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Oldboy [Import anglais]
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Taken without reason; imprisoned for 15 years; released without reason. 5 days to seek the truth...
One day in 1988, ordinary white collar worker Oh Dae-soo is kidnapped and incarcerated in a private makeshift prison cell, dressed up like a cheap hotel room. With only a TV for company, Dae-soo makes numerous attempts to escape and to commit suicide but they all end up in failure. All the while Dae-soo asks himself what made a man hate him so much enough to imprison him in solitary confinement with no explanation. While suffering from his near-madness, Dae-soo becomes shocked when he watches the news and hears that his beloved wife was brutally murdered. At this very moment, Dae-soo swears to take revenge on the man who destroyed his happy life.
15 years on and without a word of warning Dae-soo is released. Given a new set of clothes, a mobile phone and the attentions of curious sushi waitress Mido, Dae-soo begins to track down his enemy, only to find he may be the pawn in a much bigger game which is only just beginning. Taunting Dae-soo, the culprit gives him just 5 days to catch and kill his captor or Mido will die...
Based on Japanese manga of the same name by Minegishi Nobuaki and Tsuchiya Garon, 'Old Boy' is a masterfully inventive revenge thriller complete with blackly comedic moments.
Oh Dae-su è un uomo qualunque che vive con sua moglie e la loro figlia. Improvvisamente, un giorno del 1988, viene rapito. Prova numerose volte a fuggire dalla sua prigione e tenta anche il suicidio, ma senza successo. Passa il tempo e non riesce a capire chi possa odiarlo tanto da tenerlo prigioniero senza una ragione plausibile. Ma lo attende ancora uno shock: la notizia del brutale assassinio della moglie. Da quell'istante il suo unico scopo di vita è la vendetta. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
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Chan-wook Park directs a brilliant cinematic experience that is full of well-written conspiring intrigues that will keep the audience in suspense. The suspense is initiated in the opening shot where a man is hanging over the edge of a roof top causing the audience to asks themselves--why is this happening? The suspense continues as new and mysterious clues appears, but apprehension does not leave the audience even after the end of the film as the final line echos in the minds of the audience. Park's vision of revenge in Oldboy often depicts exaggerated violence that is well balanced with story as it is related to the themes of the film. However, this should serve as a warning to squeamish folks as the film is occasionally brutal and bizarre. Furthermore, the cinematography used in Oldboy vividly projects the emotional tone of the cinematic themes and characters. The characters are also superbly performed by an excellent cast, which will help the audience to experience a first class cinematic event.
Finally, you get not only a 35mm film strip encased in a nice cardboard sleeve, you get a miniaturized graphic novel of the original similarly titled Japanese Manga that the film was based off of. If you've seen the special edition of Sin City that came with the Hard Goodbye graphic novel, it's just like that except its printed in reverse and you have to read it from back cover to front like you would with an actual Japanese book! (Don't worry, the language is in English so you can still read it)
This is easily one of the best recommendations I can make. If you love the movie, this is a no-brainer. If you know someone else who loves this movie, this would make a great gift. Either way, this is one of the coolest all around DVD packages I've ever picked up and believe me, I've picked up plenty.
Oldboy is the director's second film in his revenge trilogy that started off with Sympathy For Mr Vengeance in 2002.
Oldboy starts off with the main character Dae Su Oh drunk and being held in a police station, but is soon bailed by his friend. The credits kick off when he is talking to his daughter in aphone booth telling her he got her a birthday preasent, his friend then talks to his wife on the phone, he calls Dae Su to the phone but is nowhere to be seen, the only thing that is left behind is the bag that he was carrying his daughter's birthday preasent in. This is when we find out he's been kidnapped, and he has no idea why he is being locked up, but while locked up he has a TV in his room that he says is your only friend, clock , and lover, on this TV he finds out that he is a wanted fugitive for killing his wife. He then builds a plan of getting out and get his revenge on the person who did this to him. 15 years later he is free and is given new clothes and a cell phone, the man who did this to him is giving him five days to find out why he was imprisoned for 15 years, so 15 years of being curious wouldn't go to waste.
That is what I can tell you about the plot but don't want to spoil a brilliant twist that will force you to watch it a second time. This film has the energetic directing and storyline of a Quentin Tarrentino film, and has one of the best and possibly the best fight scene of all time. This film might not appeal to everyone but it certainly is a film you must watch before you die. This film is followed by Lady Vengance and is the final film in this revenge trilogy.
Chan-wook Park has created something that simply can not be glorified enough by mere words. Please see this wonder of cinema before Hollywood gets its bloody, thieving, insipid, ruinous, GREEDY hands on it. There is talk of a remake, which I must say, makes me physically ill! Was it not enough that there were American remakes of Juon and Ringu and Dark Water? Now they have to think of corrupting the BEST FILM EVER MADE? Please God NO! I am begging all the powers that be, to please crush the infidels who dare trespass upon the sanctified celluloid of Old Boy.
And to all you movie fans who read this, please, see Chan-wook Parks ORIGINAL MASTERPIECE in all it's horrific, malevolent, stark, beautiful, glory, before Hollywood gets it's miserable, putrid, pathetic little hands on it. LONG LIVE CHAN-WOOK PARK'S OLD BOY! May it reign forever in it's sublime, unparalleled excellence.
Then, I got online and found out this film won the Grand Jury Prize in Cannes (2004), and is generally regarded as a masterpiece by fellow filmakers, including Tarantino (Cannes Jury Chairman that year).
Strangely enough, I thought of him a couple times while watching the movie. I thought he'd really like this film. What do ya know... =)