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Live On 1-5

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Détails sur le produit

  • CD (21 mars 2011)
  • Nombre de disques: 1
  • Label: Geffen
  • ASIN : B004J19I04
  • Autres versions : CD  |  Album vinyle  |  Téléchargement MP3
  • Moyenne des commentaires client : 5.0 étoiles sur 5 1 commentaire client
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Descriptions du produit

Voici le premier album live de Soundgarden Live On I-5. Live On I-5 est une référence à l'Intersate 5 (autoroute des États-Unis qui longe la côte ouest du nord au sud). Ce live a été enregistré lors de la tournée de 1996 sur la côte ouest américaine alors que le groupe était au sommet de son art. On y retrouve les classiques de Soundgarden comme Spoonman, Rusty Cage, Burden My Heart ou Black Hole Sun mais aussi des reprises percutantes comme Helter Skelter des Beatles ou Search and Destroy des Stooges. Ce témoignage en public saisit toute l'âpreté, la spontanéité et la magie du groupe.


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Format: Album vinyle Achat vérifié
super live
le son bien lourd de soundgarden en live
un excellent moment d'écoute. Le groupe est en grande forme !!!
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Amazon.com: HASH(0x8c81e660) étoiles sur 5 45 commentaires
25 internautes sur 25 ont trouvé ce commentaire utile 
HASH(0x8cc10dbc) étoiles sur 5 Better 15 years late than never. 22 mars 2011
Par H3@+h - Publié sur Amazon.com
Format: CD
First let me say that there's a version of this that comes with a 3 track DVD also. The songs "Searching With My Good Eye Closed", "Let Me Drown" and "Face Pollution". It's exclusive to that Big Box store with the yellow pricetags.

This was all recorded during their 1996 tour along the west coast, hence the title. It's not all the same show but I think it's stronger because of that. I've had a live 1994 European bootleg for years and this sounds way, way better. I would hope so being an official release. The tracklist is as expected: heavy on the last three albums with all the essential "hits". I could complain at length about having no songs from Ultramega OK or Louder Than Love here, but I'll stay positive.

Other than the obvious choices I'm most pleased that "Searching With My Good Eye Closed" made the cut. A personal top 5 song of mine. I also wouldn't expect to see "Head Down" or "Boot Camp" here, but glad they are. Having spent time in the military I can really relate to that song. Soundgarden has always chosen their covers well. In the past they've done Sabbath, Stones and Devo. Here we get The Beatles and The Stooges. Both well done. The singing on this release is good, but not quite to the studio standards. But seriously, who could belt these songs out for 90 minutes a night. Your throat would bleed.

So last year we get an updated "Best Of" collection and DVD. Here's our long awaited live album (77+ min). I suppose those B-sides will show in the near future. Oh, and they're working on a new album too. Maybe some tour dates will produce a "Live in 2011" album someday...like in 2026.
24 internautes sur 26 ont trouvé ce commentaire utile 
HASH(0x8c6fabac) étoiles sur 5 So worth it... 24 mars 2011
Par Kyle Rattner - Publié sur Amazon.com
Format: CD
Being a 'garden fan forever I'm very critical of their work. I have tons of bootlegs of shows and rare discs. When people say Cornell can either be really off or really on, they are very right. Hell, even Cornell himself said Soundgarden was a band that could just as easily be off as it could be on while performing... but when they were on, they were golden greek gods wrapped in heavenly buttered tortillas.
With that being said, on this record they are ON. Believe me. You will hear people say that Cornell's not hitting the notes on the songs the way he did on the record blah blah blah. Here's what they don't understand though... Chris interprets songs differently live and I don't think he ever gave a crap about recreating the exact same thing as on the studio recording. To him and the rest of the band their music is living and breathing art... and it naturally evolves the more they play it. On this record he's not hitting bad notes, he's just doing some different melodies here and there and doing things completely different than he did in the studio. To me that is AMAZING. But some people aren't comfortable with that. Would I want a live record of a band that does everything the exact same way as they did on the record? Hell no! And I can't imagine why anyone else would. Before getting this album, the thought of hearing improvisations and new melodies excited me... especially since we've been listening to the same songs with the same melodies for 20 years. If you're a real fan of the band and understand what I'm gettin' at, you will LOVE this record. People bent out of shape because Cornell's not hitting the same melodies as on record should just listen to what they are comfortable with... the studio recordings. If you want to hear one of the reasons Soundgarden was legendary (creativity, improvisation, and thunderfuk of a live show), then pick this up ASAP!
11 internautes sur 12 ont trouvé ce commentaire utile 
HASH(0x8d17ef24) étoiles sur 5 A Great Band, But Not The Best Period to Chronicle 1 avril 2011
Par John Bumstead - Publié sur Amazon.com
Format: CD Achat vérifié
The tracklisting is great. The sound quality is great. Cornell's voice .... not so much.

I think any Soundgarden fan will enjoy this album, but considering it is the first official live release by the band, I'm surprised that no one vetoed its release. It's not because it's horrible ... I just feel that they must have something in their archive that better captures Cornell's singing ability. This was recorded on their last tour before breaking up and you can feel impending sense that the magic is close to running out in these recordings. Cornell doesn't even try to hit the high notes of the 3rd song, Let Me Drown, and when he does go for the highs, you can tell the booze and cigarettes have been part of the daily diet for a while.

Having heard Cornell recently, I have a lot of faith that his vocal cords have been restored and I'm anxiously awaiting their new record. This album will tide me over, but I can't help but feel that I was cheated out of a better collection of early recordings that would have captured the magic of this band better.
7 internautes sur 7 ont trouvé ce commentaire utile 
HASH(0x8c702768) étoiles sur 5 Worth the long wait 22 mars 2011
Par TM - Publié sur Amazon.com
Format: CD
After many years of Soundgarden, we finally get the band's first live album. I pre-ordered the album and recieved it a few days ago, allowing me sometime to let it soak in. Having let that happen, I can definitely say that this album is totally worth getting for hardcore Soundgarden fans (duh) and kinda Soundgarden fans. It's not really a great place to enter into the band I think. If you've just barely heard of them (i.e. just know Black Hole Sun and Spoonman), I suggest going out and getting Superunknown and Badmotorfinger. Those two albums are the main ones represented here, with a few from Down on the Upside and one older song (Nothing to Say).

So with all that said, I think I'm going to give an overview, pointing out some lows and highs, general trends, etc. It starts off with a thundering crowd into the instantly recognizable riff of Spoonman. The vocals here are a little whack, and we're missing Cornell's signature screaming at times, which was kind of a bummer. And there's some weirdly timed "all my friends are brown and red" and "beat the rhythm with their bones" thrown in. Not a huge fan. But nevertheless, Spoonman sets the pace for the rest of the album. Cornell might not be 100%, but Thayil, Cameron and Shepherd are bringing their A-game. They absolutely rock. Thayil's guitar is fantastic throughout almost the entire album, Cornell has his moments of awesomeness and some really impressive vocals, but this album stands out to me as the Shepherd/Cameron show. They are just locked in throughout the entire album, and that was a really great thing to listen to.

I was a little bummed about Let Me Drown, because that is maybe my favorite Soundgarden song. The vocals here did not come off well, Cornell sounds reluctant to go to a high octave. But again, the rest of the band...rock. It was great to see Head Down in there, another one of my favorites. And they pull that one off well. Then we come to two Badmotorfinger hits right in a row, Outshined and Rusty Cage. I like this version of Outshined more than the album version...the energy is tremendous and it's unbelievably heavy. Rusty Cage too is fierce.

The psychadelic combo of Helter Skelter and Boot Camp also is well done. I'm glad they went with that version of Helter Skelter, and then made such a great transition into one of the lesser known songs off Down on the Upside. It sounds amazing. Then there's the longest song on the album, the 9+ minute version of Slaves and Bulldozers. The band sounds strong, and all of them are performing to their highest ability. Cornell sounds intense and gets up there in his vocal range, delivering one of his best performances of the album. When I initially saw the tracklist and noticed "Ty Cobb", I freaked out. The metal/bluegrass Ty Cobb is one of my favorites from Down on the Upside, and I was pumped to see that they were throwing it in here. But Cameron pushes it a bit too much, and Cornell obviously has trouble keeping up with that blistering pace. That was a bit of another bummer.

Black Hole Sun is Chris Cornell without the rest of the band, giving another one of his best performances of the albm (tied probably with Slaves and Bulldozers). It really is a beautiful version and sounds great. It's not necessarily better than the Superunknown with band version, but it's great. I do kind of like Matt Cameron's drums and the bass work in the album version, but it's cool to hear this version as well.

But whatever drums I was missing in Black Hole Sun....then there's Jesus Christ Pose. Jesus Christ. It's been called the definitive live version of the song by a lot of people, and I can understand why. It's set at another blistering pace by Cameron, but the pace doesn't really ruin it like it did with Ty Cobb. It's just disgusting how brutal this song is. Based on his work with Soundgarden and Pearl Jam, I've always been inclined to see that Matt Cameron is one of the best drummers alive and of all time. And if you don't believe me, listen to this song. Do it. It's like the band is playing on a 5 minute drum solo. Whenever I hear those thundering drums coming, I get chills. The rest of the band does a great job with it, but it's Matt Cameron who makes this song what it is.

The Bonus Disc is a great touch as well. It's weird to hear the accoustics with just an empty venue and no crowd. Not better, just different and very cool. They do two from Down on the Upside (No Attention and Never the Machine Forever), which are great songs from Down on Upside. I think with those two, they do basically all the greats from the album. There's a fantastic Doors cover in there, which is the standout from that bonus disc, along with Somewhere. They do a bit of a jam at the end of Somewhere which is absolutely fantastic. Definitely worth it to get those extra few songs.
5 internautes sur 6 ont trouvé ce commentaire utile 
HASH(0x8c702264) étoiles sur 5 Matt's Moment In The [Black Hole] Sun 23 mars 2011
Par Javdoctor - Publié sur Amazon.com
Format: CD Achat vérifié
One thing I've noticed, and repeatedly read, is how Led Zeppelin's live work consistently showcased what a powerhouse drummer John Bonham was - while Jimmy Page was "the man" in the studio, on the stage Bonzo was the driving force behind Zep. Soundgarden's 'Live on I-5' does the same for drummer Matt Cameron. While all the performances on the disc are outstanding, I think Matt's unerring precision, groove and power behind the kit is the most impressive. Soundgarden, largely due to Matt's skill, has always been acknowledged for their ability to play in unusual time signatures [albeit "accidentally", according to Kim Thayil], and while that is in evident display on 'I-5', what I found most intriguing was the grooves that Matt worked into a number of songs, most notably on "Slaves and Bulldozers". The studio version of "S&B" is a lumbering beast, but the live recording has a groove and swagger to it that takes it to a completely different place altogether. And then of course, there's "Jesus Christ Pose". It seems appropriate this was placed at the end of their set, and on the album, because it's such a jaw-dropping, devastating, look-what-we're-capable-of moment, I don't know what else could possibly follow. The studio version of the song is intense enough, but somehow they manage to pick up the pace live, to simply inhuman speed. How Matt, and the rest of the band, are able to keep playing with precision and control at this insane speed is a testament to their well-deserved prowess among the hard-rock elite. I challenge anyone to listen to "JCP" on here and not be awed and impressed.

At long last, we have a worthy live document from one of the best bands of the '90s, or any era. It's long-overdue, but better late than never.
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