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Les Grands Pianistes Du 20e Siecle - Maria Yudina

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Détails sur le produit

  • Interprète: Maria Yudina
  • CD (12 janvier 1999)
  • Nombre de disques: 2
  • Label: Philips
  • ASIN : B00000I0LM
  • Moyenne des commentaires client : 5.0 étoiles sur 5 1 commentaire client
  • Classement des meilleures ventes d'Amazon: 171.053 en Musique (Voir les 100 premiers en Musique)
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Liste des titres

Disque : 1

  1. Variations bwv 988 goldberg - aria
  2. Variations bwv 988 goldberg - variation I a 1 clavier
  3. Variations bwv 988 goldberg - variation II a 1 clavier
  4. Variations bwv 988 goldberg - variation III a 1 clavier
  5. Variations bwv 988 goldberg - variation IV a 1 clavier
  6. Variations bwv 988 goldberg - variation V a 1 ovvero 2 claviers
  7. Variations bwv 988 goldberg - variation VI canon alla seconda a 1 clavier
  8. Variations bwv 988 goldberg - variation VII a 1 ovvero 2 claviers al tempo di giga
  9. Variations bwv 988 goldberg - variation VIII a 2 claviers
  10. Variations bwv 988 goldberg - variation IX canone alla terza a 1 clavier
  11. Variations bwv 988 goldberg - variation X fughetta a 1 clavier
  12. Variations bwv 988 goldberg - variation XI a 2 claviers
  13. Variations bwv 988 goldberg - variation XII canone alla quarta a 1 clavier
  14. Variations bwv 988 goldberg - variation XIII a 2 claviers
  15. Variations bwv 988 goldberg - variation XIV a 2 claviers
  16. Variations bwv 988 goldberg - variation XV canone alla quinta in moto contrario a 1 clav
  17. Variations bwv 988 goldberg - variation XVI ouverture a 1 clavier
  18. Variations bwv 988 goldberg - variation XVII a 2 claviers
  19. Variations bwv 988 goldberg - variation XVIII canone alla sesta a 1 clavier
  20. Variations bwv 988 goldberg - variation XIX a 1 clavier
  21. Variations bwv 988 goldberg - variation XX a 2 claviers
  22. Variations bwv 988 goldberg - variation xxi canone alla settima a 1 clavier
  23. Variations bwv 988 goldberg - variation xxii alla breve a 1 clavier
  24. Variations bwv 988 goldberg - variation xxiii a 2 claviers
  25. Variations bwv 988 goldberg - variation xxiv canone all'ottava a 1 clavier
  26. Variations bwv 988 goldberg - variation xxv a 2 claviers adagio
  27. Variations bwv 988 goldberg - variation xxvi a 2 claviers
  28. Variations bwv 988 goldberg - variation xxvii canona alla nona a 2 claviers
  29. Variations bwv 988 goldberg - variation xxviii a 2 claviers
  30. Variations bwv 988 goldberg - variation xxix a 1 ovvero 2 claviers
  31. Variations bwv 988 goldberg - variation XXX quodlibet a 1 clavier
  32. Variations bwv 988 goldberg - aria

Disque : 2

  1. Variations op 120 diabelli - tema vivace
  2. Variations op 120 diabelli - variation I alla marcia maestoso
  3. Variations op 120 diabelli - variation II poco allegro
  4. Variations op 120 diabelli - variation III l'istesso tempo
  5. Variations op 120 diabelli - variation IV un poco piu vivace
  6. Variations op 120 diabelli - variation V allegro vivace
  7. Variations op 120 diabelli - variation VI allegro ma non troppo e serioso
  8. Variations op 120 diabelli - variation VII un poco piu allegro
  9. Variations op 120 diabelli - variation VIII poco vivace
  10. Variations op 120 diabelli - variation IX allegro pesante e risoluto
  11. Variations op 120 diabelli - variation X presto
  12. Variations op 120 diabelli - variation XI allegretto
  13. Variations op 120 diabelli - variation XII un poco piu moto
  14. Variations op 120 diabelli - variation XIII vivace
  15. Variations op 120 diabelli - variation XIV grave e maestoso
  16. Variations op 120 diabelli - variaiton XV allegro
  17. Variations op 120 diabelli - variation XVI allegro
  18. Variations op 120 diabelli - variation XVII
  19. Variations op 120 diabelli - variation XVIII poco moderato
  20. Variations op 120 diabelli - variation XIX presto
  21. Variations op 120 diabelli - variation XX andante
  22. Variations op 120 diabelli - variation xxi allegro con brio meno allegro tempo I
  23. Variations op 120 diabelli - variation xxii allegro molto alla notte e giorno faticar di
  24. Variations op 120 diabelli - variation xxiii allegro assai
  25. Variations op 120 diabelli - variation xxiv fughetta andante
  26. Variations op 120 diabelli - variation xxv allegro
  27. Variations op 120 diabelli - variation xxvi
  28. Variations op 120 diabelli - variation xxvii vivace
  29. Variations op 120 diabelli - variation xxviii allegro
  30. Variations op 120 diabelli - variation xxix adagio ma non troppo
  31. Variations op 120 diabelli - variation XXX andante sempre cantabile
  32. Variations op 120 diabelli - variation xxxi largo molto espressivo
  33. Variations op 120 diabelli - variation xxxii fuga allegro poco adagio
  34. Variations op 120 diabelli - variation xxxiii tempo di minuetto moderato ma non tirarsi
  35. Variations op 35 eroica - introduzione col basso del tema allegretto vivace
  36. Variations op 35 eroica - variation I
  37. Variations op 35 eroica - variation II
  38. Variations op 35 eroica - variaiton III
  39. Variations op 35 eroica - variation IV
  40. Variations op 35 eroica - variation V
  41. Variations op 35 eroica - variation VI
  42. Variations op 35 eroica - variation VII canone all'ottava
  43. Variations op 35 eroica - variaiton VIII
  44. Variations op 35 eroica - variaiton IX
  45. Variations op 35 eroica - variaiton X
  46. Variations op 35 eroica - variaiton XI
  47. Variations op 35 eroica - variation XII
  48. Variations op 35 eroica - variation XIII
  49. Variations op 35 eroica - variation XIV minore
  50. Variations op 35 eroica - variation XV maggiore largo
  51. Variations op 35 eroica - finale alla fuga allegro con brio


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Par Gerard Müller TOP 100 COMMENTATEURSMEMBRE DU CLUB DES TESTEURS le 13 septembre 2010
Achat vérifié
L'interprétation de Maria Yudina est d'une qualité exceptionnelle. Ces Variations tant et tant de fois jouées en raison de leur valeur musicale intrinsèque sont ici mises à nus et la virtuosité et la puissance du jeu de Yudina n'enlève rien à la sensibilité de son toucher. Pour moi et beaucoup d'autres, les Variations Goldberg de J.S. Bach BWV 988 sont le sommet de l'architecture musicale pour clavier. Tout le génie de Bach y est résumé.( En parallèle , je citerai la Grande Passacaille BWV 582 qui représente à mon sens le summum de la composition pour orgue, et la Chaconne de la seconde Partita BWV 1004 pour le violon.)
J'ai écouté maintes et maintes fois ces Variations; le jeu de Glenn Gould m'a toujours séduit également,très personnel dans sa virtuosité et sa traduction du contrepoint. Au piano, Zhu Xiao Mei fait aussi des merveilles en interprétant cette composition. Je citerai parmi mes préférences également, au clavecin, Wanda Landowska en un enregistrement datant de 1935, magistralement remastérisé par EMI, et bien sûr Pierre Hantaï, sans oublier Keith Jarrett grand compositeur de jazz, et enfin Käte van Tricht qui joue sur les grandes orgues de Brême. Au final le jeu dépouillé de Maria Yudina me séduit tout autant que sa virtuosité pour nous offrir "ce temple éblouissant érigé en l'honneur de la musique pure."(Wanda Landowska)
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Amazon.com: 4.5 étoiles sur 5 4 commentaires
60 internautes sur 62 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 A Profound Humanism 27 juin 2000
Par Richard Townsend - Publié sur Amazon.com
Maria Yudina (1899-1970, one of the greatest pianists of her generation, dared to become a "legend in her own lifetime". She was born in Nevel, Russia and died in Moscow. She began her formal studies at age 7 and went on to become a star pupil at the St. Petersburg Conservatory (studying with the great Anna Essipova). Possessing "fingers of steel", a poetic temperament, and a masculine creative intellect, Yudina made music like no other of her generation. She was truly a profound humanist: an interpreter of genius. She dared to be true to her own beliefs at a time of repressing conformity. She was labeled as Stalin's favorite pianist, and because of this fact, she got away with sending him nasty notes about his policies without being sent to the Gulag like so many great intellectuals. An interesting story has it that she once played a Mozart concerto for Soviet radio and on hearing this, Stalin ordered a copy of the performance to be sent to him immediately. Since no one dared to tell Stalin that it was a live broadcast, the pianist and the entire orchestra found themselves brought back to the recording studio at four in the morning. She was a great eccentric as well, often reading banned literature at her concerts. Her repetoire was staggering, including everything from Rameau to Boulez and STockhausen. However, on this cd is in my opinion, one of hers and history's greatest recordings: that of BAch's Goldberg Variations. It's without doubt the most fascinating and colorful Goldberg I've ever heard, and it was recorded just two years before her death at age 71. She did not get round to playing the Goldberg in public until such a late age because of the maturity and intellectual strength needed to really "interpret" such a monument of music.Her embellishments are torrential. The sound is like a full orchestra. But as the booklet says, this is a Bach very much in keeping with our time, showing that humanism and the creative ethic can still shine in the modern mess of the Twentieth Century. The way in which she brings out the subtleties of the piece is in fact quite amazing. She accentuates the polyphonic richness of the work with a majesty I've rarely heard. Full of fantasy and an amazing drive (even surpassing Gould, Jambor, and other great Bach keyboard artists). Intense, intellectual, and most of all spiritual playing. One of the great talents of the past century. I recommend this recently released recording for any music connoisseur.
12 internautes sur 15 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 The best of them all 14 janvier 2007
Par Robert Wightman - Publié sur Amazon.com
I disagree to the utmost with Mr. Morrison's comments, that Maria Yudina's Goldberg performance isn't that spectacular. This is a profound interpretation of Bach's 32 variations. This is better than anything I've ever heard. It is hard to really compare with Gould or Perahia or anyone else, as they all are unique interpretations. But this one, this is extra amazing. I was a music major in piano and continue to perform professionally so my opinion does have some weight. Does Mr. Morrison also believe that Thelonious Monk was a basically "bad" pianist? Music has a soul, out of which shines life and creativity. This performance is so full of life, who cares about the recording quality. Don't let yourself be distracted by that. I hope these few words help a bit to remind everyone of the true gift given to Maria Yudina.
6 internautes sur 8 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 One of the most modern pianists of that missed times! 16 août 2007
Par Hiram Gòmez Pardo Venezuela - Publié sur Amazon.com
After the downfall of USRR, it results extremely difficult to this raising generation, to understand in sum grade the terrible spiritual burden around the intellectual elite of those artists who bet and fought for living in a most human world where the free exchange of ideas was not motive to be imprisoned just for disagreeing.

Maria Yudina was a true living legend in the middle of
the ferrous fist- state governed by Stalin. His stubbornness and obsessive struggling for the freedom of thought, made of her a dangerous artistic enemy if the regime and so her expected visits to the West was simply limited to Poland and Leipzig with Shostakovich, but according the judgment of Bela Davidovich she had : "a mystical personality and a very great artist always interesting to hear."

In this sense his steeled conviction inside the environment she had to live was a constant struggle; and so these performances reflect this state of things, that's why you will listen Schubert's Impromptus absolutely despoiled of refined sentimentalism, visible pedalling austerity, free of ornamentations, invested of plasticity and that fierce intensity. She belongs to a missed and historical dynasty, the last confrontation between art and politics.

Rest in peace, venerable master!.
11 internautes sur 22 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 Not as Good as Some Seem to Think 7 mars 2005
Par J Scott Morrison - Publié sur Amazon.com
I strongly suspect the previous reviewer has been to some degree swayed by the reputation of Mariya Yudina as some sort of sainted personage during the Stalin regime. In her personal behavior that may have been the case, but if one listens to her playing of these three giant sets of variations, surely among the greatest ever written, one comes to the conclusion that these are fine but not great readings. And there are some worrisome aspects to them as well. For instance, in the 'Diabelli' Variations she plays some passages in the wrong octave; granted others have done that with Bach (Feltsman, for instance) and one supposes that could be an artistic choice rather than simply wrongheaded. But she also leaves out some measures along the way. I personally will want to stick with other Diabellis (Brendel, say, or Serkin). I do find her 'Eroica' Variations a bit more solemn than they generally are and that is probably a valid take on them.

As to the 'Goldbergs' I have to say that there is nothing here that makes me want to hear them too often. It is said that she conceived each variation as an illustration of some passage or other from the Bible--she was an outspoken believer in a time of state-prescribed atheism--but I can't see how this translates into anything audible. It might be interesting to know what each variation illustrates--I've never seen that anywhere, although I imagine it might exist in some source I haven't run across--but otherwise, again, one must listen to this performance as music qua music, without the extra-musical trappings. And in the Goldbergs she is a middle of the road interpreter, using a minimum of pedal. Certainly the most overtly spiritual of the variations, No. 25 'the Black Pearl' with its ultrachromaticism, is rather stolid, to be honest.

I had been hearing about Yudina for years before I ever heard these two discs, and have not heard any other recordings since this one. I haven't really felt the need to pursue getting to know her playing all that urgently.

The sound here is rather primitive for its time. The Diabelli and Eroica sets are from 1961, the Goldbergs from 1968. In the older recordings particularly the instrument is out of tune and somewhat tinny, with distortion at high dynamics. But even in the Goldbergs the sound is barely acceptable with distortion and cracked notes abounding; it sounds more like a Western recording from the early 1950s.

Not my cup of tea, but it is the only widely available record of Yudina's playing, so you might want it out of curiosity.

Scott Morrison
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