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Prelude Apres Midi D'Un Faune Import

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Page Artiste Kurt Masur

Détails sur le produit

  • Compositeur: Kurt Masur
  • CD (28 février 1997)
  • Nombre de disques: 1
  • Format : Import
  • Label: Teldec Classique
  • ASIN : B000000S8S
  • Autres versions : Téléchargement MP3
  • Moyenne des commentaires client : Soyez la première personne à écrire un commentaire sur cet article
  • Classement des meilleures ventes d'Amazon: 752.479 en Musique (Voir les 100 premiers en Musique)
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Commentaires en ligne

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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x95e960e4) étoiles sur 5 7 commentaires
2 internautes sur 2 ont trouvé ce commentaire utile 
HASH(0x97341924) étoiles sur 5 The Voice of Dissent 7 février 2002
Par Un client - Publié sur Amazon.com
Format: CD
Did you notice the other two reviews disagree on which pieces are the bad ones? Masur does a great job of interpreting one of the more difficult composer's works (Debussy) and nicely handles the more popular and familiar as well (Ravel). This is a good intro to two composers that are often compared--and often share space on one CD.
4 internautes sur 5 ont trouvé ce commentaire utile 
HASH(0x9616ac30) étoiles sur 5 Best Recording of Faune 6 mai 2002
Par LibbyG. - Publié sur Amazon.com
Format: CD
I am a professional flutist, and this is the best recording of Prelude a l'apres midi d'une faune that I have heard. Of course, Jeanne Baxtresser's performance (flute) is flawless and musical. The CD is very well recorded, and each piece is performed impeccably and with the highest artistry. In my opinion, this CD sets the standard for these works. Buy it!
HASH(0x95f10ac8) étoiles sur 5 Best "Faun..." ever! 7 avril 2013
Par Joseph L. Robinson - Publié sur Amazon.com
Format: CD Achat vérifié
Kurt Masur was often swimming upstream with French repertoire, so we wondered at the New York Philharmonic why he chose to record this album of Debussy and Ravel. The magnificent flute playing by Jeannie Baxtresser and the extraordinary saxophone playing of guest soloist Kenneth Radnofsky alone justify the decision. in addition, I believe our performance of "Afternoon of a Faun" is the best I have ever heard..
1 internautes sur 2 ont trouvé ce commentaire utile 
HASH(0x95ffcd44) étoiles sur 5 Warm, polished playing, but Masur has no feeling for this music 9 avril 2011
Par Santa Fe Listener - Publié sur Amazon.com
Format: CD
No one thought that Kurt Masur would bring incandescent inspiration to the NY Phil. when he arrived in 1991, but he had a reputation as an orchestra builder, much needed after the laxness of the Zubin Mehta era, and he was an imposing presence, especially after the fight he led against the Communist regime in East Germany. It was humiliating for Masur that his contract was abruptly curtailed in 2002, but he had accomplished what was wanted. In addition, he was the last music director to bring a recording contract with him, even if it was another kind of humiliation that one of America's flagship orchestras -- and our national orchestra, really, under Bernstein -- had to turn to a German label. But Teldec stood by their commitments, churning out one CD after another that left critics cold because of Masur's dull proficiency, and sales slumped.

I've revisited as many of these releases as I can find, and in this program of standard fare from Debussy and Ravel we hear the best and worst of what Masur could do. In L'apres midi the playing is lovely in all respects, showing off the delicacy of the Philharmonic's woodwinds and, of course, the solo flute. the saxophone playing in the Rapsodie is voluptuous (if you can't find a great sax in New York, well...). La mer is done with unusual warmth and smoothness; it rolls like caramel off the page. but one's attention has already begun to wander, because Masur has so little sympathy for the music. There is neither enough heart nor the thrill of sparkling virtuosity.

This was the problem in disc after disc for the decade that Masur held tenure, and I must say that at the time I resented how he wasted the potential of a great orchestra, all the sadder after Bernstein died and no longer made guest appearances to resurrect his old band. As for the Ravel items, La valse is square, without a int of menace or slinkiness, and Bolero doesn't vamp.
2 internautes sur 4 ont trouvé ce commentaire utile 
HASH(0x95e96e58) étoiles sur 5 Half and Half 17 février 1999
Par Un client - Publié sur Amazon.com
Format: CD
About half of this CD is really good and the other half is not. The Prelude is very good as are La Valse and Bolero. This recording brings out much of the inner detail in those peices that other recordings may miss. The saxophone peice was not very interesting. La Mer was porly interpreted and very unexciting. La Mer does have some beautiful moments though. For example, the trumpet solo at the beginning of the Dialogue is exceptionally well played.
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