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Pat Metheny Guitar Etudes: Warm-Up Exercises for Guitar par [Metheny, Pat]
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Pat Metheny Guitar Etudes: Warm-Up Exercises for Guitar Format Kindle

2.3 étoiles sur 5 3 commentaires client

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Longueur : 96 pages Word Wise: Activé Composition améliorée: Activé
Page Flip: Activé Optimisé pour de plus grands écrans Langue : Anglais
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Descriptions du produit

Présentation de l'éditeur

(Guitar Book). One of the most common questions Pat is asked by students is, "What kinds of things do you do to warm up before a concert?" Over the years, in many master classes and workshops around the world, Pat has demonstrated the kind of daily workout he puts himself through. This book includes a collection of 14 guitar etudes he created to help you limber up, improve picking technique and build finger independence.

Détails sur le produit

  • Format : Format Kindle
  • Taille du fichier : 22657 KB
  • Nombre de pages de l'édition imprimée : 96 pages
  • Editeur : Hal Leonard (1 septembre 2011)
  • Langue : Anglais
  • ASIN: B008K7IDH2
  • Synthèse vocale : Activée
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  • Word Wise: Activé
  • Composition améliorée: Activé
  • Moyenne des commentaires client : 2.3 étoiles sur 5 3 commentaires client
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Format: Broché Achat vérifié
Ce recueil restitue les transcriptions de 14 improvisations en solo réalisées par Pat Metheny. "Warmup" car il jouait ces dernières en guise d'échauffement (et d'amuse-bouche?) avant ses concerts. Elles sont ici regroupées à la manière d'un cahier d'études. Si chacune présente un intérêt technique évident, l'essentiel me semble ailleurs: s'immiscer un tant soit peu dans la spiritualité "methenienne". Un des points forts de cet ouvrage est son aspect technique abordable pour tout guitariste déjà un peu à l'aise avec son instrument.
Fidèle à lui-même, Metheny laisse de côté les démonstrations techniques. Il faut dire qu'il ne joue au départ que pour lui-même dans le contexte énoncé plus haut. Chaque morceau peut s'apparenter à un moment individuel d'introspection musicale.
On dispose toutefois avec chaque pièce d'une matière technique impressionnante. Pèle-mêle travail des allers-retours, du démanché, des improvisations sur notes redoublées, saut de corde etc. etc... Plus encore on retiendra ces figures harmonico-mélodiques réutilisables à l'envi (notamment avec l'emploi des triades), mines d'idées pour l'improvisateur néophyte ou aguerri. Metheny arpente son manche et le fait chanter. Il réussit à travers cet ouvrage à nous communiquer un peu de sa transe lyrique.
Remarque sur ce commentaire Une personne a trouvé cela utile. Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
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Format: Broché
Je n'ai joué que la 1ère page.
Ce sont des ligne mélodique , sans aucune indication harmonique , seulement il y a des endroit où l'on souhaiterais savoir ce
qui se passe dans la tête de Pat...
Un intérêt technique peut être , mais à ce compte là , allez bosser les partita de Bach
Vous y apprendrez bien plus de chose et surtout un contexte harmonique évident et de jolie mélodie...
Mais ne perdez pas votre temps sur ce recueil .
Remarque sur ce commentaire Une personne a trouvé cela utile. Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
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Format: Broché Achat vérifié
Strictement aucun intérêt. Achat inutile. Les exercices n'apprennent rien de particulier qui puisse servir par la suite dans d'autres applications. A oublier.
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: 4.1 étoiles sur 5 25 commentaires
24 internautes sur 27 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 IT'S ABOUT TIME! 1 octobre 2011
Par mikeziggidy - Publié sur Amazon.com
Format: Broché Achat vérifié
If you are a long-time fan of Pat (or even if you heard him for the first time today) and fellow guitarist, you're probably thinking one thing -- "how does he play like that?!" Pat Metheny has such a unique style of playing and creating, which can be sometimes difficult to unravel from old-fashioned transcribing. But FINALLY, this book lets you into the mind of this musical genius!

I have only owned this book for ONE day and have barely scratched the surface; however, I already have a ton great things to say about this book. First - be sure to read the Preface before beginning. In regards to content, Pat explains that these exercises (pretty much) have no specific lesson... which I think is great! The exercises were warm-up routines that Pat played before some concerts he did while on tour in Italy - All of which were improvised. He simply recorded the exercises each night and then transcribed them out. You are left to interpret the ideas and lines in your own way, which is kind of like a theory lesson built-in to the exercise. After playing through an exercise a few times, you'll go "Oooooh, that's what that is" or "I've heard him do THAT before." It's great!

Pat DOES acknowledge that the études were/are intended for two purposes: right hand technique and dexterity throughout the fret board. And this is certainly the truth! In a matter of 24-bars, you are playing all over the fretboard. You really begin to see patterns in new ways and new shapes. And if you think you are stumbling on something because of the left hand fingering, check out what your right hand is doing....

One last thing -- there are no chords symbols, finger numbers, or position numerals. There are notes and tabs. That's it. Again - Leaving it up to your interpretation.
9 internautes sur 11 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 OK so it is a book of WARMUP SEQUENCES - by Pat M. 2 décembre 2011
Par Amazon Customer - Publié sur Amazon.com
Format: Broché Achat vérifié
I think that people that expected some degree of musical beauty inherent to Pat's solos may be disappointed. This is just a book of warmup sequences and the author happens to be Pat Metheny. You can expect certain degree of repetitiveness - same phrase moving up and down the neck. And as far as warmup exercises go those are OK - but I would not go as far as calling them "jazz etudes". They usually progress from simpler position to ones that require more stretches - as warmup exercises should. I plan to work thru them slowly and memorize some parts to incorporate in my warmups. Bottom line - think "warmup" first and "Metheny" last and you may avoid some disappointment.
42 internautes sur 58 ont trouvé ce commentaire utile 
2.0 étoiles sur 5 Thank's for the let down Pat 2 octobre 2011
Par Chase Matthews - Publié sur Amazon.com
Format: Broché Achat vérifié
So I just got this book today and have been excited for about a week and a half since I pre-ordered it. I collect instructional material and enjoy etude books in general. This one is bare bones to say in the least.

To start 98% of the book is straight eights. There is one etude that's in 6/8 but it's still all eight note triplets. So don't expect to take any interesting rhythmic concepts away from this book. Also this is all single note improv with no backing chord structure. Not that the chords he's implicating are seriously complex or anything, but it does leave you hanging in a big way. Because there's no backing chords there's no real harmonic analysis that can be done, so even if you think the diminished line you just read sounds cool there's no new understanding of how Pat would superimpose it.

On the positive side of things this book does represent a decent set of coordination exercises. Theoretically you could apply your own chord structures to figure out harmonic application and you would certainly come away richer for the experience. But I didn't buy this book because I wanted to fill in the blanks. I bought it because Pat Metheny wrote it and I believed it would give me some sort of insight into his approach of applying structures over chords. I hoped he may reveal some thought process behind each warmup. Sadly he provides nothing close to this.

If you want a book of jazz etudes your money is much better spent on Greg Fishman's "Jazz Guitar Etudes". Pat sums up what this book is about in his intro when he says he just recorded himself warming up before some gigs. He took those recordings, sent them to a transcriber at Hal Leonard, they printed his name in giant letters on the top of the book and he's made a quick buck. And he barely had to do anything out of the ordinary! I'm not saying Pat's not smart, I just don't enjoy folks being smart at my expense. Do yourself a favor and buy the aforementioned book or technique book. Better yet, buy Pat's albums and transcribe them (you may actually learn something). Just don't bother wasting your money on this, don't encourage more artists to be so lazy. I expected better out of you Pat.
2 internautes sur 2 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Worthwhile Peek Inside Metheny's Woodshed 12 février 2014
Par frankp93 - Publié sur Amazon.com
Format: Broché Achat vérifié
I may be out on a limb here but I don't think Metheny's intention is for people to learn and play these pieces note-for-note - the most obvious hint of that is the omission of an included or downloadable recording. For a guy who routinely allows publishing of transcriptions and scores it would just be too inconsistent. Reedling in-between the lines of his preface I think he's got something else in mind and it assumes a certain maturity on the player's part and a self-awareness of one's learning style.

From a technical standpoint, one way to view 'Guitar Etudes' is as a rolling thesaurus of Pat's picking technique and applications of it to
the raw material of improvisation. While you may not find many of his 'licks' per se in these pages, you may come to recognize the landscape and soil they germinate from. And that's the first step to appreciate how improbable it would be, without the ability to spin these lines freely and consciously, for the vocabulary Pat crafts from them to arise spontaneously during actual playing.

For me, that's primarily what's revealed here. Musically, the etudes are by-and-large diatonic 'vanilla' streams of steady eighth notes and triplets in scalar and wide-interval forms that, while technically challenging, don't do justice to Pat's colorful sense of harmony and rhythmic subtlety - but that's not the point here.

What I would suggest is playing loosely through these pieces and allowing yourself to be drawn to smaller segments you then isolate and use as jumping off points to problem-solve and expand your technique (write your own etudes) or develop the segments into musical phrases of your own, integrated with your own vocabulary.

From that point of view, I found a lot here - but unlike many books it's not laid out in small-bite exercises. I think Pat assumes players approaching this book have travelled the path awhile and can reflect upon what they need to advance their playing. He's just presenting himself as a fellow traveller and giving a glimpse into his practice routine at some of the solutions he's come up with.
4 internautes sur 5 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Metheny Etudes 2 novembre 2011
Par djazz - Publié sur Amazon.com
Format: Broché Achat vérifié
I saw some negative reviews and can't quite understand why, because I love this book and I think many players will as well, including and especially advanced players. I saw some of the Youtube videos and was transcribing bits and pieces of them for study and I thought to myself: "It sure would be nice to have these already written down", then I came across this book and it's got a bunch of these etudes already not only notated but tab'ed out so you exactly the fingering he used (assuming they are correct). If you have studied jazz and theory, you most likely have practiced patterns on scales (3rds, 4ths, 5ths, reversed versions, note sequences etc.), arpeggios (major, major 7th, minor 7th, diminished etc.), sequence ideas over "Autumn Leaves" progression, etc. Working through this book gives you many excellent ideas for practicing that are actually very useful for developing your improvising skills. Highly Recommended.
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