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Page Artiste John Williams (Composer)


Détails sur le produit

  • Interprète: John Williams
  • CD (29 octobre 1999)
  • Nombre de disques: 2
  • Format : CD, Bande originale, Import
  • Label: Columbia
  • ASIN : B00002MZ4V
  • Autres éditions : CD  |  Mini-disque  |  Téléchargement MP3
  • Moyenne des commentaires client : 5.0 étoiles sur 5 1 commentaire client
  • Classement des meilleures ventes d'Amazon: 102.405 en Musique (Voir les 100 premiers en Musique)
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Descriptions du produit

WILLIAMS JOHN


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Format: CD Achat vérifié
Les oeuvres sont superbes et nous remettent dans l'ambiance des films ... L'enregistrement, différent des bandes originales, est somptueux. Quand j'écoute La liste de Schindler, je pleure, non seulement parce que c'est beau mais aussi parce que cette musique ne peut que nous entraîner dans une réflexion sur la cruauté humaine, une méditation sur les drames de la vie...
Remarque sur ce commentaire 7 personnes ont trouvé cela utile. Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
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Amazon.com: HASH(0x95d70b94) étoiles sur 5 169 commentaires
39 internautes sur 41 ont trouvé ce commentaire utile 
HASH(0x95a2e960) étoiles sur 5 John Williams' first 30 years' celebration 16 septembre 2003
Par Alex Diaz-Granados - Publié sur Amazon.com
Format: CD
John Williams -- The Greatest Hits 1969-1999, as its title proclaims, is a two-disc anthology of one of Hollywood's most famous and prolific composers. Starting from 1969's "The Reivers" and ending with 1999's "Star Wars Episode I: The Phantom Menace," its 28 tracks cover most of Williams' film scoring career, with two Summer Olympics' (1984 and 1996) fanfares thrown in for good measure.
Disc One covers the period between 1969 and 1989, even though the tracks are not arranged in chronological order. Instead, the fun begins with Williams' most famous (and maybe most popular) piece, "Main Title from Star Wars." It's in this disc that works from his most prolific period appear, including themes from Sugarland Express, Jaws, Close Encounters of the Third Kind, Superman, E.T., Empire of the Sun, and the Star Wars and Indiana Jones trilogies.
Although most of these tracks appear in other John Williams albums, I discovered one new gem in the Main Title from The Reivers (1969). I've never seen the film or read the Steinbeck novel of the same name, but I was captivated by John Williams' way of introducing a melodic idea with a solo instrument (a guitar), then adding an Aaron Copland-like flourish of brass and strings, followed by a series of variations on a theme evoking open spaces and fun hijinks out in the countryside (indicated by the use of banjos and horns).
Another surprise on Disc One is the new arrangement of the 1984 Olympic Fanfare, commissioned for the Los Angeles Summer Games. This reworking of the fanfare adds the familiar "Bugler's Dream" everyone associates with the Olympics to Williams' vibrant march.
Disc Two covers the 1990s (with the peculiar appearance of Williams' "March from 1941," Steven Spielberg's 1979 comedy dud). Although Spielberg is the director whose movies have more representation with five of 14 tracks on this disc -- 1941, Hook, Jurassic Park, Schindler's List, and Saving Private Ryan -- there is plenty of variety, both musically and genre-wise. Two Oliver Stone films (Born on the Fourth of July and JFK) have themes presented here, and such diverse movie themes as "The Days Between" from Stepmom, "Somewhere in My Memory" from Home Alone, and the album's final track "Duel of the Fates" from 1999's "The Phantom Menace" are a testament to Williams' talent, audience appeal, and versatility.
With over two hours' of music, this is a fine addition to any fan of film or orchestral music's CD collection.
58 internautes sur 65 ont trouvé ce commentaire utile 
HASH(0x956a839c) étoiles sur 5 unexpected 20 août 2003
Par Matt - Publié sur Amazon.com
Format: CD Achat vérifié
Excellent sound quality, great composer, BUT...
***On what other "greatest hits" cd do the artists re-record the material? The music is faster,
has less emotional impact, and actually has emphasis on different notes and phrases.
This has the same impact of a child whistling the tunes, just running through it.
The really bad thing about all of this is that the tunes you bought this for
sound the worst, because you're expecting something totally different.

********************
Sometimes sounds counterfeit. Still, this has excerpts from some great music scores and can still be enjoyed. Sounds better the second time around.
********
It is sounding better and better.
47 internautes sur 52 ont trouvé ce commentaire utile 
HASH(0x956a8240) étoiles sur 5 A must-have album for all John Williams fans! 13 novembre 1999
Par Un client - Publié sur Amazon.com
Format: CD
I was ecstatic when I found this CD, which contains a wonderful collection of Williams' best---from classic favorites like "Star Wars" and "Jurassic Park", to sure-to-be classics like "Duel of the Fates" and "Hymn to the Fallen". I was also pleased to hear some of his other non-cinematic masterworks like the Olympics themes. Overall, it is a fantastic compilation of a variety of music, which pays tribute to Williams' considerable range as a composer.
26 internautes sur 28 ont trouvé ce commentaire utile 
HASH(0x95a2e45c) étoiles sur 5 Outstanding! 11 décembre 1999
Par Mark Brown - Publié sur Amazon.com
Format: CD
I've been looking for these songs on the same CD for quite a while, and this set does not disappoint. This 2 CD set contains an outstanding compilation of some of the best soundtrack music, new and old, ever composed by John Williams. You will recognize most of the tracks from blockbuster movies --Star Wars, Jurassic Park, Superman. The Olympic theme songs are also included. This is one to pop in the CD player at home or in the car and turn it up. This set has a high replay value, too. It will never sound stale.
21 internautes sur 23 ont trouvé ce commentaire utile 
HASH(0x95a338f4) étoiles sur 5 Not enough ! 28 février 2004
Par Mac Eachaidh - Publié sur Amazon.com
Format: CD
Oh don't get me wrong -- this is a great collection and definitely value for money. Congratulations to Sony Classical for pulling it together.
In one sense it's a very satisfying purchase: even though the second of the two discs in this set goes a little bit astray in including some selections that are less compelling to the listener or even as musically interesting, it's a broadly representative sweep of Mr William's scoring career -- a little biased towards his more recent scores, perhaps, but even that's OK, 'coz that's when he's been writing with more conviction and authority. (Or, perhaps more pertinently, that's when Sony started having a market interest in films and soundtracks.)
But in another sense, this set has the paradoxical drawback of all good compilations: it leaves you wanting more.
And at the risk of disagreeing with Jason Verlinde, Amazon.com's reviewer, I did not find all the soundtrack moments I'd expect! There are so many moments of great passion and musical lyricism that have flowed from John William's pencil (or his music compositional software, for all I know) that they definitely can't all be done justice in a single two-disc collection.
Where, for instance, are the themes from his disaster-movie epics, The Towering Inferno, Earthquake and the Poseidon Adventure ? His early TV-based sci-fi stuff, like The Time Tunnel, Land of the Giants or Lost in Space ? His all-but-forgotten romanticisms, like his awesome score for Dracula, or for Sugarland Express, Cinderella Liberty, Always, and Stanley & Iris ? His westerns, among them The Cowboys, the River and The Missouri Breaks ? His other fantasy pieces, among them The Fury, The Witches of Eastwick, and Articial Intelligence: AI ?And his historical pieces, like Midway, Nixon, Amistad, Angela's Ashes or The Patriot ?
OK. My point is made, I believe. There is just so much John Williams has written that is worth hearing. And while Mr Verlinde is correct in saying that (for many of these films) full OST releases are also available on CD, for those of us who enjoy John Williams' Tchaikovsky-like ability to produce an unending supply of rich, evocative musical themes, compilations are really the best answer. His music, as so many film-makers have commented, is so dramatic and versatile that it quickly becomes like an unscripted character in most movies in which it participates, to the degree that, broadly, to separate most of his tracks from the scene in which they appear is to discard much of their power and musical value. We can only be grateful that Mr Williams has developed the habit of creating musical cues in most of his movies where his themes and motifs are clearly, powerfully stated. And it's these cues, often, that make for the best listening, outside watching the entire film itself.
So, Sony, it's over to you. There's plenty of room, plenty of material, for volumes two, three, four ... Even most of the films that have been represented in this current set have plenty more musical cues that could also appear in a compilation of this caliber.
In the meantime, this highly-recommended set is a great place to start listening to John Williams' extraordinary film music. I don't think there's a dud track in the entire collection.
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