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L.A. Requiem Poche – 5 avril 2004

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L. A. requiem
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Le richissime industriel Frank Garcia est anéanti par le meurtre de sa fille Karen, qui a eu lieu près de la retenue de Lake Hollywood à Los Angeles. Il fait appel à son vieil ami Joe Pike, l'ancien amant de Karen, qui a monté avec Elvis Cole une agence de détectives privés. Grâce à ses relations, Frank obtient du RHD, la brigade d'élite des policiers de la ville, que les deux hommes suivent pour son compte le travail des enquêteurs. Mais Joe, qui appartenait au LAPD, la police de Los Angeles, est haï par ses anciens collègues. Ils lui reprochent d'être responsable de la mort, quelques années auparavant, d'Abel Wozniak, son équipier de l'époque, lors de l'arrestation d'un pédophile. Rien n'est fait pour aider les deux privés, et certainement pas la haine tenace de Krantz, responsable de la brigade. Mais Joe et Elvis, qui connaissent les ficelles du métier, recueillent des informations que semblent vouloir étouffer le RHD. Les circonstances de l'enquête obligeront Elvis à plonger dans le passé de son ami pour trouver les réponses à ses questions : Joe est-il coupable ou tout simplement victime d'une vengeance machiavélique ?

Robert Crais fait preuve d'un grand talent en alliant une parfaite maîtrise du suspens, un récit à plusieurs voix, souvent drôle malgré la noirceur de l'intrigue, des héros attachants, troublants mais jamais manichéens – notamment le personnage de Joe Pike, poursuivi par les démons de son passé. Un thriller d'une belle intensité dramatique ! --Claude Mesplède --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.


Uniformed LAPD Officer Joe Pike could hear the banda music even with the engine idling, the a.c. jacked to meat locker, and the two-way crackling callout codes to other units.

The covey of Latina street kids clumped outside the arcade giggled at him, whispering things to each other that made them flush. Squat brown men come up through the fence from Zacatecas milled on the sidewalk, shielding their eyes from the sun as veteranos told them about Sawtelle over on the Westside where they could find day labor jobs, thirty dollars cash, no papers required. Here in Rampart Division south of Sunset, Guatemalans and Nicaraguans simmered with Salvadorans and Mexican nationals in a sidewalk machaca that left the air flavored with epizote, even here within the sour cage of the radio car.

Pike watched the street kids part like water when his partner hurried out of the arcade. Abel Wozniak was a thick man with a square head and cloudy, slate eyes. Wozniak was twenty years older than Pike and had been on the street twenty years longer. Once the best cop that Pike had then met,Wozniak's eyes were now strained. They'd been riding together for two years, and the eyes hadn't always been that way. Pike regretted that, but there wasn't anything he could do about it.

Especially now when they were looking for Ramona Ann Escobar.

Wozniak lurched in behind the wheel, adjusting his gun for the seat, anxious to roll even with the tension between them as thick as clotted blood. His informant had come through.

"DeVille's staying at the Islander Palms Motel."

"Does DeVille have the girl?"

"My guy eyeballed a little girl, but he can't say if she's still with him."

Wozniak snapped the car into gear and rocked away from the curb. They didn't roll Code Three. No lights, no siren. The Islander Palms was less than five blocks away, here on Alvarado Boulevard just south of Sunset. Why send an announcement?

"Woz? Would DeVille hurt her?"

"I told you, a fuckin' perv like this would be better off with a bullet in his head."

It was eleven-forty on a Tuesday morning. At nine-twenty, a five-year-old girl named Ramona Ann Escobar had been playing near the paddleboatconcession in Echo Park when her mother, a legal emigre from Guatemala, had turned away to chat with friends. Witnesses last saw Ramona in the company of a man believed to be one Leonard DeVille, a known pedophilewho'd been sighted working both Echo and MacArthur parks for the past three months. When the dispatch call had come about the missing girl, Wozniak had begun working his street informants. Wozniak, having beenon the street forever, knew everyone and how to find them. He wasatreasure trove of information that Pike valued and respected, anddidn'twant to lose. But Pike couldn't do anything about that,either.

Pike stared at Wozniak until Wozniak couldn't handle the weight any longer and glanced over. They were forty seconds away from the Islander Palms. "Oh, for Christ's sake, what?"

"It isn't too late, Woz."

Wozniak's eyes went back to the street, and his face tightened. "I'm telling you, Joe. Back off with this. I'm not going to talk about it anymore."

"I meant what I said."

Wozniak wet his lips.

"You've got Paulette and Evelyn to think about."

Wozniak's wife and daughter.

The cloudy eyes flicked to Pike, as bottomless and as dangerous as a thunderhead.

"I've been thinking about them, Pike. You bet your ass."

For just an instant, Pike thought Wozniak's eyes filled. Then Wozniak gave a shudder as if he were shaking out his feelings, and pointed.

"There it is. Now shut the fuck up and play like a cop."

The Islander Palms was a white stucco dump: two stories of frayed carpets, stained beds, and neon palms that looked tacky even in Los Angeles, all of it shaped into an L around a narrow parking lot. The typical customers were whores renting by the hour, wannabe pornographers shooting "amateur" videos, and rent jumpers needing a place to stay while they found a new landlord to stiff.

Pike followed Wozniak into the manager's office, a skinny Hindu with watery eyes. First thing he said was, "I do not wan' trouble, please."

Wozniak had the lead.

"We're looking for a man with a little girl. His name is Leonard DeVille, but he might've used another name."

The Hindu didn't know the name, or about a little girl, but he told them that a man matching the description Woz provided could be found on the second floor in the third room from the top of the L.

Pike said, "You want me to call it in?"

Wozniack went out the door and up the stairs without answering. Pike thought then that he should go back to the car and call, but you don't let your partner go up alone. Pike followed.

They found the third door, listened, but heard nothing. The drapes were pulled. Standing on the exposed balcony, Pike felt as if they were being watched.

Wozniak took the knob side of the door, Pike the hinges. Wozniak rapped on the door, identifying himself as a Los Angeles police officer. Everything about Joe made him want to be the first one inside, but they had settled that two years ago. Wozniak drove, Wozniak went in first, Wozniak called how they made the play. Twenty-two years on the job against Pike's three bought you that. They had done it this way two hundred times.

When DeVille opened the door, they pushed him backward, Wozniak going first and pushing hard.

DeVille said, "Hey, what is this?" Like he'd never been rousted before.

The room was tattered and cheesy, with a closet and bath off the rear. A rumpled double bed rested against the wall like some kind of ugly altar, its dark red bedspread stained and threadbare, one of the stains looking like Mickey Mouse. The room's only other piece of furniture was a cheap dresser edged with cigarette burns and notches cut by a sharp knife. Wozniak held DeVille as Pike cleared the bathroom and the closet, looking for Ramona.

"She's not here."

"Anything else? Clothes, suitcase, toothbrush?"

"Nothing." Indicating that DeVille hadn't been living here, and didn't intend to. He had other uses for the room.

Wozniak, who had busted DeVille twice in the past, said, "Where is she, Lennie?"

"Who? Hey, I don't do that anymore. C'mon, Officer."

"Where's the camera?"

DeVille spread his hands, flashing a nervous smile. "I got no camera. I'm telling you, I'm off that."

Leonard DeVille was five-eight, with a fleshy body, dyed blond hair, and skin like a pineapple. The hair was slicked straight back, and held with a rubber band. Pike knew that DeVille was lying, but waited to see how Woz would play it. Even with only three years on the job, Pike knew that pedophiles were always pedophiles. You could bust them, treat them, counsel them, whatever, but when you released them back into the world, they were still child molesters and it was only a matter of time.

Wozniak hooked a hand under the foot of the bed and heaved the bed over. DeVille jumped back and stumbled into Pike, who caught and held him. A rumpled overnight bag was nesting in about a million dust bunnies where the bed had been.

Wozniak said, "Lennie, you are about as dumb as they get."

"Hey, that ain't mine. I got nothing to do with that bag." DeVille was so scared that he sprouted sweat like a rainstorm.

Wozniak opened the bag and dumped out a Polaroid camera, better than a dozen film packs, and at least a hundred pictures of children in various stages of undress. That's how a guy like DeVille made his living, snapping pictures and selling them to other perverts.

Wozniak toed through the pictures, his face growing darker and more contained. Pike couldn't see the pictures from where he stood, but he could see the vein pulsing in Wozniak's temple. He thought that Wozniak must be thinking about his own daughter, but maybe not. Maybe Wozniak was still thinking about the other thing.

Pike squeezed DeVille's arm. "Where's the little girl? Where's Ramona Escobar?"

DeVille's voice went higher. "That stuff isn't mine. I never saw it before."

Wozniak squatted, fingering through the pictures without expression. He lifted one, and held it to his nose.

"I can still smell the developing chemicals. You didn't take this more than an hour ago."

"They're not mine!"

Wozniak stared at the picture. Pike still couldn't see it.

"She looks about five. She matches the physical description they gave us. Pretty little girl. Innocent. Now she's not innocent anymore."

Abel Wozniak stood and drew his gun. It was the new Beretta 9-millimeter that LAPD had just mandated.

"If you hurt that child, I'll fucking kill you."

Joe said, "Woz, we've got to call in. Put your gun away."

Wozniak stepped past Pike and snapped the Beretta backhand, slamming DeVille in the side of the head and dropping him like a bag of garbage.

Pike jumped between them, grabbing Wozniak by the arms and pushing him back. "That doesn't help get the girl."

Then Wozniak's eyes came to Pike; hard, ugly little rivets with something behind the clouds.

When the two police officers went up the stairs, Fahreed Abouti, the manager, watched until they pushed the blond man back into his room. The police often came to his motel to bust the prostitutes and johns and drug dealers, and Fahreed never passed up a chance to watch. Once, he had seen a prostitute servicing the officers who had come to arrest her, and another time he watched as three officers beat a rapist until all the man's teeth were gone. There was always something wonderful to see. It was better than Wheel of Fortune.

You had to be careful, though.

As soon as the upstairs door closed, Fahreed crept up the stairs. If you got too close, or if they caught you, the police grew angry. Once, a SWAT officer in the armor and the helmet and with the big gun had grown so angry that he'd knocked Fahreed's turban into a puddle of transmission fluid. The cleaning cost had been horrendous.

The shouting started when Fahreed was still on the stairs. He couldn't understand what was being said, only that the words were angry. He eased along the second-floor balcony, trying to get closer, but just as he reached the room, the shouting stopped. He cursed the fates, thinking he'd missed all the fun, when suddenly there was a single loud shout from inside, then a thunderous, deafening explosion.

People on the street stopped in their tracks and looked. People pointed, and a man across the parking lot ran.

Fahreed's heart pounded, because even a Hindu knew a gunshot. He thought the blond man might be dead. Or perhaps he had killed the officers.

Fahreed heard nothing within the room.



"Is everyone all right?"


Perhaps they had jumped from the bathroom window into the alley behind.

Fahreed's palms were damp, and all his swirling fears demanded that he race back to his office and pretend to have heard nothing, but instead he threw open the door.

The younger officer, the tall one with the dark glasses and the empty face, spun toward him and aimed an enormous revolver. Fahreed thought in that instant that he would surely die.

"Please. No!"

The older officer was without a face, his remains covered in blood. The blond man was dead, too, his face a mask of crimson. The floor and walls and ceiling were sprayed red.


The tall officer's gun never wavered. Fahreed stared into his dark bottomless glasses, and saw that they were misted with blood.


The tall officer dropped to his fallen partner, and began CPR.

Without looking up, the tall officer said, "Call 911."

Fahreed Abouti ran for the phone. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.

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Format: Poche
... sans modération bien sur.
Du "Pur Crais" tout en finesse, plein d'humour et de rebondissements.
Des personnages attachants, une intrigue bien ficellée et l'auteur nous emmène, il capte notre attention jusqu'aux dernières lignes.
Avec Crais rien n'est jamais joué d'avance, le suspense est bien là, l'humour également.
C'est grâce à ce roman que je suis devenue "Crais'maniaque" :o)
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Par Un client le 13 décembre 2004
Format: Poche
L.A. Requiem est un des meilleurs romans de Robert Crais.
Le suspens, mais surtout l'humour caractéristique du héros sont toujours bien présents, pour notre plus grand plaisir !
On y retrouve le duo de détective: Elivs Cole, le "meilleur détective du monde" (selon ses mots!) et Joe Pike, l'homme le plus mystérieux que l'on puisse rencontrer !
Toute l'enquête, menée d'une main experte, est ponctuée par un retour sur le passé de Joe Pike, qui nous permet de mieux le cerner, mieux le comprendre.
Je le conseille à tous les amateurs de polars. Du pur bonheur !
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Par bertrandbdx le 26 janvier 2010
Format: Poche
Appréhendant toujours quand je commence un polar de retrouver le classique bon contre méchant, ainsi qu'une action empiétant sur l'étude des personnages, j'ai été dès les premières pages rassurés par ce roman.

Pourtant l'histoire peut apparaître plus que classique: un ancien policier reconverti en détective privé vient aider un vieil et riche ami à connaître l'auteur du meurtre de sa femme.
Pour y parvenir il s'appuit sur son collègue et ami qui se voit contraint de cotoyer des policiers très hostiles pour faire part des avancées de l'enquête à l'influent veuf.

Mais cela ne suffit pas à arrêter le meutrier.

Classique dans le scénario, Robert Crais, manie efficacement des aller-retours sur le passé des personnages clés afin de mieux dépeindre leur psychologie. Avec un style direct et fluide, une intrigue bien entretenue, il ne vous reste plus qu'àtourner les pages afin de découvrir le nom du tueur et ses motivations.

En bref, si vous avez aimez le Poète de Connelly vous devriez apprécier ce polar aussi.
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Format: Poche
J'adore Crais et le tandem Pike/Cole. L'un lunaire, l'autre solaire. Si vous avez lu d'autres Crais, Pike est ce héros solitaire, mystérieux et secret, paradoxal. Ici, enfin, on en apprend davantage et il est largement, superbement mis en scène par l'auteur. L'énigme tient la route, à bout de pages, et la richesse du livre est étoffée par la cristallisation des personnages. Du grand Crais, du beau Crais ! Alire sans retenue, vraiment.
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Format: Poche
L.A. Requiem est un excellent roman de la série Elvis Cole. Un tueur en série sévit dans les rues de los Angeles, et le duo Cole/Pike est engagé par la famille d'une victime pour retrouver l'assassin. Parallèlement à l'enquête, Robert Crais nous replonge dans le passé du taciturne Joe Pike, et s'intéresse tout particulièrement aux évènements tragiques qui menèrent à la mort de son ancien co-équipier. Les 2 histoires finissent par se rejoindre, notamment via un dénominateur commun : le lieutenant Harvey "Pants" Krantz, alias l'ennemi juré de Joe Pike.

Elvis Cole mène son enquête comme il peut, et c'est l'occasion pour lui de rencontrer 2 personnages : John Chen (jeune criminaliste de la SID) et Samantha Dolan (femme flic membre de la RHD). La relation ambigüe qu'il entretient avec cette dernière donne du sel à ce roman, et si Robert Crais nous tient en haleine pendant une bonne partie de l'histoire, on pourra juste lui reprocher d'avoir un peu trop fait retomber le rythme lors des dernières dizaines de pages. Malgré tout, l'enquête est bien ficelée, passionnante à lire, et le style de l'auteur est toujours aussi incisif.

Contrairement à ses romans les plus récents, Robert Crais s'intéresse bien plus à la vie privée et à la psychologie de ses personnages, et ils nous apparaissent par conséquent moins superficiels et caricaturaux (quoique, pour Pike, ça se discute...).

Bref, si vous êtes fan de Michael Connelly et que vous cherchez un roman policier plein d'humour et de suspense, n'hésitez pas une seconde : ce livre est à mes yeux l'un des meilleurs de la série Elvis Cole.
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