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Stoker Import

5.0 étoiles sur 5 2 commentaires client

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Promotions et bons plans musique CD Vinyle Promotions et bons plans musique CD Vinyle


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Détails sur le produit

  • CD (26 février 2013)
  • Nombre de disques: 1
  • Format : Import
  • Label: Mis
  • ASIN : B00B2TUQ70
  • Autres versions : CD  |  Album vinyle  |  Téléchargement MP3
  • Moyenne des commentaires client : 5.0 étoiles sur 5 2 commentaires client
  • Classement des meilleures ventes d'Amazon: 126.263 en Musique (Voir les 100 premiers en Musique)
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Meilleurs commentaires des clients

Format: Album vinyle Achat vérifié
Superbe une fois de plus. JE n'ai pas vu le film et je voulais écouter la musique avant de voir le film.
Cette Bo est très très bonne et sans les images du film, on peut déjà s'imprégner totalement ce que que sera Stoker.
Bref, vivement que je regarde le film maintenant.
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Par thimotee le 2 octobre 2013
Format: CD Achat vérifié
je ne me lasse pas de l écouter
après avoir été conquis lors du visionnage du film du même nom
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x9cb76444) étoiles sur 5 10 commentaires
5 internautes sur 5 ont trouvé ce commentaire utile 
HASH(0x9cbaa3b4) étoiles sur 5 Headphone Commute Review 12 mai 2013
Par Headphone Commute - Publié sur Amazon.com
Format: CD
Last weekend I went to see a play. I really enjoyed the theater outing, but something throughout the performance kept bothering me. I didn't feel like I was part of the story, and instead remained an outside observer throughout the show. It was an uneasy feeling of eavesdropping, of witnessing something I was not supposed to see. By the second half I finally realized what it was. There was absolutely no music with this play. It was an act among the people who conveyed emotion with words and actions. And it was missing all of my expected cues. With soundtracks by Clint Mansell it's a completely opposite experience. I could be walking on the street, listening to his latest film score in my headphones, and suddenly my heartbeat would skip, my lungs would swell up, and my mind would be filled with pure emotion. On more than one occasion I would forget that music is the responsible trigger and start thinking thoughts that go along with sound. The up-beat racing thoughts. The tension driven turmoil thoughts. The stress relieving sighing thoughts. They are all there in Mansell's music.

Clint Mansell is no stranger to the sound behind the screen. The composer has been working with Darren Aronofsky since the underground classic Pi (1997), followed by a cult hit Requiem for a Dream (2000), The Fountain (2006), [nominated for Best Original Score at the Golden Globe Awards], The Wrestler (2008), Moon (2009), Black Swan (2010) [nominated for Best Score Soundtrack for Visual Media at the 2012 Grammy Awards], and many others. His latest soundtrack is for a film by Park Chan-wook, a South Korean director and screen writer most known for The Vengeance Trilogy (Sympathy for Mr. Vengeance, Oldboy, and Sympathy for Lady Vengeance). His latest, Stoker, stars Mia Wasikowska, Matthew Goode and Nicole Kidman, and is scheduled to be released on March 1st of 2013. I'm not going to provide the film synopsis here (perhaps you should be able to experience its energy through the soundtrack first), but I'll embed a neat trailer on the making of the International Teaser Poster, which features a trip-hoppy track, titled "Becomes The Color", by Emily Wells.

In addition to providing a score to an unfolding story, Mansell is presented with an opportunity of exploring a common theme. The variations on the main melody throughout the soundtrack allow this composer to showcase all of the above evoked emotion through slight change in tempo, dynamics, and instrumentation. This particular aesthetic of a film score allow the album to exist as one cohesive piece of music, instead of individual tracks. Blending an orchestral ensemble with elements of guitar, piano, percussion and electronica, the music retains its appropriate place in time, as well as total timeliness in a complete and utter void. The release is sprinkled with a few tracks that also appear in the film, including a modern classical piece by Philip Glass, above track by Emily Wells, and a wonderful period piece by Nancy Sinatra and Lee Hazlewood, which gives me a nice jolt and a welcome break in the flow of music, reminding me a bit of a technique Quentin Tarantino employs to honor other cult styles.

Listening to a soundtrack by Clint Mansell prior to seeing the film is a fascinating experience. The foreshadowing images of the film flash forward their dark, sinister, and seductive themes. Actually, let me rephrase that. Watching a movie for which Mansell produced a soundtrack months after listening to his music for hours on end is an incredible feat. As you are observing the scenes unfolding on the screen, a sense of familiarity creeps in the background. A feeling of a déjà vu, a familiar childhood scent in a friend's dusty dwelling, a split second flashback from the present to the past. And all those reactions are evoked after a very intimate relationship with music by Mansell. Something I'm willing to commit to again and again. If you live in LA or New York, check your calendars for Mansell's upcoming live performances in April! You know I already got my tickets!
4 internautes sur 4 ont trouvé ce commentaire utile 
HASH(0x9cbc2030) étoiles sur 5 deceptively simple 20 juin 2013
Par Teela - Publié sur Amazon.com
Achat vérifié
delightfully simplistic with an undertone of something ominous throughout - which fits perfectly. And that piano duet is absolutely gorgeous and eerie at the same time.
4 internautes sur 4 ont trouvé ce commentaire utile 
HASH(0x9cbce474) étoiles sur 5 Beautiful 1 septembre 2013
Par Bree - Publié sur Amazon.com
Format: CD Achat vérifié
I am not musically inclined enough to even dare review this album, but I do know that I love it. It is so beautiful. In Full Bloom is stunning perfection.
5 internautes sur 6 ont trouvé ce commentaire utile 
HASH(0x9cbce270) étoiles sur 5 A well constructed soundtrack for a wonderfully disturbing film 24 juin 2013
Par Grady Harp - Publié sur Amazon.com
Format: CD
Clint Mansell has a strong record for providing atmospheric music for films that enhances and never gets in the way of the story. And this is certainly the case for the film by Park Chan-wook, STOKER. Mansell's music is basically very quiet but there is enough experimentation in the musical sound he creates to underlying the suspenseful family disintegration the story supports.

Mansell composes not only for the expected orchestral moments and isolated piano sequences, but he also plays with our ears by stroking the strings of the piano wires to augment the fantasy and bewilderment of the characters' fragile psyches. He treats us to some inclusion of music by Philip Glass (for those who loved Glass' score for THE HOURS, this news will alert to some very fine writing). At several instances he includes phrases from Verdi's opera Il Trovatore (here Viorica Cortez sings `Stride la Vampa' from a 1975 recording) and a whistled echo of that theme to heighten tension. There are also moments of intrusions by popular music but they seem appropriate.

One recurring problem with films these days is that despite how somber and serious a film is and how touched the audience feels at the end, someone (I can't imagine it is Clint Mansell here) opts to role the credits of the film to some annoying hip hop or rap or edgy contemporary popular music that has nothing to do with the story or the film's moody musical score. Reason unknown. Grady Harp, June 13
3 internautes sur 3 ont trouvé ce commentaire utile 
HASH(0x9cbce894) étoiles sur 5 Wonderful 21 mars 2013
Par Sarah - Publié sur Amazon.com
Format: Album vinyle Achat vérifié
A beautiful vinyl with an equally beautiful score. I've been a Mansell fan for over a decade and he never disappoints.
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