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No Wave: Post-Punk. Underground. New York 1976-1980 (Anglais) Relié – 1 juin 2008

5.0 étoiles sur 5 1 commentaire client

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Book by Moore Thurston Coley Byron

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Format: Relié Achat vérifié
Un livre qui retrace l'historique précis et documenté de ces folles années 70 et 80 à New-York, quand la créativité aussi bien musicale que cinématographique était à son maximum. La NO WAVE est née de la rencontre du punk et du monde de l'art contemporain. Sont bien connus James Chance ou Lydia Lunch, mais ici vous découvrirez comment tous ces groupes sont nés, se sont rencontrés... et tous ceux qui gravitaient autour, aussi bien des cinéastes que des peintres. MAIS: EN ANGLAIS.
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Commentaires client les plus utiles sur (beta) HASH(0x902b29cc) étoiles sur 5 11 commentaires
10 internautes sur 12 ont trouvé ce commentaire utile 
HASH(0x90151564) étoiles sur 5 eye candy and history 15 juillet 2008
Par David M. Madden - Publié sur
Format: Relié
1970's New York, a time of polemic filth and fury with displaced art kids crashing head first into the detritus to form bands without which we would have no Rapture, Yeah Yeah Yeahs or (insert a hundred names here). Framed around this incredible gathering of black & whites are interviews (conducted by the Thurston Moore and writer/editor/et cetera Byron Coley) with artists deep in the thick of said scene (i.e. James Chance, Glen Branca, Ikue Mori, Robert Quine and the ever-verbose Lydia Lunch), club owners, iconic groupies and passers-by, including Brian Eno who gives his perspective on the immortal Eno "produced" No New York compilation. Having been active participants during this era, the authors do a spectacular job of detailing the tenuous camaraderie, insular tension and the seeds of No Wave's demise. Not simply for those who know the difference between "No Wave" and "New Wave", the eye candy and history lessons make for an illuminating, universally appealing document.
5 internautes sur 7 ont trouvé ce commentaire utile 
HASH(0x901515b8) étoiles sur 5 The scene that never was 15 juillet 2009
Par Lovblad - Publié sur
Format: Relié
Basically if you were listening to music at the end of the 70's, beginning of the 80's, you had heard of all these people. Their records were available in most record stores world-wide, but nothing really became directly of it. This record documents this scene very well: we see a NY underground scene that intermingled with then and future celebrities (Iggy, Blondie, etc) but somehow did not connect. The whole scene centered finally on the Eno-produced No New York LP containing music by the more prominent acts in this book. While Eno seemingly had an eye on the future appraisal of the scene and merely wanted to document it (which shows as I wrote that EVERYBODY had heard of this scene, even my mom...). This book is surprising because while most of the rock books especially the ones covering this era tend to use mostly the same material and sources, this is fairly original stuff. It is based mostly (a little like PLease Kill Me) on personal recollections but without necessarily having a storyline. This does not matter since Moore and his collaborator get the vive of this underground scene beautifully. It is more a photo book with some essential anectdotes. Retrospectively a lot of intellectual bs has been put on the music that was really partly unlistenable and really hilarious stuff to annoy your parents or friends in the 70's who might like their rock music to be listenable. Mars and DNA is particularly atrocious as is some of the Lydia Lunch stuff (she was at the time the arhetypical indie queen and seems to have been a bad influence on everyone). Arto Lindsay ended up doing almost commercial stuff nowadays and Lizzy Mercier Descloux (God Bless her) had a huge afro-beat hit in France with "ou sont passees les gazelles". James Chance was more interesting and apparently still tours France. Anyway this is a splendid book, lovingly done by two people involved in a scene that existed while I was a teenager. I still have all these records and they are to be cherished because they really pushed some (not always artistic} boundaries by being simply too extreme. It was a scene that took itself way too seriously but which had some really very colourful characters. The book does indirectly explain on the one hand why they were extremely influential on the people who heard them, bought their records but failed to go beyond that for recognition. Anyway, it is also quite cheap for the work they have put into it and this kind of work must be supported.
2 internautes sur 3 ont trouvé ce commentaire utile 
HASH(0x901519f0) étoiles sur 5 Bonus CD of uniquely rare Contortions & DNA on Japanese version 17 août 2011
Par Charles Miller - Publié sur
It certainly was a special time and place, but no one knew it then. As previous reviewers indicated, this book represents the best documentation available for this unparalleled time and place: the late 70s in New York City. Having lived in the East Village during that time frame, I can attest to the absolute authenticity of this title. With a plethora of photographs as well as authoritative text, this is as close as you can get to being there. Additionally, the complex and incestuous ties between the people that operated within the No Wave movement are well discussed here, to include a two-page chart, clearly depicting the relationships between these bands.

Of important note is the fact this Japanese publication was also released in Japan, but with the addition of perhaps the rarest "bonus" CD of all time. It features pre-No New York (the first official album title and produced by Brian Eno) concert performances by The Contortions (February 1978) as well as early DNA (November 1978). Both shows were recorded at CBGBs. While the sound is just okay, to hear these early documents of such an important musical movement is priceless. Strangely, this CD is not included in the U.S. version, however, is available from Amazon in Japan. The book is exactly the same as the publication available in the U.S. and includes a presumably Japanese translation of the same as a second book included in the package along with the CD. It is quite expensive, however, is truly worth the extra expense. Click on the Japan link at the bottom of any Amazon page, when there, click English and search for it. If the book without the CD is 5-stars (and it is), the Japanese version is certainly 6-stars.
4 internautes sur 6 ont trouvé ce commentaire utile 
HASH(0x9015196c) étoiles sur 5 Something bizarre to behold 14 juillet 2008
Par Midwest Book Review - Publié sur
Format: Relié
Best described as a mish mash of art and punk rock, the No Wave movement of the late 1970s was something bizarre to behold. "No Wave: Post Punk. Underground. New York. 1976-1980." is a look at the brief movement and those who were behind it, including James Chance and Lydia Lunch among others. Collected from oral history and interviews conducted by the authors, and enhanced with dozens of black and white photographs, "No Wave: Post Punk. Underground. New York. 1976-1980." is highly recommended for community library music collections.

Diane C. Donovan
California Bookwatch
HASH(0x90151ea0) étoiles sur 5 GREAT no wave history in photos!!! 19 juillet 2013
Par N. Smith - Publié sur
Achat vérifié
Absolutely the best writing on this largely forgotten and GREAT downtown NYC rock scene! DNA, Teenage Jesus And The Jerks, Mars and The Contortions (the "big four") are the tip of the iceberg here and there are so many GREAT photos it's hard to believe I'm actually really looking at this in my hands and that I have not been transported back in time to 1977!!! Truly GREAT!!!
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