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Out of Place in Time and Space par [Wood, Lamont]
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Out of Place in Time and Space Format Kindle

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Longueur : 224 pages Word Wise: Activé Composition améliorée: Activé
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Descriptions du produit

Présentation de l'éditeur

There are paintings from the Middle Ages with helicopters and UFOs. WeGÇÖve found Ancient Greek Computers and Roman Death Rays. The Pacific Front of World War 2 was described 16 years before it started. There are many examples of items and artifacts showing up decades and centuries before they could possibly have been invented. The existence and documentation of these and many other things impossibly ahead of their time are beyond dispute. Out of Place in Time and Space delves deeply into these impossibilities, showcasing-+ Objects, beliefs, and practices from the present that appear long before they could have been invented in the past.-+ Items and art that we havenGÇÖt even created yet turning up in the past paintings and artifacts; that we only now are able to recognize.-+ Roman-era war engines that were hundreds of years ahead of their time -+ UFOs, never officially documented in any time period, yet still showing up in medieval paintings.Out of Place in Time and Space explores these anachronistic artifacts and looks for explanations. Sometimes we can understand where they came from, and sometimes we cannot. But, taken together, these enigmas indicate that we are surrounded by evidence that historyGÇöand perhaps time itselfGÇöis not as straightforward as we have believed.

Détails sur le produit

  • Format : Format Kindle
  • Taille du fichier : 1924 KB
  • Nombre de pages de l'édition imprimée : 224 pages
  • Editeur : New Page Books; Édition : 1 (1 août 2011)
  • Vendu par : Amazon Media EU S.à r.l.
  • Langue : Anglais
  • ASIN: B006TX53SQ
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Commentaires client les plus utiles sur (beta) HASH(0x8a8b096c) étoiles sur 5 25 commentaires
16 internautes sur 16 ont trouvé ce commentaire utile 
HASH(0x8a7f7570) étoiles sur 5 A Little on the Light Side 8 septembre 2011
Par Tropicalwolf - Publié sur
Format: Broché Achat vérifié
Reverse anachronisms, the "bleeding edge," and Ockham's Razor are all themes in the new book, "Out of Place in Time and Space" by Lamont Wood. The author starts off the book by warning the reader that if you are here looking for UFOs, ghosts, and paranormal activity, then you have come to the wrong place. Wood's book instead focuses on items and artwork depicting images of things that appear to be far ahead of their time, but mostly have a simple (read: common sense) explanation. This does not put Wood in the camp of debunkers and closed minded skeptics. It truly seems as if he just wants to present the information, like a gracious host, and step out of the way.

This fun, fast-paced read explores numerous topics ranging from the Voynich Manuscript to the Saqqara Bird and everything in between. The book goes beyond just physical objects that appear "out of place." It also explores the human mind and inventions that caused future careers to blossom and showed that some individuals really are just "ahead of their time."

The only draw back in the book, is in its simplicity. Usually that would be a good thing, but when delving into topics as hotly debated as the ones presented, it can seem if the writer just "wants out" of the discussion. Wood does not always devote the appropriate amount of time to each item. Rather he draws a conclusion and then (with a bit of wry witticism) doesn't really care if the reader agrees or disagrees with his assumptions. The style lends itself to the appearance of giving just a cursory glance at each "mystery."

For research purposes, the book was a little light in the bibliography department. Yes, a clear, seven-page bibliography is included, however it is heavy on fluff content. Citing Wikipedia screams lazy research and would never be accepted in a peer-reviewed, academic paper, let alone a serious book. Further, most of the websites that are cited present articles that are "non-bylined," making it impossible to determine the credibility of the original source.

Overall, the book plays out well and stays true to the warning that the author gives in the introduction. It is best classified as, "good for what it is." For an overview of each of the items presented, Wood's book does a great job. It is up to the reader to determine if they want to seek out more information. For those familiar with each of the "mysteries" in this book, it will feel like, "just not enough," so hardcore researchers beware. I would give this 3.5 stars in reality, but since Amazon doesn't do 1/2 stars, I'll give it a 4, simply for entertainment value.
35 internautes sur 38 ont trouvé ce commentaire utile 
HASH(0x8a7f77bc) étoiles sur 5 Not out of place on a bookshelf of excellent books 14 août 2011
Par M. L Lamendola - Publié sur
Format: Broché
I thoroughly enjoyed this book. The subject matter is "off the beaten path," giving the reader something different from the normal fare. I also like Mr. Wood's writing style, which is conversational yet credible. His subtle use of humor also adds to the reading experience.

Prior to reading the book, I had steeled myself to possibly reading something that tries to build false "facts" out of minor coincidences. I'm happy to report that is not at all how Mr. Wood went about things.

Mr. Wood's approach was to look at the facts surrounding various artifacts or beliefs from the past and address the dominant theories and conjectures about them. In most cases, he debunked theories and conjectures using logic and/or related facts.

Many ideas about past artifacts don't stand up to such scrutiny (much like common beliefs today!). In some cases, Mr. Wood presented the truth. In other cases, he didn't have the facts to arrive at a soundly-reasoned conclusion so he presented no conclusion.

His sound research and solid analyses showed respect for the subjects covered and for the reader. While the facts he discloses may not be of practical value to the reader, they are interesting facts nonetheless. Learning from his example and methodology is of practical value to the reader. Too many people are gullible because they aren't familiar with the analysis process.

The blurb on the back jacket of the book is an accurate reflection of how the author approaches journalistic investigation. That's a rare approach today, but it's good to see it's not altogether gone.

By odd coincidence, while I was reading this book I also happened to read an article in the July 2011 issue of IEEE Computer Magazine. Chapter 2 of this book is "The Ancient Computer," and an 8-page article beginning on page 32 of the magazine discussed the process of decoding the mechanical programming of that very artifact. Nothing in the article contradicts anything in the book.

The book also has a fair number of photos and illustrations that help with understanding many of these topics. In some cases, the topics were not inherently straightforward, and Mr. Wood provided the clear explanations to get past that problem.

In the bibliography, I noticed a mix of sources of varying degrees of credibility. Given how everything in the book seems coherent, I'm not sure this is a problem from an authoritativeness standpoint. And the book doesn't have footnotes or backnotes to specific sources for specific facts.

I have a keen eye for factual errors and spotted only one in this book. So however he did it, Mr. Wood did his homework.

The error is a common one, and it's done in response to propaganda, revisionist history, and custom. It's an error that people need to stop making because the nature of that error perpetuates fraud. The war between the states (begun in 1861) was not a civil war. It was a war of secession. A civil war is one in which the insurgents try to seize the existing means of government. A war of secession is when they try to leave the existing government and start their own. To even "debate" this is absurd, as all of the evidence from the time points to a war of secession and not an iota of it points to a civil war.

This book covers 40 historical anomalies in 204 pages. It has a short biography and an index.
17 internautes sur 20 ont trouvé ce commentaire utile 
HASH(0x8a7f79fc) étoiles sur 5 Wonderful presentation with many little known fascinating asides 6 août 2011
Par Silas Marner - Publié sur
Format: Broché Achat vérifié
Am a pretty darned picky reader but this was a pleasure. Each item was well presented within its category and the entire book was a fine read. Mr. Wood gives the reader the opportunity for wonder without pushing any one given agenda. The wry asides are an added bonus.
HASH(0x8a7f7ba0) étoiles sur 5 Too broad 4 juillet 2013
Par James D. Crabtree - Publié sur
Format: Broché Achat vérifié
I do like the author's approach. Mr. Wood looks at artifacts (like the Pharoah Glider), paintings (which seem to have flying saucers in them and other strange pehenomena and discusses them. He looks at them from a modern point of view, discusses how they appear, then suggests rational explanations for their existence. Unfortunately, the results not make some UFO nuts and believers in "hidden history" happy.

I particularly enjoyed his discussion of medieval paintings which appear to display phenomena which we in the 21st Century are familiar with: space capsules, lasers and flying saucers. Renaissance painters were producing so many of these paintings that you would think that SOMEONE would have chronicled all these space aliens stopping off at Earth for a quick overhead pass. Yet no one did.

As Wood points out, the reason is simple: those paintaings aren't what you think they are. Your modern mind is taking something you are familiar with and transposing it on an image in a painting: "Yep. That's a laser beam. Aimed right at the Virgin Mary, too. I wonder what she ever did to the space aliens?"

What you actually see is an allegory, an accepted artistic device which expresses an event or object without having to go into details which might detract from the overall work. In some cases, allegories are absolutely necessary to the paintings subject matter. So the allegorical sun and moon, which are rendered as a red-tinged sphere with spikes and a crescent shape with spikes, respectively, look like escape pods or space capsules with people in them. Divine conception is rendered as a single beam of light, not an 20mw krypton laser beam. And when you look at some of those flying saucers, which often appear to be a bit fuzzy ("just like modern photos!") they're fuzzy because they are actually a maelstrom of angels. Wood actually looks at the artist who produced the work, the subject matter of the work, and the era in which the work was produced in order to come to his own conclusions.

The UFO nuts see flying saucers and put deliberately enhanced or deliberately blurry images to back up their "theories." They couldn't be bothered to put the time and effort to actually study the painting itself.

Overall, a good book. I do believe that color photos would have done a lot to help with some of the illustrations. I could hardly see the so-called laser beam in one painting. Also, if you're going to write something about a French cartoonist who made a lot of correct predictions about the 20th Century, shouldn't you include some of his cartoons?

Overall, a very interesting book.
HASH(0x8a7f7a74) étoiles sur 5 Great read for an avid time traveler. 4 décembre 2015
Par Seeth (Zero One) - Publié sur
Format: Broché Achat vérifié
As an avid time traveler I have to say this book was very impressive. I spend a good deal of my time leaving items throughout history as clues to conspiracy theorists. This book really focuses on objects that really seem out of place. Great read highly recommend.
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