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Piano Tuner of Earthquakes [Import USA Zone 1]

Prix : EUR 18,79
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Il ne reste plus que 4 exemplaires en stock - passez vite votre commande.
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Détails sur le produit

  • Acteurs : Amira Casar, Gottfried John, Assumpta Serna, César Sarachu, Ljubisa Gruicic
  • Réalisateurs : Stephen Quay, Timothy Quay
  • Scénaristes : Stephen Quay, Timothy Quay, Alan Passes
  • Producteurs : Alexander Ris, Björn Eggert, Hengameh Panahi
  • Format : Dolby, Sous-titré, NTSC, Import
  • Audio : Anglais, Portugais
  • Sous-titres : Anglais
  • Région : Région 1 (USA et Canada). Ce DVD ne pourra probablement pas être visualisé en Europe. Plus d'informations sur les formats DVD/Blu-ray.
  • Rapport de forme : 2.35:1
  • Nombre de disques : 1
  • Studio : Zeitgeist Films
  • Date de sortie du DVD : 24 avril 2007
  • Durée : 99 minutes
  • Moyenne des commentaires client : Soyez la première personne à écrire un commentaire sur cet article
  • ASIN: B000N2G3YC
  •  Voulez-vous mettre à jour des informations sur le produit, faire un commentaire sur des images ou nous signaler un prix inférieur?

Contenu additionnel

Making Of
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Gallerie d'images

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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x874abd80) étoiles sur 5 14 commentaires
33 internautes sur 34 ont trouvé ce commentaire utile 
HASH(0x874be84c) étoiles sur 5 Mechanical automata, life, and desire -- in this strange but lovely film by the Brothers Quay 17 février 2007
Par Nate - Publié sur Amazon.com
Format: DVD
The second full length feature by the inimitable Brothers Quay, "Piano Tuner of Earthquakes" defies summary or comparison with other films. It was, I believe, shot on HD but the look in many shots is as delicate and textured as film -- and has live action combined with their trademark puppet based animation. Perhaps the easiest way to suggest the feel and approach of the film is to describe it as operating according to a "dream logic" -- and there is even a great line in the film when the piano tuner is discussing dreams with the doctor's assistant; she says, basically, that to think you can understand the meaning of a dream by interpreting its objects as symbols is like believing you can tell the contents of a letter from the sound of the postman's knock -- with the added qualification that you may in fact decipher something from how loud and how long and how urgently he knocks. Still, this is a direct hint from the filmmakers that there are no simple meanings here. The basic plot can be described with relative ease (and to tell it doesn't give anything away because the film is not really about plot but about textures, rhythms, sounds and movement): a famous opera singer is abducted and murdered on the night before her wedding by the "evil" Dr. Droz, a maker of living mechanical automata, who plans to bring her back to life and incorporate her into his ultimate and final automata, one that will recreate her abduction and death; as collaborators and participants in his project he has several apparently insane gardeners, a jealous assistant who resembles an older version of the opera singer, and a skilled but naive piano tuner who resembles the fiance of the opera singer. What such a "synopsis" fails to capture is the strange ambience and style of the film throughout, and doesn't shed much light on "what it all means." Is the Doctor a kind of god? Or is he like the filmmakers themselves? Is the beginning of the film already part of the automaton? Are the filmmakers comparing the film itself to a kind of self-contained automatic world? What is the meaning of a strange story the Doctor tells about ants and spores, a story whose components figure later in the film? To what extent are we all, insofar as we find ourselves inexplicably driven by passions we didn't choose, like the ants in the story (don't ask, if you watch the film you'll see what I mean)? What is the significance of the final scenes? Lots of questions, and you can certainly come up with some interesting answers if that is your thing -- but if you like your answers hard and fast, or if you like your films straightforward and easy to follow, or if you want to know what is going on at all times, or if you'd be bugged by all the characters for whom English is a second language speaking slowly almost as if under hypnosis themselves, and if you can't just succumb to a film as if it were a strange dream (which is what this film most resembles) and let it wash over you and think about it later (as you would have to do with films by David Lynch or Peter Greenaway or others who work in a similar vein) then this is not the movie for you. Otherwise, and especially if you like the films of those I just mentioned, or works by filmmakers like Bunuel or Svankmajer or even Matthew Barney, then this one is definitely worth a look. Just don't expect it all to make sense at once.
25 internautes sur 25 ont trouvé ce commentaire utile 
HASH(0x874be8a0) étoiles sur 5 Excellent film, but avoid the Zeitgeist release... 29 avril 2008
Par Alexander Mills - Publié sur Amazon.com
Format: DVD
Along with the majority of reviewers here, I found The Piano Tuner Of Earthquakes to be an immensely enjoyable film. Combining all the signature elements that we've come to expect (and love) from the Quays, with an almost Greenaway-esque sense of narrative. Anyone with an interest in the surreal, lyrical or poetic would do well to track this film down.

Seeing as many other reviews have gone into great depth with the film's content, I'll skip right to the point. This film has received two major DVD releases; one in the States via Zeitgeist (featured here), and one in the UK via Artificial Eye. Given the special features on the two DVDs are relatively similar, one would think that the prints would be sourced from the same materials.

I'm not exactly sure what happened, but the Zeitgeist print is noticeably darker and murkier than the Artificial Eye release. Not just a little bit, either. Scenes that shine with light and detail in the UK edition are barely visible in the US release - some scenes are a struggle to make out at all. I'm genuinely surprised that no one else has raised this issue in their reviews here. Granted many may not have had the chance to compare prints, but it was the sheer dullness of the Zeitgeist print that moved me to seek out the UK version.. And I'm very glad I did.

If you've already purchased the Zeitgeist release and are happy with it, there's probably no need to ditch it for the Artificial Eye copy. But if you haven't bought a copy yet, or have been thinking similar things to me with regard to the quality of the print, seek out the UK edition. I think you'll be surprised by the difference.

NOTE: The UK release also contains a 5.1 track and a deleted scene, neither of which are available on the release featured here.
6 internautes sur 6 ont trouvé ce commentaire utile 
HASH(0x874becd8) étoiles sur 5 Baffling pageant 16 décembre 2007
Par wiredweird - Publié sur Amazon.com
Format: DVD
This movie demands to be seen more than once. Its surrealism, its involuted logic, and the play between the scenes and the action set in them all hold details that don't reveal themselves fully in the first viewing.

It starts with a piano tuner being called, but not to tune a piano. Instead, Felisberto is to make the final adjustments to Dr. Droz's automata, like dioramas that act out scenes with inaccessible meanings. The distinction between manufactured images and human vitality quickly breaks down, given the robot-like gardners and the mysterious thoughts implanted into his dreams and perhaps his waking mind. The two women at this isolated villa are equally mysterious. Seductive Assumpta seems to be at his elbow at every moment, but Malvina creates a deeper question. Felisberto always sees her silent, passive, and veiled, with some sense that she's covered the way a piece of furniture might be when not in use - which leaves unanswered what her use is to be.

Color, except for one sanguine spot, is so subdued that it borders on monochrome. The startling artifacts of the Brothers Quay, including a boat rowed by disembodied hands, add to this movie's mysterious air. If you're one who demands easy meanings (or any meanings) from a movie, this might leave you cold. Once you settle into its pace and accept that much remains hidden, you might share in its deliciously eerie chill. I recommend this movie to anyone who delights in visual symbols without necessarily needing to know what is symbolized.

-- wiredweird
3 internautes sur 3 ont trouvé ce commentaire utile 
HASH(0x874c30c0) étoiles sur 5 An Alternative Tuning 21 décembre 2007
Par Thomas J. Mullin - Publié sur Amazon.com
Format: DVD Achat vérifié
The Quay brothers are probably best known for their work in pop music videos, and it is a bit ironic that their contribution to Peter Gabriel's Sledgehammer is simultaneously their most-viewed endeavor and the one they themselves are least satisfied with. "The Piano Player of Earthquakes" is an avant-gard film of great sensitivity, creativity and innovation. Despite their mastery of computer and model-generated animation, they remain emotive artists fully-cognitive of the history of cinema, which expresses itself in everything from the props, the lighting, the stylized dialogue, the costumes, and the wonderful animation. The Quay brothers remain brilliant and at the top of their form.

A word of warning: this is NOT a "Hollywood" film and the plot is not linear; at times the visual operates independent of the dialogue. I found this intriguing and engaged me to actively follow along using all of my senses. I turned off the little voice in my head that asked, "Why did he say that? Where is this going?" and enjoyed watching this film. If you always watch the bloated Hollywood type film you might not enjoy this work but then again, why not see something different? Why not expand your idea of what makes for brilliant cinema and see something which is unique? In "Piano Tuner of Earthquakes" there is a delicate balance between visual art, (excellent) acting, poetic dialogue and haunting, evocative music.

The interview with the Quay brothers is a great bonus on this DVD. I learned a lot about the problems they faced and overcame in making this film, as well as insight into their individual contributions, which has puzzled me because they are of course identical twins and know each other so well -- completing each other's sentences. They are great artists who have fearlessly continued to make engaging filmic art. "The Piano Player of Earthquakes."
3 internautes sur 3 ont trouvé ce commentaire utile 
HASH(0x874c306c) étoiles sur 5 Beauty and the dreams 16 août 2007
Par Galina - Publié sur Amazon.com
Format: DVD
What an amazing movie - so strange, so romantic, so beautiful, so different, so dreamy, so delicate, so imaginative. This is a film that should be seen if only because it is one of the most beautifully shot films of the last several years. Praised to the high heaven "Pan's Labyrinth" simply pales and disappears in comparison. The Brothers Quay are the visual masters with astounding talents for capturing dreams and transferring them to the screen in the most hypnotizing ways imaginable. We may not be able to always understand the meaning of a dream by trying to interpret its objects but it would not stop us from feeling the beauty and magic of the film. There is a story of course, a fairytale about an evil doctor who abducts a beautiful opera singer with a magnificent voice whom he wants to transform into a mechanical singing device and a piano tuner of earthquakes who falls in love with her and tries to save her but every image and every sound of the movie are the story themselves. Everyone who feels at home in the worlds of David Lynch or Peter Greenaway, Luis Bunuel or Jan Svankmajer, Guy Maddin or the Brothers Polish; who is impressed by Georges Franju's "Les Yeux sans visage", Jean Cocteau's "Belle et la bête" (1946), by both Patrick Susskind's and Tom Tykwer's "Perfume: The Story of a Murderer" (2006), and by dark romantic fairy tales of E.T. A. Hoffmann, should see and listen to "The Piano Tuner of Earthquakes", the film which charm starts with its title.

Excellent , or according to my own grading system, a visual and sound masterpiece, I wish I'd seen it in the theater.
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