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Stand Up Dispositif anticopie, Import

4.7 étoiles sur 5 3 commentaires client

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Page Artiste Dave Matthews


Produits fréquemment achetés ensemble

  • Stand Up
  • +
  • Under The Table And Dreaming
  • +
  • Everyday
Prix total: EUR 41,24
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Détails sur le produit

  • CD (10 mai 2005)
  • Nombre de disques: 1
  • Format : Dispositif anticopie, Import
  • Label: Mis
  • ASIN : B00082ZSP2
  • Autres versions : CD
  • Moyenne des commentaires client : 4.7 étoiles sur 5 3 commentaires client
  • Classement des meilleures ventes d'Amazon: 195.042 en Musique (Voir les 100 premiers en Musique)
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Liste des titres

Disque : 1

  1. Dreamgirl
  2. Old Dirt Hill (Bring That Beat Back)
  3. Stand Up (For It)
  4. American Baby Intro
  5. American Baby
  6. Smooth Rider
  7. Everybody Wake Up (Our Finest Hour Arrives)
  8. Out Of My Hands
  9. Hello Again
  10. Louisiana Bayou
  11. Stolen Away On 55th & 3rd
  12. You Might Die Trying
  13. Steady As We Go
  14. Hunger For The Great Light


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4.7 étoiles sur 5
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Format: CD Achat vérifié
Ce groupe est composé de musiciens crétifs et talentueux. On est loin de la soupe de bacs à grand renfort de promos radio et autres pubs. Je suis batteur et bassiste, et je vous assure que leur section rythmique est tout simplement parfaite...
Je vous recommande ce groupe chaudement !
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Format: CD
voilà un groupe une fois de plus trop méconnu en europe et pourtant qui à chaque tournée US rassemble autant de spectateurs que des Rolling stones ou U2! le style : difficile à classer un savant mélange pop rock aux compositions variées. du De Palmas puissance 100, pouvant être teintées de jazz, funk, country, rock, latino, etc... les musiciens, c'est la force de DMB. soudés, depuis longtemps ensembles,DMB c'est un "kit de base" composé de Dave Matthews (guitare acoustique et chant),de Monsieur Carter Beauford à la batterie, Leroi Moore au sax, boyd Tinsley violon, stephan Lessard à la basse.
l'album "stand up" maintenant. purement génial ! tant au niveau de la beauté des compositions que des sonorités de chacuns bien découpées, que de la qualité du mix. et puis il y a la voix de Dave Matthews toujours aussi chaude et rockailleuse. un CD que j'ai eu la chance d'acheter en avance à NY et qui sera avec certitude un habitué de mes platines. de plus c'est un CD double face, l'autre étant un DVD sur la création studio de cet opus, occasion de voir ces multi musiciens de grande valeur.
n'hésitez pas vous ne le regrettez pas...
Gilles
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Format: CD
Le DMB reste une valeur sûre. Le son est parfait, la voix de Dave toujours aussi juste. Mais ce dernier opus manque d'énergie et de surprise. Contrairement aux précédents albums, les violons et saxo trouvent plus difficilement leur place dans les mélodies. Est-ce parce que je les suis depuis lgtps et que je deviens plus exigent? C'est possible.
Un bon DMB, sans plus. Pour qqun qui souhaite découvrir, je conseillerais un des (nombreux) disques précédents.
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x8efacfe4) étoiles sur 5 625 commentaires
258 internautes sur 328 ont trouvé ce commentaire utile 
HASH(0x8ede3b7c) étoiles sur 5 Probably the only "bad" Dave Matthews album I own 11 mai 2005
Par Reviewer #67845 - Publié sur Amazon.com
Format: CD
I've been listening to Dave Matthews Band for 15 years now. For awhile, every album they put out got better and better. And then came "Everyday." They moved past their traditional acoustic folk/rock success with a new producer and an edgier sound. I initially hated that album, but grew to like it. With their last album, "Busted Stuff," they began to move back to their roots, only to drift again with the release of "Stand Up."

I don't know where they were going with this album, but it's a much different sound than we've heard in the past. If I didn't recognize (somewhat) the vocals of Dave Matthews, I might even think it's from a different band. Hopefully I'll grow into this album as well, but after several listens since it's release, I've grown tired of trying to find anything worth listening to.

This album sounds like it is filled with tracks that didn't make the cut for "Everyday." It has that over processed feel but lacks the 4 or 5 great tracks that made "Everyday" a decent album. So far I've found two tracks that I don't mind listening to: "Old Dirt Hill" and "American Baby," and even those aren't very good. The problem with the songs on this album is that they're too repetitive and they lack the great lyrics and instrumental riffs that make Dave Matthews Band's music so great. You hear the same chords and lyrics over and over and over. It's almost as if they took the first minute of each song and looped it several more times. I don't even recall hearing Boyd Tinsley's violin at all on this album. They even put two lame "throwaway" tracks on this album so you're only getting 12 songs. They did that on "Before These Crowded Streets" as well but at least that song was decent. These two just sound like a bunch of noise.

The other big failure with this album are the vocals. Dave's voice sounds way too gravelly and hoarse during the entire album. He's always had somewhat rough vocals but this has been part of his charm. His voice on this album sounds like he's been smoking cigarettes for twenty years.

My biggest complaint with this album however, isn't the music, but the decision to include DRM (Digital Rights Management aka copy protection) on it. The album includes Sunncomm's Mediamax DRM. If you play it on your computer, it will install software (whether you ask it to or not), that you can virtually never uninstall. Studios somehow think this will stop copyright infringement. It doesn't. This does nothing but prevent legitimate owners from enjoying the music. People WILL find a way to rip this album and pirate it, regardless. The DRM makes zero difference in terms of piracy. Studios still don't get this. So be prepared to have problems trying to play this on your iPod if you get it.

I'd like to give this album 2.5 stars if I could, because I think I'll come to enjoy a few of the songs after several more listens, but it just really lacks the intensity and enjoyment that the band's past albums have had.

Update: 5 January 2012 - I have listened to this much more since my initial purchase almost seven years ago, and I think my review still "stands up." This is a really disappointing DMB album.
13 internautes sur 15 ont trouvé ce commentaire utile 
HASH(0x8ede3bf4) étoiles sur 5 Stand Up and DO NOT buy this for TWO reasons 31 janvier 2006
Par L. Raisanen - Publié sur Amazon.com
Format: CD
There are two HUGE reasons not to buy this album:

(1) First, this CD is copy-protected. And this is no ordinary protection. Indeed, the 'digital keys' you need from SUNNCOMM don't even download to my computer (and may not to yours either)...and no one at SUNNCOMM or the Dave Matthews Band website will help, despite several emails. Thus, you must face that fact that you may ONLY be able to play this CD in a CD-Player! And before you even think of using it on your PC, I warn you to read what people say about SUNNCOMM and its software. I wish I never had bought this album,

(2) Second, this is not Dave Matthews best attempt. Indeed, on first listen, it is his worst album ever. I agree with the review on ArtistsDirect.com that this album may be the one where you say to yourself...I may never buy another DMB album ever again, as it is clear the best albums are already out there.

So...don't buy this album...stand up to SUNNCOMM and its insane anti-piracy software.

Say no to DMB for creating his worst album ever...by far.
145 internautes sur 191 ont trouvé ce commentaire utile 
HASH(0x8edec0b4) étoiles sur 5 Not a music CD - more of a computer virus (not iPod compatib 24 mai 2005
Par sporkdude - Publié sur Amazon.com
Format: CD
Yep, I bought all major Dave Matthews Band CDs releases. Why? Because I like them. Because they're CDs are usually worth it. Now they decided to implement DRM. First off, they sell well. Secondly, they are a touring band. So why implement DRM?

I guess this is the digital equivalent of human waste from a tour bus, and consumers are the boat passengers. Basically, to play this on a PC machine, you need to install a product. The product has been known to crash machines. Gee, am I going to install it?

If you have autorun on, it actually tries to install itself automatically. If I'm not mistaken, isn't that Spyware?

Now I like to listen to CDs in my office on my windows machine. Am I going to install an unverified outside product on my machine connected to my employer's internal network? No, I'm not an idiot. Nor should you. Nor should anyone. It's dangerous. If it's not open source nor made by a reputable software organization, it may contain exploits or bugs that can open up your system, and your internal network to hackers. So unless your name is Paris Hilton and don't mind being hacked, don't do it.

So, basically, it is unplayable, legally, on a normal PCs legally without compromising your system. Yep, I can now officially state that it is officially easier to download it illegally and burn it to a CD, than be a sucker like me and pay retail price. It shows the music industry has a little bit of greed, mixed with a whole lot of stupidity. I guess people like me, who respect copyrights, actually have to become hackers to enjoy legitimately paid music.

Thanks Dave Matthews Band!

Oh yeah, I've heard, though cannot confirm, that if you have a windows machine, and have an iPod, they are not compatible either. Hmmm, only 90% of all iPod users are like that. Another brilliant move there.

This is basically trickery to install a pseudo-virus on your system. If your technically naive, you probably never disabled autorun for your CD, and it exploits that. So there is your warning, placing this CD with autorun enabled will install a hidden device manager without your permission. You have been warned. If you didn't understand what I said, then you've fell into the trap that DMB set out for you - annoyance by obfuscation.

So, the bottom line is this. If the Dave Matthews Band doesn't want you to listen to their music, don't bother buying this "CD".
30 internautes sur 38 ont trouvé ce commentaire utile 
HASH(0x8ede3f9c) étoiles sur 5 Probably DMB's worst album ever, do not buy 22 juillet 2006
Par CC - Publié sur Amazon.com
Format: CD
Stand Up features a new producer for DMB, Mark Batson. Batson draws experience from working in pop and rap. DMB heralded Batson as the second coming. Truth is, Batson gave absolutely no drive to DMB. DMB just got caught up in their studio life (eating fine food, playing games, smoking joints with Batson outside the studio, etc.). No real work was done on this album. The story behind American Baby pretty much describes the entire album. Batson met with each band member individually. When violinist Boyd Tinsley came in, Batson told him to start playing. When Tinsley was testing his violin, he plucked the riff to American Baby. It was totally unintentional on Tinsley's part, but Batson made a song out of it. This is pretty much the whole album in a nutshell: Batson just looped a bunch of boring riffs over and over. To add insult to injury, Dave could NOT write lyrics for this album. There is absolutely no song that is up to snuff with anything Dave has written before. The only song that comes close is "Hello Again;" however, "Hello Again" was written outside the studio and road tested in 2004. Furthermore, Batson neutered this song by not including Carter's drum solo or the outro. Moreover, speaking of Carter, Batson totally insulted Carter on this record. For those not familiar with Carter Beauford, he is one of the best rock drummers ever. Unfortunately, Batson just looped the drums over and over and turned Carter into a drum machine. Which brings me to an important point, don't listen to DMB's lies about this album. In the hype leading up to the album, they said, "this new album will be built around Carter." Hahah, sure DMB. They will also contend that this is their best album in some of their promotional material. However, that's also bullox. In the most recent interviews with the band members, they are trashing Stand Up. While they are not coming out and saying that it sucks, they have said in no uncertain terms that it does not live up to their potential.

Now a song by song review:
The crappiness of this album is epitomized by "Dreamgirl." First off, they couldn't even spell it right on the album. According to Dave on VH1 Storytellers, this song sets a high standard for all the other songs on the album. I'm confident in saying that this is the worst song on the album. Not only is it the cheesiest song title ever, the lyrics are absolutely horrendous: "I would dig a hole all the way to china, unless of course you were there, and then I'd dig my way home."

Next on to the second worst song of the album, "Old Dirt Hill." This is pretty typical Stand Up repetitiveness. Musically, it is just guitar and drums on a continuous loop. Lyrically, it is an abomination to anything DMB has ever produced. Most of the song consists of the horrendous line, "bring that beat back to me" It is repeated ad nausium. Then, he includes this line:"first time I kissed you I lost my legs." I'm not quite sure what this means, but it makes absolutely no sense, like the entire song.

Stand Up (For It) is the next song on the album. By far, it is not the worst song on the album, but it is definitely lacking. The lyrics are poorly written and crass (about sex and drugs). Carter continues to be a drum machine and the band members help him out by clapping and shouting "Stand Up" throughout the song. This is definitely a poorly written and executed song.

Following Stand Up, the listener is bombarded with gun shots from American Baby Intro. Musically, it is just 4 notes played over and over with a violin solo. Dave says, "she says" over and over. There is absolutely no point to this song. It has virtually no lyrics, it relates in no way to American Baby, it is rubbish.

American Baby, this song has already been discussed. It is good by Stand Up standards, but it does not compare to many of DMB's other singles. Again, Carter and Boyd are turned into machines. It is kind of a catchy tune, though.

Next, Smooth Rider. It's a decent song. The lyrics alright, but it, again, is not anything special.

Now, Matthews hits the politics hard with Everybody Wake Up (Our Finest Hour Arrives). This song is also decent, but the song is too electric sounding for DMB. It too is kind of catchy.

Out of My Hands is a song written outside of the studio. It is just Dave faintly playing piano and a little bit of the drum machine. This songs makes absolutely NO use the band members. Roi, Boyd, and Butch are absolutely nowhere to be found in this song. Furthermore, it shares lyrics with Everybody Wake Up. This is a testament to how lazy DMB got in the studio.

Hello Again is the best song on the album. Lyrically, it is solid. Musically, it is solid. Batson, however, cut out some good parts of it.

Louisiana Bayou, while a good song live, is probably the most annoying song on the album. It is VERY repetitive and dave says "you" over and over. It will easily make you want to pull your hair out, at a minimum.

Stolen Away features a pretty a cool sax riff. I don't really have anything against this song except that the drum machine is still present.

You Might Die Trying is probably the most DMB sounding song on the album. It features Carter's new electric drum pad (AKA "the clapper") It's pretty annoying and poppy sounding. Not a terrible a song, however.

Steady As We Go. This is where things start to get crappy again. This COULD be a beautiful song, but Dave chose to make it really cheesy with trite things such as, "be the apple of your eye." Furthermore, it too is a waste of the band's talent. They only come in for a minor role at the end.

Hunger For The Great Light. Well, what can I say about this flaming piece of garbage? The great light is supposed to be analogous to an orgasm. So when Dave says "oh great light," that's what he's talking about. But that's about the only thing he says. The rest of the song is literally Dave grunting. I hate the song.

In conclusion, yes I am negative. I've listened to Busted Stuff. I've listend to Before These Crowded Streets. I've listened to Crash. I.E., I know the capability that DMB has. However, they have become complacent. They've still got "it." They haven't lost their talent; they are still an amazing live act. As a matter of fact, their Stand Up promoting tour was one of their better tours. However, they need to stop lounging around their studio and smoking weed with their producer. DMB will contend that they were in a time crunch with this record. It is simply not true. They got lazy and they know it. Hopefully, this album is a wake call for them. However, Batson is still their producer. I think he deserves another chance, but one more of these and DMB is in some serious trouble.

Also, DRM sucks. This CD has DRM. People should be able to enjoy the CD they paid for without having to suffer through programs taking over their computer. Shame on DMB and RCA for using this copy protection.
21 internautes sur 26 ont trouvé ce commentaire utile 
HASH(0x8edec1d4) étoiles sur 5 In a word: Lazy 10 août 2005
Par Matt - Publié sur Amazon.com
Format: CD
I have been listening to DMB for a long time now, and have always loved their creativity, chemistry and groove. This band works together like few others do, and they have clearly mastered the art of jamming. Each member of the band has their own unique talents, and most are at or near the very top of their craft. What has always made DMB exceptional was that the songwriting took advantage of that fact by allowing each member to shine in their own way and painting all the pieces together into a beautiful tapestry of artistic expression. If you've got it, flaunt it -- and they do and did, extremely well. The music was complex and contained unmatched depth and texture.

However, after many many listens and an honest attempt to really like this album, I just can't. It is a total waste of their talents (to say nothing of the fans' time and money). The songwriting is lazy and uninspired, and the lyrics are thoughtless and sung without passion. Every song on this album could be performed by a four-piece band without really trying. The sweeping sonic vistas that used to fill the bridges of their songs have been replaced by routine arrangements of simple melody that feel like they're waiting for something. There is no unique instrumentation, and each song is structured exactly the same as the next. Nobody gets a chance to shine. The closest this record gets to groove is during "Stand Up", and even that sounds like Dave made it on his Mac. I have actually found myself wondering if Carter performed on this album at all, or if the plasticky drum loops were created on a synth in someone's spare time.

I was also very disappointed that DMB made a political album, regardless of the stance it takes. "American Baby" (my least favorite track) clearly dominates the record and gives the only sense of direction to be found, because it is the only song that makes an attempt at content or substance. DMB used to transcend "current issues" and hit the core of the human condition with timeless songs about love, pain, loss, confusion and elation. With this album they've given up on all that and chosen instead to hitch themselves to thoughts rather than emotions. (Ironically, though this song is my least favorite it is also the album's saving grace, because it is the only one that shows that any real effort went into it.)

Yes, Dave's voice sounds like crap. Yes, the record is overproduced and glossy. But the problems go much deeper than that. It's as if DMB has lost their will to create the original works of beauty that in the past made them such a thing to behold. Stand up? Get out.
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