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Rosalyn Tureck II : Great pianists of the 20th century


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Détails sur le produit

  • Compositeur: Jean-Sébastien Bach
  • CD (7 septembre 1999)
  • Nombre de disques: 2
  • Label: Philips
  • ASIN : B00000JNQB
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  • Classement des meilleures ventes d'Amazon: 246.673 en Musique (Voir les 100 premiers en Musique)
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Liste des titres

Disque : 1

  1. Variations goldberg klavierubung IV bwv 988 - aria
  2. Variations goldberg klavierubung IV bwv 988 - variation I a 1 clav
  3. Variations goldberg klavierubung IV bwv 988 - variation II a 1 clav
  4. Variations goldberg klavierubung IV bwv 988 - variation III canone all'unisono a 1 clav
  5. Variations goldberg klavierubung IV bwv 988 - variaiton IV a 1 clav
  6. Variations goldberg klavierubung IV bwv 988 - variation V a 1 ovvero 2 clav
  7. Variations goldberg klavierubung IV bwv 988 - variation VI canone alla seconda a 1 clav
  8. Variations goldberg klavierubung IV bwv 988 - variation VII a 1 ovvero 2 clav al tempo di giga
  9. Variations goldberg klavierubung IV bwv 988 - variation VIII a 2 clav
  10. Variations goldberg klavierubung IV bwv 988 - variation IX canone alla terza a 1 clav
  11. Variations goldberg klavierubung IV bwv 988 - variation X fughetta a 1 clav
  12. Variations goldberg klavierubung IV bwv 988 - variation XI a 2 clav
  13. Variations goldberg klavierubung IV bwv 988 - variation XII canone alla quarta a 1 clav
  14. Variations goldberg klavierubung IV bwv 988 - variation XIII a 2 clav
  15. Variations goldberg klavierubung IV bwv 988 - variation XIV a 2 clav
  16. Variations goldberg klavierubung IV bwv 988 - variation XV canone alla quinta in moto contrario a 1 clav
  17. Variations goldberg klavierubung IV bwv 988 - variation XVI ouverture a 1 clav
  18. Variations goldberg klavierubung IV bwv 988 - variation XVII a 2 clav
  19. Variations goldberg klavierubung IV bwv 988 - variation XVIII canone alla sesta a 1 clav
  20. Variations goldberg klavierubung IV bwv 988 - variation XIX a 1 clav
  21. Variations goldberg klavierubung IV bwv 988 - variation XX a 2 clav
  22. Variations goldberg klavierubung IV bwv 988 - variation xxi canone alla settima a 1 clav
  23. Variations goldberg klavierubung IV bwv 988 - variation xxii alla breve a 1 clav
  24. Variations goldberg klavierubung IV bwv 988 - variation xxiii a 2 clav
  25. Variations goldberg klavierubung IV bwv 988 - variation xxiv canone all'ottava a 1 clav
  26. Variations goldberg klavierubung IV bwv 988 - variation xxv a 2 clav adagio

Disque : 2

  1. Variations goldberg klavierubung IV bwv 988 - variation xxvi a 2 clav
  2. Variations goldberg klavierubung IV bwv 988 - variation xxvii canone alla nona a 2 clav
  3. Variations goldberg klavierubung IV bwv 988 - variation xxviii a 2 clav
  4. Variations goldberg klavierubung IV bwv 988 - variation xxix a 1 ovvero 2 clav
  5. Variations goldberg klavierubung IV bwv 988 - variation XXX quodlibet a 1 clav
  6. Variations goldberg klavierubung IV bwv 988 - aria
  7. French overture partita klavierbung II en si mineur bwv 831 - ouverture
  8. French overture partita klavierbung II en si mineur bwv 831 - courante
  9. French overture partita klavierbung II en si mineur bwv 831 - gavotte I and II
  10. French overture partita klavierbung II en si mineur bwv 831 - passepied I and II
  11. French overture partita klavierbung II en si mineur bwv 831 - sarabande
  12. French overture partita klavierbung II en si mineur bwv 831 - bourree I and II
  13. French overture partita klavierbung II en si mineur bwv 831 - gigue
  14. French overture partita klavierbung II en si mineur bwv 831 - echo
  15. Concerto italien en fa majeur bwv 971 klavierbung II en fa majeur bwv 971 - allegro
  16. Concerto italien en fa majeur bwv 971 klavierbung II en fa majeur bwv 971 - andante
  17. Concerto italien en fa majeur bwv 971 klavierbung II en fa majeur bwv 971 - presto
  18. 4 duets klavierubung III - duetto n 1 en mi mineur bwv 802
  19. 4 duets klavierubung III - duetto n 2 en fa majeur bwv 803
  20. 4 duets klavierubung III - duetto n 3 en sol majeur bwv 804
  21. 4 duets klavierubung III - duetto n 4 en la mineur bwv 805


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Amazon.com: HASH(0x95416588) étoiles sur 5 4 commentaires
9 internautes sur 9 ont trouvé ce commentaire utile 
HASH(0xad6497bc) étoiles sur 5 Very special 29 novembre 2005
Par Bach lover - Publié sur Amazon.com
Rosalyn Tureck's playing here is quintessentially measured and impeccably controlled. This allows many special moments to shine through. The canons in the Goldberg Variations are particularly gentle yet rigorous, especially the minor-key ones. The transfer from the bleak Variation 21 to the sublimely joyful Variation 22, for instance, gains great unshakeability from her methodical and perfectionist stance. This is not her fastest recording of the Goldbergs - her 1979 recording on VAI has a little more kinetic thrill in Variations 14 and 26, for example - but this recording combines technical perfection with an all-encompassing joy in the music as it unfolds.

The remaining pieces are contrasting but also excellent. The B minor Partita begins with the sort of dotted French Overture that Tureck excels in, and the remaining movements are similarly commanding. She exacts great pathos from the Sarabande, while the Gavotte, Passepied and Bourrée are commendably dance-like and arresting. In the closing Echo, Tureck makes the most of Bach's explicit dynamic contrasts - rare in his output - for an exciting close. I haven't heard a more compelling recording of this long and somewhat disparate work.

The Italian Concerto has boisterous if somewhat heavy outer movements, while the central Andante exhibits Tureck's rich ornamentation and sense of line.

The Duets, rarely recorded, are here given a fairly definitive interpretation which manages to combine contrapuntal rigour with ear-opening textures, especially in the arresting harmonies of No. 4.

Altogether a wonderful exhibition of Tureck's art at possibly its most austere stage - but nevertheless captivating.
6 internautes sur 6 ont trouvé ce commentaire utile 
HASH(0xad649bc4) étoiles sur 5 Re: Extraordinary 1 octobre 2010
Par R. Kunath - Publié sur Amazon.com
The Amazon review by Thomas May is excellent and my words in some sense are superfluous (and the other Amazon customer reviews are first-rate too). I'm writing simply to say that you might find something very special in this recording of the Goldberg Variations. I've long loved Bach on the piano, and I've had Gould's Goldbergs since the early 80s, supplemented along the way by Schiff, Hewitt, Dinnerstein, Landowska (on that massive Pleyel harpsichord), and Perahia, all of whom have brought me a lot of pleasure. Rosalyn Tureck wasn't even on my radar until a dear friend, now deceased, loaned me this recording. I listened once, distractedly, and wasn't especially impressed. But then I listened again late one night, and Tureck's performance just opened up for me in a way that I've rarely experienced with any other recording. Tureck was called "The High Priestess of Bach," and that's as much a warning as an honor: there is a sense of the sacral in this recording, and I can well imagine that many Bach lovers will find it intolerably mannered. Angela Hewitt (whose Bach recordings I admire very much) remarked that it took her a long time to appreciate Tureck's Bach because it just seemed "too lugubrious." So be warned: everything that's said about the slow tempi is right. As you listen to the opening Aria--which goes on for an incredible 6:06--you may be inclined to laugh. All I can say is that Tureck's recording opened a new world of Bach for me. The slow tempi and the restrained dynamics create an achingly beautiful study in shades of grey that is filled with a magical, rapt intensity. If you listen to this in the background, during the day, it won't make an impression. Play it at night, in semi-darkness, with a glass of wine, and I think there's at least an even chance you'll be spellbound. I'm so grateful to my friend John for helping me to discover Tureck's amazing artistry.

A small P.S. The review by Bach lover uses the perfect adjective to describe these performances: austere. And it's a passionate austerity that burns white-hot. The listener has to calibrate his or her listening to the restrained dynamics and speeds, but then the fractional shifts become immensely powerful. Any lover of the Goldberg Variations should have this performance!
1 internautes sur 1 ont trouvé ce commentaire utile 
HASH(0x95d0cca8) étoiles sur 5 Rosalyn Tureck was an influence on the playing style of Glenn Gould and the similarities can be heard in her recordings 8 février 2014
Par helohe - Publié sur Amazon.com
Achat vérifié
Rosalyn Tureck was an influence on the playing style of Glenn Gould and the similarities can be heard in her recordings. She has very clear playing and separation of different voices, and deliberately articulating and highlighting of hidden melodies. Compared to Glenn Gould her playing is slower, but never feels wrong. Bach would be proud.
7 internautes sur 10 ont trouvé ce commentaire utile 
HASH(0xad649da4) étoiles sur 5 Great pianist, great pieces 23 août 2000
Par Un client - Publié sur Amazon.com
This recording is entitled "Great Pianists of the 20th Century," and that is the only way to describe Rosalyn Tureck's poised, measured and yet brilliantly executed performance of the Bach Goldberg Variations, some of the most time-honored music ever written for the instrument, by a great master of the style, Johann Sebastian Bach. There's really nothing more to say...everything on this recording is, well, great!
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