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Shakespeare's Original Pronunciation: Speeches and Scenes Performed As Shakespeare Would Have Heard Them (Anglais) CD – Livre audio, 5 mars 2012

5.0 étoiles sur 5 1 commentaire client

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Descriptions du produit

Revue de presse

A picture may well speak a thousand words, but this single CD demonstrates the difference that a thousand new and often surprising pronunciations make to our better appreciation of what the text really meant. Listening to this selection of familiar sonnets, monologues and scenes from Romeo and Juliet, Lear, Hamlet, Macbeth and Othello made me wonder why RSC and Globe directors don't insist on authenticity. --Sue Arnold, The Guardian, 21 April 2012

Présentation de l'éditeur

How did Shakespeare sound to the audiences of his day? For the first time this disc offers listeners the chance to hear England's greatest playwright performed by a company of actors using the pronunciation of his time. Under the guidance of Ben Crystal, actor, author of Shakespeare on Toast and an expert in original Shakespearian pronunciation, the company performs some of Shakespeare's best-known poems, solo speeches and scenes from the plays. Hear new meanings uncovered, new jokes revealed, poetic effects enhanced. The CD is accompanied by an introductory essay by Professor David Crystal. An essential purchase for every student and lover of Shakespeare. Track listing: 1. Sonnet 116 (in modern English) 2. Sonnet 116 (in original pronunciation) 3. Sonnet 71 4. Sonnet 18 5. Sonnet 154 6. A Midsummer Night s Dream Flower of this purple dye (Oberon) 7. As You Like It A fool, a fool (Jaques) 8. Hamlet To be, or not to be (Hamlet) 9. Henry V Once more unto the breach, dear friends (Henry V) 10. Macbeth Is this a dagger which I see before me (Macbeth) 11. Richard II I have been studying how I may compare (Richard II) 12. The Winter s Tale Since what I am to say (Hermione) 13. As You Like It All the world's a stage (Jaques) 14. The Merchant of Venice The quality of mercy (Portia) 15. The Two Gentlemen of Verona When a man's servant shall play the cur with him (Launce) 16. Richard III I call'd thee then vain flourish of my fortune (Queen Margaret) 17. Richard III Now is the winter of our discontent (Gloucester) 18. The Tempest Ye elves of hills, brooks, standing lakes and groves (Prospero) 19. Twelfth Night Were not you even now with the Countess Olivia? (Malvolio and Viola) 20. The Comedy of Errors Why, how now, Dromio! (Antipholus of Syracuse and Dromio of Syracuse) 21. Romeo and Juliet But, soft! what light through yonder window breaks? (Romeo and Juliet) 22. Much Ado about Nothing Lady Beatrice, have you wept all this while? (Benedict and Beatrice) 23. Julius Caesar Stay, ho! and let us hear Mark Antony (Antony and plebeians) 24. Twelfth Night Save thee, friend, and thy music (Viola and Feste) 25. Hamlet My honoured lord! (Guildenstern, Rosencrantz and Hamlet) 26. Othello How goes it now? he looks gentler than he did. (Emilia and Desdemona) 27. King Lear Give me the map there (King Lear, Goneril, Regan and Cordelia) 28. Macbeth Good morrow, noble sir. (Lennox, Macbeth, Macduff, Lady Macbeth, Banquo, Donalbain and Malcolm)

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Format: CD Achat vérifié
J'ai trouvé ce CD très intéressant pour qui aime la langue de Shakespeare. Une autre façon de connaître la langue anglaise.
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Commentaires client les plus utiles sur (beta) HASH(0x98b0d150) étoiles sur 5 12 commentaires
16 internautes sur 16 ont trouvé ce commentaire utile 
HASH(0x98f392dc) étoiles sur 5 Refreshing--literally--performance 15 août 2012
Par Eclectic Reader - Publié sur
Format: Téléchargement audio
It takes getting used to, but this reading of Shakespeare is a marvel.

The recording is a help if you are locked in by stereotypes of what Shakespeare is supposed to sound like: elevated, grand English and swelling, stately pronunciation in modern English accents, sonnets and plays read only as literature/academic exercises--as texts with eye. But if you want to try and get to a lively reading that wakes up your ears, try this recording. It's not just a matter of "now I know an actor in the 16th century might have pronounced a word." The changes in pronunciation often change the rhythm of a passage, the rhyme, the way sounds "open up" in poetry.

The research that must have gone into this recording is impressive, but much much more impressive is the ability of the readers to "put on" the accents of 16th century English and speak the lines with feeling.

Four stars only because I wanted longer passages and the Henry V speech was a bit too roaring and ranting for my taste. I hope, one day, we'll be able to see whole plays performed like this.
12 internautes sur 13 ont trouvé ce commentaire utile 
HASH(0x98f39330) étoiles sur 5 Shakespeare as they heard it in 1600 31 août 2012
Par PAUL MEIER - Publié sur
Format: CD Achat vérifié
Having worked with Ben Crystal on his original pronunciation production of Hamlet, and with his father, David Crystal, on our OP production of A Midsummer Night's Dream at the University of Kansas, I was pretty sure this was going to be good. Ben and company exceeded expectations!

Anyone interested in dialects, Shakespeare, and Early Modern English will simply HAVE to have this CD.

Paul Meier
Author of Accents and Dialects for Stage and Screen (includes 12 CDs)
2 internautes sur 2 ont trouvé ce commentaire utile 
HASH(0x98f3960c) étoiles sur 5 PERFECT FOR AN ACTRESS! 6 mars 2014
Par Carol F. Peck - Publié sur
Format: CD Achat vérifié
I bought this for my granddaughter, a theater major specializing in Shakespeare. She not only found it extremely valuable but is sharing it with other theater majors. I admit to listening to it first, because as a poet I am very interested in sounds of language and how they affect the experience of a poem. Thank you for bringing this important CD to my attention!
1 internautes sur 1 ont trouvé ce commentaire utile 
HASH(0x98f39504) étoiles sur 5 Enlightening and fun 17 avril 2013
Par corisa aaronson - Publié sur
Format: CD Achat vérifié
We discover the visceral intensity and liveliness of Shakespeare's original pronunciation. Instead of the highly refined spoken language we're used to when listening to a production of Shakespeare, this recording allows us to experience the passionate, embodied and often guttural sounds of Elizabethan England. Puns and double meanings come alive! We experience Shakespeare anew as we hear the full-bodied force of these spoken words.
1 internautes sur 1 ont trouvé ce commentaire utile 
HASH(0x98f396f0) étoiles sur 5 Important and fascinating! 28 novembre 2013
Par Avery Gordon - Publié sur
Format: CD Achat vérifié
Utterly fascinating and illuminating to hear how far away we've come from English pronunciation in the Elizabethan age! Any actor should get their hands on this to clarify that sounding like a British movie from the 1930's, or what we today consider "proper" English, is completely unnecessary!
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