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Opus Magnum [Import anglais] Import

5.0 étoiles sur 5 1 commentaire client

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Page Artiste Hollenthon

Détails sur le produit

  • CD (24 novembre 2009)
  • Nombre de disques: 1
  • Format : Import
  • Label: Mis
  • ASIN : B002W24ECE
  • Autres éditions : CD  |  Téléchargement MP3
  • Moyenne des commentaires client : 5.0 étoiles sur 5 1 commentaire client
  • Classement des meilleures ventes d'Amazon: 757.585 en Musique (Voir les 100 premiers en Musique)
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Description du produit


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Par fifi59 1ER COMMENTATEUR DU HALL D'HONNEUR le 1 juin 2008
Format: CD Achat vérifié
Vous aimez le Death mélodique ? Vous adorez la musique classique ? Et bien Hollenthon propose le meilleur des deux mondes !
Impossible de ne pas faire référence à Therion qui se serait mis au Death !
Choeurs, parties orchestrales omni-présentes, mélodies de qualité, section Metal puissante, production à la hauteur (ce qui est une obligation pour ce type d'album !), tout est réuni pour faire de Opus Magnum une référence dans le genre !
Ce groupe mérite de cartonner, et ce depuis ses débuts, et cet album vient encore le confirmer !
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Commentaires client les plus utiles sur (beta) (Peut contenir des commentaires issus du programme Early Reviewer Rewards) 4.3 étoiles sur 5 9 commentaires
5.0 étoiles sur 5 Fire... Deliverance... 10 août 2010
Par Kindle Customer - Publié sur
Format: CD Achat vérifié
Does fire really equal deliverance. Does anyone really care, when it sounds so cool. I know I'm dating myself by using the word cool. It's like a concert with a choir chanting in the backgroung. Woman with pretty voice sings on rare occasion. Sounds all anti-christian. The there are some good solos. Song three and song seven are highlight of the album. The rest is slightly mediocre. Oh yeah, it's loud. Loud music is good for you. It's good for plants, It must be good for me.
5.0 étoiles sur 5 great album 5 octobre 2008
Par Enrique - Publié sur
Format: CD Achat vérifié
I have some of the previous releases from this band and I can tell this is not disappointing , it keeps the originality and quality of their previous releases
0 internautes sur 1 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Opus Magnus 14 janvier 2009
Par Luz V. Garcia Fajardo - Publié sur
Format: CD Achat vérifié
As the same time I fist lisened to that disck, I was just Thinking: That's exactly the way that Hollenthon uses to play. Agresive and Strong. This record`s very synphonic and with the same cuality level that the band allways uses to play.
4.0 étoiles sur 5 Upper-tier American black metal 18 juillet 2014
Par A. Stutheit - Publié sur
Format: CD
Blending together heavily symphonic black metal with elements of European death metal, metalcore, and a tiny dollop of grind is not exactly a novel concept anymore. Winds Of Plague, Abigail Williams, The Faceless, and even Cryptopsy all experimented with this "symphonic deathcore" sound circa 2008. But none of that really matters when you are the originator. Such is the case when it comes to Austria's Hollenthon, who began specializing in melding together all four genres into one cohesive, huge sound, all the way back in 1999. (Hence, calling Hollenthon an imitator would be like saying Black Sabbath were a Johnny-come-lately to the sludge/doom metal scene.)

The band continue striving towards a near-perfect, or at least seamless, equilibrium on their third full-length record, 2008's "Opus Magnum." And even though the attempt at attaining a perfect equilibrium is not yet entirely complete, no one should be able to argue that at least Hollenthon do this type of genre as well as, if not better than, the vast majority of the competition. And on the whole, "O.M." lands at some point between Dimmu Borgir, Cradle Of Filth, Arch Enemy, At The Gates, Hatebreed, Fear Factory, and Lamb Of God.

Tracks like "Bazaar" and epic opener "On The Wings Of A Dove" skillfully balance abrasive, charging death metal and symphonic, Dimmu-esque black metal. They flirt with brief little symphonic flourishes, but are primarily centered around catchy, staccato chugging, punishing, interlocking blast beats, and Shagrath-styled black metal gargling. The end product perfectly contrasts melody, nuance, and atmosphere with blistering, heads-down death metal. Other cuts, like "Ars Moriendi" (which is adorned by some very exceptional and memorable guitar soloing), the bass-heavy "To Fabled Lands," and the blistering "Dying Embers" (a ripper backed by buzzsaw riffing and thundering drum blasts) play more like full-on death metal, utilizing symphonic touches only minimally, and instead choosing to terrorize the neighborhood in an old-fashioned kind of way.

Conversely, however, there is also plenty of black metal-leaning melodic material to be had, here, though, too. "Son Of Perdition" and "Once We Were Kings" weave in a wailing female backing vocal line into its otherwise completely dissonant mix of snarly black/death metal vocals, thunderous riffing, and galloping drums. And if that weren't enough, the former of these two tracks is also highlighted by some trumpet accompaniment (!), and even goes so far as to drop in an exotic, Middle Eastern-sounding instrumental melody to help keep things a little unpredictable.

And last but far from least, one must not forget to also mention the record's two final highlights: "Of Splendid Worlds" is a gorgeous, mid-tempo brooder that augments some decent guitar soloing with a docile, piano-driven section; and "Misterium Babel" opens with a few soulful, siren-like female vocals and foreboding, spoken-word male vocals before taking a page out of the "Transylvanian Hunger"-era Darkthrone playbook by delving into a seemingly Arabian-music-inspired instrumental melody. Needless to say, it all makes for one very complex and multi-faceted, eight-and-a-half-minute-long epic, let me tell ya!

"Opus Magnum" is not without a few boring and thus forgettable parts. When taken on the whole, though, it is a very solid and convincing take on the black metal genre, and certainly one that differs from the norm. So when mining the material found on this record, it becomes readily apparent that "O.M." is, in a small part, useless rubble, and part diamond in the rough, but mostly pure gold. As such, it is a worthwhile endeavor for all black and death metal enthusiasts.
5.0 étoiles sur 5 Black Symphonies 10 septembre 2011
Par Justin G. - Publié sur
Format: CD
2008's Opus Magnum is the third epic masterpiece from Austrian metal band Hollenthon, which is essentially a one-man project by Pungent Stench member Martin Schirenc. It's hard to say exactly where Hollenthon's sound lies. Is it death metal? Black metal? Blackened death? Whatever you call it, Hollenthon's sound incorporates elements of death and black metal as well as epic symphonic elements, vocal choirs and exotic instruments. It's like evil soundtrack metal that's somewhere between Therion and Dimmu Borgir.

Opus Magnum is very similar to Hollenthon's debut Domus Mundi in its grand scale and perfect mix of the glorious and the guttural. Blastbeats and neck-snapping rhythms are paired with sweeping orchestral sounds. Sinister growled vocals give way to tranquil female vocals (and no, this isn't one of those "beauty and the beast" bands) and dramatic choirs and back again. The melodies are incredible and exotic, and the whole album is just an awesome experience.

Opus Magnum is another incredible epic from Hollenthon, and deserves to be heard by anyone who's a fan of bands like Dimmu Borgir, Stormlord, Therion, Melechesh and Nile. If you're a fan of epic, symphonic metal (and can handle the aggression and harsh vocals), chances are you'll be blown away by this one.

Edition Notes: The limited edition version of Opus Magnum comes in a digipack and includes the bonus track "Bazaar," which is actually a cover of the old Tea Party song. There is also a video clip for "Son of Perdition."
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