur 5 1 commentaire client
  • Classement des meilleures ventes d'Amazon: 117.185 en Musique (Voir les 100 premiers en Musique)
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Liste des titres

Disque : 1

  1. Console toi pauvre ameromeo juliette act5
  2. Romeo et juliette acte V a toi ma juliette
  3. O ma femme o ma bien aimeeromeo juliette act5
  4. Romeo et juliette acte V c est la salut
  5. Le sommeil de julietteromeo juliette act5
  6. Eh bien ma lettreromeo juliette act5
  7. Entr acteromeo juliette act5
  8. La haine est le berceauromeo juliette act4
  9. Ma fille cede aux voeuxromeo juliette act4
  10. Frappez l air chantsromeo juliette act4
  11. Loi rigoureuseromeo juliette act4
  12. Danse bohemienne ballet viromeo juliette act4
  13. La jeune fille ballet vromeo juliette act4
  14. L invitation ballet ivromeo juliette act4
  15. Danse de fiancée ballet ivromeo julietteact4
  16. Valse des fleurs ballet iiiromeo julietteact4
  17. La fiancée ballet iiromeo juliette act4
  18. Romeo et juliette act IV ballet I introduction ent - Orchestre du Capitole de Toulouse
  19. Amour ranime mon courageromeo juliette act4
  20. Dieu quel frisson courtromeo juliette act4
  21. Hesitez vousromeo juliette act4
  22. Buvez donc ce breuvageromeo juliette act4
  23. Mon pere tout m accableromeo juliette act4
  24. Que l hymne nuptialromeo juliette act4
  25. Quoi ma fille la nuitromeo juliette act4
  26. Juliette ah le ciel soitromeo juliette act4
  27. Romeo qu as tu doncromeo juliette act4
  28. Romeo et juliette acte IV va je t ai pardonn
  29. Duoromeo juliette act4
  30. Ah jour de deuilromeo juliette act3
  31. Le duc le ducromeo juliette act3
  32. Romeo et juliette acte III o jour de deuil o
  33. Que le diable soit deromeo juliette act3
  34. Allons tu ne me connaisromeo juliette act3
  35. Quelle rage vertudieuromeo juliette act3
  36. Ah ah voici nos gensromeo juliette act3
  37. Que fais tu blancheromeo juliette act3
  38. Depuis hier je chercheromeo juliette act3
  39. Romeo tu choisis julietteromeo juliette act3
  40. Dieu qui fit l homme a tonromeo juliette act3
  41. Mon pere dieu vous garderomeo juliette act3
  42. Entr acteromeo juliette act3
  43. Romeo et juliette acte II adieu mille fois
  44. Ah ne fuis pas encoreromeo juliette act2
  45. Romeo et juliette acte II o nuit divine ROM
  46. De qui parlez vous doncromeo juliette act2
  47. Écoute on vientromeo juliette act2
  48. Helas moi le hair romeo et juliette
  49. O nuit sous tes ailesromeo juliette act2
  50. Entr acteromeo juliette act2
  51. C etait romeoromeo juliette act1
  52. Quelqu un c est mon cousinromeo juliette act1
  53. De grace ange adorable romeo et juliette act1
  54. Le nom de cette belleromeo juliette act1
  55. Non non je ne ah je veux romeo juliette act1
  56. Voyons nourrice onromeo juliette act1
  57. Eh bien que l avertissemenromeo juliette act1
  58. Mab la reine des mensongesromeo juliette act1
  59. Enfin la place est libreromeo juliette act1
  60. Allons jeunes gensromeo juliette act1
  61. Ah qu elle est belleromeo juliette act1
  62. Eh bien cher parisromeo juliette act1
  63. L heure s envoleromeo juliette act1
  64. Prologueromeo juliette
  65. Ouvertureromeo juliette
  66. Wedding procession romeo et juliette act4

Descriptions du produit

PLASSON M. / O. DU CAPITOLE DE


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Format: CD Achat vérifié
Merveilleux Roméo et Juliette , On ne se lasse pas de l'écouter. Belles voix , musique magnifique ! Je vous conseille cet enregistrement .
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Amazon.com: HASH(0x8c866a8c) étoiles sur 5 13 commentaires
23 internautes sur 26 ont trouvé ce commentaire utile 
HASH(0x8c7ef4ec) étoiles sur 5 The Best Recording Ever of Romeo & Juliet 15 janvier 2000
Par James Walters - Publié sur Amazon.com
Format: CD
Plasson is a noted interpreter of French repertoire, and it shows. Gheorghiu, and Alagna present themselves very well and make the characters very believable. Ghoerghiu's voice is so exciting in this version, and she fully develops the character.
18 internautes sur 20 ont trouvé ce commentaire utile 
HASH(0x8c7ef540) étoiles sur 5 Better than live 18 mars 2001
Par drommie1810 - Publié sur Amazon.com
Format: CD
For once an opera recording is better than the live performance. While Alagna has a lovely sound and good height even on the top of his voice, the fact remains he's rather "small" vocally for large operatic stages. However, he comes across wonderfully in this recording, where his tone is greatly helped by not having topush to be heard over his wife. Gheorghiu, with her sharp attack and powerful voice, doesn't fare so well in recordings. There is a bit of that odd, over-amplified sound that one often gets with studio recordings of large voices; one really needs space for her to sound her best. Overall, the orchestra was technically good, but somehow lacking in feeling. Also, the tempo for the "Juliet's waltz" in Act 1 sounds very odd. Being just a hair too fast for comfortable listening, it feels as though it's being played at the wrong speed. The low point for Gheorghiu is definately the iffy chromatic scale in the waltz and some interesting liberalities she takes with rests, though some of her runs are spectacularly clean. It's too bad she has to scale back her voice so much to sing with Alagna, there's so much intensity in her voice. The high point of the recording, especially for a student or serious listener, is the beautiful diction throughout the recording. Every syllable is clean and precise, both a joy to listen to, and a great help for study.
11 internautes sur 13 ont trouvé ce commentaire utile 
HASH(0x8c7ef978) étoiles sur 5 a terrific romeo 27 décembre 1999
Par Dolores Zoch - Publié sur Amazon.com
Format: CD
this is the best recording of romeo available now.alagna is the one and only romeo.he won the laurence olivier award and covent gardens performance of the year.he certainly is not just a cabaret singer.
5 internautes sur 6 ont trouvé ce commentaire utile 
HASH(0x8c7efd44) étoiles sur 5 Dramatic, Beautiful And Moving 16 février 2006
L'évaluation d'un enfant - Publié sur Amazon.com
Format: CD
ABOUT THIS RECORDING:

Roberto Alagna [Roméo] ** Angela Gheorghiu [Juliette] ** José van Dam [FrIAR Laurent] ** Marie-Ange Todorovitch [Stéphano] ** Simon Keenlyside [Mercutio] ** Alain Fondary [Capulet] ** Claire Larcher [Gertrude] ** Daniel Galvez Vallejo [Tybalt] ** Guy Flechter [Benvolio] ** Didier Henry [Pâris] ** Till Fecnher [Grégorio] ** Alain Vernhes [The Duke] ** Chœur et Orchestre du Capitole de Toulouse ** Michel Plasson

This is the last recording of Gounod's Romeo Et Juliette we are likely to see. From 2000-2001, this also is the soundtrack to the film version. The Shakespearean classic tale of doomed love and the power it had to reconcile two feuding families in Renaissance Verona, Italy was a moving theatrical work of opera earlier in the 20th century and most especially in the 19th century. Traditionally, the voices of Romeo and Juliet have been sung by lighter, lyric voices trained in the art of French opera, particularly the operas of Gounod. In a 60's recording we find a young Franco Corelli and Mirella Freni as the lovers and to me, these two have most convincingly sung the lovers with flawless vocal technique and dramatic abilities. In a mid 90's recording you have Placido Domingo and Ruth Anne Sweson. Another winner as Domingo and Swenson get into character and have the lyricism and French style so suited to the opera. This recording, however, thanks to the efforts of Plasson's Gaellic conducting and dramatic treatment of the score and the dramatic, vibrant and beautiful voices of the leads, we get another winner.

All opera lovers with the inside scoop know that Roberto Alagna and Angela Gheorghiu are real-life husband and wife. Singing the famous lovers Romeo and Juliette must have been a pleasure for them and a piece of cake. Their commitment to each other and to themselves as artists is evident and their chemistry is electric. I'm not a learned opera scholar or voice coach but I have to say they sound amazing and they really get into character, with perhaps just slightly more emphasis on the voice. They make beautiful music together. The duets in this opera are plenty and they are unbelievably beautiful, erotic, seductive, enchanting. The Balcony Scene Duet (O Leve Toi Soleil) and the Hymn To Night later on -after Juliet forgives Romeo for killing Tybald (Va Je Te Pardonne) are all exquisitely and dramatically sung. It is as if they are singing Puccini duets. Yes, Alagna and Gheorghiu sing with self-consciously dramatic voices and since we are living in a time where studio recordings no longer rely on natural voice alone, we can miss out on some natural singing that has passion. But for some reason, these two do have the passion in the voices and they sing with faultless musicianship and dramatic power. Gheorghiu is a consummate artist and sings all her roles well but her Juliette is a weird sort of scenario: Maria Callas singing Juliet in a big dramatic way but with some vulnerability and sweetness. I don't care for Gheorghiu especially for the reason she sounds like an unbeatable Maria Callas imitator. Alagna sings great but he is obviously influenced and nearly imitating Franco Corelli and another scenario: Pavarotti as Romeo ? He sings like Pavarotti at times. I don't like this recording more than the Domingo/Swenson version though. I feel Domingo and Swenson genuinely want to act more than just sing beautifully. But this one is lovely too.

Jose Van Dam sings Friar Laurence. He is amazing. The voice has not aged or gotten worse. It is rich, deep and saintly for the part. He has done a number of roles over the years and each time gets into character. Van Dam is still a terrific bass-baritone, able to sing such diverse repertoire as Mozart and Verdi. This is one of his best roles on recording. Simon Keenlyside, another Mozartian tenor, sings with great gusto and bravura as Mercutio. We genuinely feel for his tragic fate and he is not just a silly goofball. He's a tragic idealist/dreamer.

Great cast, strong performances, great music.
4 internautes sur 5 ont trouvé ce commentaire utile 
HASH(0x8c7efb58) étoiles sur 5 For once, Romeo really loves Juliet 30 mai 2006
Par Santa Fe Listener - Publié sur Amazon.com
Format: CD
Gounod's music in 'Romeo et Juliette' is sugary, as the Amazon reviewer says, but here Alagna and Gheorghiu connect so tenderly that you feel like a voyeur intruding on their intimacy. Alagna scales his voice down considerably in the duets, and Gheorghiu matches his perfect French pronunciation--they are merged in the language of love. No ohter recording has quite this gentleness (in my student days Freni and Corelli were the Met's standard Romeo and Juliet, and their presence made the work Italiante, a showpiece for gorgeous vocals).

Plasson and his Toulouse forces sound fine, as does EMI's recording. Alagna reverts to his habit of pushing his voice in solo arias, and Gheorghiu is by nature too hard-edged for Juliet--her waltz aria is attacked a bit fiercely when ideally it should melt on the tongue. But when they sing together, these flaws disappear, and we get to be carried away by their love and Gounod's angelic melodies.
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