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Morrissey - la trilogie - Flesh + Trash + Heat, Paul [Édition Collector Numérotée]

4.5 étoiles sur 5 2 commentaires client

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Détails sur le produit

  • Acteurs : Joe Dallesandro
  • Réalisateurs : Joe Dallesandro, Paul Morrissey
  • Format : Anamorphique, Coffret, Couleur, Plein écran, Mono, Cinémascope, PAL
  • Audio : Anglais (Dolby Digital 2.0 Mono)
  • Sous-titres : Français
  • Région : Région 2 (Ce DVD ne pourra probablement pas être visualisé en dehors de l'Europe. Plus d'informations sur les formats DVD/Blu-ray.).
  • Rapport de forme : 1.37:1
  • Nombre de disques : 4
  • Studio : Carlotta Films
  • Date de sortie du DVD : 16 avril 2003
  • Durée : 287 minutes
  • Moyenne des commentaires client : 4.5 étoiles sur 5 2 commentaires client
  • ASIN: B00008LSVW
  • Classement des meilleures ventes d'Amazon: 72.729 en DVD & Blu-ray (Voir les 100 premiers en DVD & Blu-ray)
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Contenu additionnel

DVD 4 :
Documentaires inédits :
- Paul Morrissey : les années Warhol
- About Flesh, About Trash, About Heat :
. avant, pendant, après : toutes les coulisses d'une trilogie
- Music Factory : la Velvet Underground par Paul Morrissey
- Fashion Factory : comment la Factory inventa le look arty
- Le Pape du cinéma underground : rencontre avec Jonas Mekas
- One Minute Tour : visite guidée de la Cinémathèque Underground, l'Anthology Film Archive (par Jonas Mekas)
Films inédits :
- About Face (1964)
- Scenes from the Life of Andy Warhol
- Exploiting Plastic Inevitable
1 bonus caché :

Descriptions du produit

Description du produit

Edition numérotée à 10.000 exemplaires
Contient :
- "Flesh"
- "Trash"
- "Heat"
Masters restaurés et supervisés par Paul Morrissey

Synopsis

La scène underground new-yorkaise renaît. La trilogie-culte de Paul Morrissey, présentée en copies restaurées au Festival de Cannes 2002, arrive en DVD. Ce coffret offre en exclusivité un 4ème DVD de suppléments inédits.

Commentaires en ligne

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Format: DVD Achat vérifié
J'avais vu cette trilogie à sa sortie en salle au Hâvre en 1973/1974. Tout un univers que j'aime (Velvet Underground - Nico - Warhol - Hubert Selby....) Heureux de retrouver ce moment warholien (morrysien...) avec bien sur Joe Dalessandro, sublime et d'autres figures de la Factory.
Remarque sur ce commentaire 4 personnes ont trouvé cela utile. Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
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Format: DVD Achat vérifié
très vieilli, surtout le premier tome de cette trilogie, avec des transitions qui sentent la colle , mais cette désuétude underground est parfaite tout autant que little Joe
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x8982a12c) étoiles sur 5 20 commentaires
14 internautes sur 16 ont trouvé ce commentaire utile 
HASH(0x8978af18) étoiles sur 5 A good example of psychological/midnight (pre-sleep) genre 21 janvier 2001
Par Un client - Publié sur Amazon.com
Format: DVD
The main atmosphere of the film reminds me of a theatre play. This piece is neither a typical high budget American movie nor a totally underground one.(but a hybrid one) As i indicated above, the director seems to focus on the characters' personalities (like a theatre play) to give some personal messages to the viewer/observer. Whenever i watch the movie, i feel that i'm a doctor in a mental hospital and observing people. All the characters in the movie have some weaknesses in their personalities as it is in real life. And, in my opinion, the impressive presentation of the weaknesses of the different personalities is the underlying factor of the Heat's above - average success. For example, the performance of Sylvia Miles was really haunting. Her acting made me play this DVD three times last week. This role matches her perfectly. i can say the same for other movie characters. it seems like all the people are acting themselves not the roles. Therefore, one can,easily, feel the voyeuristic delight of observing people's daily private life (which is so trendy on today's television programmes) while watching the Heat. As for the subject guy, Joe Dallesandro, in terms of acting, he brings no striking or notable performance to the movie. However, to me, again, i may say that he plays himself. He's destined to act this role. Of course, there's no need to say that he's so young, beautiful and sexy in the HEAT. Being a fan of him can be only reason to watch this movie. However i should warn you that if your intent is to observe Joe's body and sexuality, this movie may not give you enough of his flesh. So, you'd better try 'The Flesh' from the famous Paul Morrissey trilogy. As a bottom line, this is not a brilliant, first class, unforgettable or masterpiece movie example at all. However, if you are into theather play-like, low-budgeted, psychological/midnight(pre-sleep) genre movies featuring a beautiful, long-haired, sexy guy with a swimwear(not showing his flesh excessively), this one is definetly for you! PS: The DVD version of this movie contains an extra material about the intentionally chosen dialogues of a few movie characters taken from the movie sequences. So this helps us more to understand the characters' personalities and their driving forces.
6 internautes sur 6 ont trouvé ce commentaire utile 
HASH(0x8978d39c) étoiles sur 5 Lukewarm 16 avril 2010
Par Gary F. Taylor - Publié sur Amazon.com
Format: DVD
There is really only one reason to watch an Andy Warhol production of a Paul Morrissey film starring Joe Dallesandro--and that is the hope that, somewhere along the way, you are going to see Dallesandro naked. A military brat who ran wild, Dallesandro did a number of nude modeling jobs for "physique" magazines before he stumbled into Warhol in 1967. Warhol knew a good thing when he saw it, and for the next several years Dallesandro would appear in one Warhol produced film after another, most of them directed by Paul Morrissey. The trouble is that Warhol was a bad producer, Morrissey was a ho-hum director, and Dallesandro is one of the most wooden actors to grace the screen. But whether he's naked, in a three piece suit, or stomping around in a swim suit--well, he just looks so damn good you can't help but watch his every move.

Released in 1972, HEAT has the barest plot imagineable. Dallesandro is a former child television star who wanders into a cheap motel that includes a swimming pool, a grotesque landlady, a couple of brothers who do a nightclub act in which they have sex, and a nitwit woman who claims to be a lesbian and whose mother (Sylvia Miles) is a fading star. Pretty soon Dallesandro is getting naked with the landlady and ultimately he gets naked with the fading star--but when she becomes too possessive he walks out. Throw in the occasional reference to SUNSET BLVD and that's pretty much it.

The cinematography is dull and so is most of the cast. Miles is loud and shrewish, but she gives the film what little energy it has. Dallesandro, of course, adds his part to the film by looking drop-dead, rough-trade gorgeous. But unless you're hot to see Miles' sagging breasts or Dallesandro's butt and a quick crotch flash, you might want to give HEAT a miss.

GFT, Amazon Reviewer
9 internautes sur 10 ont trouvé ce commentaire utile 
HASH(0x8978d3c0) étoiles sur 5 Mad Camp Spoof of 'Sunset Boulevard' 18 juin 1999
Par Un client - Publié sur Amazon.com
Format: Cassette vidéo
HEAT is a riot - aging game show hostess vies with lesbian daughter for the affections of sexually ambiguous has been TV cowboy. The lines are eminently quotable ("Do you want your son to grow up to be a lesbian??") and the acting has elements that make cinema verite look like fantasyland. I know people (not ME, of course!) who've seen this thing 50, 60 times - and still can't get enough.
8 internautes sur 10 ont trouvé ce commentaire utile 
HASH(0x8978d2e8) étoiles sur 5 Underground Classic 28 juin 2006
Par directions - Publié sur Amazon.com
Format: DVD
This is the most coherent in the Flesh/Trash/Heat trilogy and certainly more watchable than Andy Warhol's films that he personally "directed" (anyone for 8 hours of the Empire State Building?). John Waters was certainly influenced by Andy Warhol (who returned the favor in Andy Warhol's Bad) but his films were a lot more fun to watch. Though, just as in Andy Warhol, early John Waters had the characters basically play themselves, Pink Flamingoes and Female Trouble are shockingly hilarious, whereas Heat has a creepy sense of exploitation. This update on Sunset Boulevard (a far better movie by far) has the characters repeating what seem like monologues. The storyline revolves around the characters using each other sexually and otherwise and even though the "acting" is certainly lacking, the characters seem like real people who lived in the countercultural version of skid row at the time with the explicit scenes verging on pornographic without being at all arousing. The reason I called Heat a "classic" is that underground films at the time could be tedious, random images, political diatrebes, or experiments with film (the same shot over and over). This was way before underground films morphed into independent films where with the right connections, you could actually make a profit as well as before the vcr, when seeing an underground movie was an experience in itself. That world has now disappeared and "Heat" is a fragment of that time.
4 internautes sur 5 ont trouvé ce commentaire utile 
HASH(0x8978d810) étoiles sur 5 Plastic slice of life 23 août 2002
Par BuyCurious - Publié sur Amazon.com
Format: DVD
This is probably the most accessible of the Worhol flicks, and comes across as a seedy voyeuristic experience. Sylvia Miles is fantastic as a whacked-out, washed-up actress of yesteryear, and her sexually-confused daughter is just as off-kilter. It's filled with hilariously weird characters and scenes, most noteably the scene where Joe (Dallesandro) and his landlord (Pat Ast) end up caressing each other in bed, in order for him to get "that discount" on his rent. Another stand-out is the discussion between Sylvia and her daughter over the possibility that her grandson will become a lesbian if he is raised by two gay women! The dialogue seems very natural, and perhaps was largely improvised. The label "art-house film" is appropriate here. More refined than Worhol's/Morrissey's "Trash" and "Flesh", this stream-of-consciousness film should satisfy if you enjoy well-done low-budget independent films.
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