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Salome: The Image of a Woman Who Never Was; Salome: Nymph, Seducer, Destroyer (Anglais) Relié – Version intégrale, 1 mai 2013


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Description du produit

Revue de presse

Rosina Neginsky s compelling study of Salome is an inquiry into how that figure, and the myth that has been created about her, has changed over time. Beginning with the history and myth in Biblical times, Neginsky follows Salome through Christian theology and myths of woman, the beautiful Salome of the Renaissance, and the seducer-destroyer she becomes in Oscar Wilde and in the nineteenth century generally. Neginsky looks at painting as well as literary texts to uncover the assumptions at work in the alluring princess we know as Salome. --Françoise Meltzer, Edward Carson Waller Distinguished Service Professor in the Humanities, Chair of Comparative Literature, University of Chicago, USA

In a remarkable display of interdisciplinary erudition, Rosina Neginsky explores the Salome myth across the centuries, in different artistic media. This is a fine book, rich in sensitive analyses and new interpretations of a wide variety of works of visual art, literature and music. --Peter Cooke, Senior Lecturer in French Studies, University of Manchester, UK

The unique case of a martyrdom in the ancient world transformed into the myth of a femme fatale the decapitation of John the Baptist at the dawn of Christianity has inspired artists in all disciplines and exemplifies the evolution through time of the place of women in Western society. In this remarkable multidisciplinary study, which begins with the Bible and continues through the Middle Ages and the Renaissance, Rosina Neginsky unveils all the facets of the myth and leads us across the centuries in a subtle and insightful way, from sculpture and painting to literature and music. Gustave Flaubert, Gustave Moreau, Oscar Wilde or Richard Strauss, by choosing the theme of Salome, attain universal status. --Geneviève Lacambre, Honorary General Curator of the Patrimony, former Director of the Musée Gustave Moreau, Paris, France

In a remarkable display of interdisciplinary erudition, Rosina Neginsky explores the Salome myth across the centuries, in different artistic media. This is a fine book, rich in sensitive analyses and new interpretations of a wide variety of works of visual art, literature and music. --Peter Cooke, Senior Lecturer in French Studies, University of Manchester, UK

The unique case of a martyrdom in the ancient world transformed into the myth of a femme fatale the decapitation of John the Baptist at the dawn of Christianity has inspired artists in all disciplines and exemplifies the evolution through time of the place of women in Western society. In this remarkable multidisciplinary study, which begins with the Bible and continues through the Middle Ages and the Renaissance, Rosina Neginsky unveils all the facets of the myth and leads us across the centuries in a subtle and insightful way, from sculpture and painting to literature and music. Gustave Flaubert, Gustave Moreau, Oscar Wilde or Richard Strauss, by choosing the theme of Salome, attain universal status. --Geneviève Lacambre, Honorary General Curator of the Patrimony, former Director of the Musée Gustave Moreau, Paris, France

Présentation de l'éditeur

Although the root of the Hebrew name "Salome" is "peaceful," the image spawned by the most famous woman to carry that name has been anything but peaceful. She and her story have long been linked to the beheading of John the Baptist, as described in the Gospels of Matthew and Mark, since Salome was the supposed catalyst for the prophet's execution. This history of the myth of Salome describes the process by which that myth was created, the roles that art, literature, theology and music played in that creation, and how Salome's image as evil varied from one period to another according to the prevailing cultural myths surrounding women. After setting forth the Biblical and historical origins of the Salome story, the book examines the major cultural, literary and artistic works which developed and propagated it, including those by Filippo Lippi, Rogier van der Weyden, Titian, Moreau, Beardsley, Mallarme, Wilde and Richard Strauss. The book will be of great interest to scholars and students of cultural history, literature and art history.

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