undrgrnd Cliquez ici HPALLL nav-sa-clothing-shoes nav-sa-clothing-shoes Cloud Drive Photos cliquez_ici nav_PhotoM16 Cliquez ici Acheter Fire Achetez Kindle Paperwhite cliquez_ici Jeux Vidéo soldes montres soldes bijoux

Plus d'options
Spanish Festival
 
Zoom
Voir une image plus grande (avec un zoom)
 

Spanish Festival

30 juin 1988 | Format : MP3

EUR 7,99 (TVA incluse le cas échéant)
Également disponible en format CD

Applications Amazon Music

Applications Amazon Music
Titre
Durée
Popularité  
30
1
6:01
30
2
2:55
30
3
2:46
30
4
1:41
30
5
1:09
30
6
2:58
30
7
4:14
30
8
3:07
30
9
2:14
30
10
4:30
30
11
1:09
30
12
7:19
30
13
1:04
30
14
4:49
30
15
3:17
30
16
9:16
30
17
8:55
Votre compte Amazon Music n'est actuellement associé à aucun pays. Pour profiter de la musique Premium, allez sur votre Bibliothèque musicale et transférez votre compte à Amazon.fr (FR).
  

Détails sur le produit

Commentaires en ligne

Il n'y a pas encore de commentaires clients sur Amazon.fr
5 étoiles
4 étoiles
3 étoiles
2 étoiles
1 étoile

Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x90f8b360) étoiles sur 5 2 commentaires
5 internautes sur 8 ont trouvé ce commentaire utile 
HASH(0x9366c810) étoiles sur 5 Manifestly Mediocre 9 septembre 2004
Par Leslie Richford - Publié sur Amazon.com
Format: CD
Faint praise of the damning variety is, I'm afraid, the best I can muster for this 1988 Naxos effort which combines two 'evergreens' (Chabrier's 'Espana' and Rimsky-Korsakov's 'Capriccio Espagnol') with much less well-known pieces by Massenet, Glinka and Elgar, thus bringing music and composers to one's attention that one would not normally associate with Spain. It will be remarked that on this 'Spanish Festival' there is no actual Spanish music at all, only foreigners' attempts at creating 'music with a Spanish flavour', as the Naxos blurb would have it.

Frankly, the playing on this disc is manifestly mediocre. In fact, I had the distinct impression that Keith Clark was attempting to hide the weaknesses of the orchestra (particularly in the strings) by over-emphasizing the rhythm, overdoing the percussion and frantically spurring his Slovakian musicians on to ever-louder, ever more frenzied crescendos. The Massenet, with all its Spanish clichées, would probably sound a lot better if Clark and co. had not tried to 'push' the Spanish elements so much; and the Rimsky-Korsakov, which Keith Anderson in his notes correctly points out as being a 'display of orchestral colour', ends up so mannered that I find it very difficult to listen to at all.

I had the privilege of comparing the two 'evergreens' with older, similarly-priced Polydor recordings. The Symphony Orchestra of the National Philharmonic, Warsaw, directed by Jerzy Semkow, proved in 1970 that an Eastern European Orchestra can play Chabrier in a much more listener-friendly way, and the slightly cavernous sound is still a lot better than the pretty awful Naxos offering. Lorin Maazel and the Berlin Philharmonic recorded the 'Capriccio Espagnol' in 1960, and here there is just no comparison: Wonderful sound, glorious musicianship, clarity of concept ... all those things which the Naxos CD is unfortunately missing.

The two pieces by Mikhail Glinka (published about 35 years before the other pieces on the disc) are musically so good that they just about survive the onslaughts of Clark and the CSR SO, although to my mind the use of the brass, in particular, sounds definitely Russian, despite the orchestra's attempts to put the Spanish elements in the foreground. But if this CD is worth buying at all, then for the Glinka.
6 internautes sur 12 ont trouvé ce commentaire utile 
HASH(0x90f73684) étoiles sur 5 Good selections, but mediocre performance 5 mai 2002
Par Un client - Publié sur Amazon.com
Format: CD
The selection of pieces is great-- these are all great pieces of classical music with strong Spanish influence. However, the performances lack fire and often come across as mechanical. They get close, but don't quite do the pieces justice.
Ces commentaires ont-ils été utiles ? Dites-le-nous