Revue de presse
“Though [Basile] wrote for a literary elite, the dirt of an oral tradition clings to his telling, rich in legend and slang.” —Anthony Lane, The New Yorker
“What makes The Tale of Tales memorable is twofold: the lunatic imagery used in many of these stories, and the occasionally tart tone taken by its narration. . . . The bizarre details of several of these stories offer much to recommend.” —Literary Hub
Présentation de l'éditeur
Before the Brothers Grimm, before Charles Perrault, before Hans Christian Andersen, there was Giambattista Basile, a seventeenth-century poet from Naples, Italy, whom the Grimms credit with recording the first national collection of fairy tales. The Tale of Tales—also known as The Pentamerone—opens with Princess Zoza, unable to laugh no matter how funny the joke. Her father, the king, attempts to make her smile; instead he leaves her cursed, whereupon the prince she is destined to marry is snatched up by another woman. To expose this impostor and win back her rightful husband, Zoza contrives a storytelling extravaganza: fifty fairy tales to be told by ten sharp-tongued women (including Zoza in disguise) over five days.
Funny and scary, romantic and gruesome—and featuring a childless queen who devours the heart of a sea monster cooked by a virgin, and who then gives birth the very next day; a lecherous king aroused by the voice of a woman, whom he courts unaware of her physical grotesqueness; and a king who raises a flea to monstrous size on his own blood, sparking a contest in which an ogre vies with men for the hand of the king’s daughter—The Tale of Tales is a fairy-tale treasure that prefigures Game of Thrones and other touchstones of worldwide fantasy literature.
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