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There'S No Sympathy For The Dead CD single, Single Maxi, Import

5.0 étoiles sur 5 1 commentaire client

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Page Artiste Escape The Fate

Produits fréquemment achetés ensemble

  • There'S No Sympathy For The Dead
  • +
  • Dying Is Your Latest Fashion
Prix total: EUR 15,42
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Détails sur le produit

  • CD (22 mai 2006)
  • Nombre de disques: 1
  • Format : CD single, Single Maxi, Import
  • Label: Epitaph
  • ASIN : B000F7CKHE
  • Autres versions : CD  |  Téléchargement MP3
  • Moyenne des commentaires client : 5.0 étoiles sur 5 1 commentaire client
  • Classement des meilleures ventes d'Amazon: 284.431 en Musique (Voir les 100 premiers en Musique)
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Format: CD Achat vérifié
Le premier EP d'Escape The Fate, à l'époque où Radke était encore au chant. Recommandé aux amateurs de Dying Is Your Latest Fashion. Tout simplement excellent, même s'il ne contient que 5 chansons.
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x99c97a14) étoiles sur 5 16 commentaires
4 internautes sur 4 ont trouvé ce commentaire utile 
HASH(0x9992984c) étoiles sur 5 A Good Start 9 août 2006
Par taylarROXmySOX - Publié sur Amazon.com
Format: CD
I'v luved Escape The Fate ever since i heard "The Guillotine" on purevolume. They have a unique sound and are fun to sing along to. I just saw them live at Warped Tour and they ROCKED!

Give em a try and im sure you will like them to.
4 internautes sur 5 ont trouvé ce commentaire utile 
HASH(0x9991fc24) étoiles sur 5 Please enter a title for your review 26 mai 2006
Par pancake_repairman - Publié sur Amazon.com
Format: CD
Based on the generically cryptic, dark and humourless band name and cd title and the fact that it's on Epitaph, the label responsible for bringing us From First To Last and Matchbook Romance, I really didn't think I'd like this, but I changed my mind instantly when I heard the start of the first song. Unlike the vast majority of new bands in the emo and metalcore niches, Escape The Fate use the conventions of the genres within the context of solid songwriting rather than as a goal in and of themselves. They're not trying too hard "be metal" or "be emo" or dazzle you with superficial experimentalism, it's just solid riffs, melodies, and chord progressions. The drumming seems particularly organic for a band of this type, not very complex or creative, but with enough of an erratic edge to keep it from feeling robotic. The way they make the double-kick drumming work against the generally soft music of Dragging Dead Bodies... is inexplicable. I would generally hate such a device just on principle, seeing it as a pantywaist emo band's misguided contrived attempt at "being metal", but these guys have enough of a grasp of both rhythmmic heavyness and pleasantly melodic wussrock that they actually integrate the elements together in an effective way. The vocals are another thing they do inexplicably well, without deviating from typical commercial emo and metalcore styles. The clean singing is lacking melodic creativity, but the relative underproduction and willingness to not aspire to perfect professionalism, endearingly including the natural inhales at the end of lines while still hitting all the notes, downplays the robotic aspect of commercial-emo singing. The metalcore vocals, something being increasingly attempted by vocalists who can't pull it off, are surprisingly well done. They're almost understated, placed where they fit to add dynamic range while sustaining rhythmmic flow, rather than ignorantly thrown around just to say "look, we can scream, are we edgy yet?" like what a lot of young bands seem to be doing.
I generally hate commercial emo and metalcore bands, as both styles seem to be getting progressively trendier and more superficial while the songwriting becomes more and more ridigly conventional, but this ep, while not being remotely groundbreaking or original, is refreshing for the simple fact that the band sound loose enough for the music to still be fun and real, a valueable commodity in a scene where so many albums sound like they've been created in sterile studio-laboratories by a team of producers.
I'd say this ep is like a better version of Funeral For A Friend's Seven Ways To Scream Your Name, and comparisons to Finch's What It Is To Burn, Amity's Amor Vincit Omnia, The Higher's Star Is Dead, and The Fully Down's older album wouldn't be far off either. I don't see as much relevence to Senses Fail, Underoath, or Atreyu. Escape The Fate are generally more high energy and upbeat than most of their peers, especially Underoath.
2 internautes sur 2 ont trouvé ce commentaire utile 
HASH(0x9991f1ec) étoiles sur 5 Better than I Am Ghost 24 mai 2006
L'évaluation d'un enfant - Publié sur Amazon.com
Format: CD
Ok so I am really 18...In my opinion this band's way better than I am Ghost, the songs are catchier, it's way harder. Although I am Ghost is easily more unique. Being that Escape The Fate sounds like Atreyu and From First to Last, but it still has it's differences from the 2. My favorite song on the cd is There's no sympathy for the dead, and yes the lyrics are great, and the song is perfect for when your mad/sad, overall i give all the songs on this cd a 5, the songs make this band, in the top 5 of my favorite hardcore/metalcore bands.
1 internautes sur 1 ont trouvé ce commentaire utile 
HASH(0x99939b64) étoiles sur 5 Bone Crusing EP! 10 mars 2007
Par Tony Brandvold - Publié sur Amazon.com
Format: CD
I don't understand all the negative reviews on this band. Especially on the EP. There's No Sympothy For the Dead is not just another Screamo Cd. No. Anyone who says that is musically challenged. This album has unique qualities that throw the band in a category all of its own. The clean vocals are sorta Screamo sounding, but the screaming could easily be put on an As I Lay Dying album. The vocals are packed with harmonies. I've heard every screamo/emo band out there, and i'm not a fan of the stuff. I'm a metalhead. My tastes go from Devildriver to It Dies Today. And I throw this cd in that category. The drumwork isn't to complicated, but has really sweet little double-bass kicks that really add a lot to the music. The guitars harmonize with eachother a lot. Once again, nothing to complicated, but very fitting to the music. Max's bass playing is different from most bass playing that i've heard. He keeps it interesting. Not the same old boring "play with the guitar" style bass playing that i'm used to hearing.

Overall, very good EP. Good from start to finish. Heres a quick rating and description of the songs --

Dragging Dead Bodies(5/5)- Great opener. Starts of with a catchy snare drum roll, and intense guitar harmonies. When the snare roll ends and that little opening guitar riff kicks in you'll get chills. Trust me.

There's no Sympothy For The Dead(5/5)- Just a great Hard hitting tune. Great, Great lyrics and great screaming in this one.

The Ransom(5.5/5)- Great song!! The most mellow on the album, but still agressive. Very catchy chorus.

As Your Falling Down(4.5/5)- My least favorite, but still a great song. nice little guitar solo.

The guillotine(7/5)- THE best song on the EP by far. It's without a doubt the heaviest song on the album, but still holds that melodic escape the fate sound. I love the "depths of hell" screams in the end. Great headbanger!
1 internautes sur 1 ont trouvé ce commentaire utile 
HASH(0x99939fa8) étoiles sur 5 This EP rocks my socks! 24 mai 2006
Par Heather M. Kahl - Publié sur Amazon.com
Format: CD
Truly phenomenonal mixture of today's hardcore, screamo, and excellent lyrics. Their live show is absolutely amazing and I would recommend that anyone near one of their shows be a part of it. I used to listen to the band practice in the drummer's garage, and I was there at their first show as a band - and to see how hard they have worked, how much passion for their music and their fans that they have shown, how far they have come, and what an impact they have made on the Las Vegas rock scene has truly been an honor to experience. Listen to the album - experience it for yourself.
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