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Vivaldi: Orlando furioso

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4,8 étoiles sur 5 6 commentaires provenant des USA

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Détails sur le produit

  • Interprète: Riccardo Novaro, Teodora Gheorghiu, Gaelle Arquez, Romina Basso, Delphine Galou, et al.
  • Orchestre: Modo Antiquo
  • Chef d'orchestre: Sardelli Frederico Maria
  • Compositeur: Antonio Vivaldi
  • CD (6 novembre 2012)
  • Nombre de disques: 2
  • Label: Naive
  • ASIN : B008R5OKD8
  • Autres éditions : CD  |  Téléchargement MP3
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Liste des titres

Disque : 1

  1. Orlando furioso rv819: sinfonia: concerto rv781: I.allegro - Modo Antiquo, Federico Maria Sardelli
  2. Orlando furioso rv819: sinfonia: concerto rv781: II.grave - Modo Antiquo, Federico Maria Sardelli
  3. Orlando furioso rv819: sinfonia: concerto rv781: III.allegro - Modo Antiquo, Federico Maria Sardelli
  4. Orlando furioso rv819: act I, scena I: I. recitativo - Teodora Gheorghiu, Romina Basso, Modo Antiquo, Federico Maria Sardelli
  5. Orlando furioso rv819: act I, scena I: II. aria "vorria la mia speranza" - Teodora Gheorghiu, Modo Antiquo, Federico Maria Sardelli
  6. Orlando furioso rv819: act I, scena II: I. recitativo - Romina Basso, Roberta Mameli, Riccardo Novaro, Modo Antiquo, Federico Maria Sardelli
  7. Orlando furioso rv819: act I, scena I: II. aria "se fedele serbi affetto" - Romina Basso, Modo Antiquo, Federico Maria Sardelli
  8. Orlando furioso rv819: act I, scena III: I. recitativo - Roberta Mameli, Riccardo Novaro, Modo Antiquo, Federico Maria Sardelli
  9. Orlando furioso rv819: act I, scena III: II. aria "la fè, l'amor che ho in sen" - Roberta Mameli, Modo Antiquo, Federico Maria Sardelli
  10. Orlando furioso rv819: act I, scena IV: I. recitativo - Riccardo Novaro, Modo Antiquo, Gaëlle Arquez, Federico Maria Sardelli
  11. Orlando furioso rv819: act I, scena IV: II. aria "rivo che tumido" - Modo Antiquo, Gaëlle Arquez, Federico Maria Sardelli
  12. Orlando furioso rv819: act I, scena V: I. recitativo - Riccardo Novaro, Modo Antiquo, Federico Maria Sardelli
  13. Orlando furioso rv819: act I, scena V: II. aria "nel profondo cieco mondo" - Riccardo Novaro, Modo Antiquo, Federico Maria Sardelli
  14. Orlando furioso rv819: act I, scena VI & VII: recitativo - Teodora Gheorghiu, Modo Antiquo, Federico Maria Sardelli, Delphine Galou
  15. Orlando furioso rv819: act I, scena VII: aria "se trova il lume la farfalletta" - Modo Antiquo, Federico Maria Sardelli, Delphine Galou
  16. Orlando furioso rv819: act I, scena VIII: I. recitativo - Teodora Gheorghiu, Romina Basso, Riccardo Novaro, Modo Antiquo, Federico Maria Sardelli, Delphine Galou
  17. Orlando furioso rv819: act I, scena VIII: II. aria "tu sei degli occhi miei" - Teodora Gheorghiu, Modo Antiquo, Federico Maria Sardelli
  18. Orlando furioso rv819: act I, scena IX: I. recitativo - Romina Basso, Modo Antiquo, Federico Maria Sardelli, Delphine Galou
  19. Orlando furioso rv819: act I, scena IX: II. aria "e' la brama in chi ben ama" - Modo Antiquo, Federico Maria Sardelli, Delphine Galou
  20. Orlando furioso rv819: act I, scena X & XI: recitativo - Romina Basso, Modo Antiquo, Gaëlle Arquez, Federico Maria Sardelli, David Dq Lee
  21. Orlando furioso rv819: act I, scena XI: I. aria "porta il sol del tuo sembiante" - Modo Antiquo, Federico Maria Sardelli, David Dq Lee
  22. Orlando furioso rv819: act I, scena XI: II. recitativo - Romina Basso, Modo Antiquo, Gaëlle Arquez, Federico Maria Sardelli, David Dq Lee
  23. Orlando furioso rv819: act I, scena XI: III. aria" non muore il fiore" - Modo Antiquo, Federico Maria Sardelli, David Dq Lee
  24. Orlando furioso rv819: act I, scena XII: I. recitativo - Romina Basso, Modo Antiquo, Gaëlle Arquez, Federico Maria Sardelli
  25. Orlando furioso rv819: act I, scena XII: II. aria "per lo stral che vien da' rai" - Romina Basso, Modo Antiquo, Federico Maria Sardelli
  26. Orlando furioso rv819: act I, scena XIII: I. recitativo - Modo Antiquo, Gaëlle Arquez, Federico Maria Sardelli
  27. Orlando furioso rv819: act I, scena XIII: II. aria "amerò costante sempre" - Modo Antiquo, Gaëlle Arquez, Federico Maria Sardelli

Disque : 2

  1. Orlando furioso rv819: act II, scena I & II: recitativo - Romina Basso, Roberta Mameli, Modo Antiquo, Gaëlle Arquez, Federico Maria Sardelli
  2. Orlando furioso rv819: act II, scena II: aria "chi seguir vuol la costanza" - Romina Basso, Modo Antiquo, Federico Maria Sardelli
  3. Orlando furioso rv819: act II, scena III: I. recitativo - Roberta Mameli, Modo Antiquo, Gaëlle Arquez, Federico Maria Sardelli, David Dq Lee
  4. Orlando furioso rv819: act II, scena III: II. aria "ah, fuggi rapido" - Roberta Mameli, Modo Antiquo, Federico Maria Sardelli
  5. Orlando furioso rv819: act II, scena IV: I. recitativo - Riccardo Novaro, Modo Antiquo, Gaëlle Arquez, Federico Maria Sardelli, David Dq Lee
  6. Orlando furioso rv819: act II, scena IV: II. aria "taci, non ti lagnar" - Modo Antiquo, Gaëlle Arquez, Federico Maria Sardelli
  7. Orlando furioso rv819: act II, scena V: I. recitativo - Riccardo Novaro, Modo Antiquo, Federico Maria Sardelli, David Dq Lee
  8. Orlando furioso rv819: act II, scena V: II. aria "piangerò, sin che l'onda del pianto" - Modo Antiquo, Federico Maria Sardelli, David Dq Lee
  9. Orlando furioso rv819: act II, scena VI: I. recitativo - Teodora Gheorghiu, Modo Antiquo, Federico Maria Sardelli, Delphine Galou
  10. Orlando furioso rv819: act II, scena VI: II. aria "io sembro appunto quell'augelletto" - Modo Antiquo, Federico Maria Sardelli, Delphine Galou
  11. Orlando furioso rv819: act II, scena VII: I. recitativo - Teodora Gheorghiu, Riccardo Novaro, Modo Antiquo, Federico Maria Sardelli
  12. Orlando furioso rv819: act II, scena VII: II. recitativo - Teodora Gheorghiu, Modo Antiquo, Federico Maria Sardelli
  13. Orlando furioso rv819: act II, scena VII, VIII, IX recitativo - Teodora Gheorghiu, Riccardo Novaro, Modo Antiquo, Federico Maria Sardelli
  14. Orlando furioso rv819: act II, scena XI: recitativo - Riccardo Novaro, Modo Antiquo, Federico Maria Sardelli
  15. Orlando furioso rv819: act II, scena XII: I. aria "cara sposa, in questo petto" - Modo Antiquo, Federico Maria Sardelli, David Dq Lee
  16. Orlando furioso rv819: act II, scena XII: II. aria "grazie ed amori" - Modo Antiquo, Gaëlle Arquez, Federico Maria Sardelli
  17. Orlando furioso rv819: act II, scena XII: III. recitativo - Romina Basso, Modo Antiquo, Federico Maria Sardelli
  18. Orlando furioso rv819: act II, scena XII: IV. recitativo - Romina Basso, Modo Antiquo, Federico Maria Sardelli
  19. Orlando furioso rv819: act II, scena XII: V. aria "usignolo, lascia il duolo" - Romina Basso, Modo Antiquo, Federico Maria Sardelli
  20. Orlando furioso rv819: act II, scena XII: VI. recitativo - Romina Basso, Modo Antiquo, Federico Maria Sardelli
  21. Orlando furioso rv819: act II, scena XIII: I. coro "al fragor de' corni audaci" - Teodora Gheorghiu, Romina Basso, Roberta Mameli, Riccardo Novaro, Modo Antiquo, Gaëlle Arquez, Federico Maria Sardelli, Delphine Galou, David Dq Lee
  22. Orlando furioso rv819: act II, scena XIII: II. recitativo - Romina Basso, Modo Antiquo, Federico Maria Sardelli, Delphine Galou
  23. Orlando furioso rv819: act II, scena XIII: III. recitativo accompagnato - Modo Antiquo, Federico Maria Sardelli, Delphine Galou
  24. Orlando furioso rv819: act II, scena XIII: IV. coro "gran madre venere" - Teodora Gheorghiu, Romina Basso, Roberta Mameli, Riccardo Novaro, Modo Antiquo, Gaëlle Arquez, Federico Maria Sardelli, Delphine Galou, David Dq Lee
  25. Orlando furioso rv819: act II, scena XIII: V. recitativo - Teodora Gheorghiu, Romina Basso, Modo Antiquo, Federico Maria Sardelli, Delphine Galou
  26. Orlando furioso rv819: act II, scena XIII: VI. recitativo accompagnato - Teodora Gheorghiu, Modo Antiquo, Federico Maria Sardelli
  27. Orlando furioso rv819: act II, scena XIII: VII. coro "diva dell'espero" - Teodora Gheorghiu, Romina Basso, Roberta Mameli, Riccardo Novaro, Modo Antiquo, Gaëlle Arquez, Federico Maria Sardelli, Delphine Galou, David Dq Lee
  28. Orlando furioso rv819: act II, scena XIII: VIII. recitativo - Romina Basso, Modo Antiquo, Federico Maria Sardelli
  29. Orlando furioso rv819: act II, scena XIII: IX. aria "amaranto ch'eterno ha il suo vanto" - Romina Basso, Modo Antiquo, Federico Maria Sardelli
  30. Orlando furioso rv819: act II, scena XIV: I. recitativo - Teodora Gheorghiu, Modo Antiquo, Federico Maria Sardelli, Delphine Galou
  31. Orlando furioso rv819: act II, scena XIV: II. recitativo - Teodora Gheorghiu, Modo Antiquo, Federico Maria Sardelli, Delphine Galou
  32. Orlando furioso rv819: act II, scena XIV: III. recitativo - Teodora Gheorghiu, Modo Antiquo, Federico Maria Sardelli, Delphine Galou
  33. Orlando furioso rv819: act II, scena XIV: IV. duetto "sei mio nume, se il mio bene" - Teodora Gheorghiu, Modo Antiquo, Federico Maria Sardelli, Delphine Galou
  34. Orlando furioso rv819: act II, scena XV: I. recitativo - Riccardo Novaro, Modo Antiquo, Federico Maria Sardelli
  35. Orlando furioso rv819: act II, scena XV: II. arioso "io ti getto elmo ed usbergo" - Riccardo Novaro, Modo Antiquo, Federico Maria Sardelli
  36. Orlando furioso rv819: act II, scena XV: III. recitativo - Riccardo Novaro, Modo Antiquo, Federico Maria Sardelli
  37. Orlando furioso rv819: act II, scena XV: IV. aria "ho cento vanni al tergo" - Riccardo Novaro, Modo Antiquo, Federico Maria Sardelli

Description du produit

Description du produit

Pour sa 52e parution, l'Édition Vivaldi crée l'événement en révélant un opéra inédit : le manuscrit de cet Orlando Furioso, retrouvé dans la bibliothèque personnelle de Vivaldi, n'était pas signé. Les musicologues viennent de confirmer que l'auteur de ce premier Orlando est bien Vivaldi ! Orlando Furioso est le plus célèbre des opéras de Vivaldi : il date de 1727. Mais aujourd'hui, les spécialistes du catalogue du compositeur vénitien sont en mesure d'annoncer que Vivaldi a en fait composé un autre Orlando Furioso, 13 ans plus tôt, d'une facture exceptionnelle ! Pour la recréation de cet opéra, Federico Maria Sardelli s'est entouré d'une équipe vocale de premier plan et grands espoirs de la nouvelle génération : Riccardo Novaro, Gaelle Arquez, Dephine Galou, David DQ Lee. « Sous l'impulsion à la fois soutenue et tempérée de Federico Maria Sardelli, l'orchestre Modo Antiquo pare cette oeuvre de jeunesse de la palette chromatique enrichie par la maturité du compositeur (.) Le génie dramatique du Prêtre roux éclate dans les récitatifs. D'autant que la distribution rend à merveille la variété des caractères. » DIAPASON

Critique

The resulting patchwork is surprisingly compelling...there s a softer, simpler charm to this earlier version... Sardelli s direction keeps speeds swift and orchestral texture clean, driving the action forward in the gritty thrum of guitars and continuo. His cast provide all the colours that Vivaldi s orchestration lacks. --Alexandra Coghlan, Opera March 2013


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Amazon.com: 4.8 étoiles sur 5 6 commentaires
0 internautes sur 1 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Interesting Vivaldi opera 29 décembre 2014
Par Dr. Fred E. Koerner - Publié sur Amazon.com
Format: CD Achat vérifié
It's a treat to have the magnificent French contralto Delphine Galou on an album.
She is terrific.

Overall excellent singing and orchestral work.
0 internautes sur 2 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Vivaldi is an amazing discovery. Listen for yourself 29 août 2014
Par Julie Pagitt - Publié sur Amazon.com
Format: CD Achat vérifié
Absolute marvel. Vivaldi is an amazing discovery. Listen for yourself. Naive's catalog is impeccable.
3 internautes sur 8 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Fast Food Vivaldi 29 janvier 2013
Par Caveat Auditor - Publié sur Amazon.com
Format: CD Achat vérifié
Performance-wise, this recording of Orlando furioso is among the best in the series of Vivaldi operas recorded on this label. As such, I do not find it necessary to give individual reviews of the singers, because they are consistently excellent. The same applies to the orchestra and its conductor.

Having listened to the entire recording, curiosity prompted me to check off the arias only in iTunes, so the music jumped from aria to aria while skipping the recitatives. What I had surmised became strinkingly evident: Vivaldi pretty much wrote all the arias in a tempo allegro, without much differentiation.

Fortunately, this is a very early Vivaldi opera (and incompletely preserved at that, since act III is lost), so Stravinsky's famous quote "Vivaldi didn't compose 500 violin concerti, he composed a violin concerto 500 times over" is only valid when it comes to the arias of this opera and does not apply to Il Prete rosso's subsequent exploits in the field.

Don't get me wrong - the music is quite delightful, but it isn't Vivaldi at his best. It makes for excellent background music, however.
5 internautes sur 5 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 A wonderful discovery! 1 mars 2013
Par Stuart Sillitoe - Publié sur Amazon.com
Format: CD
In his introduction to the booklet notes, Federico Maria Sardelli, puts forward a strong and decisive case for why this opera should be seen as an original work by Vivaldi and therefore moved from the spurious works (RV Anh. 84) and entered into full catalogue of works. He builds on earlier research before going on to explain how he has had to reconstruct some sections of the opera and why he has refused to re-compose the missing third act. This is a well researched argument and whatever you think, with a performance as good is this, it is a worthy addition to any collection.
I have a few recordings in the Naïve Vivaldi Edition, but the only opera in the series I have is of the 1727 version of the same libretto, which while one of Vivaldi's best known operas, is also one of the most underrated. Yes, this does lead to similarities, after all which composer of the period did not recycle earlier material, but these are distant echoes with the opera on the whole sounding new and fresh.
The performance is one to savour, with all the vocalists giving a spirited performance of this effective performance. If I were to single one singer out it would be Roberta Mameli, who positively sparkles in the all too short role of Astolfo, just listen to her Act 2 aria Ah, fuggi rapido and, like me, you will be wishing that she had more to sing! The instrumentalists too are in fine form and breathe new life into this old music, and all under the expert direction of Federico Maria Sardelli, who proves that he is a lot more than an academic.
The booklet notes are excellent and it is recorded in a pleasingly natural and sympathetic acoustic, making this a most recommendable set. If you have the Naïve recording of the 1727 version of Orlando Furioso and you are dithering over whether to invest in this recording, well dither no more, buy this new recording, it has some really effective and pleasing music and you won't be disappointed!
3 internautes sur 4 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Fantastic recording 14 février 2013
Par KH Birmingham - Publié sur Amazon.com
Format: CD
Fantastic from beginning to end. The conductor is clearly a scholar as well, and has done a great deal of the work of compiling this edition of the opera. While the extensive program notes can be a little difficult to follow in terms of what was written when and how numbers were rearranged, that's the way it is with early music. The singers were all stellar, and the orchestra was fantastic. Ornamentation was both expressive and stylish. While this wasn't perhaps Vivaldi's greatest work, it's certainly the best recording that one could hope for.
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