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Symphonies 1-9, Piano Concertos 1-5 (Coffret 14 CD)


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Détails sur le produit

  • Chef d'orchestre: Nikolaus Harnoncourt
  • Compositeur: Ludwig Van Beethoven
  • CD (5 octobre 2009)
  • Nombre de disques: 14
  • Label: Teldec Classique
  • ASIN : B000JR0DVK
  • Autres versions : Téléchargement MP3
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Liste des titres

Disque : 1

  1. Symphony n1 in c major op21 adagio molto allegro
  2. Symphony n1 in c major op21 andante cantabile
  3. Symphony n1 in c major op21 menuetto allegro molt
  4. Symphony n1 in c major op21 finale adagio allegro
  5. Symphony n3 in e flat major op55 eroica allegro
  6. Symphony n3 in e flat major op55 eroica marcia
  7. Symphony n3 in e flat major op55 eroica scherzo
  8. Symphony n3 in e flat major op55 eroica finale al

Disque : 2

  1. Symphony n6 in f major op68 pastoral allegro ma
  2. Symphony n6 in f major op68 pastoral andante molt
  3. Symphony n6 in f major op68 pastoral allegro
  4. Symphony n6 in f major op68 pastoral allegro
  5. Symphony n6 in f major op68 pastoral allegretto
  6. Symphony n8 in f major op93 allegro vivace e con
  7. Symphony n8 in f major op93 allegretto scherzando
  8. Symphony n8 in f major op93 tempo di minuetto
  9. Symphony n8 in f major op93 allegro vivace

Disque : 3

  1. Symphony n2 in d major op36 adagio molto allegro
  2. Symphony n2 in d major op36 larghetto
  3. Symphony n2 in d major op36 scherzo allegro
  4. Symphony n2 in d major op36 allegro molto
  5. Symphony n5 in c minor op67 allegro con brio
  6. Symphony n5 in c minor op67 andante con moto
  7. Symphony n5 in c minor op67 allegro
  8. Symphony n5 in c minor op67 allegro

Disque : 4

  1. Symphony n4 in b flat major op60 adagio allegro
  2. Symphony n4 in b flat major op60 adagio
  3. Symphony n4 in b flat major op60 allegro vivace
  4. Symphony n4 in b flat major op60 allegro ma non
  5. Symphony n7 in a major op92 poco sostenuto vivace
  6. Symphony n7 in a major op92 allegretto
  7. Symphony n7 in a major op92 presto
  8. Symphony n7 in a major op92 allegro con brio

Disque : 5

  1. Symphony n9 in d minor op125 allegro ma non
  2. Symphony n9 in d minor op125 molto vivace
  3. Symphony n9 in d minor op125 adagio molto e
  4. Symphony n9 in d minor op125 presto allegro assai

Disque : 6

  1. Piano concerto n°2 in b flat major op19 allegro co - Pierre-Laurent Aimard
  2. Piano concerto n°2 in b flat major op19 adagio - Pierre-Laurent Aimard
  3. Piano concerto n°2 in b flat major op19 rondo alle - Pierre-Laurent Aimard
  4. Piano concerto n°1 in d major op15 I allegro con - Pierre-Laurent Aimard
  5. Piano concerto n°1 in d major op15 II largo - Pierre-Laurent Aimard
  6. Piano concerto n°1 in d major op15 III rondo alleg - Pierre-Laurent Aimard

Disque : 7

  1. Piano concerto n°3 in c minor op37 I allegro con - Pierre-Laurent Aimard
  2. Piano concerto n°3 in c minor op37 II largo - Pierre-Laurent Aimard
  3. Piano concerto n°3 in c minor op37 III rondo:alleg - Pierre-Laurent Aimard

Disque : 8

  1. Piano concerto n°4 in g major op58 I allegro mode - Pierre-Laurent Aimard
  2. Piano concerto n°4 in g major op58 II andante con - Pierre-Laurent Aimard
  3. Piano concerto n°4 in g major op58 III rondo viva - Pierre-Laurent Aimard
  4. Piano concerto n°5 in e flat major op73 I allegro - Pierre-Laurent Aimard
  5. Piano concerto n°5 in e flat major op73 II adagi - Pierre-Laurent Aimard
  6. Piano concerto n°5 in e flat major op73 III rondo - Pierre-Laurent Aimard

Disque : 9

  1. Triple concerto in c major op56 allegro - Pierre-Laurent Aimard
  2. Triple concerto in c major op56 largo - Pierre-Laurent Aimard
  3. Triple concerto in c major op56 rondo alla polacca - Pierre-Laurent Aimard
  4. Rondo in b flat major for piano and orchestra woo6 - Pierre-Laurent Aimard
  5. Choral fantasy in c minor op80 I adagio - Pierre-Laurent Aimard
  6. Choral fantasy in c minor op80 II finale allegro - Pierre-Laurent Aimard

Disque : 10

  1. Violin concerto in d major op 61-allegro ma non - Vadim Sacharov
  2. Violin concerto in d major op 61 II larghetto - Gidon Kremer
  3. Violin concerto in d major op 61-larghetto - Gidon Kremer
  4. Violin concerto in d major op 61-rondo : allegro - Vadim Sacharov
  5. Romance for violin and orchestra in g major op 40 - Gidon Kremer
  6. Romance for violin and orchestra in f major op 50 - Gidon Kremer

Disque : 11

  1. Overture coriolan op62 allegro con brio
  2. Overture die geschopfe des prometheus op43 adagio
  3. Overture doe ruinen von athen op113 andante
  4. Fidelio op72 ouverture
  5. Overture leonore I op138 andante con moto
  6. Overture leonore II op72 adagio allegro
  7. Overture leonore III op72 adagio allegro
  8. Overture egmont op84 sostenuto ma non troppo

Disque : 12

  1. Die geschopfe des prometheus op43 ouverture adagio
  2. Die geschopfe des prometheus op43 introduction
  3. Die geschopfe des prometheus op43 I poco adagio
  4. Die geschopfe des prometheus op43 II adagio
  5. Die geschopfe des prometheus op43 III allegro
  6. Die geschopfe des prometheus op43 IV maestoso
  7. Die geschopfe des prometheus op43 V adagio andante
  8. Die geschopfe des prometheus op43 VI un poco
  9. Die geschopfe des prometheus op43 VII grave
  10. Die geschopfe des prometheus op43 VIII allegro cn
  11. Die geschopfe des prometheus op43 IX adagio
  12. Die geschopfe des prometheus op43 X pastorale
  13. Die geschopfe des prometheus op43 XI andante coro
  14. Die geschopfe des prometheus op43 XII maestoso
  15. Die geschopfe des prometheus op43 XIII allegro
  16. Die geschopfe des prometheus op43 XIV andante solo
  17. Die geschopfe des prometheus op43 XV andantino
  18. Die geschopfe des prometheus op43 XVI finale

Disque : 13

  1. Missa solemnis op.123 nr.1 kyrie
  2. Missa solemnis nr.2 gloria
  3. Missa solemnis nr.2 gloria
  4. Missa solemnis nr.3 credo

Disque : 14

  1. Missa solemnis nr.4 sanctus
  2. Missa solemnis nr.4 benedictus
  3. Missa solemnis nr.5 agnus dei adagio presto

Descriptions du produit

14CD W/Chamber Orchestra Of Europe/Nikolaus Harnoncourt


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Amazon.com: HASH(0x893a3f24) étoiles sur 5 9 commentaires
16 internautes sur 16 ont trouvé ce commentaire utile 
HASH(0x89327ed0) étoiles sur 5 An Exciting, Memorable Collection Of Most Of Beethoven's Orchestral Works From Harnoncourt & COE 13 mai 2007
Par John Kwok - Publié sur Amazon.com
Format: CD
This 14 CD box set is truly a magnificient collection uniting virtually all of Beethoven's orchestral works performed by a single orchestra and conductor: Chamber Orchestra of Europe and Nikolaus Harnoncourt. It is magnificient not only for its breadth and depth, but more importantly, for its overall quality, since many of these recordings can be regarded as definitive recordings of these Beethoven pieces, which were recorded between the years 1990 and 2003. One notable set of highlights is Harnoncourt's mesmerizing, period instrument practice-informed recordings of all of Beethoven's symphonies, which have already received ample critical and popular acclaim for being among the finest Beethoven symphony cycles ever recorded. Another fascinating recording is his critically acclaimed recording of Beethoven's Missa Solemnis. Distinguished violinist Gidon Kremer collaborated successfully with Harnoncourt and the Chamber Orchestra of Europe in an inspiring, intriguing period instrument-influenced account of the Beethoven Violin Concerto. Pianist Pierre-Laurent Aimard is well represented in relatively recent, critically acclaimed recordings of the Beethoven Piano Concertos, the Beethoven Triple Concerto (accompanied by violinist Thomas Zehetmair and cellist Clemens Hagen), and two other works for piano and orchestra. For those unfamiliar with Nikolaus Harnoncourt and the Chamber Orchestra of Europe, this box set is a most impressive introduction, and one which I recommend highly.
16 internautes sur 17 ont trouvé ce commentaire utile 
HASH(0x89327f24) étoiles sur 5 Qualified Recommendation - These are typical Harnoncourt performances 22 août 2009
Par Prescott Cunningham Moore - Publié sur Amazon.com
Format: CD
Many listeners are already familiar with Harnoncourt's Beethoven cycle, previously released without the overtures, the mass, and the concertos. Those that have not heard this set or are unfamiliar with Harnoncourt are in for a treat, so long as they approach Harnoncourt's interpretations with open ears.

Indeed, across the board, Harnoncourt is up to his usual antics in this set. And I say that with all due respect to this great conductor, who's forays into Haydn I consider reference performances and who's Bruckner is revelatory. However, Harnoncourt is always controversial for his unique sense of discovery, and that quality certain pervades this set. Take, as a case study, the first movement of the Eighth, where Harnoncourt touches every measure with unique phrasing markings, extreme dynamics, and quirky punctuations. At times, his ideas can be somewhat off-putting or even strange. Take, for example, how the timpani and lower strings emphasize the three four time by accenting the downbeat during the C major cadence at the close of the exposition. Interesting, yes, but it covers up the violin figures and comes off more grotesque and vulgar than exciting. Or listen to how Harnoncourt's overly muscular handing of the beginning of the recapitulation almost completely covers the lower strings. On the other hand, listen to Harnoncourt's delightful handling of the declamatory two-four rhythmic outbursts where he really emphasizes the syncopated quality of the music. Or listen to how he really adds extra excitement to the already over-charged development with thrilling brass playing. Harnoncourt unearths many details and certainly presents this too-familiar music in a new light.

Another example is Harnoncourt's sixth, which was controversial then and remains an acquired taste. Harnoncourt's incredibly relaxed and "legato heavy" first movement really takes the cheerful title to heart. It is not the overwhelming joy of Toscanni and Vanska or the heartwarming cheer of Bohm or Dohnanyi - rather, it is a warm but restrained calm upon entering the country that never really seems to reach happy. Harnoncourt is saving true happiness for the finale - a valid interpretive idea - but it still results in underplayed first and second movements.

But when at his best, Harnoncourt can create magic like few other conductors. His seventh is a case-in-point, a reference performance if there ever was one. The finale is just the finest on disc, period. He takes it at a ferocious clip, but unlike Abbado in his first Berlin cycle, the Chamber Orchestra of Europe plays with a virtuosic flair that is nothing short of astounding. It must be heard to be believed!

Listeners who crave something new from the canonic nine would we well served to get this set. At the same time, listeners interested in purchasing just two or three sets of the Beethoven symphonies (really, who can own just one?) may be better served by other cycles. Szell's reference cycle is a nice alternative, as is Blomstedt, Bohm, Gardiner, Toscanini, or, more recently, Vanska or Jarvi. Still, Harnoncourt's cycle is absolutely necessary for those who want a well-rounded Beethoven collection. While his interpretations may be unconventional, I still find myself returning to this cycle and always find new surprises upon each hearing.

The same qualities are present in the other orchestral works in the set. However, the concertos are another matter entirely. Aimard, like Harnoncourt, is interested in personalizing the five concertos with his own unique interpretations. However, the result is, at least in my opinion, just too much. Both Harnoncourt and Aimard seem so interested in dissecting the music that they seem to get lost along the way, busying themselves in performances that end up sounding fussy and overly intellectualized. And while our cup certainly does not overflow with great concerto cycles (Fleisher/Szell and the recent Goode/Fischer immediately come to mind as standouts in this glutted mass), listeners can find cycles that present more coherent interpretations. That being said, these performances, like the symphonies, are fascinating, and listeners that know this music well may find Harnoncourt and Aimard's probing readings exactly for what they are looking.

Sonics throughout are good, not great, and are beginning to show their age. Page flipping, breathing, and on-stage noises pepper this set. They are certainly not distracting, but considering modern recording standards, they do sound out-of-place.

So it is with that qualified reservation that I recommend this set.
8 internautes sur 9 ont trouvé ce commentaire utile 
HASH(0x89328378) étoiles sur 5 Authentic Beethoven from veteran conductor 27 juin 2007
Par Abert - Publié sur Amazon.com
Format: CD
Even though Grammophone Magazine did not see it fit to rank Harnoncourt's Beethoven Symphonies as among the 'best 5', I myself rank it before some of those chosen by Grammphone, notably David Zinman.
Harnoncourt's interpretation of Beethoven with his period instruments is so striking and full of character that you need not question 'what is Beethoven like'?
The concertos may have soloists varying in calibre, but the conducting and orchestration are nonetheless terrific. Take the 3rd movement of the No. 1 Piano Concerto, for example. Harnoncourt articulates such dynamics that the interpretation is at once authenticity and moving. The string section simply blow the listener off, even if the pianist Aimard isn't really the true Beethoven interpretor like Yefim Bronfmann for David Zinman, let alone Wilhelm Kempff before.
The ECO under Harnoncourt played elegantly, heroically and dramatically. The No. 5 Symphony is such a stately yet dramatic account that even with the fiery tempo like Zinman, could not be easily surpassed in terms of both excitement and depth.
1 internautes sur 1 ont trouvé ce commentaire utile 
HASH(0x89328780) étoiles sur 5 A terrific HIP set of Beethoven orchestral music from Harnoncourt & Co. 12 février 2016
Par 3rd Day Believer - Publié sur Amazon.com
Format: CD Achat vérifié
This is a no-brainer, a "just buy it," all that kind of thing, but especially if HIP is what you're looking for. I'm a big fan of Immerseel's traversal of the Symphonies (just a few of the 14 CDs here), but Harnoncourt is widely admired, and for good reason. Also, this really is 14 CDs, with conducting and playing of remarkable consistency, including a wonderful Triple Concerto and Violin Concerto--in other words, great team play throughout--and you can get the whole 14-CD shebang New, delivered, for as little as $28. Even the Amazon full price is an unquestionable good deal. Comical to think of this as "the only Beethoven large-scale music you will ever need"--"large-scale" because it contains almost exclusively orchestral performance--but if you were to give a "gift of Beethoven" you could do a great deal worse. And although few will say so, HIP sounds better on the typical bad stereo most people have, such as an outboard computer system or earbuds. Why? Fewer instruments makes for greater clarity of sound, instead of the doubling/tripling of instrumentation that can so often sound like muddled bloat if your system isn't up to the job. Having re-entered classical music through Baroque French opera under the baton of William Christie, to me HIP simply sounds like the right way. It doesn't excuse lack of inspiration, and will not remedy tepid playing, but little if any of that is in evidence here. Very sweet box set, and another of the astonishing great deals in classical music.
4 internautes sur 6 ont trouvé ce commentaire utile 
HASH(0x893286f0) étoiles sur 5 a very solid collection 30 mars 2007
Par J. Berner - Publié sur Amazon.com
Format: CD
This is a very solid collection that collects all of Harnoncourt's interpretations of Beethoven's symphonies, concertos and such. This seems to collect his best recordings into one package.

The music is astounding, from what I can tell and any fan of Beethoven would do well to pick up this set if they don't have the individual recordings by Harnoncourt already.

This set is specifically aimed at the people who are getting into Beethoven and want his material or to people who want to start collecting Harnoncourts recordings of Beethoven.

Obviously if you have Harnoncourt's recordings in part or in whole, this set might be a bit pricey but for those getting into his interpretations then this would be the perfect way to do so.

It looks like you get his complete Beethoven work and for the price it is relatively cheap.
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