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Here and Nowhere Else


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Page Artiste Cloud Nothings


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Détails sur le produit

  • CD (31 mars 2014)
  • Nombre de disques: 1
  • Label: Wichita Recordings
  • ASIN : B00I8Z9KQE
  • Autres versions : CD  |  Album vinyle  |  Téléchargement MP3
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Descriptions du produit

Après un deuxième album remarqué par la critique, le quatuor emmené par Dylan Baldi revient avec nouvel album intitulé Here And Nowhere Else. Ne perdant rien de son énergie, CLOUD NOTHINGS présente ici un album où la colère primitive des débuts laisse place à une vision plus optimiste. La rage se voit remplacée par l'ouverture d'esprit et l'incertitude est eclipsée par la confiance et l'assurance. Dylan dit lui-même "qu'il y a plus de place dans la musique, plus de suggestions, laissant la part belle à l'interprétation de chacun". Un eclectisme s'expliquant par ses nombreux voyages au court des deux dernières années. Cloud Nothing a grandi grâce à cet album et franchi un premier palier vers une maturité qui leur tend les bras. Leur rock toujours aussi puissant gagne en profondeur et laisse présager un avenir prometteur.


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Amazon.com: 4.4 étoiles sur 5 25 commentaires
10 internautes sur 10 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 "Do you remember when the first snowfall fell...?" 19 avril 2014
Par B. Hirschman - Publié sur Amazon.com
Format: CD Achat vérifié
Carpark Records has become my go-to label for sentimental entertainment value. Last year's Speedy Ortiz 'Major Arcane' was a vibrant tour de force for 90's indie rock iconography. 'Here and Nowhere Else' casts its gaze toward the transcendent messed-up fun and vitality of the indie label scene of the 1980's. It's not that Cloud Nothings is a facsimile of any 80's band; it's more that their vibe leaves me brandishing the same post-revelatory smile that those bands did. Dylan Baldi vocals walk the boundary between composure and excess that was the endearing trademark of Paul Westerberg on such tracks as 'Take Me Down To The Hospital' and 'We're Coming out' (most noticeable as he squalls "swallow" on 'Give Into Seeing'') or Paul Searchy on just about any Squirrel Bait track.Then there are times, most notable in the astonishingly realized last 30 seconds of 'No Thoughts', where he find his own rapture and, well, I don't bother seeking out comparisons. His Midwestern Emo preoccupations broadcast psychic disassociation's commonly associated with the re-prioritizing and refashioning of one's inner-life as one matures. Mr. Baldi does not put on airs, and he represents a person that I always root for.

'Here and Nowhere Else's' Low-Fi production values facilitate Cloud Nothings' ability to provoke an emotional response in the listener by virtues of not distracting from (or filtering-out) their emotional relationship to the music -The communication remains crisp and uncluttered in all directions. Husker Du's pop anthem classic 'Celebrating summer' did much the same. "Process speak" of Lo-Fi Vs. Hi-Fi is for nothing, however, without insightful and entertaining song craftsmanship worthy of processing, and Mr. Baldi has firmly established on this LP that he is a consummate songwriter. Despite 'Attack On Memory's' virtues, I suspect that this material is more inline with Mr. Baldi's creative reflexes. Of course, perseverating on who is producing/engineering Cloud Nothings' LP "this time" and/or peering into the archive is reductionist and by no means does 'Here and Nowhere Else' justice. Cloud Nothings do elevate themselves from the indie-rock root tradition, particularly with their affinity for hook saturated post-punk-power-pop. What's more, Mr. Baldi is forthright and generous in his appreciation for contemporary mainstream pop music generally.

This briskly paced and rhythm-centric LP concludes with two tracks that diverge in important ways from their siblings. Cloud Nothings are not shy pursuing awkwardly time and executed minor tempo changes. This works for them because the musical bridge, while it sometimes languishes, always arrives at some brilliant idea. Track 7, on the other hand, represents a more sophisticated execution of Mr. Baldi's tendency for structural adventurousness. The spritly Track 8 unashamedly and boldly embraces an upbeat and mainstream vibe and outlook. Cloud Nothings have demonstrated over the course of the past few years that they are a band with considerable range and upside. For the time being, I'm well served to be content with what's directly in my field of view.
5 internautes sur 6 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Perfect Counterpart to Attack on Memory 3 avril 2014
Par Jorge Pawsoda - Publié sur Amazon.com
Format: Album vinyle
This album is the perfect followup to AoM. It's fantastic, it's beautiful, it's exciting, and it moves at a breakneck pace that serves as an immense change from the slow, tense, drawn-out moments of its predecessor. The last album was a dark, nihilistic, brooding, but incredibly satisfying record, the soundtrack to a mental breakdown, and this is the aftermath, the excited, inspired, life-affirming catharsis that follows the struggles of the past. Last album was all about struggling to forgetting the past, but this is the total opposite. Baldi accepts the past, the pain he's gone through, but he "can't recall how I was those days anymore". His frame of mind has shifted, and so has the music. This is the beautiful twin of Attack on Memory, and it'll hopefully go down with the same fantastic legacy as AoM as well. Musical perfection.
4.0 étoiles sur 5 High-energy album... and even better live! 13 mars 2015
Par Paul Allaer - Publié sur Amazon.com
Format: CD
Cleveland-based Cloud Nothings have undergone quite the transformation from those early days. Gone are the days of the lo-fi one-man band of Dylan Baldi. In a matter of 4-5 years, Cloud Nothings is now a full band, with a full sound, and rocking hard. This is the band's 4th album.

"Here & Nowhere Else" (8 tracks; 31 min.) immediately jumps in with both feet on the album's opener "Now Hear In", which continues with "Quieter Today", which is anything but quiet... The energy jumps out at you. "Psychic Drama" slows things down (but just a little bit). "Giving Into Seeing" is another songs that reels you in with its quick guitar licks and melody hooks. It all leads to the next-to-last track, the 7+ min. epic "Pattern Walks", which ranks among the best the band has ever done (for me anyway). The album closes with "I'm Not Part of Me", another appealing tune. Bottom line: the raw energy on "Here & Nowhere Else" is at times almost shocking, but ever so welcome, and with a running time of just half an hour, this album flies by in no time.

I had the good fortune of seeing Cloud Nothings earlier this week here in Cincinnati. They headlined a gig at the beautiful and intimate Woodward Theater which was pretty much sold out for this (the show was part of the MusicNOW festival). Baldi & Co. played their hearts out and put on a high energy show, They played pretty much all of the "Here & Nowhere" album (I think the only track not played was "Just See Fear"), along with a number of older tunes (including an excellent "No Future/No Past" and "Wasted Days"). Great show all around. If you have a chance to see these guys in concert, do not miss them! Meanwhile, "Here & Nothing Else" is highly recommended!
2 internautes sur 3 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Unique, but so familiar 13 août 2014
Par Anders - Publié sur Amazon.com
Format: CD
I don't know how they did it, but Cloud Nothings has managed to make an energetic, relevant album culling from elements of many genres that seem to have gone out of style without sounding derivative. Today's alternative music seems to be dominated by low-fi 80s pop throwbacks or scraggly folk rock. Cloud Nothings recaptures the energy and angst that was originally what made alternative music tick.

To me, it sounds like the more punk-infused, raw side of Nirvana, with some of the melodies and harmonies of Sunny Day Real Estate or Smashing Pumpkins. "Just See Fear" has a chorus that sounds like a pumped-up version of The Killers, but transitions into noisy almost-hardcore that honestly reminds me of Breach. "Giving Into Seeing" evokes Kurt Cobain on In Utero, and crescendoes emotionally. I don't know much about the punk genre beyond hardcore, but I think Husker Du is probably also a good reference point for their sound.

The songs are all kind of similar to each other, and that similarity could be off-putting--but if you listen closely, there are a lot of details buried under the noise. The simplicity is kind of deceptive in that way, and it makes the music effectively double-edged. It's accessible on the one hand, with simple hooks and choruses, but it rewards careful return listens.

I've been listening to this one consistently all summer and it's become a defining summer album for me. It reminds me of the angsty alternative of the 90s while still sounding fresh. I wouldn't have expected something like this from an indie/alt band nowadays, but it blew me away.
4.0 étoiles sur 5 Nailed It Again 3 août 2014
Par Nicholas James Stewart - Publié sur Amazon.com
Format: CD Achat vérifié
I really love this record. I think it shows growth in a way I didn't expect from this band. The first few listen throughs I felt like things really molded together but the more I listened the more each song took on it's own personality. Really great band, and I love the melodies Dylan comes up with vs what the band is doing. Going back and comparing it to Attack On Memory was sort of what made me give this a 4 star though, just because I wish there was a little bit more diversity, but then again it's a pretty straight rock record and it totally still kicks ass. Guess that last part is just more of a personal preference.
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