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Out of Egypt: A Memoir (Anglais) Broché – 27 juillet 2007

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Out of Egypt A memoir that chronicles the exploits of a flamboyant Jewish family, from its bold arrival in cosmopolitan Alexandria to its defeated exodus three generations later. Full description

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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x9600c87c) étoiles sur 5 44 commentaires
37 internautes sur 38 ont trouvé ce commentaire utile 
HASH(0x96324090) étoiles sur 5 Nostalgia for the Alexandria tram and beaches 14 août 2006
Par AA - Publié sur Amazon.com
Format: Broché Achat vérifié
Andre Aciman's Out of Egypt is an amazing book, I found it very hard to put down. At a time of increased hostility in the middle east it is heartwarming to read of a time when Jews lived in peace with their Muslim and Christian neighbors in Alexandria. Not a whiff of anti Jewish sentiments was reported by Aciman until after the Suez War. Aciman and his family left Egypt in the sixties.

Aciman, like many "Egyptian" Jews preferred to hold European nationalities and in some cases some were French or Italian without ever setting foot in these countries. Europeans had their own courts in Egypt and did not fall under Egyptian Laws. For Aciman, born and raised in Egypt and in many ways no different than many affluent Alexandrians life became unbearable after the waves of Nationalization in the early 60's.

Aciman writes of an Alexandria that no longer exists not just for Egyptian Jews. The population explosion in Egypt has transformed Alexandria beyond recognition; hence Aciman's beautiful writing of Alexandria, its beaches and its tram will bring floods of memories for anyone who's known Alexandria.

Affluent Egyptian Jews who left Egypt in the fifties and sixties are not immediately thought of as refugees and there is little discussion on their issues of identity and affiliation in Egypt and elsewhere. Aciman through his acute sensitivity to the people and events around him and his wonderful story telling skills has produced beautifully written and very touching book that subtly challenges many assumptions on all sides.

Readers will see the very same Alexandria in Leila Ahmed's Border Passage and in parts of Ahdaf Souief's In the Eye of the Sun. Enjoy
31 internautes sur 31 ont trouvé ce commentaire utile 
HASH(0x96193d08) étoiles sur 5 speak, memory 1 octobre 2000
Par Un client - Publié sur Amazon.com
Format: Broché
A really absorbing memoir, reminiscent in some ways of Nabokov's "Speak, Memory". Neither sentimental nor self indulgent, clear-eyed, humorous, yet moving and truly interesting. Having lived in Egypt myself around the same time (albeit in Cairo, not Alexandria), I was touched by recognition of places and types: a world "gone with the wind". That is of course very personal, but I believe this book should appeal to any one with a little curiosity about other places, people, times.
27 internautes sur 28 ont trouvé ce commentaire utile 
HASH(0x96324420) étoiles sur 5 Gorgeously evoked world of vanished places and vanished people. 27 avril 2010
Par Jim Palmer - Publié sur Amazon.com
From the very first sentence, Andre Aciman's "Out of Egypt" sucks the reader into the maelstrom of personalities that made up his family--and, more broadly, the city that gave them rise: the whirlwind of peoples, languages, creeds, and nationalities that made up old Alexandria, once the most cosmopolitan city on the Mediterranean.

Aciman's family--Jews from Spain via Italy and, most recently, Turkey, who intermarry with Jews from Syria and Germany--are, in and of themselves, a microcosm of bustling, polyglot Alexandria, and what a magnificently sketched crew they all are: Swaggering Uncle Vili, acid Uncle Isaac, calculating Uncle Nessim, melancholy Aunt Flora, bankers, salesmen, auctioneers, musicians, the idle rich, billiard hall proprietors and bicycle shop owners, and, most memorably, his two grandmothers, the Saint and the Princess, who, as the back blurb informs us, "gossip in seven languages." They comprise as flamboyant and eccentric a family as one can imagine--a joy to read about, with a tale as rich a family saga as any in literature. Theirs is a world scented by the tang of the sea blowing over white-sand beaches; sprawling apartments full of objets d'art tended to by generations of Arab servants; balmy Mediterranean evenings spent on spacious balconies nibbling dips, olives, artichokes, and cheeses and sipping raki, and hobnobbing with the city's European elite, whom they simultaneously despise and try desperately to emulate.

But that world begins to die in the book's second part, which begins with the chapter entitled "Taffi Al-Nur," (Arabic for "Turn off the lights"): not merely what was screamed in the streets during air-raids, but an apt description of what happened to Egypt under Nasser's Nationalist government, which, slowly at first, but then more and more quickly, chased out all the foreigners that gave Alexandria its cosmopolitan character. Once again, Aciman's family serves as a metaphor for the city as, one by one, they either die off or leave their home for points north and west: Italy, France, England, the United States.

It's too trite and cliched to call "Out of Egypt" an evocation of a vanished world. It's a love song, a paean, to the kind of world that both produced, and allowed to flourish, Aciman's family. Their like will not again be seen, because the world that created them is no more. And even if it's gone forever, the fact that it was captured by as skillful a chronicler as Aciman is reason to celebrate.
21 internautes sur 21 ont trouvé ce commentaire utile 
HASH(0x963243d8) étoiles sur 5 Growing up Jewish in Alexandria 12 juillet 2007
Par Judith M. Taylor - Publié sur Amazon.com
Format: Broché Achat vérifié
REVIEW OF "OUT OF EGYPT" for Amazon.com July 12, 2007

Andre Aciman describes his colorful and complicated life (and family)in
Alexandria in the 1960s. Childhoods like that are often the preparation
for a life of writing. The child absorbs all the peculiarities as part of
normal life without knowing they are peculiar until much later. Then they
need to make sense of it all.
All this is heightened by the fact that the Acimans are Jewish, in a
Muslim country still resonating with the after effects of British rule.His
experiences in the theoretically best school in Alexandria, run by
British teachers, would be funny if they weren't so awful. For complete
cognitive dissonance,his parents force him to learn Arabic to survive.
Reading about those lessons alone is worth the price of this book. At
home they speak Ladino, the Sephardic Yiddish, among themselves.
His beautful mother was born deaf. When provoked she can produce a
high-pitched scream. used to good effect at the butcher's. Once she has
made her point they are all quite happy. The butcher has to give the package
to her Arab servant. She never touches an Arab's hand.
The Acimans and Andre's maternal relatives live in a state of mutual
scorn, but when faced with the threats of Pan-Arab nationalism pull together very
efficiently. Eventually they all flee, the sedate Sephardic merchants
and the shady international adventurers too.
Two other writers come to mind when reading this book. Laurence Durrell
evokes something of the same atmosphere in his Alexandria Quartet and Elias
Canetti grew up in a large Sephardic family in Bulgaria. That society has
completely disappeared. Without Canetti's memoirs one would not know it had ever
This is an eloquent and elegiac account of that love and absurdity
known as a family.
16 internautes sur 17 ont trouvé ce commentaire utile 
HASH(0x96193ea0) étoiles sur 5 Wonderful writing, wonderful memoir 30 janvier 2007
Par Constant Weeder - Publié sur Amazon.com
Format: Broché Achat vérifié
This memoir is the very best I've read. It takes the author from his earliest years as part of a large Jewish family which moved from Turkey to Alexandria (he was born in 1951), through the air raid sirens during Suez war with France and England, to the expulsion of the Jews by Nasser in the late 1950s, and then on to his adulthood in America and his return to Egypt following his marriage. After a lengthy opening section dating roughly from age 5 or 6, the narrative skillfully skips back and forth in time. The descriptions of the boy's exotic world and his dysfunctional extended family are priceless, as are the re-invented conversations and arguments among the adults who surround him. There is something Proust-like in the writing, a love of detail for the texture it creates, and something Nabokov-like as well, in the hooded humor and artful language. I found it utterly captivating and written with love, especially for his mother, who was born deaf. I heartily recommend it to anyone who contemplates or is writing a memoir.
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