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Stomp 442 + Bonus Tracks Import

3.7 étoiles sur 5 3 commentaires client

4 d'occasion à partir de EUR 16,85
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Page Artiste Anthrax


Détails sur le produit

  • CD (28 août 2001)
  • Nombre de disques: 1
  • Format : Import
  • Label: Mis
  • ASIN : B00005NHJQ
  • Autres éditions : CD  |  Cassette
  • Moyenne des commentaires client : 3.7 étoiles sur 5 3 commentaires client
  • Classement des meilleures ventes d'Amazon: 431.724 en Musique (Voir les 100 premiers en Musique)
  •  Voulez-vous mettre à jour des informations sur le produit, faire un commentaire sur des images ou nous signaler un prix inférieur?

Liste des titres

Disque : 1

  1. Random Acts Of Senseless Violence
  2. Fueled
  3. King Size
  4. Riding Shotgun
  5. Perpetual Motion
  6. In A Zone
  7. Nothing
  8. American Pompeii
  9. Drop The Ball
  10. Tester
  11. Bare
  12. Grunt & Click
  13. Dethroned Emperor
  14. Celebrated Summer
  15. Watchin' You

Commentaires en ligne

3.7 étoiles sur 5
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Format: CD
impressionnant sur scène au cours de cette tournée "Stomp 442", Anthrax commençait à décliner en terme de ventes. dommage, car ce disque contient de nombreux hits ("Fueled" "Random Acts Of Senseless Violence" "King Size" "Tester" "American Pompeii")... c'est une baffe énorme
Remarque sur ce commentaire 3 personnes ont trouvé cela utile. Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
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Par Un client le 26 février 2003
Format: CD
Si la comparaison semble plus facile que maline, l'arrivée de John Bush au sein du combo métal de la Côte Est americaine -plus célebre pour le virus auquel il fait reference que pour ses compos - est largement comparable à celle de son homonyme à la Maison Blanche. En effet, fini le temps THRASH lorsque Anthrax rivalisait avec les surpuissants Slayer, oublié la période NEOMETAL AVANT-GARDISTE de I'm the man, et definitivement rayé la parenthese Public Enemy et ses collaborations HIP HOP façon Bring the Noise. A tort ou à raison, Anthrax met ici de côté son originalité passée, et grâce? à cause? de son BUSH se repositionne sur un son franchement plus agressif. Dès Random Acts of Senseless Violence, le premier titre, le message des New Yorkais est clair: Anthrax est désormais un groupe de HEAVY METAL!! American Pompeï nous conforte dans cette idée en nous faisant mal, bouger, crier et c'est bougrement efficace. Mais, même si le groupe ne relâche jamais la pression et démontre d'indiscutables éléments de qualités (une excellente production, un super chant, des riffs comme on aime, la batterie de Charlie Benante, l'énergie de Scott Ian, des refrains mortels,...), l'alchimie sur cet opus est parfois difficile...
On reste ainsi la majorité du disque satisfait et sous pression mais à l'image de Nothing, Perpetual Motion, Fueled ou encore King Size on reste surtout tojours un peu sur sa faim ...
Pourtant malgré ces dernieres critiques, une chose est certaine est c'est plutôt une bonne nouvelle, apres un premier essai plutôt prometteur sur The Sound of the White Noise, John Bush permet à Anthrax d'écrire une nouvelle ligne de son histoire en les balançant directement dans celle du HEAVY MELODIQUE. Alors à quand John Bush président?
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Par Davoï COMMENTATEUR DU HALL D'HONNEUR le 3 septembre 2001
Format: CD
Un des tous meilleurs albums des trasheurs de la côte est. Sorti en 1995, "Stomp 442" jouit d'une excellente production, les compos sont très incisives tout en gardant une touche mélodique assez sympa, notamment au niveau du chant. Anthrax a laissé de côté l'humour potache qui le caractérisait jusqu'alors. Le sérieux se ressent tant dans les paroles que dans la qualités musicale des titres présentés ici. Un des 5 meilleurs albums de métal de 1995 !
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x9051e8c4) étoiles sur 5 56 commentaires
15 internautes sur 15 ont trouvé ce commentaire utile 
HASH(0x9065b594) étoiles sur 5 "Never as old, as I was today, American Pompeii" 6 mars 2001
Par S. Martin - Publié sur Amazon.com
Format: CD
When I think of great drummers, there are three in particular that come to mind. Herb the Ginseng drummer (Primus), Danny Carey of Tool, and most noteably, Charlie Benette of Anthrax. This guy is incredible. Over the years, I've listened to this band put out some incredible stuff (Among the Living, Sound of White Noise) and stuff that is pretty average (State of Euphoria, Persistance of Time). It leads one to wonder what will come next. Well, I got this sucker and there was no doubt in my mind that Stomp 442 was their most excellent effort. In all aspects, this album encompasses what Anthrax is all about. Intelligent, hard core lyrics, palm mutes, and the most amazing drumwork of all time. American Pompeii is my favorite song, an impassioned plea for musical talent in a barren industry of dribble and mindless heavy metal of the 90's. There is so much packed into this album, when I got it in '95 I was blown away and have since never grown tired of it.
I think it is a tragedy what has happened to the music industry and an even greater trajedy that the youth of today will probably dismiss material like this, and opt to learn the guitar listening to Korn or Limp Bizkit. In such a scenario, we all lose. Buy Stomp 442 and support one of the greatest bands of all time.
17 internautes sur 20 ont trouvé ce commentaire utile 
HASH(0x9065b5e8) étoiles sur 5 You're the coward with a gun 28 août 2001
Par Hab Anagharek - Publié sur Amazon.com
Format: CD
Anthrax originally released STOMP 442 in 1995, and it couldn't have been at a worse time (this is a re-release); 1995 was a hard time for metal, if one wasn't Metallica: old school metal was passe and New Metal was in Kindergarten. All of the other established bands were finding it hard to find a place in the era of post-grunge inbred clones (or, rather, the record company marketing execs were looking for the next inbred offspring of Nirvana and ignored the metal bands in their roster). Corporate upheavals severed the relationships that led to the signings of metal bands to big labels in the early nineties. Hence the mid-90s abandonment of so many great bands, like Prong, Biohazard, and C.O.C., all of whom came up from the underground scene to the majors in the early 90s to be subsequently dropped by mid-decade.
Anthrax, of course, is on the very short list of ground-breaking and influential metal bands of the 1980s. In addition to being one of the fathers of "speed-metal", their tongue-in-cheek renditions of the Beastie Boys way back in 1987 and their collaboration with Public Enemy certainly planted the seed for the "rap-metal" style of young metallurgists a decade their junior. When these kids mockingly throw around the term "Addidas Rock", do they know what they're referencing (credit must also be given to RUN D.M.C.)?
By 1992 Anthrax had evolved to a such a point creatively that they parted ways with long-time vocalist Joey Belladonna. In Armored Saint singer John Bush they found a jolt of creative and energy and began, or so they had hoped, a new era for the band. They signed a lucrative three-record deal with Elektra, home of Metallica. 1993's SOUND OF WHITE NOISE was a creative, critical, and chart success.
Unfortunately, Anthrax was no exception to the above scenario. The people who signed them at Elektra had departed by the time 1995's STOMP 442 was released. The execs in suits didn't see them as viable in the musical climate of the time, and therefore ignored them. Consequently, STOMP 442 was neglected, not promoted at all, and criminally ignored by the buying public. Scott Ian, the rhythm guitarist, has said that "Random Acts of Senseless Violence" (STOMP 442's frontal assault) is "Heavy. Too bad no one heard it". Ian has also said that Anthrax's last three records (including 1998's VOLUME 8: THE THREAT IS REAL, another unseen masterpiece now out of print due to the label closing its doors! Hopefully to be reissued as well) have been the most satisfying creatively. Again, a crime they haven't reached many ears, ears that, in my view, would eat this stuff up.
Flash forward to 2001. In the April issue of Rolling Stone (Julia Stiles cover), STOMP 442 was NUMBER 20 on the Reader's Poll!! In the same list as the BEATLES!!! As a flabbergasted Ian said, "who knew?!?!" So there are people out there who know of STOMP 442, have heard it, and like it. Unfortunately it has been out of print. But now it and 1993's SOUND OF WHITE OF NOISE are back and better than ever, remastered with extra goodies!!
Probably as far back as 1996, with the launching of OZZ-FEST, metal has been back en vogue and harder than ever (had Anthrax been on the bill....). Iron Maiden makes a double-barrel comeback. New Metal with all its trappings has helped make metal relevant again. And now Anthrax is busy and ready to bust @#$! up. New label, tour (with Judas Priest), record in the works, collaboration with John Carpenter on the score to GHOSTS OF MARS (great stuff--check it out, if only for their contribution). The Elektra records are finally back, from their new label, Beyond Music, remastered with extra tracks and Ian-penned liner notes. What more could a metal fan ask for?! Content-wise, this stuff has aged better than fine wine. More like a strong small-batch barley wine. It packs a punch harder than ever. Case in point: it had taken me 5 years to get into this record.
This material is so relevant today, in this stale musical climate. STOMP 442 features tighter arrangements than ever before; tight, crunching musical statements in 5 minutes or less. Emphasis on songwriting: Simple yet whiplash-enducing riffs, melodies and hooks that leave a bootprint on your brain. And John Bush's vocals: he had fully integrated himself into Anthrax's sound. Hopefully now that time has given us some perspective, STOMP 442 will finally get the attention it deserves. If the Rolling Stone poll is any indication, there are hungry ears waiting to devour this addictive slab of metal. In short: BUY IT. IF YOU ARE A METAL FAN, OR JUST LIKE GOOD MUSIC, WHAT ARE YOU WAITING FOR?!?! ....
8 internautes sur 8 ont trouvé ce commentaire utile 
HASH(0x9065ba20) étoiles sur 5 The bridge between heavy metal and hard rock 20 novembre 2005
Par Good loser - Publié sur Amazon.com
Format: CD
I have no doubt: After listening the entire Anthrax catalog, my conclusion was instantaneous: Stomp 442 is the best Anthrax effort. I guess why many people (religious metalheads) overlooks this album: it's not thrash (like Anthrax 80's model) but heavy hard rock (really hard)... ready to smash your head. This album was the best moment of Anthrax, the most original... there is no similar album on the genre (except "We have come for you all"). And John Bush... he is a true hard rock singer.
3 internautes sur 3 ont trouvé ce commentaire utile 
HASH(0x9065bdec) étoiles sur 5 Underrated Classic 28 novembre 2002
Par Un client - Publié sur Amazon.com
Format: CD
Anthrax is my favorite band, so my opinion may be biased, but this is an underrated classic, probably because it goes in a much more aggressive direction than SOWN does. "In a Zone" and Drop the Ball" are two of the heaviest songs they have ever done. They alone are worth the price. "Nothing" is a melodic song in the vein of "Only". "Bare" is a nice ballad, but not up there with "Black Lodge". This album expands upon the sound they created with "Persistance of Time" by mixing churning, crunching riffs with melody lines that are much darker than those found on State of Euphoria.
2 internautes sur 2 ont trouvé ce commentaire utile 
HASH(0x9065bb7c) étoiles sur 5 STOMP 10 décembre 2009
Par MRT - Publié sur Amazon.com
Format: CD Achat vérifié
With the departure of lead singer Joey Belladonna from the 80s metal group Anthrax in the early nineties, fans might have been forgiven for thinking that the writing was on the wall for the highly regarded speed / thrash metal outfit. Imagine the surprise then when, with new recruit John Bush in the frontman position - recruited from fellow US metallers Armored Saint - Anthrax burst back onto the scene with The Sound Of White Noise in 1993.Two years later, they were back again, this time with Stomp 442. Although well recieved by pundits and listeners alike, it disappointingly undersold, a fact you can't help but find unbelievable on listening.Opening with the brutal "Random Acts Of Senseless Violence", Anthrax state their intent through the commercially-edged "Fueled" to "American Pompeii" and the metallic anthems of "In A Zone" and "Riding Shotgun".A criminally underrated album, deserving better than it got, from a truly underrated band who, with a legion of adoring fans, may one day recieve the true plaudits they deserve
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