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Luciano Pavarotti Édition 1 : the First Decade

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Page Artiste Luciano Pavarotti


Détails sur le produit

  • Performer: Alan Jones, Alberta Pellegrini, Bruno Franceschi, Christa Ludwig, Cornelius Opthof, et al.
  • Orchestre: Berliner Philharmoniker, English Chamber Orchestra, London Philharmonic Orchestra, London Symphony Orchestra, New Philharmonia Orchestra, et al.
  • Chef d'orchestre: Bruno Bartoletti, Claudio Abbado, Edward Downes, Francesco Molinari-Pradelli, Georg Solti, et al.
  • Compositeur: Alessandro Scarlatti, Amilcare Ponchielli, Arrigo Boïto, Francesco Cilèa, Francesco Paolo Tosti, et al.
  • Audio CD (7 avril 2014)
  • Nombre de disques: 28
  • Label: Decca
  • ASIN : B00G5WUIP4
  • Moyenne des commentaires client : 5.0 étoiles sur 5 3 commentaires client
  • Classement des meilleures ventes d'Amazon: 73.562 en Musique (Voir les 100 premiers en Musique)
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Liste des titres

Disque : 1

  1. - preludio
  2. - tu, signor! lasciar sì presto
  3. - ah! non pensar che pieno
  4. - silenzio e notte intorno
  5. - sì: rivale ... rivale regnante
  6. - respiro io qui
  7. - ma la sola, ahimè! son io
  8. - ah! la pena in lor piombò
  9. - vedi? ... la tua presenza fugge sdegnosa
  10. - e quali? quali? spergiura! ingrata!
  11. - qui di ribelli sudditi
  12. - lo vedeste?
  13. - il mio dolore e l'ira
  14. - parti ... deh! perdona ... fuggi ... parti
  15. - ah! tal onta io meritai

Disque : 2

  1. - introduzione ... "lassa! e può il ciel"
  2. - omai del suo destino
  3. - o troppo a mie preghiere
  4. - orombello! - oh! voce! è dessa!
  5. - al tuo fallo ammenda festi generosa
  6. - filippo! tu! ... ti appressa
  7. - rimorso in lei?
  8. - qui m'accolse oppresso
  9. - prega! ah! no, non sia la misera
  10. - nulla io dissi ... di sovrumana forza
  11. - ah! se un'urna è a me concessa
  12. - filippo! tu! ... ti appressa

Disque : 3

  1. - overture
  2. - l'ennemi s'avance, amis, armons-nous!
  3. - pour une femme de mon nom, quel temps, hélas, le temps de guerre!
  4. - sacré nom d'une pipe!
  5. - au bruit de la guerre
  6. - allons, allons, march', march' à l'instant
  7. - la la la ...chacum le sait, chacun le dit
  8. - dès que l'appel sonne
  9. - ils l'ont emmené brutalement
  10. - quoi! vous m'aimez?
  11. - rataplan, rataplan, rataplan
  12. - ah! mes amis, quel jour de fête!
  13. - le camarade est amoureux!
  14. - je suis soldat

Disque : 4

  1. - entr'acte ... "enfin la voilà"
  2. - la romance perdue, on la retrouvée
  3. - le jour naissait dans le bocage...
  4. - c'en est donc fait, en mon sort va changer
  5. - tous les trois réunis, quel plaisir mes amis!
  6. - ecoutez-moi, de grâce
  7. - ah!, c'est elle!
  8. - oui! quand le destin, au milieu de la guerre, enfant, me jeta dans leurs bras

Disque : 5

  1. - overture (preludio)
  2. - bel conforto
  3. - quanto è bella
  4. - benedette queste carte!...della crudele isotta
  5. - marcia..."come paride vezzoso"
  6. - or se m'ami, come io t'amo...intanto, o mia ragazza
  7. - una parola..chiedi all'aura
  8. - che vuol dire codesta suonata?
  9. - udite, udite, o rustici"...così chiaro
  10. - ardir! ha forse il cielo
  11. - voglio dire, lo stupendo...va mortale fortunato
  12. - caro elisir! sei mio!
  13. - lallarallara la la la la...non so se e finita o vera
  14. - esulti pur la barbara
  15. - tran, tran, tran, tran - in guerra ed in amor
  16. - signor sargente
  17. - adina credimi...fra lieti concenti

Disque : 6

  1. - introduzione - "cantiamo, cantiam...poichè cantarvi alletta"
  2. - barcaruola a due voci...io son ricco e tu sei bella"
  3. - silenzo!..."le feste nuziale
  4. - la donna è un animale...venti scudi
  5. - ai perigli della guerra...qua la mano giovinotto
  6. - saria possibile?
  7. - dell'elisir mirabile...e bellissima
  8. - io già m'immagino...come sen va contento!
  9. - quanto amore!...una tenera occhiatina - Lamberto Gardelli
  10. - una furtiva lagrima...eccola!
  11. - prendi; per me sei libero
  12. - "alto! fronte!
  13. - ei corregge ogni difetto

Disque : 7

  1. - overture (preludio) - Lamberto Gardelli
  2. - che faceste? dite su! - Lamberto Gardelli
  3. - giorno non vidi mai si fiero e bello!" - Lamberto Gardelli
  4. - s'allontanarono! n'accozzeremo - Lamberto Gardelli
  5. - nel dì della vittoria io le incontrai - Lamberto Gardelli
  6. - oh donna mia! - Lamberto Gardelli
  7. - sappia la sposa mia che, pronto appena - Lamberto Gardelli
  8. - di destarlo per tempo il re m'impose - Lamberto Gardelli
  9. - perché mi sfuggi...la luce langue - Lamberto Gardelli
  10. - chi V'impose unirvi a noi? - Lamberto Gardelli
  11. - studia il passo, o mio figlio! - Lamberto Gardelli
  12. - salve, o re! - Lamberto Gardelli

Disque : 8

  1. - tre volte miagola la gatta in fregola - Lamberto Gardelli
  2. - ballabile I/III - Lamberto Gardelli
  3. - finché appelli, silenti m'attendete! - Lamberto Gardelli
  4. - ondine e silfidi dall'ali candide - Lamberto Gardelli
  5. - ove son io? - Lamberto Gardelli
  6. - patria oppressa! - Lamberto Gardelli
  7. - o figli...ah, la paterna mano - Lamberto Gardelli
  8. - vegliammo invan due notti - Lamberto Gardelli
  9. - perfidi!" - "pietà, rispetto, amore
  10. - ella è morta! - Lamberto Gardelli
  11. - vittoria! - Lamberto Gardelli

Disque : 9

  1. - overture (preludio)
  2. - della mia bella incognita borghese
  3. - questa o quella...partite? crudele!
  4. - gran nuova! gran nuova!"..."tutto è gioia, tutto è festa
  5. - ch'io gli parti...voi congiuraste contro noi
  6. - quel vecchio maledivami...va, non ho niente
  7. - pari siamo
  8. - figlia..mio padre!"..."quanto dolor
  9. - ah! veglia, o donna, questa fior
  10. - giovanni, ho dei rimorsi...e il sol dell'anima
  11. - che m'ami, deh, ripetimi" - "addio... speranza ed anima
  12. - gualtier maldè" - "caro nome
  13. - riedo!... perché?
  14. - zitti, zitti...soccorso, padre mio
  15. - che m'ami, deh, ripetimi" - "addio... speranza ed anima
  16. - gualtier maldè" - "caro nome

Disque : 10

  1. - ella mi fu rapita...parmi veder le lagrime
  2. - duca, duca!"..."scorrendo uniti
  3. - possente amor mi chiama
  4. - povero rigoletto!" "la rà, la rà
  5. - cortigiani, vil razza dannata...ebben piango
  6. - mio padre!...compiuto pur quanto
  7. - schiudete, ire al carcere
  8. - e l'ami!
  9. - la donna è mobile" - "e là il vostr'uomo
  10. - un dì, se ben rammentomi
  11. - bella figlia dell'amore...m'odi, ritorna a casa
  12. - venti scudi hai tu detto
  13. - ah, più non ragiono!...
  14. - della vendetta alfin...chi è mai
  15. - V'ho ingannato" - "lassù... in cielo
  16. - la donna è mobile" - "e là il vostr'uomo
  17. - V'ho ingannato" - "lassù... in cielo

Disque : 11

  1. - preludio - "percorrete le spiaggie vicine"
  2. - tu sei turbato!
  3. - cruda, funesta smania
  4. - la pietade in suo favore
  5. - ancor non giunse!
  6. - regnava nel silenzio
  7. - quando rapito in estasi
  8. - egli s'avanza
  9. - sulla tomba che rinserra
  10. - qui di sposa eterna...ah! verrano a te sull'aure
  11. - lucia, fra poco a te verrà
  12. - appressati, lucia...il pallor funesto, orrendo
  13. - soffriva nel pianto
  14. - che fia
  15. - se tradirmi tu potrai
  16. - ebben? - di tua speranza
  17. - ah! cedi, cedi
  18. - al ben de'tuoi qual vittima

Disque : 12

  1. - per te d'immenso giubilo
  2. - dov'è lucia?
  3. - chi mi frena in tal momento
  4. - t'allontana sciagurato
  5. - orrida è questa notte
  6. - qui del padre ancor respira
  7. - d'immenso giubilo
  8. - ah! cessate quel contento
  9. - oh! qual funesto avvenimento!
  10. - oh, giusto cielo!...il dolce suono
  11. - ohimè! sorge il tremendo fantasma
  12. - s'avanza enrico
  13. - spargi d'amore pianto
  14. - si tragga altrove
  15. - tombe degli avi miei
  16. - fra poco a me ricovero
  17. - oh meschina!
  18. - tu che a dio spiegasti l'ali

Disque : 13

  1. - popoli di pekino! - Zubin Mehta
  2. - gira la cote! - Zubin Mehta
  3. - o giovinetto! grazia, grazia! - Zubin Mehta
  4. - figlio, che fai? - Zubin Mehta
  5. - fermo! che fai? t'arresta - Zubin Mehta
  6. - signore, ascolta - Zubin Mehta
  7. - non piangere liù - Zubin Mehta
  8. - olà, pang! olà, pong! - Zubin Mehta
  9. - ho una casa nell'honan - Zubin Mehta
  10. - o mondo, o mondo - Zubin Mehta
  11. - introduzione (scene 2) - Zubin Mehta
  12. - gravi, enormi ed impotenti - Zubin Mehta
  13. - un giuramento atroce mi costringe - Zubin Mehta
  14. - popolo di pekino - Zubin Mehta

Disque : 14

  1. - in questa reggia - Zubin Mehta
  2. - straniero, ascolta - Zubin Mehta
  3. - gloria, gloria, o vincitore - Zubin Mehta
  4. - tre enigmi m'hai proposto - Zubin Mehta
  5. - introduzione - "così comanda turandot" - Zubin Mehta
  6. - nessun dorma! - Zubin Mehta
  7. - principessa divina! - Zubin Mehta
  8. - tu che di gel sei cinta - Zubin Mehta
  9. - liù! liù! sorgi! sorgi! - Zubin Mehta
  10. - principessa di morte! - Zubin Mehta
  11. - che è mai di me? - Zubin Mehta
  12. - del primo pianto...più grande vittoria non voler - Zubin Mehta
  13. - so il tuo nome! - Zubin Mehta
  14. - diecimile anni al nostro imperatore...padre augusto - Zubin Mehta

Disque : 15

  1. - questo mar rosso - Herbert Karajan
  2. - pensier profondo - Herbert Karajan
  3. - abasso, abbasso l'autor! - Herbert Karajan
  4. - si può...chi è là? - Herbert Karajan
  5. - io resto - Herbert Karajan
  6. - chi è là? - Herbert Karajan
  7. - si sente meglio? - Herbert Karajan
  8. - che gelida manina - Herbert Karajan
  9. - sì. mi chiamano mimì - Herbert Karajan
  10. - o soave fanciulla - Herbert Karajan
  11. - arranci, datteri! - Herbert Karajan
  12. - chi guardi?..- ecco I giocattoli di parpignol - Herbert Karajan
  13. - viva parpignol...una cuffietta a pizzi - Herbert Karajan
  14. - oh!...essa!...musetta! - Herbert Karajan
  15. - quando m'en vo' - Herbert Karajan
  16. - chi l'ha richiesto? - Herbert Karajan

Disque : 16

  1. - ohè, là, le guardie!...aprite! - Herbert Karajan
  2. - sa dirmi, scusi - Herbert Karajan
  3. - mimì! - speravo di trovarvi qui - Herbert Karajan
  4. - marcello. finalmente! - Herbert Karajan
  5. - mimì è una civetta - Herbert Karajan
  6. - mimì è tanto malata! - Herbert Karajan
  7. - donde lieta uscì - Herbert Karajan
  8. - dunque: è proprio finita!...addio, dolce svegliare - Herbert Karajan
  9. - in un coupé? - Herbert Karajan
  10. - o mimì, tu più non torni...che ora sia - Herbert Karajan
  11. - gavotta - Herbert Karajan
  12. - c'è mimì... - Herbert Karajan
  13. - vecchia zimarra, senti - Herbert Karajan
  14. - sono andati - Herbert Karajan
  15. - oh dio! mimi! ...che avvien? - Herbert Karajan

Disque : 17

  1. - all'erta! all'erta! l'alba appari
  2. - o di cromwell guerrieri
  3. - or dove fuggo mai?
  4. - ah! per sempre io ti perdei
  5. - o amato zio, o mio secondo padre!
  6. - sai com'arde in petto mio
  7. - ad arturo onore
  8. - a te, o cara
  9. - I rito augusto si compia senza me
  10. - son vergin vezzosa
  11. - ferma! invan, invan, rapir pretendi!

Disque : 18

  1. - dov'è arturo?
  2. - ma tu già mi fuggi?
  3. - ah dolor! ah terror!
  4. - cinta di fiori
  5. - e di morte lo stral non sarà lento
  6. - o rendetemi la speme
  7. - vien, diletto, è in ciel la luna
  8. - il rival salvar tu dei

Disque : 19

  1. - son salvo, alfin son salvo
  2. - a una fonte afflitto e solo
  3. - fini...me lassa!
  4. - vieni, vieni fra questa braccia
  5. - ancor s'ascolta questa suon molesto
  6. - credeasi, misera!
  7. - suon d'araldi?

Disque : 20

  1. - ... e soffitto e pareti - Herbert Karajan
  2. - sorride vostro onore? - Herbert Karajan
  3. - dovunque al mondo - Herbert Karajan
  4. - america for ever - Herbert Karajan
  5. - ier l'altro il consolato - Herbert Karajan
  6. - ecco. son giunte al sommo del pendio - Michel Sénéchal
  7. - gran ventura - Herbert Karajan
  8. - l'imperial commissario - Herbert Karajan
  9. - vieni, amor mio! - Herbert Karajan
  10. - ieri son salita tutta sola in segreto alla missione - Herbert Karajan
  11. - tutti zitti! - Herbert Karajan
  12. - o kami! o kami! - Herbert Karajan
  13. - cio-cio-san! cio-cio-san! - Herbert Karajan
  14. - bimba, bimba, non piangere - Herbert Karajan
  15. - viene la sera - Herbert Karajan
  16. - vogliatemi bene - Herbert Karajan
  17. - e izaghi ed izanami, sarundasico e kami - Herbert Karajan
  18. - un bel dì vedremo - Herbert Karajan

Disque : 21

  1. - c'è. entrate - Herbert Karajan
  2. - si sa che aprir la parta - Herbert Karajan
  3. - udiste? - Herbert Karajan
  4. - ora a noi. sedete qui. - Herbert Karajan
  5. - ebbene, che fareste, madama butterfly? - Herbert Karajan
  6. - e questo? e questo? - Herbert Karajan
  7. - che tua madre dovrà prenderti in braccio - Herbert Karajan
  8. - vespa! rospo maledetto! - Herbert Karajan
  9. - una nave da guerra - Herbert Karajan
  10. - scuoti quella fronda di ciliegio - Herbert Karajan
  11. - or vienmi ad adornar - Herbert Karajan
  12. - coro a bocca chiusa (humming chorus) - Herbert Karajan
  13. - intermezzo - Herbert Karajan
  14. - fischi d'uccelli dal giardino - Herbert Karajan
  15. - già il sole! - Herbert Karajan
  16. - chi sia? - Herbert Karajan
  17. - io so che alle pene - Herbert Karajan
  18. - non ve l'avevo detto? - Herbert Karajan
  19. - addio fiorito asil - Herbert Karajan
  20. - suzuki! suzuki! dove sei? - Herbert Karajan
  21. - tu, suzuki, che sei tanto biona - Herbert Karajan
  22. - come una mosca prigionera - Herbert Karajan
  23. - con onor muore chi non può serbar vita con onore - Herbert Karajan

Disque : 22

  1. - sinfonia
  2. - bell'alba, foriera
  3. - quella preghiera non odi tu?
  4. - parla, figlio..... una vergine, un'angel di dio
  5. - e fia ver? son desto o vaneggio?
  6. - bei raggi lucenti, bell'aure beate!
  7. - silenzio! silenzio!
  8. - messaggera gentile, ninfa discreta
  9. - ah, mio bene!
  10. - fia vero? lasciarti!
  11. - e l'uom che la desia, è il re?
  12. - preludio ... "giardini d'alcazar"
  13. - vieni, amor! a'piedi tuoi
  14. - de'nemici tuoi lo sdegno
  15. - tutta la mia corte per la festa previen!
  16. - in questo suol a lusingar tua cura
  17. - ah, sire! ... che mai fu?
  18. - ah, paventa il furor
  19. - voi tutti che m'udite

Disque : 23

  1. - a lei son presso alfine!
  2. - leonora, ei del suo cor la brama
  3. - a tanto amor, leonora, il tuo risponda
  4. - fia dunque vero?
  5. - o mio fernando, della terra il trono
  6. - scritto in cielo è il mio dolor
  7. - ines! ... sposo a te, fernando?
  8. - di già vella cappella?"
  9. - o viltade, obbrobrio insano!
  10. - per me del ciel si dispiega il favor
  11. - sire, io ti deggio ... o ciel! di quell'alma
  12. - orsù, fernando, ascolta!
  13. - preludio ... "fratelli! fratelli, andiam"
  14. - figlio diletto, ascolta!
  15. - favorita del re!
  16. - spirto gentil, de'sogni miei
  17. - figlio, deh, vien!
  18. - fernando, fernando! dove mai lo troverò?
  19. - fuggiam da queste soglie!
  20. - pietoso al par del nume
  21. - addio! fuggir mi lascia!
  22. - vieni, ah vien! io m'abbandono alla gioia
  23. - preludio ... "fratelli! fratelli, andiam"
  24. - vieni, ah vien! io m'abbandono alla gioia

Disque : 24

  1. - 1. requiem - Georg Solti
  2. - 2a. dies irae - Georg Solti
  3. - 2b. tuba mirum - 2c. mors stupebit - Georg Solti
  4. - 2D. liber scriptus - Georg Solti
  5. - 2e. quid sum miser - Georg Solti
  6. - 2f. rex tremendae - Georg Solti
  7. - 2g. recordare - Georg Solti
  8. - ingemisco - Georg Solti
  9. - 2i. confutatis - Georg Solti
  10. - 2j. lacrymosa - Georg Solti
  11. - 3a. offertorium: domine, jesu christe - Georg Solti
  12. - 3b. offertorium: hostias - Georg Solti
  13. - 4. sanctus - Georg Solti
  14. - 5. agnus dei - Georg Solti
  15. - 6. lux aeterna - Georg Solti
  16. - 7a. libera me: libera me - Georg Solti
  17. - 7b. libera me: dies irae - Georg Solti
  18. - 7c. libera me: libera me - Georg Solti
  19. - 7d. libera me: requiem aeternam - Georg Solti

Disque : 25

  1. - oh! fede negar potessi...quando le sere al placido - Edward Downes
  2. - ah sì, ch'io sento ancora...dal più remoto esiglio - Edward Downes
  3. - forse la soglia attinse...ma se m'è forza perderti - Edward Downes
  4. - o figli miei...ah, la paterna mano - Edward Downes
  5. - tombe degl'avi miei...fra poco a me ricovero - Edward Downes
  6. - inosservato...angelo casto e bel - Edward Downes
  7. - spirto gentil - Edward Downes
  8. - deserto in terra - Edward Downes
  9. - ah.. non mi lasciar, o speme di vendetta...o muto asil del pianto - Nicola Rescigno
  10. - a te, o cara - Nicola Rescigno
  11. - di qual tetra luce...ah sì ben mio...di quella pira - Nicola Rescigno
  12. - "e la solita storia" (lamento di federico) - Nicola Rescigno

Disque : 26

  1. - per la gloria
  2. - care selve
  3. - già il sole dal gange
  4. - ma rendi pur contento
  5. - dolente immagine di fille mia
  6. - malinconia, ninfa gentile
  7. - bella nice che d'amore
  8. - vanne, o rosa fortunata
  9. - la serenata
  10. - luna d'estate
  11. - malìa
  12. - non t'amo più
  13. - nevicata
  14. - pioggia
  15. - nebbie
  16. - la danza
  17. - com'è gentil - Leone Magiera
  18. - ogni mortal mister..giunto sul passo estremo - Leone Magiera
  19. - cielo e mar! - Leone Magiera
  20. - che gelida manina - Leone Magiera
  21. - io conosco un giardino - Leone Magiera

Disque : 27

  1. - che gelida manina - Edward Downes
  2. - e lucevan le stelle - Edward Downes
  3. - "questa o quella" (ballata) - Edward Downes
  4. - la donna è mobile - Edward Downes
  5. - parmi veder le lagrime - Edward Downes
  6. - di rigori armato il seno - Georg Solti
  7. - 2. cujus animam gementem - István Kertész
  8. - la rivedrà nell'estasi - Bruno Bartoletti
  9. - di'tu se fedele - Bruno Bartoletti
  10. - forse la soglia attinse - Bruno Bartoletti
  11. - ma se m'è forza perderti - Bruno Bartoletti
  12. - che gelida manina - Francesco Molinari-Pradelli
  13. - marcello. finalmente! - Francesco Molinari-Pradelli
  14. - mimì è una civetta - Francesco Molinari-Pradelli
  15. - mimì è tanto malata! - Francesco Molinari-Pradelli
  16. - o mimì, tu più non torni - Francesco Molinari-Pradelli
  17. - e serbato a questo acciaro - Claudio Abbado
  18. - sì: m'abbraccia. a te d'imene...l'amo tanto, e m'è sì cara - Claudio Abbado
  19. - on l'appelle manon - Peter Maag
  20. - enfin manon...instant charmant...en fermant les yeux - Peter Maag
  21. - je suis seul...ah, fuyez, douce image - Peter Maag

Disque : 28

  1. - parmi veder le lagrime
  2. - che gelida manina - Edward Downes
  3. - e lucevan le stelle - Edward Downes
  4. - questa o quella - Edward Downes
  5. - la donna è mobile - Edward Downes

Descriptions du produit

'The Pavarotti Story, is in many ways, also The Decca Story as artist and record company worked hand-in-hand until the artist's death in 2007. It was a relationship that lasted some 45 years, and will continue to bear fruit forever.' James Jolly

This 27 CD set reviews the totality of Pavarotti's remarkably intense first decade with Decca. Everything the artist recorded for the company from signing his contract until 1973 is here, allowing collectors and opera lovers once more to appreciate his exceptional achievement in that first decade for the Decca label.

The set includes an anniversary re-issue in vinyl of the famous May 1964 original first EP, cut by Pavarotti as his first recording for Decca five arias including Che gelida manina from La Bohème, E lucevan le stelle from Tosca and three arias from Rigoletto.

It also includes a Bonus CD of Arias featuring the newly re-surfaced recording of Che gelida manina from Pavarotti's debut performance of La Bohème on April 29, 1961 at the Teatro Muncipale in Reggio Emilia.

The collection serves to highlight the key partnerships in Pavarotti's early recording career. The Sutherland-Pavarotti-Bonynge relationship was the first to be enshrined on record in Bellini's Beatrice di Tenda (CD 1-2). Their Donizetti recordings La Fille du Régiment (CD 2-3) and L elisir d'amore (CD 4-5) still have few rivals: 'Pavarotti has a Gigli-like quality in characterisation and this suits him ideally for the role... you should readily be won over by the sheer exuberance, vocal as well as dramatic, that Sutherland brings to the role.' Gramophone original review

Opera was not the sole musical outlet for the Pavarotti of the 1960s and 1970s. He sang in choral works, such as Verdi's Requiem and Rossini's Stabat Mater and as his reputation spread he became a dedicated recitalist. His Verdi and Donizetti Arias (CD 25) contain some of the most perfect, natural, unforced singing of his entire career.


The edition includes:
27 CDS
1 45-RPM EP
Booklet including track lists, castlists and synopses
An article by James Jolly
Libretti in original languages


CDs 1-2
Bellini: Beatrice di Tenda

CDs 3-4
Donizetti: La Fille du Régiment

CDs 5-6
Donizetti: L'Elisir d'Amore

CDs 7-8
Verdi: Macbeth

CDs 9-10
Verdi: Rigoletto

CDs 11-12
Donizetti: Lucia di Lammermoor

CDs 13-14
Puccini: Turandot

CDs 15-16
Puccini: La Bohème

CDs 17-19
Bellini: I Puritani

CDs 20-21
Puccini: Madama Butterfly

CDs 22-23
Donizetti: La Favorita

CD 24
Verdi: Messa da Requiem

CD 25
Verdi & Donizetti: Arias (plus extra tracks)

CD 26
Pavarotti in Concert (plus extra tracks)

CD 27
Bonus CD

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Format: Audio CD Achat vérifié
Enfin, DECCA se décide à produire une anthologie à la hauteur du talent de l'artiste. L'emballage et le packaging sont irréprochables. Le coffret de taille imposante n'est pas sans rappeler la taille des vinyles 33T. J'ai hésité à ouvrir le carton tellement l'emballage de protection est soigné. L'intérieur renferme un magnifique livret illustré ainsi que les 27 CD des oeuvres enregistrées dans la première décade de la carrière de Pavarotti. Bien entendu, je possède déjà l'ensemble de ces enregistrements dans des coffrets individuels, mais la magie réside dans l'idée de collection. La qualité sonore des enregistrements est aussi au rendez-vous. Un vrai bonheur pour qui souhaiterait découvrir ou redécouvrir le talent de cet immense chanteur qui plus est pour un prix raisonnable. A quand la suite des autres volumes. Je suis déjà impatient. Bravo pour la livraison Amazon. Article pré-commandé pour une livraison annoncée le 7 avril 2014 et reçue en avance de 2 jours (le 5 avril).
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Enfin l'oeuvre de Pavarotti ,le meilleur ténor à ce jour remasterisée dans un superbe coffret .Un vrai régal.Seul bémol si l'on peut dire,le synopsis des oeuvres est en anglais et allemand dommage!Pourquoi pas en français?
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super en tous ,qualité des titres ,je recommande vivement aux amateurs , qualité musique ,qualité du coffret ,super cadeau a faire !!!!
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Amazon.com: HASH(0x971de588) étoiles sur 5 9 commentaires
16 internautes sur 17 ont trouvé ce commentaire utile 
HASH(0x971f1fcc) étoiles sur 5 A VERY WORTHWHILE ISSUE 21 mai 2014
Par Harry Sillen - Publié sur Amazon.com
Format: Audio CD Achat vérifié
When I received an email with the announcement of this re-issue, I thought "Here we go again. Another Pavarotti re-issue". However, when I visited the Decca website, it became clear that this was to be not just another Pavarotti re-issue. And this is not only for the beautifully crafted package, although that is certainly very impressive. The CDs are packaged in three LP-size albums with sleeves for easy removal and insertion. The booklet is complete with recording information and reproductions of the original Decca LP issues. There is also a vinyl EP record that duplicates Pavarotti's first recordings for Decca. But what matters most is what is on the discs themselves.
I started with a long-time favorite:

DONIZETTI: L'ELISIR D'AMORE": I consider this Pavarotti's best singing on disc ever. He is so involved and his tone is so sweet that one just wants to listen on and on. And, finally, Decca has corrected one of the most serious mistakes it ever made. When this recording was first issued on CD, Decca just transferred the first 3 LP sides to disc 1, and the last 3 LP sides to disc two, never thinking twice of what they subjected the listener to. The last 6 minutes of the Act 1 finale was put on CD 2, necessitating the listener to get out of the mood of the opera and change discs. This was totally unnecessary, since there was more than enough space on the disc to include these minutes. This is now corrected with the wonderful result that one can listen to the entire first act without interruption. As for the sound, it has been totally remastered. The sound is very clean and especially the choral passages benefit from this. There seems to be more bass as well and the clarity is wonderful.

PUCCINI: "TURANDOT": This recording has been the go-to issue ever since it first appeared. The cast is just about invincible, with Sutherland, Caballé, Ghiaurov and Pavarotti all in superb voice. The recording, always considered spectacular, has also been totally remastered, with fantastic results. In the first Act, Nicolai Ghiaurov appeared to be all over the place in the opening scene. Now, with this issue, he is rock-steady in place. The sound is clear as a bell, with more definition and more natural warmth. Again, the choral passages gain the most from this treatment. Listen, for instance, to Caballé's "Signore, ascolta" with the following scene and you'll be convinced. The many choral passages jump at you and the orchestral contributions are just spectacular. When the recording was made, a friend, who was present at the sessions, told me that Kingsway Hall just about came down. The hall was barely big enough for the sound.

DONIZETTI: 'LA FILLE DU REGIMENT": This recording also has benefited from the remastering. Again, the choral passages gain the most, but the overall sound of this 1967 recording has been improved. In Tonio's first Act aria "Ah, mes amis" there was a small edit glitch, which has been cleaned up somewhat. It is not completely gone, but far less audible than before. I don't think I need to report on the performance. It has been in the catalog ever since it first appeared, and most people at all interested in these performers, will be familiar with the fun that everyone seems to be having.

VERDI: "MESSA DA REQUIEM" Another great recording that benefits from the longer playing-time of the new CDs. This CD is 84 minutes long, and thus this beautifully recorded performance can now be listened to without interruption, a great plus for the Requiem Mass. The sound is also much improved. The drum-whacks in the "Dies Irae" will literally wake up the dead.

PUCCINI: "MADAMA BUTTERFLY": This performance, never far away from my turntable, then CD player, has been remastered to fit on 2 CDs. The sound is great, as before, but there is more clarity, as with all the previous recordings mentioned above. Mirella Freni touches the heart like no one else for me, and again, Pavarotti in superb voice. The Vienna Philharmonic play for Karajan as if they play Puccini daily.

VERDI: "MACBETH": This recording was never in my collection, simply because I cannot listen to Fischer-Dieskau in Italian opera, and especially not in Verdi. Listening to this performance, I think I was right (for me). Dieskau rages through the rôle like a German stormtrooper and ruins for me any pleasure I did get from the other performers. Suliotis is actually pretty good, and the short rôle of Macduff is well served by Pavarotti. The sound of the recording is quite wonderful, but I still don't think I'll re-visit this recording any time soon.

I will post my other impressions later. I consider this set more than worth the money. I for one, am glad to not have listened to my original first thoughts. Buy it, it will disappear soon
enough.

May 21: Finally got around to PUCCINI: "LA BOHÈME": This recording has been in the catalogue non stop since it first appeared. When it appeared, on LP, I used to listen often to the classic Serafin recording, also on Decca, with Tebaldi and Bergonzi as the lovers. This recording under von Karajan is totally different, and to my mind, just as valid. Mr. Karajan lavishes on the score attention this music deserves, but seldom gets. He may be a little slow at times, but that gives the music all the more time to spell its magic. The comparison between Bergonzi and Pavarotti is interesting, in that Bergonzi tends to portray the poetic side of Rodolfo, and Pavarotti is more the young, ardent lover. Both are absolutely wonderful amd equally valid. By the time Tebaldi recorded her second "Bohème" she was no longer in the full flush of youth, but her portrayal is movingly sung. However, there can be no more lovable Mimi than Mirella Freni. I've seen and heard her in three different productions, and every time the tears flow freely in the third and fourth acts. There just is no one like her, period. The re-mastered sound is full-bodied and clear with wonderful string sound from the Berlin Philharmonic.

May 23: DONIZETTI: "LA FAVORITA": In this recording, I think it was the first time that I noticed a change in Pavarotti's singing. Like in the almost contemporaneous "Maria Stuarda", Pavarotti sounds stressed at times, something never heard before in his recordings. The bloom seems to have gone. Also, according to Richard Bonynge, the conductor in many Pavarotti/Sutherland recordings, and also in this one, Pavarotti's super-star status made him less easy to work with, and he became lazy. On occasion, the old Pavarotti magic surfaces and it is a joy to hear. There just was not and is not a voice as splendid as his, full of sunshine. Other tenors may be greater artists as such, but for vocal splendor no one can touch him. Fiorenza Cossotto delivers a very fine performance, as does Nicolai Ghiaurov. Sound-wise, there seems to be no difference with the previous CD issue. Decca could never get the same splendid results in the Bologna Opera House that it could get in London's Kingsway Hall or Walthamstow.

MAY 23: "RECITAL DISCS": The Verdi/Donizetti LP was always Pavarotti at his very finest. The new edition is clear and more care has been taken than in the original CD issue. The disc also contains some titles from the next Pavarotti recital. The rest of that second recital sits on the second CD in this box, together with "Pavarotti in Concert" with lovely songs from Bellini and also some delightful baroque items. I am disappointed in that Decca did not include the complete Rossini Stabat Mater, but only the Cujus Animam. Likewise, the complete Ballo in Maschera is missing, just three items included. The third disc, labeled "bonus" has also some live performances that Decca claims have "recently surfaced". All three operas, La Bohème, Manon and I Capuleti ed i Montecchi have been available on several "private" labels for years. They have been cleaned up though, and sound better than before. It is also nice to have Pavarotti's very first Decca recordings also on CD. This way we can keep the EP sealed. Besides, many people will not have a record player anymore.

All in all a very desirable box for lovers of Pavarotti, opera, and just great singing.
7 internautes sur 7 ont trouvé ce commentaire utile 
HASH(0x971f4234) étoiles sur 5 Pavarotti is one of the greatest singers of the twentied century. 1 août 2014
Par Peter Dietrich - Publié sur Amazon.com
Format: Audio CD
My discovery of Luciano Pavarotti.
Since1954 I was visiting a little store named Book Clearing House on Boylston St. In Boston . The owner ff the store Mr. Joseph had a collection of LP's and among them many rarities . I always purchased from him because he reliable and always willing to order records for me as long as they were available. In June, 1970 I was in Boston on Bussiness mat her in the vicinity of Book Clearing House ,it was hot day and I decided to go and check if there is something new. AS soon as I close the door I heard a familiar aria ' Deserto Terra ' from the opera by Gaetano Donizetti ( 1797-1848) . I owned this opera complete on private label issued on 3 LP's With Gianni Poggi, Fedora Barbieri , Giulio Nerri , alive performance from Florence and conducted by Carlo Maria Giulini.(1955). My first thought
Was : They playing the recording of Don Sebastiano and I am hearing Gianni Poggi's voice , but seconds later the sound was getting more beautiful and I started realize that this voice comes from different throat of a better tenor more polished. Mr. Joseph , please tell me the name of this tenor who sings so beautifully . With pleasure , he replied. He is an Italian tenor and his name is Luciano. Pavarotti. I purchased in a hurry this LP of Verdi and Donizetti arias with Luciano Pavarotti and listened almost without stop for the next two weeks. The qriq ' Deserto Terra ' puts great demands on the tenor voice , because it consists of four high C's and high D ., and Gianni Poggi did an excellent job. . but Pavarotti not only does a excellent job , he sings it more beautifully Throughout, and his highC's and high D's are gorgeous. This kind of singing we hear in all thirteen operas con taint in this Edition. Among the most successful recordings ' La Fille Du Regiment ' with soprano Joan Sutherland creating a beautiful portrait of Marie. Donizetti's L' Elisir d' Amore ' another charming comedy performed beautifully with Sutherland as Adina.
Giuseppe Verdi ( 1813-1901) Rigoletto with Pavarotti as the Duke of Mantua with Sutherland and Sherrill Milnes.
Donizetti Lucia Di Lammermoor is one of the great recordings with stellar cast of Sutherland and Milnes, although Sutherland is in a fresher voice in her earlier recording.Giacomo Puccini (1858-1924) Turandot is another excellent performance with Sutherland in the tittle role , but it has a great competition from earlier recordings. The famous and popular La Boheme by Puccini is beautifully sang , but again it has a great competition from earlier recordings. I Puritani by Vincenzo Bellini ( 1801-35) is probably the greatest recording of this opera ever made. it has Stellar cast where all singers are in their primes . It is also conducted beautifully by Richard Bonynge. Macbeth by Giuseppe Verdi is a unfortunate recording The tittle. Role is badly cast . Dietrich Fisher- Dieskau is an excellent singer in German and Austrian operas , but he is not a Verdi baritone , and he should not takle an Italian operas.
Puccini Madama Butterfly with Mirella Freni as Butterfly is another superbly sang performance and there is plenty beautiful singing in the famous duet. Donizetti La Favorita to be succssesful needs a great cast . Pavarotti and Fiorenza Cossotto as Leonora . Both singers are their primes and their portraits are profound and their singing gorgeous. The sopporting cast is also excellent. Verdi : Messa Di Requiem, I have not listen to this recording and I can not judge. Looking at the cast , I believe it is an excellent performance. The other two recitals In Concert and Bonus Disc , have great selections of arias and songs and are beautifully sang and recorded. The Presentation of this Edition is luxurious with beautifully illustrated booklet and with details of each recording.A Bonus disc of Pavarotti earliest recordings is included. In conclusion I would like to say that this luxurious Edition is a Fitting Tribute to one of the greatest voices of the twentied century.
8 internautes sur 9 ont trouvé ce commentaire utile 
HASH(0x971f4474) étoiles sur 5 A fabulous tribuate to the greatest tenor of the 20th century. 11 juin 2014
Par Abert - Publié sur Amazon.com
Format: Audio CD
When I saw this beautifully wrapped up box set at the retail store, I gasped and hesitated for a moment, for the sheer fact that I ALREADY owned 80 per cent of its contents. However, the allure of a young Pavarotti proved far greater - and the fact that all the discs are now re-mastered to play in better sound than their original releases.
When I opened up this big box, my jaw dropped lower and lower with the beautiful contents and wonderful line-up. This is a real 'tribute', not just an ordinary box set!!!
No libretto but a big pictorial of Luciano's early years, done in state of the art details and tremendously good coverages.
The 27-disc contains mainly operas with Pavarotti, Sutherland and Bonynge in the early years (up to 1974). Needless to say, Pavarotti's voice was glorious, a true force of nature, and his artistic honesty fully in tact during this stage of his illustrious career.
The big treat to lovers of opera and fans of Pavarotti like me, is that in this fabulous set, there is one small vinyl of Pavarotti's earliest London recordings. For a vinyl lover like myself, I almost wept for joy upon the sight of this big 'bonus'! For all opera lovers, we all know that Pav sounded truly magical on vinyl!
If you ask me to choose one of the BEST disc in this fabulous album, it would have to be Solti's Verdi Requiem, showcasing Pavarotti, Sutherland, Horne and Tavela, recorded in 1967. This ranks pari passu with the same year's live recording with Herbert von Karajan, Cossotto, Price and Ghiaurov, also featuring Pavarotti as tenor.
All-time great operatic recordings of course include Donizetti (Regiment, L'esir, Favorita), Bellini (Tenda, Puritani, Sonnambula), Verdi (Rigoletto, La Traviata); Puccini (Turandot, Boheme), featuring major sopranos in the persons of Joan Sutherland and Mirella Freni, with the great Caballe.
The concert recitals are similarly terrific, with one live one in which Pav sung works of Handel (!) and other baroque pieces, accompanied by Bonynge. These recital CDs contain extra tracks that were not in their original releases, and the extras add up to an entire CD's time, so it should actually be 28 CDs instead of 27.
Seems that Decca will release Editions 2 and 3. Despite that, this first and earliest Edition 1 must prevail over the later ones, given that Decca last year released a dual CD representing, very sadly, most of Pavarotti's later and far less successful attempts.
A MUST even if you already owned some of the contents.
6 internautes sur 7 ont trouvé ce commentaire utile 
HASH(0x971f47d4) étoiles sur 5 Priceless Edition 9 septembre 2014
Par Tenorqueiroz - Publié sur Amazon.com
Format: Audio CD Achat vérifié
This is a very handsome project by Decca/London worthy of one of its most beloved artists.
No need to extoll the quality of the recordings contained in the set, suffice it to say it spans Pavarotti's first decade as a Decca artist, partnered in the majority of the operas by one of Decca's other great exponent, Joan Sutherland.
The set is a very beautiful package, Lp sized, with a lavish booklet, plus three inserts containing the Cds proper, plus a bonus Vinyl the size of a 45 rpm record.
The main reason for purchasing the set, though, is the admirable remasterings of ALL the recordings in it.
It boasts a new 96khz/24 bit processing (apparently stemming from the original master tapes), what seems to be the new trend in the industry, (cf. the upcoming Callas Remastered Edition due in a couple of weeks, which sounds fantastic even in its iTunes preview), and well worth the double dip.
In one word, the music sounds absolutely STUNNING: brilliant, airy, with great presence and warm bass, bringing out the wonderful acoustics of the several great recording venues. Of special notice is Turandot's brilliant orchestration which comes glittering out of Kingsway Hall!
Highly reccomended even for those who already own the prevoius Cd incarnations.
7 internautes sur 9 ont trouvé ce commentaire utile 
HASH(0x971f4588) étoiles sur 5 THE LUCIANO PAVAROTTI THE WORLD SHOULD REMEMBER 24 septembre 2014
Par L. Mitnick - Publié sur Amazon.com
Format: Audio CD
This is all prime Pavarotti. The gorgeous voice is here in all it's glory, which constitutes a tenor sound not heard since the days of Jussi Bjoerling. The voice burst with the Italian sunshine and London/Decca cast him in operas that suited him to perfection. I'm not happy that the "Macbeth" was included here, since the tenor role consists of one scene only and is dominated by a totally miscast Dietrich Fischer-Diskeau (as Macbeth) and a vocally disastrous Elena Souliotis (as Lady Macbeth) trying to do a Maria Callas imitation but failing at every turn. Pavarotti's singing time on this opera amounts to less than fifteen minutes, which of course amounts to the best singing in the whole cast. Nevertheless, this particular opera should never have been included. Having said that, I can say happily that the rest of the operas heard here all feature Pavarotti in the principal tenor role. He is fortunate to have his mentor, Dame Joan Sutherland to collaborate with in "Lucia", "L'Elisir", "Fille", Beatrice", etc as well. All of the lyric splendor that Pavarotti will be remembered for is here. For his legions of admirers, this set is a must.
I think that the 1970's were his greatest decade, when his voice and artistic powers were in their finest balance. Unfortunately, this perfection was not to last. He let himself balloon up to over three hundred and fifty pounds in the 1980's, started taking on heavy dramatic tenor roles which compromised the lyric beauty of his instrument, and began to become a media cash cow by his agent Herbert Breslin (who wrote a not especially nice book about dealing with Pavarotti beginning in the 1980's).
The last seventeen years of Pavarotti's career is better left unmentioned. No need to worry about it here anyway. The Pavarotti that is heard in this box is the Pavarotti the world should remember and cherish.
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