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Lovely Standards Import

2.0 étoiles sur 5 1 commentaire client

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Page Artiste Amel Larrieux


Détails sur le produit

  • CD (22 mai 2007)
  • Nombre de disques: 1
  • Format : Import
  • Label: Mis
  • ASIN : B000O75EZA
  • Autres éditions : Téléchargement MP3
  • Moyenne des commentaires client : 2.0 étoiles sur 5 1 commentaire client
  • Classement des meilleures ventes d'Amazon: 409.610 en Musique (Voir les 100 premiers en Musique)
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Format: CD Achat vérifié
L'interprėtation manque de corps et Amel semble trop dėtachėe par rapport á ces standards de jazz. Cependant Amel Larrieux reste une chanteuse, dont le style décalé est des plus plaisant. Á ne pas confondre avec les bimbos du RnB.
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x97539f24) étoiles sur 5 38 commentaires
26 internautes sur 28 ont trouvé ce commentaire utile 
HASH(0x97524774) étoiles sur 5 Not that great, to me 4 juin 2007
Par Meow_myx - Publié sur Amazon.com
Format: CD
I LOVE AMEL. I have purchased all of her albums with no regret. However, I'm not too fond of this one. Don't get me wrong, I love the jazzy atmosphere of the album. But Amel shouldn't be soooo... "breathless!" (for lack of a better word). Some songs the music flows nicely, but the harmonies and scats (or whatever it is that she's attempting to do) just don't flow. It's a total mismatch, in my opinion. I've listened to this album 2 times and I'm a bit disappointed that it isn't the album that I had expected. It hasn't really "grabbed" me just yet. I'll continue to listen and might update my rating, but for now it remains. I'll give her an E for effort, though.
12 internautes sur 12 ont trouvé ce commentaire utile 
HASH(0x975246cc) étoiles sur 5 Sigh... 12 septembre 2007
Par Ryan - Publié sur Amazon.com
Format: CD
I usually don't write reviews on Amazon, but with all the negativity from the other posters, I think my point of view might be needed.

This album is certainly nothing like any of Amel's previous albums so we need to get that out of the way first. It is far less produced-sounding and lets her voice come through with - for lack of a better word - a sigh. The music here is very toned down compared to her previous albums, and her voice is light, breezy, and quiet. This must have been her decision to move back to the basics and to let her voice do the talking, not the music. A smart move on her call with all the heavily-produced fodder being put out today.

Aside from that, there are some moments she lets go, sings more deliberately, and the music builds up in a great crescendo - the effect is something god-like and the short samples cannot give any clear indication of how this works out. It's almost like watching the sun to come up on a cool winter's morning.

I'd finally like to comment on those who do not think she has a good enough voice to sing these songs. Her voice is not as deep as most of the singers that she is trying to emulate. Since she cannot sing like them in this sense, she had fit everything on this album for her voice alone - and I believe she did very well. You cannot expect her to sing exactly like the others.
18 internautes sur 20 ont trouvé ce commentaire utile 
HASH(0x97524ba0) étoiles sur 5 missing something 15 juin 2007
Par Kurupt - Publié sur Amazon.com
Format: CD
Amel is a great vocalist and I have all of her albums going back to when she was with groove theory. Lovely standards is an attempt of amel to do a full jazz cd. The cd is ok at best. A lot of the tracks sound the same and I don't really care for the way she delivers the vocals on some songs. I gave the album three stars because amel has a beautiful voice, I just don't care for the way the lyrics are delivered. If it weren't for her melodic voice i would've rated the album lower. Younger than springtime is a good song that has some good vocals and actually the track sounds slightly different than the majority of the album. This album can be relaxing but is caught somewhere between candle lit dinner music and elevator music. My final thoughts are, if you missed this album it won't be a big loss.
23 internautes sur 27 ont trouvé ce commentaire utile 
HASH(0x97524f6c) étoiles sur 5 Disappointing at best 13 juin 2007
Par Thomas W. Altizer - Publié sur Amazon.com
Format: CD Achat vérifié
After a couple of soulful and enjoyable albums, on this one Amel Larrieux sounds as if she's channeling Rickie Lee Jones. This music doesn't fit the delivery stylings found here. This is not a CD I'll listen to often. If this is a new path for this vocalist, she'll be traveling it with few companions, I predict.
5 internautes sur 5 ont trouvé ce commentaire utile 
HASH(0x97524f18) étoiles sur 5 Amel is one Bravebird!!! 4 mars 2008
Par Nse Ette - Publié sur Amazon.com
Format: CD
"Lovely standards" is Amel Larrieux's fourth release, following a trio of neo soul classics. As its name implies, it comprises covers of standards, most unknown by me. Stripped down to mainly piano, guitar, and some bass, the sound is slow and delicate, the perfect companion to a candle lit dinner. While her phrasing may not be like that of Ella or Billie (as many have pointed out), she does bring her touch to the songs with her breathless, airy delivery and stripped sound. I'm not surprised most do not like this as it is so far removed from her fuller edgier experimental sound, but I'm always open to change.

It is difficult to pick favourites as most of the songs sound alike the first few times you listen. However, I will touch on some of the songs in an attempt to describe the sound.

"Wild is the wind" is stunning and so dreamy with just piano and guitars. My all time favourite version of this song (which was also the first version I heard) is David Bowie's, so I was curious to hear what she would do to this brilliant song, and she pulls it off with her airy delivery (sounding like Norah Jones in parts). This is my favourite song on the album.

"Shadow of your smile" features just delicately plucked guitars as a backdrop to her cascading vocals, while "You're my thrill" has a fuller sound with its tinkling pianos, bass, and whispery percussion. Given a similar treatment are the lovely pair of "Try your wings" and "Lucky to be me" (the latter featuring her most unreined vocals on this album). Closing cut "I like the sunrise" is also given the piano/guitar treatment, but builds to a crescendo with echoing vocals soaring to the sky it seems, against gently crashing cymbals and a throbbing bassline.

Like another reviewer stated, she gives a much more restrained delivery to the songs, unlike on her other albums. I don't know if I can call this jazz. They are covers of jazz standards, yes, but think more of Norah Jones style. This sounds to me like something she wanted to get off her chest, she definitely didn't do this for more album sales or fans. I applaud her for taking the risk but I must admit, I don't think I would like this album as much if it weren't her singing. It's her beautiful voice that lifts these songs above drab to me. Nice one Amel, now back to Neo Soul...
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