Stéphane Vial

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À propos de Stéphane Vial
Docteur en philosophie, habilité à diriger des recherches en design, diplômé en psychologie clinique, Stéphane Vial est Professeur à l’École de design de l’Université du Québec à Montréal (UQAM), où il est titulaire de la Chaire Diament, chaire de recherche stratégique en design pour la cybersanté mentale.
Directeur de la revue “Sciences du Design” aux Presses universitaires de France, il est également l’auteur du ”Court Traité du design” (Puf, Quadrige, 2014) et de ”L’Être et l’Écran” (Puf, Quadrige, 2017).
Ses recherches permettent de mieux comprendre l'impact du numérique sur la perception et contribuent à mieux définir le design comme discipline universitaire de langue française. Ses travaux récents portent sur le design et l'innovation numérique pour la santé mentale.
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Livres de Stéphane Vial
Digital technologies are not just tools; they are structures of perception. They determine the way in which the world appears to us. For nearly half a century, technology has provided us with perceptions coming from an unknown world. The digital beings that emerge from our screens and our interfaces disrupt the notion of what we experience as real, thereby leading us to relearn how to perceive. In Being and the Screen, Stéphane Vial provides a philosophical analysis of technology in general, and of digital technologies in particular, that relies on the observation of experience (phenomenology) and the history of technology (epistemology). He explains that technology is no longer separate from ourselves—if it ever was. Rather, we are as much a part of the machine as the machine is part of us. Vial argues that the so-called difference between the real and the virtual does not exist and never has. We are living in a hybrid environment—which is both digital and nondigital, online and offline. With this book, Vial endows philosophical meaning to what we experience daily in our digital age.
In A Short Treatise on Design, Vial offers a concise introduction to the discipline of design—not a history book, but a book built of philosophical problems, developing a theory of the effect of design.
This book is published with the support of the University of Nîmes, France.
This volume presents 25 essays on the philosophy of design. With contributions originating from philosophy and design research, and from product design to architecture, it gives a rich spectrum of state of the art research and brings together studies on philosophical topics in which design plays a key role and design research to which philosophy contributes.
Coverage zooms in on specific and more well-known design disciplines but also includes less-studied disciplines, such as graphic design, interior architecture and exhibition design. In addition, contributors take up traditional philosophical issues, such as epistemology, politics, phenomenology and philosophy of science. Some essays cover philosophical issues that emerge in design, for instance what design can do in addressing societal problems, while other essays analyze main-stream philosophical issues in which design is part of the argument, as for instance abduction and aesthetics.
Readers will discover new research with insightful analyses of design research, design thinking and the specificity of design. Overall, this comprehensive overview of an emerging topic in philosophy will be of great interest to researchers and students.