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Turandot Super Audio CD

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Détails sur le produit

  • Interprète: Myriam Funari, Rome Opéra Orchestra, Rome Opéra Orchestra and Chorus
  • Orchestre: Multi-Artistes
  • Chef d'orchestre: Erich Leinsdorf
  • Compositeur: Giacomo Puccini
  • CD (25 septembre 2006)
  • : Requires SACD-compatible hardware
  • Nombre de disques: 2
  • Format : Super Audio CD
  • Label: Living Stereo
  • ASIN : B000G759LM
  • Moyenne des commentaires client : 3.0 étoiles sur 5 3 commentaires client
  • Classement des meilleures ventes d'Amazon: 170.528 en Musique (Voir les 100 premiers en Musique)
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Liste des titres

Disque : 1

  1. Popolo di pekino! - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  2. Gira la cote, gira, gira! - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  3. Perche tarda la luna? - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  4. O giovinotto (funeral march) - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  5. O divina bellezza! - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  6. Figlio, che fai? - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  7. Fermo! che fai? t'arresta! - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  8. Non indugiare! - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  9. Signore, ascolta! - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  10. Non piangere, liu! - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  11. Ah! per l'ultima volta! - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  12. Ola, pang! ola, pong! - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  13. Ho una casa nell'honan - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  14. O mondo...o mondo... - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  15. Non V'e in china per nostra fortuna - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  16. Gravi, enormi ed imponenti - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  17. Un giuramento atroce mi costringe - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  18. Popolo di pekino! - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  19. Popolo di pekino!
  20. Gira la cote, gira, gira!
  21. Perche tarda la luna?
  22. O giovinotto (funeral march)
  23. O divina bellezza!
  24. Figlio, che fai?
  25. Fermo! che fai? t'arresta!
  26. Non indugiare!
  27. Signore, ascolta!
  28. Non piangere, liu!
  29. Ah! per l'ultima volta!
  30. Ola, pang! ola, pong!
  31. Ho una casa nell'honan
  32. O mondo...o mondo...
  33. Non V'e in china per nostra fortuna
  34. Gravi, enormi ed imponenti
  35. Un giuramento atroce mi costringe
  36. Popolo di pekino!
  37. Popolo di pekino!
  38. Gira la cote, gira, gira!
  39. Perche tarda la luna?
  40. O giovinotto (funeral march)
  41. O divina bellezza!
  42. Figlio, che fai?
  43. Fermo! che fai? t'arresta!
  44. Non indugiare!
  45. Signore, ascolta!
  46. Non piangere, liu!
  47. Ah! per l'ultima volta!
  48. Ola, pang! ola, pong!
  49. Ho una casa nell'honan
  50. O mondo...o mondo...
  51. Non V'e in china per nostra fortuna
  52. Gravi, enormi ed imponenti
  53. Un giuramento atroce mi costringe
  54. Popolo di pekino!

Disque : 2

  1. In questa reggia - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  2. Straniero, ascolta - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  3. "giuzza al pari di fiamma" - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  4. "gelo che ti da foco" - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  5. Figlio del cielo! - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  6. Tre enigmi m'hai proposto - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  7. Ai tuoi piedi ci postriam - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  8. Cosi comanda turandot - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  9. Nessun dorma! - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  10. Tu che guardi le stelle - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  11. Straniero, tu non sai - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  12. Principessa divina! - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  13. Chi pose tanta forza - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  14. Tu che di gel sei cinta (death of liu) - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  15. Ah! tu sei morta - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  16. Principessa di morte! - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  17. Che e mai di me? - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  18. Del primo pianto - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  19. Diecimila anni - Baryton Sereni, Birgit Nilsson, Erich Leinsdorf, Giorgio Tozzi, Jussi Björling, Piero De Palma, Renata Tebaldi, Tommaso Frascati
  20. In questa reggia
  21. Straniero, ascolta
  22. "giuzza al pari di fiamma"
  23. "gelo che ti da foco"
  24. Figlio del cielo!
  25. Tre enigmi m'hai proposto
  26. Ai tuoi piedi ci postriam
  27. Cosi comanda turandot
  28. Nessun dorma!
  29. Tu che guardi le stelle
  30. Straniero, tu non sai
  31. Principessa divina!
  32. Chi pose tanta forza
  33. Tu che di gel sei cinta (death of liu)
  34. Ah! tu sei morta
  35. Principessa di morte!
  36. Che e mai di me?
  37. Del primo pianto
  38. Diecimila anni
  39. In questa reggia
  40. Straniero, ascolta
  41. "giuzza al pari di fiamma"
  42. "gelo che ti da foco"
  43. Figlio del cielo!
  44. Tre enigmi m'hai proposto
  45. Ai tuoi piedi ci postriam
  46. Cosi comanda turandot
  47. Nessun dorma!
  48. Tu che guardi le stelle
  49. Straniero, tu non sai
  50. Principessa divina!
  51. Chi pose tanta forza
  52. Tu che di gel sei cinta (death of liu)
  53. Ah! tu sei morta
  54. Principessa di morte!
  55. Che e mai di me?
  56. Del primo pianto
  57. Diecimila anni


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Par Roger Dominique Maes COMMENTATEUR DU HALL D'HONNEURTOP 50 COMMENTATEURS le 4 février 2012
Puccini, "Turandot" (1926), Choeur et Orchestre de l'Opéra de Rome, Erich Leinsdorf, Rome, Studio 1960, 2 CDs RCA.

Erich Leinsdorf est décidément un chef dont on redécouvre les enregistrements avec chaque fois plus d'intérêt : efficace, vigoureux, s'il ne fait pas toujours dans la dentelle, il n'est jamais racoleur, et tire le meilleur parti de l'orchestre à sa disposition, comme ici celui de l'Opéra de Rome : lyrisme taillé dans la masse, cordes chantantes, délicates ciselures de détails, et même véritable poésie, notamment le lever de lune du premier acte, moment de toute beauté...

La distribution est des plus homogènes : le Calaf de Jussi Björling, plus ému que conquérant, aux aigus parfois tendus, suscite quelques (petites) réserves; on attend plutôt l'héroïsme trompettant de Corelli, ou le machisme ravageur de Del Monaco, tous deux irremplaçables dans ce rôle, mais la Liù de Tebaldi est de nouveau au-delà des mots, dans l'absolu, le divin, la perfection, pur oiseau de paradis égaré parmi les rapaces!
Quant à Birgit Nilsson, elle attaque le récit des mésaventures de Lao-ou-Ling avec beaucoup de réserve, plus dolente que hautaine, plus détachée que vengeresse, et c'est fort bien venu, jusqu'à ce que le récit lui rappelle sa colère, l'orgueil de sa virginité, sa volonté de dominer à jamais l'appétit des hommes; sa voix tranche alors comme la hache du bourreau, et il faut que Calaf ait décidément le coeur bien accroché pour résister à la peur qu'elle inspire.
Lire la suite ›
4 commentaires 6 personnes ont trouvé cela utile. Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
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Pour être tout à fait honnête, je n'ai jamais vraiment réussi à cerner cet enregistrement du chant du cygne de Puccini. Incontestablement, des chanteurs aux preneurs de son en passant par le chef et l'orchestre, tout le monde a fait du bon travail, et l'ensemble incontestablement fonctionne bien, et s'impose par son homogénéité. Alors pourquoi y reviens je si peu?

L'orchestre de l'opéra de rome est plus discipliné que dans l'enregistrement Molinari Pradelli, ses faiblesses moins criantes, mais Leinsdorf ne sait pas se transcender en studio, les micros l'anesthésient c'est évident : il manque ici constamment une véhémence, une poigne et du théâtre, beaucoup de théâtre. Mais les beautés sont là, c'est incontestable. Nilsson est moins métallique ici qu'ailleurs, mais guère prenante -son talent explose en live. Bjorling chante et phrase assez divinement bien (nessun dorma)-son calaf n'en demeure pas moins privé de charisme, de mâle assurance, d'italianita. Comparée à Scotto, Tebaldi semblera apprêtée et conventionnelle, mais les trois airs sont superbement chantés -à défaut d'être émouvants. Les seconds rôles sont impeccables.
Un enregistrement homogène, plein de belles qualités -rarement prenant et auquelle il manque une notion guère musicale : le supplément d'âme.
Remarque sur ce commentaire 2 personnes ont trouvé cela utile. Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
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Par BAGRATION COMMENTATEUR DU HALL D'HONNEUR le 8 mars 2013
Le Commodore Deux-Bouts (heureux homme) séduit de façon fort civile mais fort vile (comme dirait Al)la tres belle, plantureuse et amatrice des plaisirs terrestres Loa-Tsa-Alor...Il s'ensuit de cette voluptueuse fornication que pris au moment le plus succulent, le Commodore se voit sommé, sous peine de devenir l'Eunuque du Sérail, d'épouser la belle qui n'en demande pas tant (deux bouts mais piètre amant)....

Bref...elle lui sussure : "Prends l'oseille et tire-toi"...ce qu'il fait sans plus attendre en courant à perdre haleine. Depuis toutes les Triades le poursuivent au cri de ralliement bien connu : "Tu rends dot"...
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x9a69a2ac) étoiles sur 5 16 commentaires
61 internautes sur 61 ont trouvé ce commentaire utile 
HASH(0x9a64672c) étoiles sur 5 Classic Turandot 28 novembre 2007
Par R. M. Simmons - Publié sur Amazon.com
Achat vérifié
Though this recording is generally highly rated, the ease and arrogance with which a few reviewers have dismissed this historic performance leave one perplexed and saddened, wondering if perhaps Amazon's customer rating system is such a great thing after all.

Granted, the technology behind this early stereo recording is often less than exemplary, and the various LP pressings and CD issues have varied in quality. The current reissue seems as good as we are likely to get any time soon.

Despite these shortcoming, I really do wonder if some of the less than enthusiastic reviewers really understand what they are hearing when they hear these voices.

Certainly we have a wealth of great voices today, but there is no denying that with our global community, voices are beginning to sound more and more the same. This recording documents a different era, when regions and nations produced a unique sound.

This recording is a living testament to a time when Scandanavian voices (Nilsson and Bjoerling) rang free and open-throated with a particular brilliance in the upper register; when Italian sopranos (Tebaldi) sang with an exciting blend of Italianate bite and Mediterranean warmth and hue; when sopranos often produced pianissimos not by a mere reduction in volume, but by producing an uncanny, disembodied tone that floated. Listen to the confrontation between Turandot and Liu near the end of the opera to hear Tebaldi and Nilsson both produce this striking sound. The soft, warm tones seem suspended in space. Milanov could produce this sound; so could Caballe.

For this performance I can only feel gratitude. No one can objectively say that these roles have been performed better by other singers. Many, myself included, would insist that these performances are unsurpassed, perhaps even unequalled. At any rate, we are the beneficiaries of these great artists who, during the hot Roman summer of 1959, not only left behind a classic performance of this great work, but who also preserved on disc one of the greatest tributes to a great era of singing--an era that can only accrue in legend with each passing year.
30 internautes sur 31 ont trouvé ce commentaire utile 
HASH(0x9a61d4d4) étoiles sur 5 Turandot, third time around 4 janvier 2007
Par Thomas M. Hines - Publié sur Amazon.com
Achat vérifié
Puccini's final opera, Turandot, with an outstanding cast (Jussi Björling, Birgit Nilsson, Renata Tebaldi, Giorgio Tozzi, and Mario Sereni as principal singers) and illustrious conductor (Eric Leinsdorf) has now been released for the third time in Super Audio version (supplanting the Living Stereo version of a few years back). To the untrained ear, so to speak, there appears to be little difference between the two recent versions; nonetheless, the Super Audio (played on a SACD,5.1 chanel system) captures the nuances and dynamics of both orchestral and vocal production in a manner that sets it apart from the Living Stereo initial release. The orchestra sounds much richer than before. The choral accompaniment and comprimario singers (Ping, Pang, and Pong)have an immediacy and clarity that seem lacking in previous versions. Björling's hauntingly exquisite voice projects an Italianate warmth, coupled with a glistening upper register, that makes it extremely effective in the role of Calaf; Nilsson's heroic soprano (reflecting her Wagnerian training and repertory) rings out with a penetrating clarity of tone and pitch. She blends power and sweetness in a superb interpretation of the ice princess, Turandot. The final duet with Björling is indeed well worth the price of the two-disc set; both voices join in lyrical and dramatic utterances of rare beauty that elicit something close to awe in the listener.

There are some minor defects (at times Björling sounds oddly distant and the orchestra tends to cover the singers in the crescendo passages) due, perhaps, to the problems of early stereo recording (1959). For those who are Corelli or Pavarotti fans, this performance may not supersede these great artists' classic recordings of Turandot but the Leinsdorf/Björling/Nilsson Super Audio release is still one of the very best currently available. It belongs in the top three by virtue of its superior artistry and dramatic force. Highly recommended.
19 internautes sur 19 ont trouvé ce commentaire utile 
HASH(0x9aac915c) étoiles sur 5 Historic Turandot Recording Finally Back in the Rich Sound It Deserves 26 septembre 2006
Par RJS - Publié sur Amazon.com
Here, at last, the famous 1959 RCA recording is presented in what is truly "master tape" sound. Originally recorded in three channel stereo, this SACD allows playback in that format, in an SACD mixdown to two channels, or in CD audio of the two channel mix -- and all at a bargain price! The lack of artificially added reverb boosts the presence of the voices of the cast, emphasizing the authority of Giorgio Tozzi's Timur, the passion and resignation of Renata Tebaldi's Liu, and the gleam and burnished luster of Jussi Bjoerling's late-career Calaf. Choral passages that formerly were muddy-sounding are now clear, and, in the orchestra, the basses, timpani and bass drum benefit from a much more solid bottom end sound. The SACD formats also allow the brass to shine more brightly, and nothing is over-modulated. Yes, the winds and the strings are still horribly out-of-tune, but the sound overall is clear and present. The exception to the relatively dry acoustic is the voice of Birgit Nilsson, who, in her portrayal of Turandot, makes the Rome Opera House absolutely ring (pun intended?) with her voice.

The characters can be followed as they navigate the soundstage, with no remixing attempts to "correct" the original choreography by artificially placing the voices in the center, as has been done previously with some sections of this recording.

The enclosed booklet contains poorly reproduced pictures taken during the recording sessions (if it was a choice between preserving the original photos or the master tapes, thank goodness it was the tapes!), and no libretto. However, an internet link for downloading the libretto as a PDF file is included.
7 internautes sur 7 ont trouvé ce commentaire utile 
HASH(0x9a617c90) étoiles sur 5 Still the best! 19 mars 2010
Par Laurence G. Dorning - Publié sur Amazon.com
I grew up on this recording of "Turandot" and when I began building my CD collection I was determined not to replace all of my old LP's. I purchased different versions instead. After many attempts to find a better recorded and sounding "Turandot", I finally relented and purchsed this one and it is the one I play most often. To me, Nilsson will always be the ice princess, so cold and calculating and Tebaldi is in fine form as Liu. Bjorling may have been at the end of his vocal prime but he still manages to pack a wallop. But for the, this is the best conducted "Turandot" I have heard. Leinsdof performance is full of vigor and stamina and he truly makes the most out of the end of the first act bringing it to a rousing conclusion(Mehta rushes through this and Karajan conducts it as if it were a dirge)But my favorite aspect of his conducting is his bringing the chorus to fever pitch in Act 2 as they scream out "Il nome!!!" I have yet to hear anyone else take the passage as he does and it is truly effective. All in all this is a wonderful set and sound is quite good considering it's age. Still the best "Turandot" for me after all these years.
9 internautes sur 10 ont trouvé ce commentaire utile 
HASH(0x9a6976e4) étoiles sur 5 Excellent SACD sound for a classic performance 25 avril 2010
Par pm444 - Publié sur Amazon.com
I have the previous CD Living Stereo of this opera and have enjoyed it for the outstanding performances by Nilsson, Bjorling, and Tebaldi. However, as on many recordings of "Turandot", there was a fair amount of congestion and distortion in the louder passages. SACD removes most of that and also provides much greater clarity in both the vocal and orchestral details. It's amazing to hear Nilsson's voice soaring effortlessly to the heights without even the hint of the sound breaking up, and Bjorling just as effortlessly singing with warmth and sincerity. Leinsdorf conducts with reasonable tempi throughout, keeping the focus on the singing and never getting in the way of his soloists. The three-way multi-channel SACD sound gives the listener a nicely balanced soundstage without any artificial enhancements. The set would be worthwhile just to hear Nilsson and Bjorling, but Tebaldi, Leinsdorf, and excellent remastered sonics make it an indispensible "Turandot".

I also own the Nilsson/Corelli recording on EMI, but find the recorded sound to be more strident and congested than this set. It's still worth it to hear Nilsson with Corelli, but it's too bad EMI hasn't remastered it since it first appeared on CD in 1990. The Mehta recording on Decca with Sutherland and Pavarotti has very good sound, but I prefer Nilsson's Turandot to Sutherland, who does not seem as well-suited to the role, though that set has a young Pavarotti in excellent voice. You really can't go wrong with any of these three recordings, but with the clarity of sound that SACD brings to the RCA, it's now my first choice.
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