EUR 51,46
  • Tous les prix incluent la TVA.
Temporairement en rupture de stock.
Commandez maintenant et nous vous livrerons cet article lorsqu'il sera disponible. Nous vous enverrons un e-mail avec une date d'estimation de livraison dès que nous aurons plus d'informations. Cet article ne vous sera facturé qu'au moment de son expédition.
Expédié et vendu par Amazon. Emballage cadeau disponible.
Vous l'avez déjà ?
Repliez vers l'arrière Repliez vers l'avant
Ecoutez Lecture en cours... Interrompu   Vous écoutez un extrait de l'édition audio Audible
En savoir plus
Voir les 2 images

The Use of Models in Medieval Book Painting (Anglais) Relié – Version intégrale, 1 avril 2014

Rentrée scolaire et universitaire : livres, agendas, fournitures, ordinateurs, ameublement …découvrez notre boutique

Voir les formats et éditions Masquer les autres formats et éditions
Prix Amazon
Neuf à partir de Occasion à partir de
Relié, Version intégrale
"Veuillez réessayer"
EUR 51,46
EUR 51,46 EUR 174,58
Note: Cet article est éligible à la livraison en points de collecte. Détails
Récupérer votre colis où vous voulez quand vous voulez.
  • Choisissez parmi 17 000 points de collecte en France
  • Les membres du programme Amazon Prime bénéficient de livraison gratuites illimitées
Comment commander vers un point de collecte ?
  1. Trouvez votre point de collecte et ajoutez-le à votre carnet d’adresses
  2. Sélectionnez cette adresse lors de votre commande
Plus d’informations

rentrée scolaire 2017 rentrée scolaire 2017

click to open popover

Offres spéciales et liens associés


Description du produit

Présentation de l'éditeur

Until recently, the phenomenon of copying in medieval book painting has been considered mainly in terms of the reconstruction of pictorial sources used for the composition or iconography of miniatures, initials, or decorative elements. Although historic sources only rarely mention the circumstances of manuscripts' production, one particular widely-accepted hypothesis has prevailed until now, according to which artists used model drawings or sketch books with the aim of facilitating the production of copies and the creation of new picture cycles. However, it is no longer sufficient to regard medieval book painting in its dischronic dimension only through these lenses. Rather, one should consider Robert W. Scheller's critique that "When using the model hypothesis one must always be mindful of other factors which are known to have played a part in the transmission of art in the Middle Ages". The contributions of this volume deal with these issues by focusing on book painting between the 10th and 16th centuries.

Biographie de l'auteur

Monika E. Muller received her PhD on San Pietro al Monte di Civate (Lombardy) in 2005, and is a Scientific Collaborator at the University Library of Dusseldorf. She has published in the fields of Medieval wall and book painting, and monastic libraries in Northern Germany. She currently teaches at the Universities of Gottingen and Dusseldorf. Peter K. Klein is Professor Emeritus of Art History at Universitat Tubingen. He has also taught at the Universities of Pittsburgh, Lexington, Geneva, Paris-Nanterre, Los Angeles and Marburg. He has published work on Medieval book illumination, Romanesque sculpture, cloisters, and Spanish art history. Laurence Ternier Aliferis received her PhD from the University of Geneva in 2011, and is currently a Visiting Scholar at the Centre Andre Chastel - Paris IV Sorbonne. Her research focuses on artistic models during the 12th and 13th centuries, style in the 1200s, and Eucharist theology. Guido Siebert is a PhD candidate, with a dissertation on the glass paintings of the west choir in Naumburg Cathedral. He served as secretary of the 2011 exhibition "Der Naumburger Meister", and has been Director of Communication at the Foundation Schloss Friedenstein Gotha since 2013. Cynthia Johnston is a PhD student at the Institute of English Studies, School of Advanced Study, University of London, and studies the development of pen-flourished decoration to manuscripts in 13thcentury England. Her research has been funded by the UK Arts and Humanities Research Council. Joris Corin Heyder is a PhD student at the Freie Universitat Berlin, participating in the History and Cultural Studies graduate program, and holds a PhD-scholarship from the Gerda Henkel Foundation. He is a Research Associate and Lecturer at the Freie Universitat Berlin. Miranda Bloem is a PhD candidate at the University of Amsterdam, specialising in illumination in the Northern Netherlands. Her dissertation on the Masters of Zweder van Culemborg will be finished by summer 2014. Christine Seidel is a Fellow of the Metropolitan Museum of Art, and completed her doctoral thesis on the book painter Jean Colombe and the Art in Bourges during the reign of Charles VII. of France at the Freie Universitat Berlin in 2013.

Aucun appareil Kindle n'est requis. Téléchargez l'une des applis Kindle gratuites et commencez à lire les livres Kindle sur votre smartphone, tablette ou ordinateur.

  • Apple
  • Android
  • Windows Phone
  • Android

Pour obtenir l'appli gratuite, saisissez votre numéro de téléphone mobile.



Détails sur le produit


Commentaires client

Il n'y a pour l'instant aucun commentaire client.
5 étoiles
0
4 étoiles
0
3 étoiles
0
2 étoiles
0
1 étoile
0
Partagez votre opinion avec les autres clients

Où en sont vos commandes ?

Livraison et retours

Besoin d'aide ?