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Vivaldi: Orlando furioso


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Détails sur le produit

  • Interprète: Riccardo Novaro, Teodora Gheorghiu, Gaelle Arquez, Romina Basso, Delphine Galou, et al.
  • Orchestre: Modo Antiquo
  • Chef d'orchestre: Sardelli Frederico Maria
  • Compositeur: Antonio Vivaldi
  • CD (6 novembre 2012)
  • Nombre de disques: 2
  • Label: Naive
  • ASIN : B008R5OKD8
  • Autres éditions : Téléchargement MP3
  • Moyenne des commentaires client : Soyez la première personne à écrire un commentaire sur cet article
  • Classement des meilleures ventes d'Amazon: 65.495 en Musique (Voir les 100 premiers en Musique)
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Liste des titres

Disque : 1

  1. Orlando furioso rv819: sinfonia: concerto rv781: I.allegro - Federico Maria Sardelli, Modo Antiquo
  2. Orlando furioso rv819: sinfonia: concerto rv781: II.grave - Federico Maria Sardelli, Modo Antiquo
  3. Orlando furioso rv819: sinfonia: concerto rv781: III.allegro - Federico Maria Sardelli, Modo Antiquo
  4. Orlando furioso rv819: act I, scena I: I. recitativo - Federico Maria Sardelli, Modo Antiquo, Romina Basso, Teodora Gheorghiu
  5. Orlando furioso rv819: act I, scena I: II. aria "vorria la mia speranza" - Federico Maria Sardelli, Modo Antiquo, Teodora Gheorghiu
  6. Orlando furioso rv819: act I, scena II: I. recitativo - Federico Maria Sardelli, Modo Antiquo, Riccardo Novaro, Roberta Mameli, Romina Basso
  7. Orlando furioso rv819: act I, scena I: II. aria "se fedele serbi affetto" - Federico Maria Sardelli, Modo Antiquo, Romina Basso
  8. Orlando furioso rv819: act I, scena III: I. recitativo - Federico Maria Sardelli, Modo Antiquo, Riccardo Novaro, Roberta Mameli
  9. Orlando furioso rv819: act I, scena III: II. aria "la fè, l'amor che ho in sen" - Federico Maria Sardelli, Modo Antiquo, Roberta Mameli
  10. Orlando furioso rv819: act I, scena IV: I. recitativo - Federico Maria Sardelli, Gaëlle Arquez, Modo Antiquo, Riccardo Novaro
  11. Orlando furioso rv819: act I, scena IV: II. aria "rivo che tumido" - Federico Maria Sardelli, Gaëlle Arquez, Modo Antiquo
  12. Orlando furioso rv819: act I, scena V: I. recitativo - Federico Maria Sardelli, Modo Antiquo, Riccardo Novaro
  13. Orlando furioso rv819: act I, scena V: II. aria "nel profondo cieco mondo" - Federico Maria Sardelli, Modo Antiquo, Riccardo Novaro
  14. Orlando furioso rv819: act I, scena VI & VII: recitativo - Delphine Galou, Federico Maria Sardelli, Modo Antiquo, Teodora Gheorghiu
  15. Orlando furioso rv819: act I, scena VII: aria "se trova il lume la farfalletta" - Delphine Galou, Federico Maria Sardelli, Modo Antiquo
  16. Orlando furioso rv819: act I, scena VIII: I. recitativo - Delphine Galou, Federico Maria Sardelli, Modo Antiquo, Riccardo Novaro, Romina Basso, Teodora Gheorghiu
  17. Orlando furioso rv819: act I, scena VIII: II. aria "tu sei degli occhi miei" - Federico Maria Sardelli, Modo Antiquo, Teodora Gheorghiu
  18. Orlando furioso rv819: act I, scena IX: I. recitativo - Delphine Galou, Federico Maria Sardelli, Modo Antiquo, Romina Basso
  19. Orlando furioso rv819: act I, scena IX: II. aria "e' la brama in chi ben ama" - Delphine Galou, Federico Maria Sardelli, Modo Antiquo
  20. Orlando furioso rv819: act I, scena X & XI: recitativo - David Dq Lee, Federico Maria Sardelli, Gaëlle Arquez, Modo Antiquo, Romina Basso
  21. Orlando furioso rv819: act I, scena XI: I. aria "porta il sol del tuo sembiante" - David Dq Lee, Federico Maria Sardelli, Modo Antiquo
  22. Orlando furioso rv819: act I, scena XI: II. recitativo - David Dq Lee, Federico Maria Sardelli, Gaëlle Arquez, Modo Antiquo, Romina Basso
  23. Orlando furioso rv819: act I, scena XI: III. aria" non muore il fiore" - David Dq Lee, Federico Maria Sardelli, Modo Antiquo
  24. Orlando furioso rv819: act I, scena XII: I. recitativo - Federico Maria Sardelli, Gaëlle Arquez, Modo Antiquo, Romina Basso
  25. Orlando furioso rv819: act I, scena XII: II. aria "per lo stral che vien da' rai" - Federico Maria Sardelli, Modo Antiquo, Romina Basso
  26. Orlando furioso rv819: act I, scena XIII: I. recitativo - Federico Maria Sardelli, Gaëlle Arquez, Modo Antiquo
  27. Orlando furioso rv819: act I, scena XIII: II. aria "amerò costante sempre" - Federico Maria Sardelli, Gaëlle Arquez, Modo Antiquo

Disque : 2

  1. Orlando furioso rv819: act II, scena I & II: recitativo - Federico Maria Sardelli, Gaëlle Arquez, Modo Antiquo, Roberta Mameli, Romina Basso
  2. Orlando furioso rv819: act II, scena II: aria "chi seguir vuol la costanza" - Federico Maria Sardelli, Modo Antiquo, Romina Basso
  3. Orlando furioso rv819: act II, scena III: I. recitativo - David Dq Lee, Federico Maria Sardelli, Gaëlle Arquez, Modo Antiquo, Roberta Mameli
  4. Orlando furioso rv819: act II, scena III: II. aria "ah, fuggi rapido" - Federico Maria Sardelli, Modo Antiquo, Roberta Mameli
  5. Orlando furioso rv819: act II, scena IV: I. recitativo - David Dq Lee, Federico Maria Sardelli, Gaëlle Arquez, Modo Antiquo, Riccardo Novaro
  6. Orlando furioso rv819: act II, scena IV: II. aria "taci, non ti lagnar" - Federico Maria Sardelli, Gaëlle Arquez, Modo Antiquo
  7. Orlando furioso rv819: act II, scena V: I. recitativo - David Dq Lee, Federico Maria Sardelli, Modo Antiquo, Riccardo Novaro
  8. Orlando furioso rv819: act II, scena V: II. aria "piangerò, sin che l'onda del pianto" - David Dq Lee, Federico Maria Sardelli, Modo Antiquo
  9. Orlando furioso rv819: act II, scena VI: I. recitativo - Delphine Galou, Federico Maria Sardelli, Modo Antiquo, Teodora Gheorghiu
  10. Orlando furioso rv819: act II, scena VI: II. aria "io sembro appunto quell'augelletto" - Delphine Galou, Federico Maria Sardelli, Modo Antiquo
  11. Orlando furioso rv819: act II, scena VII: I. recitativo - Federico Maria Sardelli, Modo Antiquo, Riccardo Novaro, Teodora Gheorghiu
  12. Orlando furioso rv819: act II, scena VII: II. recitativo - Federico Maria Sardelli, Modo Antiquo, Teodora Gheorghiu
  13. Orlando furioso rv819: act II, scena VII, VIII, IX recitativo - Federico Maria Sardelli, Modo Antiquo, Riccardo Novaro, Teodora Gheorghiu
  14. Orlando furioso rv819: act II, scena XI: recitativo - Federico Maria Sardelli, Modo Antiquo, Riccardo Novaro
  15. Orlando furioso rv819: act II, scena XII: I. aria "cara sposa, in questo petto" - David Dq Lee, Federico Maria Sardelli, Modo Antiquo
  16. Orlando furioso rv819: act II, scena XII: II. aria "grazie ed amori" - Federico Maria Sardelli, Gaëlle Arquez, Modo Antiquo
  17. Orlando furioso rv819: act II, scena XII: III. recitativo - Federico Maria Sardelli, Modo Antiquo, Romina Basso
  18. Orlando furioso rv819: act II, scena XII: IV. recitativo - Federico Maria Sardelli, Modo Antiquo, Romina Basso
  19. Orlando furioso rv819: act II, scena XII: V. aria "usignolo, lascia il duolo" - Federico Maria Sardelli, Modo Antiquo, Romina Basso
  20. Orlando furioso rv819: act II, scena XII: VI. recitativo - Federico Maria Sardelli, Modo Antiquo, Romina Basso
  21. Orlando furioso rv819: act II, scena XIII: I. coro "al fragor de' corni audaci" - David Dq Lee, Delphine Galou, Federico Maria Sardelli, Gaëlle Arquez, Modo Antiquo, Riccardo Novaro, Roberta Mameli, Romina Basso, Teodora Gheorghiu
  22. Orlando furioso rv819: act II, scena XIII: II. recitativo - Delphine Galou, Federico Maria Sardelli, Modo Antiquo, Romina Basso
  23. Orlando furioso rv819: act II, scena XIII: III. recitativo accompagnato - Delphine Galou, Federico Maria Sardelli, Modo Antiquo
  24. Orlando furioso rv819: act II, scena XIII: IV. coro "gran madre venere" - David Dq Lee, Delphine Galou, Federico Maria Sardelli, Gaëlle Arquez, Modo Antiquo, Riccardo Novaro, Roberta Mameli, Romina Basso, Teodora Gheorghiu
  25. Orlando furioso rv819: act II, scena XIII: V. recitativo - Delphine Galou, Federico Maria Sardelli, Modo Antiquo, Romina Basso, Teodora Gheorghiu
  26. Orlando furioso rv819: act II, scena XIII: VI. recitativo accompagnato - Federico Maria Sardelli, Modo Antiquo, Teodora Gheorghiu
  27. Orlando furioso rv819: act II, scena XIII: VII. coro "diva dell'espero" - David Dq Lee, Delphine Galou, Federico Maria Sardelli, Gaëlle Arquez, Modo Antiquo, Riccardo Novaro, Roberta Mameli, Romina Basso, Teodora Gheorghiu
  28. Orlando furioso rv819: act II, scena XIII: VIII. recitativo - Federico Maria Sardelli, Modo Antiquo, Romina Basso
  29. Orlando furioso rv819: act II, scena XIII: IX. aria "amaranto ch'eterno ha il suo vanto" - Federico Maria Sardelli, Modo Antiquo, Romina Basso
  30. Orlando furioso rv819: act II, scena XIV: I. recitativo - Delphine Galou, Federico Maria Sardelli, Modo Antiquo, Teodora Gheorghiu
  31. Orlando furioso rv819: act II, scena XIV: II. recitativo - Delphine Galou, Federico Maria Sardelli, Modo Antiquo, Teodora Gheorghiu
  32. Orlando furioso rv819: act II, scena XIV: III. recitativo - Delphine Galou, Federico Maria Sardelli, Modo Antiquo, Teodora Gheorghiu
  33. Orlando furioso rv819: act II, scena XIV: IV. duetto "sei mio nume, se il mio bene" - Delphine Galou, Federico Maria Sardelli, Modo Antiquo, Teodora Gheorghiu
  34. Orlando furioso rv819: act II, scena XV: I. recitativo - Federico Maria Sardelli, Modo Antiquo, Riccardo Novaro
  35. Orlando furioso rv819: act II, scena XV: II. arioso "io ti getto elmo ed usbergo" - Federico Maria Sardelli, Modo Antiquo, Riccardo Novaro
  36. Orlando furioso rv819: act II, scena XV: III. recitativo - Federico Maria Sardelli, Modo Antiquo, Riccardo Novaro
  37. Orlando furioso rv819: act II, scena XV: IV. aria "ho cento vanni al tergo" - Federico Maria Sardelli, Modo Antiquo, Riccardo Novaro

Descriptions du produit

Description du produit

Pour sa 52e parution, l'Édition Vivaldi crée l'événement en révélant un opéra inédit : le manuscrit de cet Orlando Furioso, retrouvé dans la bibliothèque personnelle de Vivaldi, n'était pas signé. Les musicologues viennent de confirmer que l'auteur de ce premier Orlando est bien Vivaldi ! Orlando Furioso est le plus célèbre des opéras de Vivaldi : il date de 1727. Mais aujourd'hui, les spécialistes du catalogue du compositeur vénitien sont en mesure d'annoncer que Vivaldi a en fait composé un autre Orlando Furioso, 13 ans plus tôt, d'une facture exceptionnelle ! Pour la recréation de cet opéra, Federico Maria Sardelli s'est entouré d'une équipe vocale de premier plan et grands espoirs de la nouvelle génération : Riccardo Novaro, Gaelle Arquez, Dephine Galou, David DQ Lee. « Sous l'impulsion à la fois soutenue et tempérée de Federico Maria Sardelli, l'orchestre Modo Antiquo pare cette oeuvre de jeunesse de la palette chromatique enrichie par la maturité du compositeur (.) Le génie dramatique du Prêtre roux éclate dans les récitatifs. D'autant que la distribution rend à merveille la variété des caractères. » DIAPASON

Critique

The resulting patchwork is surprisingly compelling...there s a softer, simpler charm to this earlier version... Sardelli s direction keeps speeds swift and orchestral texture clean, driving the action forward in the gritty thrum of guitars and continuo. His cast provide all the colours that Vivaldi s orchestration lacks. --Alexandra Coghlan, Opera March 2013


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Amazon.com: HASH(0x8c0ea120) étoiles sur 5 6 commentaires
5 internautes sur 5 ont trouvé ce commentaire utile 
HASH(0x8bd46bd0) étoiles sur 5 A wonderful discovery! 1 mars 2013
Par Stuart Sillitoe - Publié sur Amazon.com
Format: CD
In his introduction to the booklet notes, Federico Maria Sardelli, puts forward a strong and decisive case for why this opera should be seen as an original work by Vivaldi and therefore moved from the spurious works (RV Anh. 84) and entered into full catalogue of works. He builds on earlier research before going on to explain how he has had to reconstruct some sections of the opera and why he has refused to re-compose the missing third act. This is a well researched argument and whatever you think, with a performance as good is this, it is a worthy addition to any collection.
I have a few recordings in the Naïve Vivaldi Edition, but the only opera in the series I have is of the 1727 version of the same libretto, which while one of Vivaldi's best known operas, is also one of the most underrated. Yes, this does lead to similarities, after all which composer of the period did not recycle earlier material, but these are distant echoes with the opera on the whole sounding new and fresh.
The performance is one to savour, with all the vocalists giving a spirited performance of this effective performance. If I were to single one singer out it would be Roberta Mameli, who positively sparkles in the all too short role of Astolfo, just listen to her Act 2 aria Ah, fuggi rapido and, like me, you will be wishing that she had more to sing! The instrumentalists too are in fine form and breathe new life into this old music, and all under the expert direction of Federico Maria Sardelli, who proves that he is a lot more than an academic.
The booklet notes are excellent and it is recorded in a pleasingly natural and sympathetic acoustic, making this a most recommendable set. If you have the Naïve recording of the 1727 version of Orlando Furioso and you are dithering over whether to invest in this recording, well dither no more, buy this new recording, it has some really effective and pleasing music and you won't be disappointed!
6 internautes sur 9 ont trouvé ce commentaire utile 
HASH(0x8bd46c24) étoiles sur 5 An inspired recreation 23 décembre 2012
Par Jon Chambers - Publié sur Amazon.com
Format: CD
There have been two releases of 'new' Vivaldi works recently, New Discoveries Volume 2, and this, Orlando furioso, 1714. More accurately, the opera is a new attribution, having previously been considered the work of the young composer Giovanni Alberto Rostori.

With so much mystery surrounding the work, there is still a whiff of the spurious about the new offering. Several arias are missing from the manuscript housed in Turin. More are incomplete. The whole of Act III has been lost. Surely, then, this recreation is more to do with musicology than music, and more Sardelli than Vivaldi?

As ever, Sardelli makes a very clear and convincing case in his notes which accompany the recording. He didn't want to burden the world, he says, with another pasticcio, and so rejected the idea of re-creating the third act. Those arias that are taken wholesale from the Vivaldi operas which pre-date this score (Ottone in villa and Orlando finto pazzo) were recycled by the composer himself, with one single exception. Where the music is supplied by Sardelli, filling in for the missing vocal and melodic lines, Sardelli argues that the only other viable alternative was to abandon the fragments altogether. And anyway, he says, 'in this case, the fragmentation was horizontal, not vertical: what was missing was not whole blocks of music but a few lines of a composition that had survived in part.' Perhaps he is being slightly disingenuous here. 'A few lines' refers, after all, to musical parts rather than bars. What has survived is often no more than the basso continuo part and the first few bars of melody.

Despite reservations, this CD has to represent one of the triumphs of recent times in Baroque music. Sardelli is a thoroughly assured Vivaldian, and there can't be anyone better equipped than he is to divine the composer's intentions.

Two great regrets for me in 2012 were (despite being in France for practically the whole year!) missing the climax of the Tour de France, and missing the Beaune Festival of Baroque Music, where this Vivaldi opera received its world premiere. Luckily, the current CDs capture the essence of what was missed last July. And while the opera does not match Vivaldi's best in this genre (it is not La fida ninfa, for example), it is spirited and engaging nonetheless. From the very first tracks of CD 1 (which feature the scarcely heard Sinfonia RV781, contemporaneous with this opera and probably written as an overture) it gives an illuminating insight into Vivaldi's early years as an opera composer and, at the same time, a superb example of inspired musicianship. A very worthy release from Naive.
2 internautes sur 3 ont trouvé ce commentaire utile 
HASH(0x8bd4a078) étoiles sur 5 Fantastic recording 14 février 2013
Par KH Birmingham - Publié sur Amazon.com
Format: CD
Fantastic from beginning to end. The conductor is clearly a scholar as well, and has done a great deal of the work of compiling this edition of the opera. While the extensive program notes can be a little difficult to follow in terms of what was written when and how numbers were rearranged, that's the way it is with early music. The singers were all stellar, and the orchestra was fantastic. Ornamentation was both expressive and stylish. While this wasn't perhaps Vivaldi's greatest work, it's certainly the best recording that one could hope for.
0 internautes sur 1 ont trouvé ce commentaire utile 
HASH(0x8bd4a444) étoiles sur 5 Interesting Vivaldi opera 29 décembre 2014
Par Dr. Fred E. Koerner - Publié sur Amazon.com
Format: CD Achat vérifié
It's a treat to have the magnificent French contralto Delphine Galou on an album.
She is terrific.

Overall excellent singing and orchestral work.
0 internautes sur 2 ont trouvé ce commentaire utile 
HASH(0x8bd4a3f0) étoiles sur 5 Vivaldi is an amazing discovery. Listen for yourself 29 août 2014
Par Julie Pagitt - Publié sur Amazon.com
Format: CD Achat vérifié
Absolute marvel. Vivaldi is an amazing discovery. Listen for yourself. Naive's catalog is impeccable.
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