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Platform (Anglais) Broché – 4 septembre 2003

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Description du produit



Father died last year. I don’t subscribe to the theory that we only become truly adult when our parents die; we never become truly adult.

As I stood before the old man’s coffin, unpleasant thoughts came to me. He had made the most of life, the old bastard; he was a clever cunt. “You had kids, you fucker,” I said spiritedly. “You shoved your fat cock in my mother’s cunt.” I was a bit tense, I have to admit. It’s not every day you have a death in the family. I’d refused to see the corpse. I’m forty, I’ve already had plenty of opportunity to see corpses. Nowadays, I prefer to avoid them. It was this that had always dissuaded me from getting a pet.

I’m not married, either. I’ve had the opportunity several times, but I never took it. That said, I really love women. It’s always been a bit of a regret, for me, being single. It’s particularly awkward on vacations. People are suspicious of single men on vacation, after they get to a certain age: they assume that they’re selfish, and probably a bit pervy. I can’t say they’re wrong.

After the funeral, I went back to the house where my father lived out his last years. The body had been discovered a week earlier. A little dust had already settled around the furniture and in the corners of the rooms; I noticed a cobweb on the window frame. So time, entropy, all that stuff, was slowly taking the place over. The freezer was empty. The kitchen cupboards mostly contained single-serving Weight Watchers instant meals, tins of flavored protein, and energy bars. I wandered through the rooms nibbling a granola bar. In the boiler room, I rode the exercise bike for a while. My father was over seventy and in much better physical shape than I was. He did an hour of rigorous exercise every day, laps in the pool twice a week. On weekends, he played tennis and went cycling with people his age. I’d met some of them at the funeral. “He coached the lot of us!” a gynecologist exclaimed. “He was ten years older than us, but on a two-kilometer hill, he’d be a whole minute ahead.” Father, Father, I said to myself, how great was your vanity! To the left of my field of vision I could make out a weightlifting bench, barbells. I quickly visualized a moron in shorts—his face wrinkled, but otherwise very like mine—building up his pectorals with hopeless vigor. Father, I said to myself, Father, you have built your house upon sand. I was still pedaling but I was starting to feel breathless—my thighs already ached a little, though I was only on level 1. Thinking back to the ceremony, I was aware that I had made an excellent general impression. I’m always clean-shaven, my shoulders are narrow, and when I developed a bald spot at about the age of thirty, I decided to cut my hair very short. I usually wear a gray suit and sober ties, and I don’t look particularly cheerful. With my short hair, my lightweight glasses, and my sul- len expression, my head bowed a little to listen to a Christian funeral-hymn mix,* I felt perfectly at ease with the situation—much more at ease than I would have been at a wedding, for example. Funerals, clearly, were my thing. I stopped pedaling, coughed gently. Night was falling quickly over the surrounding meadows. Near the concrete structure that housed the boiler, you could make out a brownish stain that had been poorly cleaned. It was there that my father had been discovered, his skull shattered, wearing shorts and an “I ™ New York” sweatshirt. He had been dead for three days, according to the coroner. There was the possibility, very remote, that what happened was an accident, he could have slipped in a puddle of oil or something. That said, the floor of the room was completely dry, and the skull had been broken in several places. Some of the brain had even spilled onto the floor. In all probability, what we were dealing with was murder. Captain Chaumont of the Cherbourg police was supposed to come over to see me that evening.

Back in the living room, I turned on the television, a thirty-two-inch Sony widescreen with surround sound and an integrated DVD player. There was an episode of Xena: Warrior Princess on TF1, one of my favorite series. Two very muscular women wearing metallic bras and miniskirts made of animal hide were challenging each other with their sabers. “Your reign has gone on too long, Tagrathâ!” cried the brunette. “I am Xena, warrior of the Western Plains!” There was a knock at the door; I turned the sound down.

Outside, it was dark. The wind gently shook the branches dripping with rain. A girl of about twenty-five who looked North African was standing in the doorway. “I’m Aïcha,” she said. “I cleaned for Monsieur Renault twice a week. I’ve just come to get my things.”

“Well . . . ,” I said, “. . . well.” I managed a gesture that was intended to be welcoming. She came in and glanced quickly at the television screen. The two warriors were now wrestling right next to a volcano; I suppose the spectacle had its stimulating side, for a certain kind of lesbian. “I don’t want to disturb you,” said Aïcha. “I’ll only be five minutes.”

“You’re not disturbing me,” I said. “In fact, nothing disturbs me.” She nodded her head as though she understood, her eyes lingered on my face; she was probably gauging my physical resemblance to my father, possibly inferring a degree of moral resemblance. After studying me for a few moments, she turned and climbed the stairs that led to the bedrooms. “Take your time,” I said, my voice barely audible. “Take all the time you need.” She didn’t answer, didn’t pause in her ascent; she had probably not even heard me. I sat down on the sofa again, exhausted by the confrontation. I should have offered to take her coat. That’s what you usually do, offer to take someone’s coat. I realized that the room was terribly cold—a damp, penetrating cold, the cold of a cellar. I didn’t know how to light the boiler, I had no wish to try, now my father was dead and I had intended to leave right away. I turned over to FR3 just in time to catch the last part of Questions pour un champion. At the moment when Nadège from Val-Fourré told Julien Lepers that she was going to risk her title for the third time, Aïcha appeared on the stairs, a small travel bag on her shoulder. I turned off the television and walked quickly toward her. “I’ve always admired Julien Lepers,” I told her. “Even if he doesn’t know the actual town or village the contestant is from, he always manages to say something about the department or the region; he always knows a bit about the climate and the local scenery. Above all, he understands life. The contestants are human beings to him, he understands their problems and their joys. Nothing of what constitutes human reality for the contestants is entirely strange or intimidating to him. Whoever the contestant is, he manages to get them to talk about their work, their family, their hobbies—everything, in fact, that in their eyes goes to make up a life. The contestants are often members of a brass band or a choral society, they’re involved in organizing the local fair, or they devote themselves to some charitable cause. Their children are often there in the studio. You generally get the impression from the program that these people are happy, and you feel better, happier yourself. Don’t you think?”

She looked at me unsmilingly. Her hair was in a chignon, she wore little makeup, her clothes were pretty drab—a serious girl. She hesitated for a moment before saying in a low voice, a little hoarse with shyness: “I was very fond of your father.” I couldn’t think of anything to say. It struck me as bizarre, but just about possible. The old man must have had stories to tell: he’d traveled in Colombia, Kenya, or I don’t know where; he’d had the opportunity to watch rhinoceros through binoculars. Every time we met, he limited himself to making fun of the fact that I was a civil servant, about the job security that went with it. “Got yourself a cushy little number, there,” he would say, making no attempt to hide his scorn. Families are always a bit difficult. “I’m studying nursing,” Aïcha went on, “but since I stopped living with my parents I have had to work as a cleaner.” I racked my brains to think of an appropriate response: was I supposed to ask how expensive rents were in Cherbourg? I finally opted for an “I see,” into which I tried to introduce a certain worldly wisdom. This seemed to satisfy her and she walked to the door. I pressed my face to the glass to watch her Volkswagen Polo do a U-turn in the muddy track. FR3 was showing some rustic made-for-TV movie set in the nineteenth century, starring Tchéky Karyo as a sharecropper. Between piano lessons, the daughter of the landowner—he was played by Jean-Pierre Marielle—accorded the handsome peasant certain liberties. Their clinches took place in a stable. I dozed off just as Tchéky Karyo was energetically ripping off her organza panties. The last thing I remember was a close-up of a small litter of pigs.

* This word and all others marked with an asterisk appear in English in the original French edition. --Ce texte fait référence à l'édition Broché.

Revue de presse

"With Atomised, you could see that Houellebecq was headed for greatness. With Platform he has attained it. The book is a stunning achievement" (Evening Standard)

"Reading Houellebecq is never deflating; it is, rather, a source of constant inspiration and delight. Would that we could produce his like in England" (Observer)

"A brilliant novel" (Anita Brookner)

"Michel Houellebecq has put contemporary French literature back on the map in a way not seen since Camus" (David Sexton Evening Standard)

"There is something new and rare here, a genuinely unsettling wit with a terrible tang of truth" (Sunday Telegraph)

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27 décembre 2006
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